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Archive for the ‘Assassination’ Category

[LISTENED TO: September 2023] Crush the King

I listened to the first and second book of this series pretty far apart.  But since I was looking for something new and I saw this I figured I’d finish the trilogy (I assume it’s a trilogy).

And perhaps listening to these books so close together made me notice a lot of Estep’s weird quirks about her writing.  Or maybe, she was obliged to write a longer book than she needed to.

I feel like Estep was once told that saying things in a series of three was really impactful.  And so she thought, if three is good, then I’ll wrote four!

If there was a Crown of Shards drinking game, it would be: every time she lists the four things people are doing.  Like: the people gave cheers, yells, claps and whistles. Or the people were drinking, dancing, singing and laughing.  Or they were yelling, cheering, clapping and whistling.  Or they were eating meats, cheeses, wines and ales.  Or she was spinning, turning, whirling and twirling.  The performers were acrobats, wire walkers, morphs and magiers.  And, finally, every time she lists her four friends (she does say “my friends” but often feels the need to group them into four: Paloma, Cho, Serilda and Ouster.  By the way, I only have the audio book so finding spellings of names is not easy.

This final book in the trilogy is set on an island for the Regalia Games, an opportunity for the seven nations to show off their warrior skills.  It’s also an opportunity for Evie to, as the title says, Crush the King.  In this case, the King is the hilarious named Maximus Mercer Morland Morricone or Morta.  I mean…

Anyhow, the arc of this series has been a little less than a year and every assassination attempt has come from Morta.  They come through the hands of the king’s bastard sister Maeven, but they come from Maximus.  And Evie has had enough.  She’s going on the offensive and will take him out at the games.  She has plans, but she hopes she doesn’t have to use her last resort [jump cut: she has to use her last resort].

Maximus is cartoonishly evil (he drinks the blood of magical animals to get their power, he’s willing to kill his young nephew to get ahead).  But the battle scenes are pretty good and I enjoyed hearing about the competition.

Despite my complaints there was a lot I liked about the book.  I enjoyed meeting Leonidas, Maeven’s son and his pet Strix, Lyra.  And I really enjoyed the flashbacks to when her family was killed and she had to escape.  The way the past tied to the present was well done.

But there are times when I just want to smack Evie (or Estep) and say, come on.  Evie is walking over a bridge and she notices a suspiciously dark boat in the water (twice).  But she doesn’t even mention it to her guards–yes, of course it comes into play later.  Evie believes that Paloma and Xenia are related.  And she’s almost 80% certain when it turns out that both of the people they were related to had the same name.  The fact that Paloma and Xenia never asked each other if they had people in common is absurd.  As is the fact that Evie finally tells Paloma and we don’t learn about the aftermath (it happens after the book, I guess).

Also, this book is a trilogy but somehow, there’s a new possible villain that has been around for the whole book but didn’t seem like a villain and might be one in the future.  The end.  No, that’s not how a trilogy ends.

I was happy that the secondary characters had more to do.  I love Cho and it’s fun to see him be gleeful about being the center of attention.  And I’m glad that Paloma got to battle.  But as several other people have pointed out (and Evie was even criticized about this on the book), she more or less does everything herself.  Paloma and Sullivan kind of help out a little once in a while, Serilda basically goes on one expedition with her.  We care about her friends but they don’t get to do much.

And on a personal level, I was really bummed that Gemma and Grimly are not even a part of this story.

And then there’s the whole Sullivan romance.  Several people have commented on how little chemistry they seem to have.  But, the biggest problem is that he doesn’t really do anything in the book.  If he wasn’t there, I’m not sure the story would have been any different, except for a (once again) remarkably graphic sex episode.

There’s a lot to enjoy in this series, but I think an editor chopping off some unnecessary bits would make the story flow a lot better.  Having said that, it’s a nifty world she has built and I enjoyed exploring it.

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[LISTENED TO: August 2023] Protect the Prince

It had been a while since I listened t o Book One of this series.  I feel like a book holds up well if you can get caught right up with the action without needing any kind of refresher.  And so it was with this.

The book picks up about six months after the events of Book 1.  Evie is now Queen Everleigh.  And she is slowly coping with her new role.

