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Acid Mothers Temple & the Melting Paraiso U.F.O.: “Reverse Of Rebirth In Universe Tour” (The Saint, Asbury Park, NJ, April 21, 2019)

Posted in Acid Mothers Temple, Acid Mothers Temple & the Melting Paraiso U.F.O., Asbury Park, NJ, Japanese Music, Kawabata Makoto, The Saint on April 21, 2019| 3 Comments »

[ATTENDED: April 21, 2018] Acid Mothers Temple & the Melting Paraiso U.F.O.

I saw Acid Mothers Temple around this time last year and it was an amazing experience.  It was too loud, too intense, too much…and I couldn’t wait to see them again.

The pictures in this post look terrible for some reason.  The originals were actually quite nice–must be a web compression thing.

Evidently they come around to the Northeast pretty regularly in the spring, so I was super psyched to see them again in the same place.  Then we decided to go on vacation that week instead.  I was bummed to miss them (but psyched for vacation, of course).  Then I saw that they were playing the night before we left in The Saint. I loved The Saint as a venue and knew I would love seeing Acid Mothers Temple there. (more…)

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YAMANTAKA // SONIC TITAN (The Saint, Asbury Park, NJ, April 21, 2019) [ACID MOTHERS TEMPLE]

Posted in Acid Mothers Temple, Acid Mothers Temple & the Melting Paraiso U.F.O., Asbury Park, NJ, Boredoms, Canadian Music, Flower Travellin' Band, Kiss, The Saint, YAMANTAKA // SONIC TITAN on April 21, 2019| Leave a Comment »

[ATTENDED: February 20, 2019] YAMANTAKA // SONIC TITAN

I had heard of YAMANTAKA // SONIC TITAN on NPR.  They played a song off of their latest album Dirt and I was stunned by how cool it was.   It was heavy and rocking with prog elements and a chorus that was pure J-Pop.  It was magical.

Then I read a little about them.  From their website:

They’re a “Noh-Wave” prog collective, a black-and-white (and sometimes red) theatre company, an operatic psych cult, and the speculative prophets of humanity’s impending doom.

The new album Dirt:

was conceived as the soundtrack for an unreleased Haudenosaunee and Buddhist themed Anime produced in 1987. Like UZU [their previous disc], it takes place on the planet Pureland, now 10,000 years after the planet has flooded. The surviving people live within bubble domes floating in orbit. A team of mercenaries descends into the drowned wreckage of the world to receive the last sample of uncorrupted soil.

Though the name of their fantastical universe is derived from a strand of Buddhism and Haudenosaunee that first blossomed in China, its narratives are inspired by the Iroquois story of the creation of North America. The members of Yamantaka//Sonic Titan keep the history of indigenous people close to them and their work, even incorporating hand drums and traditional rhythms into songs

(more…)

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Nick Mason’s Saucerful of Secrets (The Met Philadelphia, Philadelphia, PA, April 20, 2019)

Posted in David Gilmour, Geddy Lee, Guy Pratt, Nick Mason, Nick Mason's Saucerful of Secrets, Philadelphia, PA, Pink Floyd, Richard Wright, Spandau Ballet, The Claypool Lennon Delirium, The Met Philadelphia, Voivod on April 20, 2019| Leave a Comment »

[ATTENDED: April 20, 2019] Nick Mason’s Saucerful of Secrets

While I, like many people my age, love Pink Floyd, (I mean Dark Side of the Moon is the most popular album in history or whatever), I have always really enjoyed their early stuff.  Not the Syd Barrett stuff, exactly, but the stuff from that era: Ummagumma, Meddle, Atom Heart Mother.

When I saw that Nick Mason was touring with some non-Pink Floyd guys, I was intrigued.  I’ve always thought that Mason was an underrated dude (when the rest of the band has huge personalities it’s easy to get overlooked).  He also seems like just a nice fella.

Then I read that this tour, dubbed Nick Mason’s Saucerful of Secrets, would focus on the pre-Dark Side of the Moon era of psychedelia and experimentation. Mason says he wished to revisit songs that were staples of early Pink Floyd shows from 1969–1972, as well as other songs that were never performed live by Pink Floyd during this era. Mason said the group was not a tribute band, but that they wanted to “capture the spirit” of the era.  And they were going to play some of “Atom Heart Mother,” my personal favorite.

The band would consist of Dom Beken on keys, Lee Harris and Gary Kemp on guitars and vocals, and long time Pink Floyd collaborator Guy Pratt (man, he has played with EVERYBODY) on bass and vocals. (more…)

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Get Cape. Wear Cape. Fly. (The Met Philadelphia, Philadelphia, PA, April 20, 2019) [NICK MASON’S SAUCERFUL OF SECRETS]

Posted in Get Cape. Wear Cape. Fly., Philadelphia, PA, Sam Duckworth, The Met Philadelphia on April 20, 2019| Leave a Comment »

[ATTENDED: April 20, 2019] Get Cape. Wear Cape. Fly. 

