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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: July 17, 2026] Japanese Breakfast

The world was burning down.  Well, not exactly, but Ottawa wildfires were sending particulates throughout the country and on this night, they were particularly bad.  Well, they weren’t too bad at our house, but by the time we got into Philly–jeez!  The skyline was barely visible.  I wished I had brought masks and was a little surprised (but happy) that the show wasn’t cancelled.

For some reason, this show was supposed to start at 7:30.  On a Friday night.  So we should have left a little earlier, but the last few times I went into Philly on a Friday night there was no traffic.  Well, tonight it was crazy backed up. I accepted that we would not be seeing Japanese Breakfast at all, and was settling in to being happy if we didn’t miss the opening of Death Cab for Cutie.

We had seen Japanese Breakfast last year, so it wouldn’t be the end of the world to miss them.

The Mann Center had switched to paid parking, but the parking attendants were no better than they were when it was free.  So we got an okay spot and as we got out of the car we could hear Japanese Breakfast playing Road Head (a favorite song).  By the time we got into the venue, we needed the bathroom.  I am usually annoyingly needed about getting in to see the band. but I assumed that the set was almost over (it was easily 8 by now) so I casually filled up our water bottle and assumed they’d be finishing up the final song.

But as we walked across to our seat they were playing Mega Circuit. (more…)

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[DID NOT ATTEND: July 10, 2026] American Football / Ian Sweet

There’s so much about American Football that I should like (except their name, which instantly made me not like them).  But the description of their music and even their posters–I love the way they mess with their name on the posters) should really make me a fan.

Back in 2019, American Football did a Tiny Desk Concert for their then new album LP3.  They have just released LP4 and all signs suggest that this is a band I would like.  I mean, I see that “their self-titled debut album became one of the most acclaimed emo and math rock records of its era.”  Emo and math rock, yes please.

Back in 2019, I had written,

I really enjoy the music of the songs…. but I find the song a little dull.  Maybe I’d just prefer this song as an instrumental.

And that’s how I felt about this new album too.  I find it a little dull and I don’t like the singer’s voice.  So I didn’t get a ticket (Plus I wouldn’t want to see them at FMH anyhow).

I hadn’t heard of Ian Sweet, and I see that Ian Sweet is the stage name of Jilian Medford a musician from Los Angeles.  I am mistaken, back in 2023, Ian Sweet opened for Protomartyr, at a show I didn’t go to.  I wrote then that Ian Sweet’s music is predominantly synth and dancey–bright and shiny, something never attributed to Protomartyr.

Their latest release is still upbeat and poppy–perky even.  But it rocks a bit more and, to my mind, is even more fun.

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[ATTENDED: July 9, 2026] Poppy

When Poppy announced this show, I managed to get a ticket for $20 off, which was great.  I hadn’t realized that this would be my third time seeing her in less than a year and a half.

But each show has been different in one way or another.  Tonight’s show featured the giant cubes that were in use for Landmvrks.  But these were special for Poppy.  Each cube had a platform on top of it, so when the show started, Poppy was on top of one  and the drums were setup on top of the other–easily fifteen feet high.  And on the stage were three masked musicians.

A recording of Constantly Nowhere played and then Poppy appeared on top of the cubes and sang have you had enough (which I see she has opened the show with all three times that I’ve seen her).

I’m so intrugued by Poppy because she started as a seriously Pop pop singer and just a few years later, she is beloved by the metal community.  And why not?  Her songs are heavy as anything and she screams with serious intensity.

She mixed up the rest of the set.  Climbing down to the stage, she sang The Cost of Giving Up.  This song has serious pop chops and is really catchy, although the middle section has some of her most intense screaming.

As I mentioned for Landmvrks, the place was packed.  And, I hate to say it, I’m not sure how I feel about Poppy fans.  A trio in front of me was pogoing and bouncing into everyone even though there were several circle pits in the area.  And that’s not cool to crash into others but to be afraid of the circle pit.

I was really surprised she played Concrete third.  I love this song, it is so bizarre, with that weird guitar lick and then the insane J-pop section that shifts into a rocking section and then shifts again into a more or less sixties pop song.  All within 90 seconds.  And then what a riff!  It’s an insane and great song–straight out of the Babymetal playbook.  Any question about her metal bonafides are put to rest with the new song Bruised Sky–heavy and noisy with great screams.