The first section of the book is called The First Assassination Attempt.

Everleigh has announced her first royal meeting of the royal families and assorted other important people. The royal families suck and are always conniving for something.  And before she can even begin speaking to them, one of the men steps up and tries to undermine her authority.  Among other things he suggests that his son should accompany her on her upcoming  trip abroad (which would more or less solidify them as a dating and soon to be married couple).

Everleigh is thrown off at first but soon regains her composure long enough to walk among the royals and reminding them of all of the ways they have insulted her to her face in the past.

But before she can savor even this minor victory, an assassin arrives with poison.  But Everleigh can smell poison and does not take the bait.  Soon enough they are fighting and when the assassin (who was sent by her nemesis Maven) realizes that there is no way out for her, she takes her own life rather than be captured. (more…)

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[LISTENED TO: February 2023] Kill the Queen

One of the fun things about the Chirp audiobook app is that it is constantly recommending books by authors that i have never heard of.  Since I have learned that I really enjoy listening to genres that I don’t especially enjoy reading, I ‘ve been thrilled with all of the unknown (to me) authors that I’m now exposed to.

I didn’t know anything about Jennifer Estep, but the blurb seemed promising.  And, yes, there was something cool about the cover–a medieval looking story but the protagonist is in leather pants.  I know–don’t judge, etc.  But whatever, I gave it a try.

The one bad thing about audio books is you don’t know how certain words are written.  The narrator (Lauren Fortgang–absolutely excellent with a great diversity of voices at her disposal) kept saying Bolognian.  But I now see that it is written Bellonan,  Oh well, no harm.

As the book opens we meet Evie.  Her parents were once King and Queen.  But they were killed when she was young and she had been orphaned and taken in by the Bellonan people.  She was more or less relegated to the level of hanger-on.  Since then, she has been dismissed and even mocked by her more prominent cousins (Evie is 17th in line for the throne now).

She spends her time as an apprentice to a metalsmith.

As mentioned, there’s some anachronism about this story.  It is fantasy with the whole swords and gladiators thing running through the story.  There is also magic.  I rather like the way the magic is presented in the book.  Certain people have it.  Certain people can accentuate it with magical objects.  But some people have none or, as in the case of Evie, they are mutts and their magic is diluted. (more…)

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[LISTENED TO: Summer 2021] How the Multiverse Got Its Revenge

The only thing better than finishing an awesome book is discovering that there’s a sequel and the quality and integrity of the sequel is just as strong as the original story.

Everything from the first story is in place here: the characters, the narrator, the tone, and, delightfully, Nicole Poole to read it.

Obviously, there are massive spoilers in this book for the first story.  So make sure you read that one first.

But to sum up, Rory successfully avoid an arranged marriage (while not upsetting her arranged husband).  She is able to shut down a coup on Urse and ultimately kick-starts a revolution.  Not bad for an under age Princess.

But she is done with being a Princess.  She rescinds her life and goes off to become a space pirate.  She has taken her former royal bodyguards, Thorsdottir and Zhang (so yes, there’s even more time given to these two great characters!) with her.  They pledge to protect Rory so they guess they just go with her?  And Jaed has come along with them too, mostly because he has nowhere else to go (literally) and he crushes on Rory, too.

So Rory’s team aren’t so much space pirates as do-gooders.  They are more like salvagers who might intercept smugglers (this is the equivalent of her telling her mom she’s going to follow Phish and make jewelry).

And for all concerned, Grytt is still in the story although as it starts, she is on Lanscott farming sheep (!) with Rory’s former betrothed Ivar (!!) former crow prince of the Free Worlds of Tadesh {No they are not “together” Grytt is mostly just minding the poor boy while she is “relaxing”).  Grytt by the way needed more implants after the last book and is probably 3/5 mecha to human.  Which she seems to prefer, honestly. (more…)

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[LISTENED TO: Summer 2021] How Rory Thorne Destroyed the Multiverse

This book title appealed to me immediately.  And I loved it.  The story is convoluted in the best way and Nicole Poole is an excellent reader.

The one bad thing about an audio book as opposed to reading the book yourself is that you don’t get to see how certain words are spelled (although it saves all the trouble of trying to figure out how to pronounce them).

