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Archive for the ‘Cities’ Category

[ATTENDED: November 14, 2022] Kreator

When Mercyful Fate announced their first U.S. tour in 23 years, I immediately grabbed a ticket.  I didn’t care who the opening bands were.  The fact that it was billed as a kind of double bill with Kreator was no big deal.  And we had support from Midnight, whom I’d never heard of.

I wanted to arrive late enough that I wouldn’t be too far back but also with hope that I didn’t have to sit through too much of Kreator.

I missed Midnight entirely–they sound like a band I would have enjoyed back in high school (solid Metal Blade music).

I had heard of Kreator, (they’ve been around since 1985, after all) but I really didn’t know anything about them.  Apparently they are quite legendary in the metal world.  Wikipedia even says

Pleasure to Kill is widely considered a landmark thrash metal classic, along with Master of Puppets by Metallica, Peace Sells… but Who’s Buying? by Megadeth, Reign in Blood by Slayer, Eternal Devastation by Destruction and Darkness Descends by Dark Angel, all released in 1986.

But I’m guessing that since I didn’t get into this album back in the 80s, I never would.  I found the whole show, of which I saw about six or seven songs, too loud (so I’m too old).  And kind of samey. (more…)

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[DID NOT ATTEND: November 12, 2022] Darlingside / Caitlin Canty

Ten years ago I was driving past the New Hope Winery, a place I didn’t even know had live music, and I skidded to a halt–literally.  Thurston Moore was playing there.  WHAT?

New Hope is closer than anywhere for me.  How did I not know about this?  Who else plays here?  Well, mostly, Dar Williams plays there (a lot) and then a ton of cover bands. But I keep an eye on theoir mailing list for the occasional amazing band they might sneak in there.

Like Darlingside!  What?  How great would it be to see them in this teeny venue and here them make jokes about wine and New Hope.  I bought tickets immediately.

And then we wound up scheduling a fall vacation to Salem Massachusetts and we would be heading home on this date.  And who the hell wants to go to a concert after driving all day from Salem to New Jersey?  Not us, that’s for sure.  So, we missed Darlingside twice in a few days.

Please don’t let it be another ten years before there’s someone else I want to see there.

Caitlin Canty is an American singer/songwriter whose music carves a line through folk, blues, and country ballads.  Raised in small-town Vermont, the daughter of a school teacher and a house painter, Canty earned her degree in biology in the Berkshires and subsequently moved to New York City.Her voice was called “casually devastating” by the San Francisco Chronicle and NPR Music describes her songs as having a “haunting urgency.”

I’ve since listened to her sing a few songs with Darlingside and her voice melds very nicely with theirs.  Her solo stuff is quiet lovely as well.

 

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[DID NOT ATTEND: November 12, 2022] Alvvays / Slow Pulp

Back in 2017, my wife and I saw Alvvays for the second time (first headline show).  And I wrote

But holy cow were we surprised that they sold out!  (And good for them).

I had no idea that people even knew that much about them.  But the sold out crowd were huge fans as people were singing along left and right.

And yet here they were again playing Franklin Music Hall, the largest small venue in Philly.  So evidently they have a huge fan base.

I hadn’t listened much to the new album, but I figured they were bond to put on a good show.

The problem was that we already had tickets to see Darlingside at a super intimate venue.  It was hard to give up those tickets!

But then we wound up going on vacation and weren’t able to go to anything that evening at all.

Slow Pulp is a funny name.  Especially if (like to me) it sounds like your band is just a slower version of the band Pulp, which they are not.  Rather, they are kind of a slow version of Alvvays.  They are slow and introspective.  Seems like a good (if maybe dull?) fit.

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[ATTENDED: October 27, 2022] Starcrawler

I found out about Starcrawler in 2018, a few months after they played their first Philly show at Johnny Brenda’s.  They had also played the Non-Commvention a few months later, which where I decided I really wanted to see them live.

