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Archive for the ‘Adventure’ Category

dfw-title-pageSOUNDTRACK: GARBAGE-Garbage (1995).

garbageI was thinking about how IJ reminds me so specifically of a place and time (I instantly think of the apartment I was in when I started reading it).  And there are also some discs that I was crazy about at the time too.

I very distinctly remember when the first Garbage single “Vow” came out.  I remember seeing it in Newbury Comics [the absolute best record store chain, ever] on Newbury Street and it was plastered with stickers about how it was the new band from Butch Vig and he had produced every popular alt record in the 90s and blah blah blah.  But so I basically got Vigged out and didn’t bother listening to it.

Strangely, I don’t remember what changed my mind about them.  I assume I heard the first proper single “Queer” and instantly fell in love with the band.

It makes me laugh that the band was initially marketed as Butch Vig and two other high-profile producers got together and made this great music and they found this unknown Scottish woman to from the band.  And then, shortly there after the band was Shirley Manson and three unknown guys.  Heh, prettiness wins out.

Garbage was at a record store in downtown Boston that year.  I went down, but went to the wrong location (Doh!) and by the time I got to the right one, the line was too long and I was told I wouldn’t get in.  Alas. (Hey, I’ve still got my autographed poster from The Verve before they released “Bittersweet Symphony.”)

This album was in very heavy rotation at my house at the time.  I must’ve listened to it 1000 times.  But this is the first time I’ve listened to it in awhile.  It’s hard for me to be critical of it since I know every nook and cranny.  But listening to it today I think it is still pretty damned awesome.  The vocals are tight and creepy/sexy.  The songs are all solid rocking/catchy.  And the production is superb (obviously).

Not a bum track on the whole release, even 14 years later.

[READ: Week of August 24] Infinite Jest (to page 729)

There has been much discussion here on the forums and here between me and Infinite Tasks about the IJ timeline.  There is the pretty glaring observation that M.P. tried to kill herself  on November 7th, was in the hospital for five days and then appears in Ennet House on November 8th.

In last week’s reading, the WYYY engineer is musing about M.P.  He was told that she was hospitalized, and I considered that maybe that five day gap came BEFORE she tried to kill herself (for otherwise, how to explain that Mario missed her radio show sometime in late October?).  And yet that doesn’t seem to jibe with the fact that she’s apparently in there for an overdose.

A new timeline issue may be cropping up in this week’s reading.  A green Nunhagen-sponsored car appeared during the Escahton match.  We learn this week that Steeply is driving a Nunhagen-sponsored car.  But she arrives during the Hal/Stice tennis match, three days after Eschaton.  Has she been trying to get into E.T.A. for three days?  But, also, note that she left AZ, and Orin met the Swiss hand model (and Orin is having his second go -round with her during the match), early on the 11th (I think).  So I don’t think Helen could have been at ETA during the Escahton match.  Is there a second gunman green car?

This timeline stuff bugs me mostly because I feel like IJ is really fantastic.  And I assume that DFW spent a lot of time on it. (Certainly more time that I am spending reading it!). I imagine him with charts and graphs and circles and arrows explaining where everyone is at any given time.  Now, there are a number of conceivable explanations for the mistaken timeline:

  • Most of the stories about Madame Psychosis are second-hand, so they could be wrong.
  • There is ample evidence that people in this book are crazy and therefore not to be trusted.
  • And of course, there’s always the possibility that DFW just screwed up.

If this final option is the reality, I won’t be devastated.  I don’t think the book hinges on a few minor timeliness issues.  But I will be a bit surprised.  DFW seems like such a meticulous guy (I mean, geez, look at the detail he puts into his scenes) so it would be really surprising if he got timeline issues messed up.

There is always the possibility that these issues will be cleared up, after all, he ties up so many loose threads, but I suspect they won’t.  And that’s okay.  I won’t turn into Steeply’s father poring over every page and keeping a journal in little notebooks (that’s what the blog is for!)

ijdot1It is incredible serendipity that I did the JOI filmography during this week as this week’s readings actually count on knowing a bit about it.  And since I had just reevaluated it, I was aware of a thing or two during Hal’s viewing scene.

ijdot1Week 10 starts off seeming like a lot of nothing is happening.  There’s a few post-Event scenarios.  Until we get to November 14th, and a whole lot goes on.  A whole lot! (more…)

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sp5SOUNDTRACK: SONIC YOUTH-SYR 5: Sonic Youth Featuring Kim Gordon/DJ Olive/Ikue Mori (2000).

syr5The fifth SYR disc is rather different from the others in that the only SY member is Kim.  This is a sort of side project for Kim, Ikue Mori and DJ Olive. They’ve played shows together as well.

This disc is also different because it features a number of short songs rather than a couple of long ones.  It also features a lot of different instrumentation: turntables, keyboards, that sort of thing.  Most of the tracks are instrumental (more or less) although a few have Kim’s vocals on it.  And Yuka Honda from Cibo Matto does vocals on one track.

Kim’s side projects (like Free Kitten) are usually pretty abrasive. She lets her freak flag fly with her vocals.  And that in a nutshell will determine whether you like this or not.  Kim is playing mostly guitar, so the other instruments tend to take over a bit.

It’s always interesting when SY mixes it up with another band or solo artist.  But it doesn’t really make it a SY record, proper.

Oh, and all of the writing on the disc is in Japanese.

[READ: August 25, 2009] Scott Pilgrim vs the Universe

There’s a new Scott Pilgrim website which lets us know that Volume 6 will be out in 2010.  I can’t wait that long!

This 5th volume seemed a bit different from the other four.  The lines were crisper, it seemed like Ramona looked a little bit different (her eyes were bigger or something) and overall, the volume was a lot darker (in tone).