The book is set in a futuristic world where space travel is common and war is far more common.

Rory was born into the Thorne family as something of a surprise.  There hadn’t been a female offspring in the Thorne family for ten generations.  The name Rory was reserved for first born males.  But it was determined that the name was gender-neutral enough that the girl could also have the name, no matter how unsettled it made people.

Then Eason sets about establishing this world–with great detail and thoroughness.  Some of which I’ll try to capture. The story is set on the Thorne Consortium, the planet where Rory’s father is King.

Rory’s mother is the Consort.  She was from Kreshti, “a small independent and allied planet on which skill with combat training was considered both a plain necessity.”

Incidentally, the narrator is telling the story as a history lesson and she is far from neutral.

They are both served by the Vizier, a man gifted in arithmancy and scholarship.  “Finding quaint, forgotten, and neglected customs was his second favorite pastime in the multiverse. Explaining to others the relevance of those ancient customs was the first.”

The Vizier discovered that it was customary to invite the faeries to bestow blessings on each new born girl.  The King is annoyed by this–it never happened for any of the boys (and they had invented void-flight with no magic needed). (more…)

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-Live in San Francisco ’16 (2020).

This is a fun show from The Independent in San Francisco on May 25, 2016.  It’s on the Nonagon Infinity tour, which means a lot of stuff from that album appears here.

The one irritant is the woman who is a little too close to the soundboard.  You can hear her throughout the set, and she’s not exactly an intellectual giant.  She shouts, “Why do you have two drummers?” as the show starts.  This would be no big deal if it was all you could hear from her.

They album is a series of songs that segue into each other.  What I like here is that the first five songs do segue into each other but, while they start with the opening song “Robot Stop,” it segues into 2014’s slower “Hot Water” (from I’m in Your Mind Fuzz).  It’s very cool the way their songs keep a similar beat throughout.

They jump right back to Nonagon’s second song “Big Fig Wasp.”  From there they continue with Nonagon for two more songs, “Gamma Knife” and “People Vultures.”  It’s impressive how tight they are–they can stop and shift gears so seamlessly that they jump between songs as if it were one long song.

After the introductory five songs, they pause a bit.  There’s some banter with the audience, but the microphones are distorted and hard to make out.  They shift gears somewhat to the mellow Paper Mâché Dream Balloon album.  “Trapdoor” is one of he heavier songs on the album, made somewhat heavier here despite the preponderance of flute on it.

Then its back to the I’m in Your Mind Fuzz album.  The first four songs segue into each other on the album and they do so here as well.  “I’m in Your Mind” shifts into “I’m Not In Your Mind” which features a fun bass-only rumble for about a minute near the end. Stu says, “Hey, smile, you’re on camera,” then they jump right into the catchy “Cellophane” and end with “I’m in Your Mind Fuzz.”

The CD is broken into two short discs (KGATLW have a million albums but but their shows are never terribly long).  Disc Two opens with the mellow ten minute “The River” from Quarters.

You can hear the drunk woman shout “yeah, fuck yeah” and then start talking to her friend during the mellow part.  Even a curmudgeon like me admits that you can talk between songs, but not during the quiet parts of songs.  Come on!

After the mellow song it’s a quick jump back to Nonagon with a ripping “Evil death Roll.”  They jam this song out for over five minutes and then begin a mega 22 minute “Head On/Pill” with heavy and quiet parts as well as some classic KGATLW ending moments.

KGATLW put out a lot of records (5 in 2017), so each show tour tends to be very different.  This is a nice snapshot from later 2016.

[READ: April 25, 2021] “The Crooked House”

Mull is in a house that is crooked and keeps changing.

When it starts, he has just met the man who claimed to have exited the house by falling into a desert.

Mull had been to many places in the house.  He was searching for a woman.

The cafeteria seemed to always have coffee.  But passageways were getting blocked and opening in other locations.  He could no longer access the cafeteria, but now he could get to the atrium where people often brought hot foods.