Her band was a little different this time around.  Actually the lead guitarist might be the same, but for this show one of the masked guitarists was a woman.  This worked really well, when the guitarist sang backing vocals or even an occasional lead part.  The masks were really different this time too–scary Japanese theater type masks. (more…)

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[DID NOT ATTEND: July 10, 2026] Greg Mendez / American Football [FREE AT NOON]

I had a ticket to this Free at Noon but decided that I didn’t want to go.  Free at Noon is wonderful but it is a huge pain in the butt for me.  And while this was two bands (and presumably an hour of music), I had listened to American Football’s new album and decided I didn’t like it enough for the effort.

I also just realized this would be my first time at the newly named World Stage.

I also had to laugh because Greg Mendez is constantly being thrown at me as someone I should see.  I have nothing against the guy, in fact, I’m not even sure if I know his music.  But, as I wrote in 2024

At the end of last year, I had not heard of Greg Mendez until he was the opening act for two different bands a few weeks apart.  I didn’t go to either of those shows, so I still haven’t seen him.

Now, in fairness, I haven’t heard anything about him since then, but here he is opening for a show that almost never has two artists playing.  I gather he did an acoustic set and them American Football came out.  He is described as:

one of the Philly DIY scene’s best-kept-secrets, the soft-spoken songwriter with a preternatural ability to craft brief yet powerful songs is enjoying a raised profile with the release of his self-titled full-length. On the strength of a few early singles, the initial run of vinyl sold out within a month of the album’s announcement, but with releases and demos dating back to 2006, Mendez is hardly an overnight success.

Back in 2019, American Football did a Tiny Desk Concert for their then new album LP3.  They have just released LP4 and all signs suggest that this is a band I would like.  I mean, I see that “their self-titled debut album became one of the most acclaimed emo and math rock records of its era.”  Emo and math rock, yes please.  They announced a show at Franklin Music Hall, which I wouldn’t have wanted to go to because of the venue.  But when they surprise announced this Free at Noon, I grabbed a ticket and then listened to LP4.

Back in 2019, I had written,

I really enjoy the music of the songs…. but I find the song a little dull.  Maybe I’d just prefer this song as an instrumental.

And that’s how I felt about this new album too.  I find it a little dull and I don’t like the singer’s voice.  So I didn’t go.

I meant to listen to it at work, but I forgot.  I’ll try to check it out when it’s online to see if I made the wrong choice.

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[ATTENDED: July 9, 2026] LANDMVRKS

When Poppy announced this show, I managed to get a ticket for $20 off, which was great.  I hadn’t realized that this would be my third time seeing her in less than a year and a half.

I didn’t care about the opening act, Thousand Below, a post-hardcore band from San Diego.  I mean, I’m kind of done with post-hardcore at this point.  They do have interesting vocals, but I didn’t really care if I saw them.

After a stressful day, in which my wife bore the brunt of the tasks, I wasn’t sure if I should go out, but she was going to chill, so I went, but left a little later than usual.  And, as happens when I’m not in a hurry, I made it to the Fillmore in plenty of time.

There was no line, so I assumed I’d saunter up near the front and listen to the two openers before enjoying Poppy.

Well, I walked in and it was PACKED.  I couldn’t believe so many people wanted to see Thousand Below.  I found an okay spot and then lights dimmed and a guy ran on stage and as they started, it was clearly LANDMVRKS.  Evidently Thousand Below went on at 7.  Oops.

The stage had two large cubes with video screens on them.  The image for LANDMVRKS was their name and a collection of statues.  Music sounded from backstage and then Florent Salfati ran out on stage wearing an Eminem shirt and rapping in French!  His flow was fast (although I think French might lend itself to fast rapping).  And then the rest of the band came out and they played a blast of a chord and they were off.

LANDMVRKS are from Marseille and have been around since 2014 (first album 2016).  Their later albums are heavier and have some rap elements and serious growling.

The three guys on stage were so mobile, they were almost exhausting.  I’m not sure which guitarist was which, but whether it was Nicolas Exposito (a founding member) or Paul Cordebard (joined in 2017) he kicked really high, ran in place and was always in motion.  He also had a great low growl and surprisingly good harmony vocals when needed.  Bassist Rudy Purkart was similarly active, going back and forth around the stage and singing too.  And Kévin D’Agostino on drums was a beast, but he was tucked in between the boxes and was kind of hard to see, but his drumming was fast and intense.

They had a really heavy sound, but they also had some very pretty moments as well.   I was really impressed with Salfati’s voice which was at times really lovely and delicate and could also descend into a crazy guttural growl.   I couldn’t detect an accent in his voice at all.  Even when he spoke to us (saying how excited they were to be in the U.S.), his accent was barely noticeable.

