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Archive for the ‘Philadelphia, PA’ Category

[POSTPONED/CANCELLED: December 4, 2017] Morrissey

I have been a fan of The Smiths since my friend Garry introduced me to them back in the 80s.  I enjoyed much of Morrissey’s solo output (to varying degrees).  Obviously, I never saw The Smiths live.  I had never really considered seeing Morrissey live until my recent concert-going binge.

When he came around to Philly a couple of years ago I joked that he was probably going to cancel, so I didn’t bother getting a ticket.  But he didn’t cancel and my friends who went said he was great.

Over the past couple of months (alright, years) he’s been saying a bunch of really stupid-ass shit.  The kind of stupid-ass shit that should upset his fans, but probably no one else.  His fans are all a little to die-hard to care, though, so he’s sort of yelling into a vacuum.  Making headlines that people who hate him say “see he’s an ass,” and fans say, “oh never mind him.”

Well, I decided that this was the tour I’d go see him.  Fully cognizant of the fact that he might cancel the show.  And early on, he cancelled a show in L.A. because the temperature wasn’t right.

He played Madison Square Garden the night before this show and all was fine. (more…)

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[ATTENDED: November 28, 2017] St. Vincent

Two summers ago St. Vincent co-headlined XPNFest.  Our seats weren’t great but her show was spectacular.  I was bummed that it was a co-headline, because she played five fewer songs than for her other shows, but it was still incredible.  I knew I wanted to see her again.

And then she went into a kind of hiatus–she appeared doing a few things, but no tour.  And  then she came back with a whole new campaign–fear the future.  Gone was the curly white hair and in was a whole new look.  It was very day-glo and very sexy.  Right down to the album cover of a woman’s ass bent over with her front end shoved through a wall.

It was a stunning visual campaign, with Annie doing filmed “interviews” while the “crew” of women walked around with their breasts and asses cut out of their body suits.  There was clearly a message, although I’m not exactly sure what the message was.  Or is.

And then I learned that her new tour was going to be just her on her (newly designed) guitar with backing tracks.  While I didn’t doubt her ability to play to a backing track (I’ve seen her play amazingly with no backing at all), I was afraid it would lose some of the looseness that I’ve loved about her shows.   (more…)

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[ATTENDED: November 3, 2017] Courtney Barnett & Kurt Vile

I have been a fan of Courtney Barnett’s since I first saw her on a Tiny Desk Concert about 3 years ago.  Bob and Robin from All Songs Considered have raved about her and her live show.  I was really bummed to have found out about her last Philly show a little too late.

So she has been high on my list of artists to see.

I really like a bunch of Kurt Vile songs, although I don’t listen to him all that much (but “Pretty Pimpin'” is amazing).  When they got together for this album/tour, it kind of made sense.  Although I found that I was a little disappointed that Courtney played more like Kurt than Kurt played like Courtney.  The album is kind of slacker folkie and not indie rocking.  Although the good spirit and fun that they clearly had quickly won me over.

I knew the backing band was the Sea Lice, with a somewhat revolving cast.  I was hoping to get Janet Weiss from Sleater-Kinney on drums, but instead we had Stella Mozgawa of Warpaint, who was terrific, Rob Laakso (from Kurt’s Violators) on bass and Katie Harkin (Sky Larkin) on keyboards (with wonderful backing vocals). (more…)

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[ATTENDED: November 3, 2017] Jen Cloher

Sarah and I were really excited to see Courtney Barnett & Kurt Vile.  And we were really intrigued that Courtney’s wife, Jen Cloher was opening for them (it is not lost on me that Courtney has said she used to go to see Jen when Courtney was just starting out and that Jen is opening for her).

I have never been to the Tower Theater before.  I had been told it’s a great venue.  Well, Sarah and I had a pretty miserable experience in and around the venue (which had nothing to do with the music).  It took forever to get there.  Sure, it was a Friday night, but it took us almost two hours.  The Theater is in a fairly residential area, so the traffic around it was dreadful.  And then parking was a nightmare, and we had to pay $20 at a garage that was clearly just people co-opting a commuter parking lot and making money off of it.  The Theater entrance was packed, so it took about five minutes to get through the security and ticket checkers.  And then the front foyer was just a mass of wall to wall people.  When we finally got to the actual theater entrance, Cloher was already playing and there were no ushers to help us with our seats.

