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Archive for the ‘Coronavirus’ Category

SOUNDTRACK: JERU THE DAMAJA-Tiny Desk (Home) Concert #16 (April 30, 2020).

I’ve always liked Jeru the Damaja’s name; I find it very satisfying.  It’s amusing to me that with a name like that he raps about positive things.

He used the concert to share his inspiring philosophy of self-knowledge. Jeru drops lyrics about what it takes to achieve self-actualization in tough conditions for not just himself, but for the culture.

I don’t actually know any of his songs; this is a “medley of his classics.”  Jeru’s got a great, deep voice that adds a lot of strength to his lyrics.

Like Black Thought, Jeru sits in a chair, surrounded by his gear.  Unlike Black Thought, Jeru is in motion pretty consistently bobbing and waving his hand like he does care.

He starts with 50 seconds of “Can’t Stop the Prophet” after which he says “we need a superhero and we forget that the superhero resides within us.”  he encourages everyone to be creative in this time because idle hands do the devil’s work.  This is his lead into the 90 seconds of “Ain’t The Devil Happy.”

His prescient lyrics remain as relevant as ever as he addresses the deepening fissures of socioeconomic inequalities exposed by the coronavirus crisis.

He even updates the lyrics of “Scientifical Madness”

Mind Jah lick you with disease
So I inflict MC’s like Ebola Corona
Or some other man made cancer

He says he doesn’t want to be inside, but he’s grateful that he has a place to be because living outside is “So Raw.”  I really like the slow grooving beat of this song.

After the 90 seconds of “My Mind Spray” he says his mind is always working.  He’s always wondering if this and if that. But the old saying goes “If if’s were fifth, we’d all be drunk.”  In the song “If” he adds “If if was a spliff, we’d all get smoked up.”

He closes his set from his home in Berlin with a new song, “The Power,” and offers up a message we all need: “No matter who you are, the power resides in you…We can overcome anything if you put your mind to it, you just can’t get in your mind too much.” The prophet cannot be stopped.

“The Power” is a full song which was inspired by a things his mother used to say that he didn’t understand until he got older: “nothing matters except for how we treat people.”

[READ: May 6, 2020] “Shelter Seekers”

This story is written as a letter to the “scholarship liaison officer.”

The letter writer received a $4,000 Daniel White Foreign Study Scholarship via the Government of Canada.  The money was to fund three months in Argentina to study how the region is “adapting its approach to housing in the interest of sustainability.”

This letter is the final report which is “unconventional in form, long overdue and in excess of the stipulated two-page limit.”

The writer left her husband for three months to undertake this challenge.

On the flight to Patagonia ($1,297) she read the Award Holder’s Guide.  She imagined building clay houses and hanging out with her fellow researchers, drinking Fernet and Coke.  She even considered the idea of an affair with an attractive researcher.  (more…)

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[POSTPONED: May 5, 2020] KT Tunstall / Dina Hall [moved to June 28]

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I had forgotten about KT Tunstall.  I had her first record and then didn’t realize that she had had a couple of other (big) hits since “Suddenly I See.”

I wasn’t planning on going to this show and then I saw that KT Tunstall headlined a show at World Cafe Live last year.  I listened to it recently and found her enjoyable.

Since all shows have been postponed in some way, I’m not sure why this show was postponed from May to June (was that seriously wishful thinking?).  I see now that she had planned a short Spring equinox tour and Sellersville was the final date of the tour.

I wasn’t going to go to this, but her name has been popping up all over the place.  She’s touring with Hall and Oates this summer and she seems to be doing a lot of local shows as a headliner.  All of this repetition has me thinking I might go see her.  But mostly I’m intrigued by how much her name is going to show up in these posts soon.

Dina Hall is a folksinger from Bethlehem–originally from Sayreville NJ. When she’s with her full band she rocks out a bit more. I’m not sure if this was a solo or a band show.]

seller

 

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[POSTPONED: May 4, 2020] Pottery / P.E.

indexI saw Pottery open for Fontaines D.C. and was really impressed by them (I actually enjoyed them more than Fontaines because the Fontaines crowd were jerks).

Pottery were weird and cockeyed and really fun. They have an EP out that is only online. They have a full length coming out soon.

