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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: March 4, 2026] Jesse Welles / S.G. Goodman

I started following Jesse Welles online because he made videos of himself singing songs in a field that were political and timely.  Something stupid would happen and he would have a decent song about it within a day.

I had no idea that he was  the same guy they were playing on WXPN. I really liked the song Horses and now they play Wheel all the time (possibly too much).

I’m not really sure what his set would be like–I assume it’s just him.  He seems like he’d be a really good performer–personable and easily improvised.  But this show was sold out pretty quickly, so I didn’t bother investigating more.

During the pandemic, S.G. Goodman was supposed to open for Nada Surf.  So back in 2021 I wrote

S.G. Goodman is a singer-songwriter from Western Kentucky known for her rootsy sound and raw, honest lyricism. Her debut album came out in March.  I’ve listened to “The Way I Talk” and wow, what a cool song.  A simple repetitive beat with Goodman’s raw voice.  She doesn’t sing like a country singer (so that’s good), she tells a song story that ends with some amazing guitar feedback.  I’d love to see her live.

Since then she has gotten a ton of airplay on WXPN/  I like most of her songs although she is a bit overplayed now too.

This was probably a fun, upbeat folkie night.

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[ATTENDED: March 1, 2026] Ed Gamble

I have made a list of all of the contestants from Taskmaster who I want to see do stand up.  And while I don’t wish to rank them or anything, Ed Gamble was near the top of my list.  I have enjoyed him immensely on his TM podcast, and really I think he’s funny in just about anything.  I didn’t know anything about his standup, but I assumed it would be very funny.

So after Stuart left the stage, Ed came out and made immediate jokes about the lateness of the set.  He said he wanted to play Philadelphia and when the tour manager said Friday or Saturday?  Ed said no Sunday–as late as possible.  Tell them I’ll go on at 8:15 but I won’t go on until 9:20.  He explained the the previous comic went over time, but he watched it and enjoyed, noting that the audience was very different (the previous comedian was black and the entre audience was as well).

Ed made some quick audience banter.  He noted how British comedy clubs don’t have food “ah yes, it’s 9:30 o a Sunday night, let’s get food!”  And then he joked with someone up front who had a lot of food in front of them.  They said that their toddler had eaten all of their food and then said something which made Ed crack up and say that he is tired after this tour and he asked for an audience that would supply half of the jokes for him.

He also noted that the far side of the room was not as vocal as our side.  So he guessed that they were a church group who had come out to the comedy club.  He played up that joke all night and it worked every time.

He told us that every time he makes fun of something in his act, within three years he is doing that.  He used to make fun of vaping, now he vapes (who starts vaping in their late 30s if they don’t smoke?).  He used to make fun of tattoos and now he’s got a bunch.  He promised not to make any jokes about pedophiles.

Every non-American comedian I’ve seen seems to be amazed by our bathrooms.  Ed explained that he was amazed when the automatic toilet went off when he moved–and whisked everything away too fast to even look at it.  While in England, the bowl, is like a lazy carousel, swirling everything around so you can see how it went.  He also said that there is a brush in each stall designed for you to clean up and maybe help the stragglers down.  He imagined just how much human DNA is on it.  Gross.

He made some jokes about the posh school that he went to.  So posh that Marcus Mumford was in the year below him.  Then he joked that someone told him Mumford was on Saturday Night Live last night which made him hilariously furious.  They put on plays and he was often cast in the role of the woman.  Which led to a segue about drag queens.  He told us that when he was on a show that filmed in the States, he met some drag queens (for the show) and they made him up.  He said it gave him the utmost respect for drag and loved seeing it on stage even now.

The drag show was the only thing about his honeymoon that he liked.  He said that he and his wife wanted to prove that they weren’t a boring old married couple, so they honeymooned in Las Vegas.  And hated everything about it. They hated the heat, they hated the drugs, they hated the gambling (and how many time people heard his last name and assumed that’s why he was in Vegas.

His description of their Thai massage was hilarious (and Makes me never want to have one.

Ed was pretty explicit and he joked that the Christian side was muttering, enough with the shit and boob jokes.  He also joked about muttering himself.  That when he gets to be like 70, he’s looking forward to becoming a bigot–because that’s what you do when you get old: you make holidays uncomfortable and then you die.  But he joked that as a posh person he can make that harrumph sound, and you can put any kind of slur in there.

He imagines that when he is a grandpa he will have no tolerance for humanoid cyborgs, and when his child brings one home to date, he will have some choice words for it.  Somehow saying the kind of racist things old people say but saying it about a cyborg was really funny.

So yes, he made me laugh a lot.  It was a lot of fun.  And he told us that he loved American audiences because we think, I paid money to laugh so I’m going to laugh.  Whereas British people say, “let’s see if this guy can make us laugh.”  We are giving him an inflated ego.