Their stage show was supposed to be insane with lead singer Arrow de Wilde being a force to be reckoned with (who seemed to always end up bloody–fake or otherwise).  I was super excited to see them open for The Distillers in 2019, but Brody Dalle hurt her back during warm up and the show was cancelled a few minutes before the show started.  Later Distillers shows had other opening acts.

They played a show in 2019 at Boot & Saddle, but I had other plans for that night.  Then they were supposed to open for Red Fang in 2021, but that show was cancelled.  So, basically, I’ve been wanting to see them for a pretty long time.

I actually don’t know a lot of their songs. I absolutely love two of them, but as for the rest, I was there more for the spectacle than the actual songs.  I was concerned that the 2022 Starcrawler would be different from the 2018 version.  And, well, it was.  This version of the band is all dressed up in tuxedos. Not a drop of blood to be seen. (more…)

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[ATTENDED: November 9, 2022] Darlingside / Caitlin Canty

We have seen Darlingside four times and I thought we’d never not see them if they were touring.  Especially if they played SOPAC, which is so close.

There was a change coming in Darlingside

Dave here, with some band tour news:

Starting this fall (October), I will be taking a break from live touring for a bit. This was a very difficult decision, but one that was made unanimously and with love by all four of us, after many long conversations about what is feasible and sustainable for each of us as individuals, and for the band as a whole—ie, what will ultimately serve the longevity of Darlingside.

Touring has always been the hardest part of the job for me, and while some aspects have gotten easier with time, being away from my family has only gotten harder. I love playing shows, and there is so much about touring that I’m going to miss, but for the time being I know this is the right move, most of all because it will free the rest of the guys to take many more opportunities we would have otherwise had to turn down—which hopefully means lots more shows for you to attend moving forward!

I’ll be stepping away from all live performances—including local ones—so that the other guys can focus on crafting a consistent new live experience, with special guests and new musical elements we’ve always wanted to try. I’m deeply appreciative of that work they’re doing and so excited to see what they put together. In the meantime, my other roles in the band aren’t changing; I will still be writing, arranging, singing, playing, recording, and designing, as well as constantly losing track of personal items (my favorite tour hobby)—but it will all be from home, for now.

Dave Senft

What?  No Dave?  Actually, I think he might have been playing our show, but I’m not sure.

At any rate, my wife was working late on this evening so we decided not to even get tickets–it just wasn’t going to happen.

Caitlin Canty is an American singer/songwriter whose music carves a line through folk, blues, and country ballads.  Raised in small-town Vermont, the daughter of a school teacher and a house painter, Canty earned her degree in biology in the Berkshires and subsequently moved to New York City.Her voice was called “casually devastating” by the San Francisco Chronicle and NPR Music describes her songs as having a “haunting urgency.”

I’ve since listened to her sing a few songs with Darlingside and her voice melds very nicely with theirs.  Her solo stuff is quiet lovely as well.

 

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[ATTENDED: October 27, 2022] Vixen77

Vixen was (I see is) a glam metal band from the late 80s.  They broke up in 1992 and then reunited with crazy drama) and are still active.

Vixen77 are a Philadelphia punk band.  They chose the name Vixen77 as a reference to the energy and the musical influence of late 70’s punk.  The band consists of guitarists Caitlin and Liz (I’m not sure who was who, but one of them was wearing a Flyers sweater and lost her glasses twice during the set!  I think it was LIz), bassist Jaz, drummer Sarah, and singer Samantha,

The band came out on stage and proceeded to rock their asses off.  It was a solid set of simple, fast, angry rockers.

Samantha has a great stage presence (the day-glo hair was a nice touch) and even though she screamed and snarled, she had a really powerful voice and could hit some pretty high notes.  Both guitarists sang backing vocals, although Liz sang most of them–and she had a powerful voice too.