I didn’t know they were touring until recently and I probably wouldn’t have gone to this show because I’d have had a show the two nights in a row before it.  But I’m pleased to know that they were coming and that they are going to come back when things settle down.

P.E. is a band formed out of the band Pill (who I’ve not heard of but who were a skronky and intense DIY art-punk band).  Three members of Pill have gone on to form P.E.  The song I heard “Top Ticket” was a propulsive thump, strung along by drill whirs and Torres’ snotty deliver: “I want the top ticket/ Nothing average, nothing contrived/ None of that consumer-grade shit.”   Noisy and weird, a pretty good fit for Pottery.

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SOUNDTRACK: THE FREE NATIONALS-Tiny Desk Concert #969 (April 20, 2020).

The full name of this concert is The Free Nationals Feat. Anderson .Paak, Chronixx & India Shawn, but that’s too many “featurings” for a headline.

Whenever you look for Tiny Desk Concerts, the top picture is always from the Anderson .Paak show (which was pretty great).  I never really gave it much thought as to why that picture is up there.  But the blurb here says that “Anderson .Paak’s Tiny Desk concert with The Free Nationals, filmed in 2016, is the most popular in the history of the series.”  Who knew?

It was a special return when The Free Nationals arrived in the nation’s capital to showcase their new tunes on March 4, before the coronavirus crisis had set in. Lots of NPR staffers showed up in the hopes that a surprise guest might be in store.

They play four songs.  First is “Beauty & Essex” It opens with opens with Ron Tnava Avant using a voice box on the keys: “Ron Avant invoked Roger Troutman of Zapp on the talk box”, followed by  some slow funky bass lines from Kelsey González.  India Shawn, radiant in a red jump suit, crooned Daniel Caesar’s “Beauty & Essex” in a sultry register.  Midway through, José Rios plays afully distroetd (but slow and very Prince-like) guitar solo.

India, formerly a background singer for .Paak and now an emerging solo artist, also sang lead on the second song,”On Sight” which is about catching the fade (punch across the face).  The end of this song features and even faster ripping guitar solo with some walloping drums from,  Callum Connor.  As the solo ends, Rios says, “It’s crazy to play so quiet.  I want to jump on this table.”

Then “Cheeky Andy,” aka Anderson .Paak, surprised the audience with his signature smile and spunky energy.  I like him a lot–he always has a mischievous smile.  He tells everyone

We spent hundreds of thousands of dollars on big budget videos just to have our biggest video be in front of a Tiny Desk.

I don’t know Anderson .Paak much aside from his Tiny Desk, but i can tell it’s him instantly by his drum beat, his drumming style is quite unique.  . “Gidget” is “a song with a groove so catchy that it makes you want to two-step in your living room.”  This song’s about another one of Rios’ exes (see the last concert for the setup to this joke).  Rios asks, “Whys it always got to be about me?” .Paak sings the song and then Avant plays a wicked talk box solo.

.Paak wasn’t the only special guest. Jamaican roots reggae singer Chronixx returned to the Desk to perform his “Eternal Light,” a song he recorded with The Free Nationals on their album.  Btu first Anderson .Paak runs out “you got my phone man?”  Connor passes it to Rios who pretends to throw it.

Chronixx seemed stunned at the number of fans in the audience this time,  “last time I was here there was like five people.”

This song has a reggae feel about positive vibes.  It’s a the most chill song for sure.

It’s fascinating to have seen this band take off from four years ago.

[READ: May 3, 2020] “The Wish for a Good Country Doctor”

This was a totally gripping story.  One that I was not expecting to hear probably as much as the narrator was not expecting to hear it.

It starts with an unusual sentence

Most kids lose or beak their toys.  I curated mine.

In 1976, the narrator was at the University of Iowa in an America Studies program.  Every month, the narrator and “some other hippie Ivy graduates” blanketed the state to find “existing folk manifestations.” They traveled to thrift shops, junk stores and Salvation Armys for tools and dolls and then wrote over-interpretive essays about the items.