There was a guy in front of me who was clearly a huge fan.  He knew the beats and filmed the whole thing. (more…)

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[CANCELLED: June 29, 2025] Paul Simon: A Quiet Celebration

Last year, my wife and I had tickets to see Paul Simon at The Academy of Music–a small space and we had very good, close seats (I could have gotten closer tickets, but we weren’t sure we wanted to get TOO close).  We have seen just about everyone that we really want to (I have a list of bands that I still want to see but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.  He never rescheduled that location, but instead, did another round of the tour.  The Philly show was at the Mann Center (a very different venue from The Academy of Music (and it turned out a rainy night).

But we didn’t get tickets for the Mann in part because I didn’t think it would be easy, but mainly because it was my son’s birthday.  So instead, we got tickets to the show in Bethel Woods, a 2 and a half hour drive away.

We got a room for the night and were excited to check out the area.  Especially when I learned that the venue was on the site of Woodstock.  And there’s a museum dedicated to the 1969 event.  I was three months old when Woodstock happened and my parents were as far from hippies as you could get, so there was no love for this event in my house growing up.

However, I understand its cultural significance as well as the musical significance.  And while I’m not someone who thinks it was the most amazing thing to ever happen, I still like the music and thought the museum would be cool.  The museum is pretty cool.  I enjoyed the memorabilia, in particular the woman who wrote down the music she saw and her thoughts about them–I’d love to see everything she wrote.  It was also fascinating to see that no one really had an idea of what each band played–they had to look at various documents to ensure the playlists.  But there’s even discrepancies in the museum itself.  One sign says The Who played 24 songs, but the other sign lists 21 songs.

So the museum was a little underwhelming, but because we were there when we were, we were able to buy one of these limited edition posters, which is pretty cool.

So the weather that morning was unreasonably hot (day 3 of a 5 day heat wave).  But on the way to the venue it started raining (and thundering).  I was first concerned that they might cancel the show from the heat (Paul Simon is old, after all) and then I was worried that they would cancel it because of lightning.  Either way would have been too much for us to bear, I fear.  But the rain stopped and the temperature dropped about 20 degrees and it was quite lovely.

But they delayed the opening of the gates for some 20 minutes and the line was INSANE, so we hung out in the (air conditioned) museum until just before 8.

The walk from the entrance to the venue is REALLY long.  Like, holy cow you have to walk a long way–easily ten minutes with the crowds.  But Paul didn’t go on until 8 and we found our seats and waited.   One complaint is that we brought refillable water bottles but there were no places to fill them.  I suppose if we were earlier, we could have spotted them, but they assured us that the show would start at exactly 8 and it was like 5 of as we got near our seats.

But soon enough, the lights dimmed and the band came out. (more…)

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[ATTENDED: June 26, 2026] Weird Nightmare

I first heard about Weird Nightmare on the radio.  WXPN played one of their songs, saying the guy behind the band, Alex Edkins, was the former lead singer in Metz. I really enjoyed Metz and was bummed that I only had one chance to see them before they went on hiatus.  Metz is super noisy, so I was really curious what this new “radio friendly” song would sound like.  And it was great–super catchy with a cool fuzzy guitar solo and a Dinosaur Jr sound.

It became one of my favorite songs of the year so far.  And when this show was announced I grabbed a ticket immediately.  Later on, I had the choice between this show and The Breeders (who I loved in the 90s) and I chose  this one.  I don’t know how the Breedersd were (probably pretty good), but I really loved being in this small venue right up against the stage.

I assumed that Weird Nightmare had one album out and they would play the whole album.  Turns out this is their second album and they played songs from both releases.

They opened with Headful of Rain a bouncy, catchy song that totally belied the background of Metz!  I’m not sure who the live band was, although on record Loel Campbell is on drums and Roddy Kuester is on bass.  I have no reason to think anyone else is playing with him.  Campbell sang great backing vocals on the first song and then his unnamed rhythm guitarist sang fantastic harmonies with Campbell on most of the rest of the set. (more…)

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[DID NOT ATTEND: June 26, 2026] The Breeders / Sean Solomon

This was a show I was interested in as soon as it was announced.  I really liked The Breeders when they came out–Last Splash was lie a revelation to me.  But over the years I lost interest in them for one reason or another.  However, I had just seen Belly for the first time and while I liked Belly, I’m pretty sure I enjoyed The Breeders more.  But there was something about this show that I just couldn’t commit to.  Was it because they were playing The Fillmore (Belly was at Underground Arts)? Maybe.  Was it because I hadn’t listened to any of their new music?  I don’t know.