It was in the atrium that he met the man who claimed to have left.  He said he went to Joshua Tree and got back by hitchhiking–it’s not that far. (more…)

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SOUNDTRACKADITYA PRAKASH ENSEMBLE-GlobalFEST Tiny Desk (Home) Concert #135 (January 13, 2021).

Aditya Prakash EnsembleGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The second band on the third night is the Aditya Prakash Ensemble.

Performing from their home base in Los Angeles, Aditya Prakash Ensemble highlights songs borne from South India’s Carnatic tradition. Prakash uses his voice as an instrument to tell powerful, emotive stories — which he reimagines in a fresh, dynamic way. Aditya Prakash Ensemble’s modern take on traditional music mixes in jazz and hip-hop and features a diverse L.A. ensemble.

The Ensemble is a quintet.  With Julian Le on piano, Owen Clapp on Bass, Brijesh Pandya on drums and Jonah Levine on trombone and guitar.

As “Greenwood” starts, I can’t quite tell if he’s actually singing words (in Hindi or some other language) or if he is just making sounds and melodies.  It sounds great either way.  He sings a melody and then the upright bass joins in along with the trombone.  He displays a more traditional singing and then Le plays a jumping piano solo which is followed by a trombone solo.  The ending is great as he sings along to the fast melody.

“Vasheebava” is a song about seduction.  Levine plays the guitar on this song.  It starts with gentle effects on the cymbals (he rubs his fingers on them).  Prakash sings in a more traditional Indian style and Levine adds a really nice guitar solo.

“Payoji” is a traditional devotional song and Prakash sings in a very traditional style.  But musically it’s almost a kind of pop jazz.  It’s very catchy with a nice trombone solo.

This conflation of Indian music with jazz is really cool.

[READ: January 11, 2021] Fearless.

“If one man can destroy everything, why can’t one girl change it?”-Malala Yousafzai

This book begins with this wonderful sentiment:

Not long ago, a wave of exciting books uncovered stories of women through history, known and unknown, for young dreamers around the world.  Women who had been warriors, artists and scientists.  Women like Ada Lovelace, Joan of Arc and Frida Kahlo, whose stories changed the narrative for girls everywhere. Readers around us were thrilled to discover this treasure trove. But there was something missing. They rarely saw women of color and even fewer South Asian women in the works they were reading.

It’s a great impetus for this book which opens with a timeline of Pakistani accomplishments (and setbacks) for women.  The timeline is chronological in order of the birth years of the woman in the book.  Interspersed with their births are important events and the year they happened.

Like in 1940 when women mobilized and were arrested or in 1943 when the Women’s National Guard was formed. In 1948, a law passed recognizing women’s right to inherit property.  In 1950, the Democratic Women’s Association formed to demand equal pay for equal work (it doesn’t say if it was successful).

In 1973 the Constitution declared there could be no discetrmaton on the basis of race, religion, caste or sex.

But in a setback in 1979, the Hudood Ordinance passed which conflated adultery with rape, making it near impossible to prove the latter–and the punishment was often death.

And yet for all of the explicit sexism in Pakistan, the country accomplished something that America has been unable to do–elect a woman as leader. In 1988 Benazir Bhutto became the first female Prime Minister of Pakistan.

The woman in this book are given a one-page biography and a cool drawing (illustrations by Aziza Ahmad).  They range from the 16th century to today.  (more…)

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SOUNDTRACK: SPACEFACE-Holidazed EP (2018/2019).

Last year, Spaceface released a single of “Christmas Time is Here” from A Charlie Brown Christmas.  It was trippy and cool with lots of echoing guitars and keys.  I guess it came from this EP, which I only learned about this year.

Although i see that some of the songs on this EP came out in 2019, so Spaceface is messing about with time this year.

The first song is “Christmas Party (Naughty & Nice)” credited to Spaceface, Andy Clockwise and Swimm.  Swimm is a band that “makes music with the concepts of weightlessness and fluidity as the common elements in their genre-blurred sound.”  Andy Clockwise and Chris “Cookie” Hess (from Swimm) do the vocals on the track.    The song opens with jingling bells.  Then a big fat fuzzy riff kicks in and the song takes off.  Angelic group vocals sing the chorus and then the music fades out as the spoken word part comes in.  With statements like “it seems like this year we might be able… to party” and “we’ll have a merry Christmas after all as long as Jake can share his adderall,” that must be the naughty side.  While the nice side has the angelic voices singing “your presence is the only present we need.”  It’s pretty catchy and that cool opening riff comes back at the end to finish it off.