They were given $100 a month to purchase things and they set off on a Friday full of caffeine.  On this particular Friday the narrator had gotten a rural mailbox made in 1946 shaped like three Scottish terriers.  And an ironic iconic Find of the Week “a handsomely lettered five-foot-long sign explaining, ‘You’ve Got to Be a Football Hero to Get Along with the Beautiful Girls.  THEREFORE, GO TECH!'” (more…)

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[POSTPONED: May 3, 2020] Acid Mothers Temple / ST 37 [moved to March 8, 2021]

indexI have seen Japanese psych rockers Acid Mothers Temple twice and each show was a whirlwind of fun and insanity.

I promised myself I would see them any time they came to town.  So I was very excited to see them again.

Acid Mothers Temple pretty much tour all the time and they come our way every year or so, but because their tours are planned out ages in advance , it means that their rescheduled date isn’t until next year!  Bu that’s okay, I’ll still be there.

ST 37 is from Texas.  Their bandcamp blurb:

Quite simply, we rule. And we have been ruling for over 30 years. So there.

They play a noisy experimental kind of rock and have nine people listed in their “past members” category.  Wikipedia gives these two quotes about them: mind-altering space-punk whose live shows are drowning in a haze of guitar and reverb that can drift through cosmically shifting layers of aggressive punk riffs, fuzzed noise, and scalding jams.

Sounds fun.

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[POSTPONED: May 3, 2020] Chicano Batman / Le Butcherettes [moved to June 16, 2021]

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I know of Chicano Batman through some songs on WXPN and through a cool Tiny Desk Concert.  They play a groovy psychedelia that is laced with soul and funk and indie rock.

There’s always a great bass sound that underpins Bardo Martinez’s soft vocals.

They also have a great name.

The more I hear them the more I think they’d be fun to see live.  Last time they came to town, they were opening for someone.  But this tour they are headlining.

Le Butcherettes I also know from a Tiny Desk Concert.  Teri Gender Bender is a great punk front woman. She channels different vocal styles and can rock with the best of them.  She is also unafraid to stare at the audience.  I imagine she’d be an intense experience.

I was unable to see them in May (that was Acid Mothers Temple night), but I’m free on the new date.

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SOUNDTRACK: MAHAN ESFAHANI-Tiny Desk Concert #970 (April 27, 2020).

I love the sound of the harpsichord but always assumed that one played the harpsichord in addition to the piano, like for extra flavor.  That may be true, but Mahan Esfahani is not only “the instrument’s most ardent advocate,” he is also hilariously cocky about it.

For this Tiny Desk,

Esfahani, who grew up near Washington, D.C., but is now based in Prague, chose a double manual harpsichord — meaning two keyboards. This one was built by specialists Barbara and Thomas Wolf in 1991, but is based on a famous French instrument from 1770.

The harpsichord is a beautiful but notoriously fussy instrument. After we wheeled one behind Bob Boilen’s desk, it took the bulk of an hour to get the tuning just perfect for the very first Tiny Desk harpsichord recital. Given that our guest was Mahan Esfahani we were willing to wait.

His set began with classics: a pair of sonatas by Domenico Scarlatti, which share the same key but couldn’t be more opposite in personality. With elaborate curlicue ornaments in both hands, the opening sonata “Sonata in D, K. 534,” presents a sober, regal outlook. Its partner “Sonata in D, K. 535” is a flamboyant rocker, with the hands chasing each other across the two keyboards like a cat and mouse.

Before the next song Esfahani makes some wonderfully funny comments about the superiority of harpsichord players.

He says people thing harpsichordists take piano pieces and transcribe them for the harpsichord.  No, pianists take enough of our music; we’re a much classier bunch than them.  We have our own music.

He also tells us that there are many modern composers making harpsichord music.

But he also tells us that there modern composers making harpsichord music.  Composers are the best people as we all know.  It goes composers then harpsichordists, I think, then everyone else.

Mel Powell was a jazz pianist who worked with Benny Goodman. he then became a composer of “proper music” (as it was called in the 1950s).  he studied with Hindemith but unlike Hindemith, he’s not boring.

Angular and slightly jazzy “Recitative and Toccata Percossa,” from 1951, is a tour de force in this artist’s hands. It drives home a point he likes to make — that while the harpsichord had its heyday in the 18th century, it’s still a vibrant instrument and very much alive. “There are over 50 modern concertos for the harpsichord,” he told the audience.