I mean, I love Kim Deal, and I’m bummed I didn’t get to see her with the reunited Pixies, but still…

I think it was because I was really invested in seeing Weird Nightmare that evening.  And that show was weird and fun, so I don’t really feel like I missed out all that much.

Turns out they play most of Last Splash and half of Pod, so they knew what people wanted.

How does one get to be the opener for a classic alt rock band?  No idea.  Who the heck is Sean Solomon?  How did the Breeders find him?

Solomon is a musician and animator from the San Fernando Valley.  His music moves seamlessly moves from bare-bones acoustic guitar to a Neutral Milk Hotel-esque cacophony of marching drums and horn blasts.  Solomon was in a band called Moaning who put out two albums on Sub Pop, so he’s not an unknown newbie (except to me).  I found his stuff kind of interesting, but it didn’t make me want to see this show instead of Weird Nightmare.

 

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[ATTENDED: June 26, 2026] Golden Apples

I had not heard of Golden Apples before this show and yet I recognized one of the songs on new the album when I listened to it.

Golden Apples is the output of Russell Edling.  The blurb on bandcamp says his partner Mimi Gallagher is a bandmate (I’m amusing she played guitar and sang as well).  There was also a bassist, keyboardist and a drummer who I know I’ve seen with another band, but I never got her name.

I got to Northern Liberties 30 minutes early but didn’t find parking until 5 of.  I speed walked to the venue and walked in just as the band hit their first note.  Ortlieb’s can hold about 75 people, and it wasn’t crowded when I first walked in, so I had a great view of the band.

The songs were simple and catchy with the two guitars playing off of each other.  The bass sounded great in the room, by the way.

I enjoyed the simple but catchy guitar riff of followed by the totally rocking High School. During this song, Russell stepped off the stage (it’s about 6 inches high) and played his solo among the crowd (which was empty up front). (more…)

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[ATTENDED: June 24, 2026] Spoon 

This was my fourth time seeing Spoon, a band I’ve never been a huge fan of.  That sounds worse than I mean.  I’ve liked them for years and I like many many of their songs, they were just not one of the bands that I got really into.  And yet, I will see them all the time when they play because their live show is so good.

I can’t believe it’s been four years since they last came to Philly.  That time, they cancelled and rescheduled a concert in 19 days (and even had new T-shirts printed with the new dates!).

My wife came along with me for The Beths (which she loved) and was indifferent to Spoon.  She had seen them with me at the PNC Bank Center in Holmdel when they opened for Beck seven years ago.  I told her that they would be better and more fun in this setting and she agreed they were (at PNC they played when it was still light out).

Spoon was headlining, but they still played a shortened set.

I assumed that this tour was an opportunity to play the two new songs that they’d released not too long ago (and which WXPN loves).  But amazingly, they didn’t play either one!

Chateau Blues and Guess I’m Fallin In Love are great songs and would have been so much fun to hear live.  But instead, they opened with a song from their debut album, one I hadn’t heard yet.  If I thought The Beths’ crowd was excited, they had nothing on the Spoon fans, who went crazy for this old song.

We were nearest to Alex Fischel, who is so much fun to watch.  So much so, that singer Britt Daniel spends a lot of time watching him too.  It’s odd that Britt introduced Alex and drummer Jim Eno but not bassist Ben Trokan or multi-player Gerardo Larios.

I told my wife that she’d know a few of the songs because they do get a bit of airplay.  She knew (and really enjoyed) The Hardest Cut.

Spoon songs soun distinctly Spoon so even if you don’t know a song you’ll feel comfortable with it.   But my wife recognized I Turn My Camera On.  And I was psyched to hear My Mathematical Mind and The Way We Get By (the woman behind me–who screamed a lot–was also happy to hear that one and sang along for a bit, but not too much, thankfully).

Then they played two songs I hadn’t seen them play before–2 deep cuts from their second album.  They followed that with the amazing The Underdog.  Such a fun song.  It’s got horns on the record but the live version doesn’t miss them.

Britt is a really fun frontman–he points and smiles at people, he really engages with the audience.  I’ve no idea if he’s a nice guy or a cocky jerk, but he definitely enjoys himself on stage.  It’s pretty amazing that this is my fourth time seeing them and they played five (older) songs that I hadn’t seen them play before. And one brand new song Lose Control that hasn’t been released as a single yet. (more…)

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