Up next is “Single Star” featuring “LABRYS on vocals (Penny from Broncho).”  I unpacked this to discover that Penny Pitchlynn’s solo project was called Labrys and she is now in Broncho.  A quiet echoing guitar flows through the song as Penny’s low key voice sings the lyrics

A single star is lighting our new way,
but is it fate? A shadow’s doubt outshines your quiet truth
A single star’s bluish halo hue, brings promise of truth
Unbroken yet fickle as a flame

It doesn’t feel overtly Christmasy, although the lyrics do tend tin that direction.  But the addition of jingle bells in the chorus do give it a holiday feel.

There is also “Wish To Come True” which is the demo of “Single Star.”  It’s a lovely instrumental version of the song.

The EP also includes the original “❇Christmas Time Is Here❇” as well as the instrumental version by Spaceface and Kwka (Mike Fridman) which ares till trippy and wonderful.

This is a nice leftfield Christmas EP–a trippy addition to your holiday party.

[READ: December 15, 2019] “Executions and Horses”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

I’m going to use Jarman’s description of the story to summarize it, because I couldn’t do it justice.

“Executions and Horses” is historical fiction set during the Red River Rebellion.  Riel’s shooting of Thomas Scott at Fort Garry is often viewed as his big mistake and that Riel was hanged in 1885 because of this shooting. The Prime Minister said Riel will hang though every dog in Quebec howl.  This still echoes in Canadian politics.

I couldn’t do it justice because I don’t really know this period in history very well at all and I really didn’t know what was going on for much of the story.

The story is elliptically written and, although the death of Thomas Scott is a central moment to the story, the focus is really on someone with nothing to do with the story.  I actually assumed the narrator was a woman, although re-reading the story there is no indication of that and I think perhaps the narrator is a man.  Which means that the lesbian/outsider subtext I assigned to the story is totally false.

Rather, I guess it is just a guy who fancies Gertie the Outside Woman who “walks her manic chicken on a length of twine.”  He is following Gertie’s backside, but also wondering if they put Scott’s half-alive body under the river ice. (more…)

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SOUNDTRACK: DIET CIG-“Tummy Ache” (2019).

Diet Cig put on one of my favorite Tiny Desk Concerts.  I am really looking forward to seeing them live.  Singer/guitarist Alex Luciano has more energy than anyone I’ve seen.  And drummer Noah Bowman is a perfect foil for her.

As a duo, they play simple pop punk songs that are full of energy.  Their bio sums them up quite nicely.

Diet Cig are here to have fun. They’re here to tear you away from the soul-sucking sanctity of your dumpster-fire life and replace it with pop-blessed punk jams about navigating the impending doom of adulthood when all you want is to have ice-cream on your birthday.
But there’s also a deeper, more powerful fuck-you among the bangers that see Diet Cig grow into an unstoppable and inspiring force. “I’m not being dramatic, I’ve just fucking had it with the things that you say you think that I should be” spits Luciano on ‘Link in Bio’;

Over a four chord pattern, Luciano sings

Well i’m just a kid, a girl, a runt
And i’m starting to get real sick of
Trying to find my voice
Surrounded by all boys

Between verses the guitars get louder and play a slight variation before returning to verse two:

I’ve been yelling my whole life
And finally it’s time
to make my words count
In a way i haven’t quite figured out

And i don’t need a man
To hold my hand
And that’s just something you’ll never understand x2

The end of the song shifts tone while she quietly sings

And my stomach hurts
Cause it’s hard to be a punk while wearing a skirt

Then the instrumental passage above proves to be the music for this repeated refrain/chorus.  A simple, catchy and fun song with a message.  Can’t wait for them to come back around.

[READ: May 11, 2019] “Assassin”

Translated from the Arabic by Raymond Stock

This is the story of Bayumi.

He has been down and out and living as a beggar.  He’d been to prison, had no friends left and no way to make money.

He wondered how he could get out of this rut.