We got to our seats, finally, and managed to hear all of two songs. (more…)

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[ATTENDED: November 2, 2017] King Crimson

I saw King Crimson back in July.  And I had great seats.  It seems excessive to see them again just a few months later.  However, given that at any second, Robert Fripp could decide they were never going to tour again, it seemed like it behooved me to attend once more. Besides, the shows have been amazing.

This time I got very good seats on the left side of the audience.  This meant I could watch Fripp play guitar (he was blocked from my other seats).  I also had a  very clear view of bassist Tony Levin, which was awesome.  And I was close to drummer Pat Mastelotto who is so much fun to watch.

The lineup was pretty much the same as last time except that last time drummer Bill Rieflin was back on keyboards.  This time Rieflin was on sabbatical again, replaced on keys by Chris Gibson.

The lineup: Tony Levin (bass, Stick, more); Mel Collins (saxes, flutes); Jakko Jakszyk (guitar, vocals),  Chris Gibson (keyboards and effects): Three drummers: Gavin Harrison, Pat Mastelotto and Jeremy Stacey (also keyboards).  And of course, Robert Fripp (guitar). (more…)

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[ATTENDED: October 28, 2017] Boris

I’ve been a fan of Japanese band Boris for about ten years since my friend Lar got me into them.  But I really got into them with the reissue of Pink last year.  I was bummed to have just missed their tour supporting the Pink reissue and immediately put them on the top of my bands to see live.

And how much do I love that touring poster.

There was a rumor that they were about to call it quits after 25 years, but they decided to do one last album (which has turned into something more entirely).  It also meant another tour of the States.

I could say that I was slightly disappointed when I discovered that they were only going to be playing the new album in its entirety, until that is I realized that Boris could play pretty much anything I and I’d be excited to see them (plus the new album is really good). (more…)

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[ATTENDED: October 28, 2017] Helms Alee

It was going to be hard to follow up Endon.  And thankfully, Helms Alee did not try to out-intense them.

Rather, they went for a different sound–one that was really fantastic.

Helms Alee is a trio from Seattle.  I was standing more or less in front of bassist Dana James and drummer Hozoji Matheson-Margullis.

Dana James had an incredible bass sound.  Low and fat and loud and rumbly.  It was great.  And Hozoji Matheson-Margullis was so intense on the drums.  Her kit was fairly small (I loved the design on the drum head even if I still can’t figure it out), but man, did she bring the power.

On the right was guitarist Ben Verellen.  He and James played similar rumbling riffs for much of the songs, but he would occasional punctuate the songs with some great solos.   (more…)

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[ATTENDED: October 28, 2017] Endon

I had never heard of Endon before this show.  They are a Japanese metal band who seems to have coined the term “catastrophic noise metal.”

And they were easily the most intense band I have ever seen live.

The guys on the left walked out on stage.  They said nothing, just picked up their gear.  The guitarist played a chord and everyone around me immediately put in earplugs. (more…)

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[ATTENDED: October 6, 2017] Alvvays

Sarah and I were really excited to see Alvvays.

But holy cow were we surprised that they sold out!  (And good for them).

I had no idea that people even knew that much about them.  But the sold out crowd were huge fans as people were singing along left and right.

I joked with Sarah that between their two albums, they had a total of 60 minutes of music, so their set couldn’t be all that long.   I had imagined that they would play all nineteen of their released songs, but that was not to be (they left out one slow song from the new album and three songs from their debut).

I was also pretty excited that Nap Eyes fans seemed to be quite short.  But by the time Alvvays came on, some of the taller fans pushed forward.  This didn’t hinder us too much, but it was still a little disappointing to have to weave around them. (more…)

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[ATTENDED: October 6, 2017] Nap Eyes

Sarah and I were excited to see Alvvays again.  We saw them open for The Decemberists and it is always great to see a band as a headliner–especially when you can get up nice and close.

We hadn’t heard of Nap Eyes but we wanted to make sure we arrived early to get a good spot.  And I’m so glad we did.  Nap Eyes is a four piece from Halifax, Nova Scotia consisting of vocalist Nigel Chapman, guitarist Brad Loughead, bassist Josh Salter and drummer Seamus Dalton.

Between the tone of the band and Chapman’s vocal delivery, there was a distinct Velvet Underground vibe.   But II joked it was like they had given up the heroin.  Because the songs had a faster tempo, a number of time changes, and some rocking guitar solos. (more…)

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