I couldn’t really see Sarah on drums, but when I did she was smiling the whole time.  Jaz on bass hung in the back (but that may have been due to the size of the stage) and while she didn’t do anything fancy, for a couple of songs she had a nice rumbling solo section that kept the song rollicking on. (more…)

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[DID NOT ATTEND: November 7, 2022] The Murlocs / Paul Jacobs

I saw The Murlocs just before the pandemic.  The show was a lot of fun and I was surprised at how crowded it was.

Everyone knows that King Gizzard & the Lizard Wizard are hugely prolific.  Well, fascinatingly, KGATLW’s Ambrose Kenny-Smith and Cook Craig are also in The Murlocs.

I’m not sure if this show was also in The Black Box (an awesome intimate venue), but I had scheduled another show for the following night, so I didn’t really feel up for two nights in a row (after the craziness of October, it seemed wise to back off a bit).  I’m sure they’ll be back–they seem to need to constantly be on the road.

I didn’t know who Paul Jacobs was.  Had I realized he was the drummer for Montreal band Pottery, I would have been far more interested.  Pitchfork says of him

Paul Jacobs’ cartoon world is constantly expanding. Since uprooting himself from the border city of Windsor, Ontario to the perpetually buzzing Montreal music scene, his hand-drawn animations and hallucinatory illustrations have graced the covers of multiple albums per year. As the drummer of post-punk quintet Pottery, Jacobs is the engine behind yelpy extended jams that sound equally at home on a nightclub dancefloor or at a psych festival. Yet it’s solo albums like Pink Dogs on the Green Grass where Jacobs’ soft-focus, lysergic visions truly bloom.

He seems like a PERFECT fit for a KGATLW spin off.  Indeed, he seems like a KGATLW spin off himself.

I probably should have gone to this show.

 

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[DID NOT ATTEND: November 7, 2022] Travis / Ben Ottewell

When Travis first came out with their second album The Man Who, I thought they were going to be the next big thing.  I loved how the opening song, “Waiting to Reach You” was snarky at Oasis: “Radio is playing all the usual and what’s a wonderwall anyway?”  And “Why Does It Always Rain on Me?” seemed poised for epicness.

And then an upstart Travis copycat band called Coldplay put out Parachutes, with “Yellow,” and I thought, “well, they’re good, but they’re no Travis.”

The Invisible Band seemed to solidify their status with the super catchy “Sing.”  And then no one ever hear from them again.  That’s not true, but I certainly never did.  They’ve put out six albums with, apparently, no U.S. airplay.

When they announced this tour, playing The Invisible Band in full, plus other hits, I did consider going.  I considered going up to and until this day, when I ultimately decided I didn’t need to see them.

Ben Ottewell is one of the three singer from Gomez.  

I liked the first Gomez album, but I didn’t listen to much beyond it.  I’m not sure I realized they had three singers.  I’m assuming that Ottewell is the singer I associate with them most (his voice is gravelly and rough).  His solo work is even more mellow and acoustic, so this would have probably been a fine, if interesting set.

For some reason, I kept thinking that he was opening for House of Love.  But I was wrong, obviously.

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[ATTENDED: October 29, 2022] Tropical Fuck Storm

I saw Tropical Fuck Storm open for Modest Mouse four years ago and I was really impressed by them.  Since then, they have put out a couple more albums and seem to have made some headway into the American market (even with a name like that).

This show was sold out (it was their first show in Philly).  However, it was also a night that the Phillies were playing in the World Series.  So, the crowd was not packed in tight.  It worked out for everyone–the band got a sold out show and I didn’t have someone on my toes.

The band came out were fun but not super chatty.  I’m pretty amazed to see that they played largely the same set that they played back in 2018–especially since they have two new albums out since then.

They opened with “Braindrops” (from my favorite of the three albums).  I love the way the band sounds like a big pile of chaos and yet they are all really tight and focused.