He closes with a lesser known piece by a famous composer.  After giving the proper pronunciation of Pachelbel, he tells that Pachelbel was good enough to teach Bach’s brothers.

Esfahani closed with a little-known chaconne by Johann Pachelbel. Its steady bassline and colorful variations were a pleasant reminder of the composer’s one-hit claim to fame, “Pachelbel’s Canon.”

I’ve never seen a harpsichord that looked like this before.  It sounded great.  I love that there are muted passages in the Pachebel piece–I’ve nevee heard a muted harpsichord before.  This was another great Tiny Desk.

[READ: May 3, 2020] “What to Watch During the Lockdown: Month 38”

I used to really look forward to Nick Hornby’s (mostly) monthly columns in The Believer. I’m not really sure what he’s been up to since, but it’s great to see a new column from him.

This one features his delightfully obscure references to entertainment and football.

My wife and I are apparently the only people who will come out of this quarantine with even more shows to watch than we started with.  We have so much to do during the day–house fixing, yard prepping, reading–that we barely watch an hour of TV a night.  And there’s about 35 shows that I would like to binge.

So, I appreciate this essay intellectually, but not on a practical level (even if it is hilariously absurd). (more…)

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[POSTPONED: May 2, 2020] Crash Test Dummies / Elizabeth Moen [moved to March 14, 2022]

indexI saw Brad Roberts solo a few years ago and I really enjoyed him.  I have remained a Crash Test Dummies fan since the early days, even with their weirder Brad Roberts-only solo stuff.

This tour was going to be a full band anniversary tour and I was really interested in seeing them all.

However, two things were standing in the way.  The cost: City Winery is SO EXPENSIVE! (especially for a band like CTD) and the date: Conflicting with King Gizzard and the Lizard Wizard, who I was not prepared to miss.

So this postponement might actually allow me to see them.

Elizabeth Moen is described as a bluesy folk singer.  That seems fairly accurate for the one song I listened to.

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[POSTPONED: May 2, 2020] King Gizzard and the Lizard Wizard / Leah Senior [moved to October 22]

indexI have become a huge fan of King Gizzard and the Lizard Wizard (are there any other kinds of fans of them?) since I first heard about them a few years ago.

I’m sad that I missed them on the tour just before the first time I saw them (at a smaller venue when newbies like me hadn’t heard of them yet), but I have seen them twice since.

In both cases, the band overcame somewhat unpleasant (to me) situations (obnoxious capacity crowds and unreasonable heat) to change my mind from swearing I’d never bother seeing them again (before the show), to hoping they’d come back really soon (after the show).

I’m not at all surprised that this show was postponed and they have already rescheduled the new date.  So we’re all good.  I just hope the damned air-conditioner works next time.

The last time I saw KGATLW, the two opening bands were kind of doom/psychedelic–perfect matches for KGATLW’s more recent sound.  This year’s opener is a singer named Leah Senior.

Leah Senior did the narration on KGATLW’s Murder of the Universe album.  But her music is a completely other thing.  She sings gentle folk songs with delicate guitar playing and her beautiful soft voice.

I can;t imagine how well she would go over with a rowdy KGATLW crowd and I also wonder if that means that KGATLW would play their more mellow stuff?  Nah.

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[POSTPONED: May 1 & 2, 2020] Sparta / Emily Davis and The Murder Police [moved to July 18 & 19]

indexWhen At the Drive-In broke up, they split into two bands: The Mars Volta and Sparta.  The Mars Volta went in a wild, psychedelic/prog metal direction and Sparta maintained a more tradition heavy rock sound.

I enjoyed the first Sparta albums but I hadn’t heard anything recently.  I considered going to this show because I’d heard they were really good live.

Emily Davis and The Murder Police [EDMP] are an alt-folk-punk band living in the desert southwest with an affinity for writing aggressive, introspective music.  I’ve listened to a few songs and I like what I heard–I feel they are a bit more folk-leaning, but there is a punk edge.

I had tickets to see …And You Will Know Us By the Trail of Dead on the 1st and King Gizzard and the Lizard Wizard on the second, so the postponement worked out nicely.

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