There was no mention of Taskmaster, which doesn’t entirely surprise me, but I thought there might be a nod to it.  It’s also interesting that his partner in the Off Menu podcast, James Acaster, played a much larger venue.  I guess Ed is not quite as well known here–and indeed, this was his first stand up tour in the U.S.  I think it went rather well for him.

 

 

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[DID NOT ATTEND: March 1, 2026] Peaches / Model/Actriz

I was really surprised when I saw that Peaches announced a show at Union Transfer.  Although I see she did play there in 2022.

I don’t know very much about Peaches.  I know enough to know that she is sex positive and very very explicit.  I did think that this would be a fun show to experience once (like Gwar, but with very different fluids) but I already had tickets to see comedian Ed Gamble who I was really excited to see live.

Maybe if Peaches comes back in four more years I’ll try to see her.  I’ve seen some clips from the show online and it looks pretty wild.

I saw Model/Actriz four years ago and really want to see them again.  In fact, I found out about this show first because they were announced as the opening act.  I think they were pretty much brand new when I saw them and I’m glad that they’ve been getting more popular.  I do hope to see them again and it looks like they tour a lot more often than Peaches, so I’ll assume they’ll be back soon.

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[ATTENDED: March 1, 2026] Stuart Laws

After seeing Rhys Nicholson here a month ago, I had a better idea of what to expect.  But all my expectations went out the window when we arrived with a solid 25 minutes to spare and there was a massive line outside.

Evidently the previous comedian (who went on at 6) ran really late.  And they were still clearing the audience out and getting the place ready.  I wasn’t sure if there would be opening acts like last time.  There was an opening act, but there was no “Host” like last time.  There was someone who introduced Stuart, but he also just told us about the venue’s policies.

Stuart Laws came out and immediately told us that he’d only be doing about 15 minutes of material.  I’m not sure if his set was truncated (I assume so).  (more…)

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[ATTENDED: February 21, 2026] Remember Sports

A few years ago my son was listening to Remember Sports as I walked past his room.  I liked the song and made a mental note of the band.  I have no idea what song it was now, but it was really good.

I hadn’t really heard much about them since.  I assumed they had broken up.  But no, they just took four years to make their latest album.

They announced an album release show at Kung Fu Necktie and I grabbed a ticket, not really knowing what to expect.  Although during the show, they admitted that they’d played in Brooklyn the night before.

I felt a little bad being right at the front of the stage since I wasn’t a huge fan, but whatever–the songs were new (mostly) so I assumed most people didn’t know all the words yet.

They opened the set with the first three songs on the album.  The opening song Across the Line has been getting lots of airplay on WXPN so I knew that one well.   And I had listened to the album a few times so I recognized most of the songs. (more…)

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[ATTENDED: February 21, 2026] Eraser

Eraser came up next.  There are four people in the band Sonam Parikh: vocals, synthesizer;
Pier Harrison: guitar; Kat Bean: bass and Juliette Rando: drums. Before the show I had watched a video online of them at PhilaMOCA so I knew what was coming.  I don’t know if you’d call it No Wave or just good old fashioned noise rock, but that’s what it was.

Pier Harrison was so much fun to watch.  They would play simple melodies and then go nuts making wild sounds and playing bizarre chords.  The keyboard was pitched to what was almost a toy keyboard sound–tinny and noisy, playing usually one or two note melodies like early new wave bands.

The rhythm section was solid.  I especially enjoyed drummer Juliette Rando who kept the beat but added fun flourishes as needed.

Sonam Parikh was an aggressive frontwoman.  She seemed annoyed that people weren’t dancing (even though the music was pretty weird and not entirely danceable).  Twice, she jumped down next to me and sang from the audience.  She said they were going to be playing in France soon, which kind of blows my mind that a weird Philly band was playing in France, but good for them.

Their set was fun and relatively short, so that was good.

I can’t tell what the setlist was, although they do have an album out on bandcamp.

One song from the setlist:

Simon Says

♠ Hideout

 

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[DID NOT ATTEND: February 22, 2026] Tyler Ramsey & Carl Broehmel / Maggie Halfman

I grabbed tickets for my wife and I to see this show despite it being on a Sunday night.  It was a fun hance to see Carl Broehmel up close and personal (after having seen him twice with My Morning Jacket) and to see Tyler Ramsey who left Band of Horses a while back but who was very important to the early BoH sound.   They put out a really lovely acoustic album together.  I wasn’t sure if we’d be standing for this mellow show (probably), but I knew it would be a delightful show and it wouldn’t run too long.

And then we had a blizzard.  A full scale “no driving allowed” kind of emergency.  As soon as the snow was announced, we knew we weren’t going to go, but when it turned into such a big deal, we assumed the show would be cancelled.  BUT IT WASN’T!