This was my first show at the relatively recently opened Met Philly.  I was quite pleased with its location and ease of access.  It’s a few blocks from Union Transfer and, for the time being, anyway, there was ample free on street parking a few blocks away.

I was quite unhappy with a couple of things, though.  The seating was good–I was near the back of the lower section, behind the soundboard.  That was fine (although the bright computer screen of the soundboard did kind of suck (and the engineers could have crouched more when the moved.  The biggest problem with where I was sitting though was the exits.  Like most sections of seats, this was a basic U shape.  You enter in the right upright of the U and then go down to the bottom of the U and then back up the left upright to get to your seats.  The problem is that at the top of the left upright, it is a total dead end.  You can’t go out, but neither can you cut across.  Through almost all of the show, I saw people on my side of the aisle get out of their seat, walk up and then a few seconds later walk back down and then cut in front of everyone in our section.  What kind of crappy layout is that?

This being a mostly middle aged show, the number of people cutting in front of us was staggering.

I imagine other sections do not have this problem, but who knows.

The other problem was with the announcement of the show.

It stated: Doors 6:30 Show: 8:00.  I arrived a few minutes before 8, looking forward to seeing this musician with the great name Get Cape. Wear Cape. Fly.  As I walked in, he was already playing, so I assumed it took me longer to get in than I realized.  Then he told us thanks and this was his last song.

He clearly went on at 7:30 (usually doors at 6:30 indicates a 7:30 show, but it clearly said 8PM on all materials.  So I got to hear one and a half songs by this musician, which is a real bummer. (more…)

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Priests (Boot and Saddle, Philadelphia, PA, April 15, 2019)

Posted in Boot & Saddle, Daughters, Joy Division, Philadelphia, PA, Priests, Savages, Union Transfer on April 15, 2019| Leave a Comment »

[ATTENDED: April 15, 2019] Priests

Priests is one of a number of bands that I know a little bit and feel like I should know more.  Most of these bands have one word plural names (Priests, Savages, Daughters–who sound nothing alike but who I have a hard time keeping straight).

Priests were supposed to play at Union Transfer, but their show got moved to Boot and Saddle.  Someone asked them why online and they responded, “Union Transfer is for bands that people actually like” or something like that.

And yes, Boot & Saddle is a considerably smaller venue.  But on the plus side, I wasn’t going to go see them at UT, but I was happy (excited even) to see them at B&S.

I knew a few songs by them, and I liked that their new album was called The Seduction of Kansas (from the book of the same name).  I knew that they were now a three piece (although there were four of them on stage), although I don’t know anything about why the fourth person left.  I also didn’t really know what lead singer Katie Alice Greer looked like.  So I was quite surprised to see a woman with a shock of blonde curls on her head dressed in a leather bodysuit (she must have been so hot!). (more…)

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Big Heet (Boot and Saddle, Philadelphia, PA, April 15, 2019) [PRIESTS]

Posted in Big Heet, Black Flag, Boot & Saddle, Gurr, Philadelphia, PA on April 15, 2019| Leave a Comment »

[ATTENDED: April 15, 2019] Big Heet

I had never heard of Big Heet.  I looked them up online before the show and bandcamp said they were from Tallahassee.  But when they got up onstage, they said they were from Philly (which makes more sense for this kind of show–if you get 25 minutes, would you drive all the way from Tallahassee?).

But their location didn’t matter because I was blown away by their music.

Seriously, anyone who says to skip opening acts is a fool.  Nearly every song was two minutes or less but there was a lot of diversity of style from loud hardcore to more considered weirder punk styles. (more…)

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The Claypool Lennon Delirium: Free at Noon (World Cafe Live, Philadelphia, April 12, 2019)

Posted in Free at Noon, Geddy Lee, King Crimson, Les Claypool, Philadelphia, PA, Pink Floyd, Primus, Sean Lennon, The Claypool Lennon Delirium, The Flaming Lips, Uni, Voivod, White Denim, World Cafe Live on April 12, 2019| Leave a Comment »

[ATTENDED: April 12, 2019] The Claypool Lennon Delirium

Nearly two years and a half years ago I saw The Claypool Lennon Delirium at the Fillmore.  Once again, this year they were playing the Fillmore.  But it was on a night that T. was doing a school play.  There is no way I would choose Les Claypool over my daughter, so I didn’t get tickets.  Then they moved her play to Thursday instead.  I could go!

But then WXPN announced that The Claypool Lennon Delirium would be doing a Free at Noon.  And that seemed like the best of both worlds–I’d get to see the band and it wouldn’t be a) at night or b) at the Fillmore (which was too big and crowded for me when I saw them).  I said I’d never do another Free at Noon because I basically had to take off four hours of work to do it, but for these guys it was a no-brainer and totally worth it.