I was in front of RKO (Erica Dunn) who mostly played guitar and occasional keys.  In the middle was Gaz, (Gareth Liddiard).  Off to the far side was Fifi (Fiona Kitschin).  On the drums was Hammy or Hammer (Lauren Hammel).  And she smashed the drums harder than anyone I’ve seen.

I loved watching RKO play wild guitar parts–sometimes conventional chords, sometimes solos.

But really it was Gaz who was the focal point.  And how could he not be since he sang most of the songs and played a frenetic and noisy lead guitar.  He has a huge stack of effects pedals, including what I’m thinking is some kind of loop, so that when he does … something, it sounds like a siren going off (but only for a second).

His playing is loose and seemingly crazy and yet full controlled with his hands almost never off of the whammy bar.

One of my favorite parts of their songs is when RKO and Fifi sing backing vocals.  They have great voices, but they can also sing in a surprisingly high register as well–which contrasts perfectly to Gaz’s low growl.

RKO sang lead on “New Romeo Agent,” a kind of slow burning song.

The crowd was very much into the whole set but they went nuts for “You Let My Tyres Down,” a personal favorite of mine, too.  It’s just as frenetic and wild as the rest but with a slow and catchy chorus.

FiFi sang lead on the cover of the Stooges Ann, a slow moody piece.   They ended with “Two Afternoons,” a song that has slow verses but is just a noise fest in the beginning and the end.  As this was the last song, they really jammed out the end with Gaz squatting on the stage playing with effects pedals and causing all kinds of noisy feedback–glorious chaos.

They came back after a couple of minutes and played “Paradise,” a killer song from Braindrops.  On the record it’s 6 minutes long but they stretched it out even longer with noisy jamming sections and aural chaos.

I thought they might do another song (they had been playing “Stayin’ Alive” as a second encore.  And they’d already long passed the 11PM mark (there’s no curfew apparently).  But nope, that was it.  I would have really enjoyed one more song, but it was clearly an exhausting set and it was quite an intense 75 minutes.  Highly recommended.

2022 2018
Braindrops Chameleon Paint
Chameleon Paint Antimatter Animals
New Romeo Agent ♠ Soft Power
Antimatter Animals You Let My Tyres Down
You Let My Tyres Down Back to the Wall (Divinyls cover)
Legal Ghost ♠ Two Afternoons
Ann (The Stooges cover) Rubber Bullies
Rubber Bullies Baby Squared (The Drones cover)
Two Afternoons
encore
Paradise

⊗ A Laughing Death in Meatspace (2018)
∀ Braindrops (2019)
♠ Deep States (2021)

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[ATTENDED: October 29, 2022] Nina Ryser

Nina Ryser is a member of Palberta (I love that name) whom I saw live a while back.  I recently also saw her bandmate Lily Konigsberg solo, so that’s 2/3 of Palberta I’ve seen solo now.   (Clearly Anina Ivry-Block will be opening for someone in the near future).  I have also seen Nina Ryser play drums for Old Maybe.

Like the rest of her Palbertans, Ryser is a prolific songwriter who is classically trained but who likes to push the boundaries of what music should do.

For this little set, she and her husband played keyboards (and all manner of gadgets).  The set sounded improvised, but I’m sure it wasn’t.

Most of the songs were built around a beat and a simple chord pattern.  There was a droney component to it and Nina’s vocals were kind of deapan.

I know she played “Shelf the Trophy.”  She played another song that reminded me of a lo-fi Stereolab.

My favorite parts of the show occurred between songs where Nina would mess around with looping pedals and make these interesting collages out of bits of the song she’d just played.  There was definitely some improv in here and I enjoyed watching her manipulate the sounds to create something cool.

She ended the set with the catchiest song.  I don’t know what it’s called but there was a repeated refrain of “you never looked better.”  It was simple, but the vocal line complemented the music really nicely.

There’s so many interesting Philly-based musicians and so many places to play.  It’s quite a rich scene.

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