I guess Carl, Tyler and Maggie were already in Philly, so the show went on.  I can’t decide what’s worse–to cancel and reschedule or to actually go ahead on a night when a lot of people probably won’t show up.

I’m a little bummed to have missed it,but I would never go out on a night like that.

Maggie Halfman is a folk singer from Kentucky.  She has a nice voice and sings pretty melodies.  A perfect opening act.

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[ATTENDED: February 21, 2026] The Afterglows

The Afterglows are a Philly band–a duo–Sam Cook-Parrott and Michael Cantor (although I’m not sure who was who).

They took the stage at 7 (the show was pushed up a but, I guess because KFN had an event at ten).  One guy on guitar and another on bass and keys/drum machine.

Their songs were simple but their harmonies were really great.  They had a kind of slow, dreamy quality–retro in a pleasant way.

The lead vocals we shared between the two, with the bassist’s voice being the higher.  For one song, they switched instruments (and apologized for the delay) and then they went back to the basic setup.

Their set was really pleasant.  Songs of love and loss with simple melodies and nice harmonies.  None of which were more than 3 minutes I don’t think.

The last song, How This Ends rocked a lot more.  It was louder and even had a noisy guitar solo at the end.   A fun way to end the set.

SETLIST

Don’t Make Me Lonely §
Sea of Hate §
I’m Closing the Door
The Nearest Window §
Here Comes the Night §
Bless My Soul
Born Again §
How This Ends §

§ The Sound of the Afterglows
∇ The Afterglows

 

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[ATTENDED: February 18, 2026] Jordan Burchel

Jordan I saw The Rural Alberta Advantage two years ago at The Foundry and it was such a great show I couldn’t wait to see them again.  I even grabbed a ticket for my wife because I was sure she’d love them.  She didn’t feel up to going but I did and it was even more fun than last time.

The RAA is a trio with an unusual setup: Keys, guitar and drums, with the drums on the right side and the drummer facing the other two.  Nils Edenloff sings and plays acoustic guitar.  Amy Cole plays keys and (most importantly) bass foot pedals that add so much to these songs. She also has a floor tom that she occasionally bangs on.  And Paul Banwatt plays drums (which is the biggest understatement I can make).

I wrote this last time and I’ll say it again

But no drumming could compare to Paul Banwatt.  He has a fairly small kit, but it’s amazing that it’s still standing by the end of the show.  He throws in all kinds of fills on the snare and even the hi-hat.  He has speed and power and is simply amazing to watch.  I think that since the songs themselves are fairly simple, it gives Banwatt the ability to fill in any open spaces as needed.  Banwatt, who is also a lawyer (!) has to be the most underrated drummer out there.  The way he plays the drums in counterpoint to the guitar in “Drain the Blood ” is just incredible to watch.

He broke two drumstick by about the fifth song.

Amy Cole has a lot to do in the songs, but she also has parts where she doesn’t do anything.  So she skips around the stage, claps, or just hangs out in the back of the stage until one of her responsibilities is called upon.  She and Paul seem to communicate a lot on stage with meaningful looks.  They even had a kind of dance move for one of the songs when Nils was singing by himself.

For a band whose songs are so intense (Nils’ voice is so intense, I love it) they have a lot of fun.

They are not very prolific–they were still calling their last album (2023) their new album.  Although Nils did say that his friend got him to participate in a “write a song a week” session which really loosened up his creativity. They have been around for almost 20 years and have put out 5 albums (an easy band to get caught up with). (more…)

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[ATTENDED: February 18, 2026] Jordan Burchel

Jordan Burchel is a folk singer from Florida.  He writes clever lyrics over simple, catchy melodies. I’d never heard of him before the show but I liked him a lot.  I almost bought a T shirt from him (they were cool designs) but the line was too long.

He sang and played guitar and his wife (I’m fairly certain) Sam (he mentioned her last name briefly, but said Sam several times) sang the harmonies (which added so much to the songs!)

He joked that he wrote the setlist on a plate (a Johnny Brenda’s tradition, I feel) but that he couldn’t read the plate from where he was.

He was very funny telling stories between songs.  He even joked that he felt weird about bending over to get his water because he was afraid he looked like Marco Rubio in that video where he bent out of frame to drink a water–and he doesn’t want to be associated with that man in any way.

He made a joke comparing Florida where he was born and raised to his Aunt Jane while at his wedding. She hit on all of his friends.  Like Florida, he loves his Aunt Jane, he just wishes she were different.

And on another song he has a lyric about taking all the spoons and knives.  He said he didn’t really know what that meant and if anyone had any ideas they could tell him.  He said that after one show a very intense guy came up to him and said I know what it means.  You took the spoons and knives…. but you left the forks [end of statement]. (more…)

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