SOUNDTRACK: THE GREAT GAMBLE-Book One (2012).
My friend Matt has worked at a school in Pennsylvania for years. He wrote to tell me that a few kids who graduated from his school had formed a band and have released a CD. It’s streaming (and downloadable) on bandcamp at their site.
I have lots of friends in bands, and I’ve listened to lots of demos, so I wasn’t expecting very much. But the first thing I noticed when I listened was how good this sounds–professional and, yes, like a “real” album. This isn’t just a bunch of guys jamming in their garage. What makes this even more striking is that the music is heavy progressive metal–not something you just whip out in a quick take. This is complicated, interesting music. I’m hearing a kind of Dream Theater meets King’s X vibe going on. And man, it’s really good.
This is multi-step heavy rock (complete with a synth player/violinist!). The only song that is less than 9 minutes is the 90 second introduction called “The Marketplace.” Otherwise, we’ve got three songs over ten minutes and one over 16! Who even knew young bands did stuff like this anymore?
Al Joseph plays lead guitar and sings lead vocals. His guitar speed is very impressive and his vocals sound not unlike Dug Pinnick from King’s X (noticeable on the opening track, especially) . Matt Weaver plays violin and keyboards. The keyboards offer more than just a fuller sound. On “Release the Kraken” they provide some cool sci-fi sound effects. At about five minutes in, “Release the Kraken” slows down to a quiet middle section that really showcases Steve Michael’s drums. And then comes the blistering guitar solo. It’s followed quickly but a slight diversion and then a wholly different style of solo. It’s really something.
If “Release the Kraken” wasn’t a good enough prog rock title, how bout “Legends of the Symmetria.” This one has a very Dream Theater feel for the opening. But the vocals sound very different–dual vocals with great low harmony. There’s a cool pre-chorus (I guess) at about 3 minutes. This song is definitely a heavy one. At about 4 minutes, the song slows down into a pretty classical guitar section,where Chris Joseph on plays bass gets to show off a bit (although he seems to be the most understated of the 4 players). There’s some great drumming at the end of the song, too.
“The Ghost of Three Reflections” is a slow builder of a song. There’s some quiet parts (with beautiful harmonies) and a guitar solo that sounds clear and perfect (I’m hyping the production so much because it sounds so good). The guitar solo section in this one strikes me as something that might suit two guitarists better–maybe two more different styles of soloing, but he pulls it off well, especially when by the end, he has shifted to a very different style, and the music changes along with it). I love the bass section at the 8 minute mark, which reminds me of something Rush might have done back in the mid 70s. The song kind of merges into “Breach At Fort Mycenae” which opens with the same kind of staggered sound as the end of the previous song. The violin gets an airing in the middle of this song and it’s a cool treat. I could definitely use more violin in these songs, although maybe little bits are a treat. There’s a few times when I don’t like the production choices–maybe there needs to be a bit more music behind some of these solos so it doesn’t just sound like two players soloing against each other.
The disc ends with the big one, the sixteen minute, “The Sleepwalker Pt. 1 – Tears of Dagon” [I love that it’s a Part One and it’s 16 minutes long]. When the vocals kick in at about 3 minutes, the harmonies are gorgeous. I love the bass guitar break at 5 minutes. Although there’s something about the keyboard sound that I don’t like–maybe they’re not big enough? But I love the crazy guitar solo at the 9 minute mark of this track (I’m a sucker for dissonant scales).
This is an amazing debut CD and I hope these guys go far (they’re going from Scranton to Boston for school, but I hope they can go further than that). They are tight as a drum, stopping and starting perfectly, keeping all of the rhythms and time changes perfectly. They really have done their prog rock homework. The only gripe is as I’ve said, some sections don’t feel “big” enough. If you’re going to write a 16 minute song, you don’t want sections that sound small–you want your backing guitars or bass guitars to be a little louder so it sounds like the song is still going. But other than that, there’s not much room for improvement.
I downloaded their CD, (and yes, I paid for it…that will help with college, eh?). But my real complaint is that on the computer, the album cover is awesome–if you look at it from an angle, there’s a whole scene behind the large logo (try it, it works here too). But when you print it out, you lose all of that. The images are there, but the effect is gone. This is a band that calls out for full color packaging and maybe even a gatefold sleeve! (The bottom of the cover says Ο υπνoβάτης which means The Sleepwalker).
Good jobs guys! You’ve done NEPA proud!
[READ: May 15, 2012] Drop Dead Healthy
Sarah got me this latest A.J. Jacobs book for my birthday. At first I didn’t think I wanted to read it because I feared what a book all about being in good shape would be—nagging, obnoxious, making me feel bad about my vices. But I should have leaned from all of my A.J. Jacobs experience that he is completely NOT about that.
Jacobs occasionally enters into preposterous forays of Self-Improvement. In the first book of his I read, The Guinea Pig Diaries, he tried various weird experiments to see what it was like to be a woman, radically honest, a unitasker, etc. His other books have been about self-improvement. He read the encyclopedia from A-Z, he did a year trying to live like out of the bible (I will get to these eventually). In this book, he is on a quest to be the healthiest person in the world.
It’s an impossible task. And, frankly, a foolish one. But he decides he will take two years and focus on individual parts of his body one month at a time. I’m going say right up front I feared that this book would make me feel bad about all the things I don’t do for myself. But well, a) Jacobs is a funny writer, so at least you’re laughing. b) Jacobs is either in bad shape or plays up his badshapedness so that the average person doesn’t feel too bad off. c) He is so over the top in his quest that no one would ever think about doing all of the things, but we can take what he learned and apply little bits to ourselves. What is nice is that he tries to get two if not balanced opinions then perhaps fringe opinions to balance out–trying one extreme then another to see which work.
He Breaks His Categories Down thusly: stomach (eating right, the perfect food), the heart, the ears (the quest for quiet), the butt (avoiding sitting too much), the immune system (germs), genitals, nervous system, lower intestine (better bowels), adrenal gland (lowering stress), brain, endocrine system (removing toxins), teeth, feet, lungs, skin, inside of the eyelid (sleep), bladder, gonads, nose, hands, back, eyes, and skull. Each category is designed to be a month-long workout of that organ/item–some things he keeps doing after the month is over making his workout regime something like 5 hours a day. And at the beginning of each month he lists the stats for what he accomplished.
I’m not going to talk about all of his body parts, but I will mention a few that i enjoyed the most. (more…)
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SOUNDTRACK: JAPANDROIDS-“Fire’s Highway” (2012).
I regret dismissing the suggestions of the NPR folks the other day. As the more I dig into their suggestions, the more I like–seems their selections are better than their descriptions of said selections. Take this description of the Japandoids’ album: “snarling punk meets the fist-in-the-air anthemics of Born to Run-era Springsteen and his modern-day equivalents in The Gaslight Anthem.” I’ve never really liked Springsteen (I know, a Jersey boy, too). I think it’s more about production (and saxophone) than anything else. So, comparing bands to him is never a sell for me (even if it may be true). To me, this sounds much more like a low-key Arcade Fire (with literally no pretensions to anything–I mean, there’s only 2 Japandroids). Granted, Arcade Fire owe a lot to Springsteen too, but they do something different with his sound, which is why I like them. [I’m not going to be able to argue my way out of this].
I Just Read About That... 