And really, who doesn’t like to take off four hours of work. (more…)

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Muse (Wells Fargo Center, Philadelphia, PA, April 7, 2019)

Posted in Close Encounters of the Third Kind, Deftones, Ennio Morricone, Game of Thrones, Muse, Philadelphia, PA, The Troggs, Wells Fargo Center on April 7, 2019| Leave a Comment »

[ATTENDED: April 7, 2019] Muse

Three years ago (I can’t believe it was that long), I saw Muse at this very arena.

It was an incredible spectacle.  And I knew that I would see them again if they came back.

And here they were.

The last tour was in support of their Drones album and it was a marvel of technological excess–drones floating all over the place and marvels of wirelessness.

They had said that this album and tour was meant to more humanizing.  But that did not mean less spectacle! (more…)

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SWMRS (Wells Fargo Center, Philadelphia, PA, April 7, 2019) [MUSE]

Posted in Beach Goons, Destroy Boys, Muse, Philadelphia, PA, SWMRS, The Clash, Wells Fargo Center, WKDU 91.7FM--Philadelphia, PA on April 7, 2019| Leave a Comment »

[ATTENDED: April 7, 2019] SWMRS

I was unfamiliar with SWMRS when I heard they were announced as Muse’s support act.

They formed in 2011 as Emily’s Army.  They recorded two albums under that name, then changed it  to SWMRS.  The band features brothers Cole and Max Becker (They are both singers and guitarists, with Cole taking more lead vocals (and hypeman) and Max playing more lead guitar).  The drummer is Joey Armstorng (obligatory mention that he is Green Day’s Billie Joe Armstrong’s son).  They also have had Joey’s brother Jakob on rhythm guitar.  Brother-to-no-one Seb Mueller is the bassist.

But it was their politics that made me excited to see them.  From a bit in Rolling Stone:

the subversion of patriarchy is part of what drives the band. They are a product of their respectively progressive upbringings in Oakland, where the young band members grew up loving riot grrrl and entrenched in feminist teachings. “I became aware at a pretty young age that I was benefiting too much from the patriarchy,” Becker, a current Berkeley student, explains. “It’s one of those things where you don’t think about it until you play a hundred shows and only see aggressive, hyper-masculine dudes crowd surfing on top of 14-year-old girls. We feel like it’s our duty to uplift the voices that aren’t as easily heard as ours.”

That’s pretty awesome.  And an encouraging sign for the youth of tomorrow. (more…)

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And the Kids (Johnny Brenda’s, Philadelphia, PA, April 5, 2019)

Posted in And the Kids, Johnny Brenda's, Lucy Dacus, Philadelphia, PA, Union Transfer, Voivod on April 5, 2019| Leave a Comment »

[ATTENDED: April 5, 2019] And the Kids

Almost exactly one year ago I saw And the Kids open for Lucy Dacus.  They put on a great show, but I had heard that they would be even more wild if they didn’t have the time constraints of that show (there were two full sets that night, so the earlier one was kind of rushed).  Back in November they opened another show that I wanted to get to but couldn’t.  But here they were headlining, which is what I really wanted to see.

I bought tickets as soon as they went on sale.  But then I found out that Voivod was playing the same night across town.  Voivod is a band I have loved and never saw live.  So I chose Voivod.  During the headliners, YOB, I decided if I left I could get over to Johnny Brenda’s (about 10 minutes away) in time before And the Kids started.  I listened to one heavy YOB song and then took off.  I got on street parking a block away from Johnny Brenda’s and walked in a few minutes before And the Kids were to go on.  All signs indicated that I had made the right choice.

I was surprised at how crowded it was (good for them!)  But I managed to get past the drunken clumps and got right up at the edge of the stage, but to the side–near the steps where the band comes in.  It’s not a great vantage point (and the sound really isn’t as good, but it was better than standing in the middle of tall people.

Then the band came out.  Last time And the Kids were a four-piece.  But for this show they were only a duo.  I gather the core of the group has always been Rebecca Lasaponaro on drums and Hannah Mohan on guitar and vocals.  I have yet to find out why they were touring with just the two of them and not a full band.  I’m also not exactly sure how the bass and other sounds were handled.  I know it had something to do with Lasaponaro, but whether she was triggering them live or just starting them on a laptop, I don’t know.

In some ways this hindered their improvisatory nature.  But not really, because Mohan is a born entertainer and she was a ton of fun throughout the night–and made me glad I was standing where I was.

They played eleven songs in about an hour.   Five were songs from the new album, which I hadn’t heard yet. I hadn’t heard much by them when I saw them last time either, and I feel like hearing them live–even new songs–is absolutely the way to go.  The recorded versions are good, but the don’t quite capture the vitality and energy that their live set has. (more…)

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