Then someone called out to him.  The man had Bayumi follow him and then asked indifferently if he would kill al-Hagg Abd al-Samad al-Habbani. (more…)

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-12 Bar Bruise (2012).

12 Bar Bruise is the first full-length album from KGATLW.  It sounds even rawer than their EP.  But there’s no drop in intensity.  It’s an intense mix of punk, psychedelic blues, surf rock and boogie all filtered through a buzzing, fuzzy sound.  Distortion rules this album, but never enough to obscure what are remarkably simple but catchy riffs.  Most songs are just around 3 minutes long.

Once again, lyrics take a lesser place than great music. So “Elbow” has some bad words in it, but you can’t tell.  It’s more about whoops and tricked out guitar solos and chants of “ey ey ey.”  “Muckraker” introduces the surf punk elements and “Nein” has my favorite lyric thus far: “1,2,3,4,5,6,7,8, Nein, Nein, Nein, Nein, Nein”

“12 Bar Bruise” is the longest song on the disc at 3:47.  It is indeed a simple blues with muffled vocals.  “Garage Liddiard” introduces the concept of surf rock in a garage.  The guitar slides like a surf rock song but the whole vibe is garage with “ooh ooh” backing vocals and a harmonica solo that sounds like someone singing at the same time.

“Sam Cherry’s Last Shot” is the one very different song on this record.   It is played like a Western and it features spoken word.   Broderick Smith [of The Dingoes] is harmonica player Ambrose Kenny-Smith’s father.  He is an absolute Western nut so he narrated page 521 and 522 of the book “Our Wild Indians: Thirty-Three Years’ Personal Experience among the Red Men of the Great West” by Colonel Richard Irving Dodge, Aid-de-Camp to General Sherman.  This is certainly the set up for their next album, Eyes Like the Sky which is a full album of Western music with narration from Smith.

“High Hopes” is almost as long as “12 Bar,” but it has an intro of electronic drums and video game sounds before it switches back to the standard rocking sound.  There’s a lengthy, wickedly distorted harmonica solo.  “Cut Throat Boogie” features a different vocalist (I think Ambrose Kenny-Smith).  It’s a garage rock boogie.

Despite the title, “Bloody Ripper” is a slower, quieter less frenetic and really catchy song.  “Uh oh, I Called Mum” wins for best song title.  It opens with everyone chanting “mum” and lots of backing vocals.  The lyrics: “I bought a funny glob / I put it in my gob.”  “Sea of Trees” is the least distorted track.  It’s a catchy swinging song with a cool harmonica solo.

The disc ends with “Footy Footy,” a two-minute stomper dedicated to playing footy.  The chorus:
Footy footy, all I wanna do is
Footy footy, all I wanna kick is
Footy footy, they catch the ball, kick, play on!
Footy footy, footy footy footy!

But the verses are presumable great players:

Ang Christou / Che Cockatoo-Collins / Phillip Matera / Gavin Wanganeen / Gary Moorcroft / Aussie Jones / Bruce Doull, the ‘Flying Doormat’ / ‘Spida’ Everitt / ‘Spider’ Burton / Craig Bradley / The 1995 Carlton football team

and

‘Diesel’ Williams / Dale Kickett / ‘Sticks’ Kernahan / Darren Jarman / Chad Rintoul / Ashley Sampi / Mick Martyn / Dean [?] / Clint Bizzell / The Brisbane Bears / Aaron Hamill / Everyone

with the final line: “I hate what this game has become.”

It’s a lot of fun crammed into 35 minutes.

[READ: February 1, 2019] Checkpoint

This book was a pretty controversial work back in 2004.

Released before the re-election of George W. Bush, this book is, very simply, a dialogue between two men.

The topic?  Jay wants to assassinate President Bush.  Ben, his oldest friend, wants to talk him out of it.

There was a lot of discussion about the merits of this book–regardless of the politics–and I didn’t want to read it because of all of that.

In the real world, it’s fifteen years later and we are suffering through a trump–far worse than Bush could have even imagined being–although clearly Bush marched the Republican party off the cliff that had trump at the bottom of it.

So, how does one come down on this spicy subject fifteen years later? (more…)

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