Today is Scott’s 24th birthday (he’s now the same age as Ramona, yup he finally asked her).

But at a party Steven Stills tells Knives that Scott had cheated on Knives with Ramona and on Ramona with Knives (which wasn’t true exactly), which sets Knives off again.  She violently confronts Ramona and when she says why, Ramona gets pissed too.

At this same party, Ramona’s evil ex-boyfriends (the twins Kyle and Ken Katayanagi) show up.  Scott prepares to fight them, but they send their robot after him instead.  The fight continues downstairs while everyone pretty much goes to other rooms, kind of bored with the whole escapade.

We also see a bit of Ramona and Scott’s domestic life (Ramona runs errands all day and Scott does, well, nothing). (more…)

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vol 4SOUNDTRACK: SONIC YOUTH-Silver Session for Jason Knuth (1998).

silverThis record came about for two reasons. One was the suicide of longtime Sonic Youth fan (whom the band didn’t know) Jason Knuth.  And the second was because when they tried to record vocal tracks for One Thousand Leaves, the band upstairs was so loud, it kept interfering with their recording.

So, SY turned all of their amps all the way up, put all of their guitars and basses against said amps, turned on a boombox for feedback fun and then left the room.  They say it was so loud that even with hands pressed against their ears it was still too physically oppressive to be in the room.

The band recorded it all (of course) but rather than releasing it all like some kind of Metal Machine Music, they cut the tracks down into small chunks (“Silver Shirt” is 7 minutes long but most are about 4, with “Silver Son” and “Silver Breeze” being under 2).  They also somehow turned what sounds like a noisy disturbing mess into rather pretty ambient pieces.  (In honesty, I have to believe that the band was in the room with for some pieces, since some of “Silver Flower” seems to have strumming on it).  And “Silver Son” actually has a beat of sorts to it.

As with the other disc in the SYR series, these aren’t really songs. They’re not even what you think of as Sonic Youth, but they are interesting experiments (some are actually quite nice).  Not for everyone (heck, hardly for anyone) but if you’re intrigued, its worth checking out.

[READ: August 23, 2009] Scott Pilgrim Gets It Together

This volume mixes things up a bit for the series.  The cover is a wicked reflective style, and there are even 8 color pages at the beginning of the story (that work as a sort of catch up device).  I didn’t really like the color pages all that much to be honest. While it was nice to see that Ramona’s hair is blue, for the most part the color pages felt a bit more mechanical than the regular pages (the edges were crisper, which I didn’t really care for). But whatever, don’t complain about a free addition.

As for the story itself, it seems to up the ante in intensity. (more…)

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vol3SOUNDTRACK: SONIC YOUTH-SYR 3: Invito Al Ĉielo (1998).

syr3This SYR release adds Jim O’Rourke to the mix (O’Rourke played with with them on A Thousand Leaves too).  I’ve always been aware of O’Rourke but I’ve never really listened to any of the bands that he’s been associated with (and there’s a lot).  So, I’m not sure what his actual contributions are, but he seems to be pushing the SY members into a much more noisy/abstract direction.  (A few samples of Gastr Del Sol shows them to be pretty out there, so perhaps pushing SY in a direction that was not too far from where they’d go on their own.  And, I rather liked the Gastr stuff, too).

The EP is nearly an hour with 2 songs over 20 minutes long.  And, the most fascinating parts come from the most unexpected places: Kim plays trupmet!  There’s keybaords!  And all of the text is in Esperanto.

This disc doesn’t diverge too much from the first two…it’s noisy and discordant and full of lots of experimentation.  There’s some good stuff on here, but there’s also a lot of it.

[READ August 9, 2009] Scott Pilgrim & The Infinite Sadness

Things get pretty intense in Vol 3 of this series.  We get an in-depth look ant Envy Adams, Scott’s first girlfriend and lead singer of The Clash at Demonhead.  TCaD have asked Scott’s band Sex Bob-omb to open for them, but there are clearly underlying reasons behind this.

One of them is that another of Ramona’s evil ex-boyfriends is the bassist in the band.  And, another more narratively interesting reason is to give a peek into Scott’s past.  We learn that Envy was a rather shy young girl, until she slowly grew out of her shell (and changed her name to Envy), and then became the extroverted lead singer.

Todd Ingram, the evil-ex is a vegan.  (more…)

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wild thingsSOUNDTRACK: FANTÔMAS-Suspended Animation (2005).

fantomasIf you know Fantômas, then you know what you’re in for.  If you don’t, well, it’s a surprise!

Fantômas are the brain child of Mike Patton (Mr Bungle-era more than Faith No More with help from Buzz Osborne from The Melvins and Dave Lombardo from Slayer).  Suspended Animation is designed as a soundtrack to April, 2005.  There are thirty tracks, and each one corresponds to a calendar page.  The limited edition (which is apparently still in print as I got one last month) is a calendar with art by Yoshitomo Nara.  Nara’s work combines cuteness and menace, just like the CD.

A piece by Nara

A piece by Nara

Although, really the CD is more menace than cute.

This disc seems to combine Patton’s favorite things: cartoon music (many ‘toons are sampled here), death metal, short sharp blasts of noise and his fascinating vocal deliveries.

This write-up makes the disc sound very intriguing, but before you rush out to check it out, do know what you’re in for: short, noisy blasts of utter chaos.  It is not for the weak of heart or the queasy of stomach (or for the lover of melody).  It’s not even a case of , oh the songs are short, the next one will come along soon.  While there is diversity, it’s diverse within it’s own little world.  Of noise!

Be afraid.  But if you’re still interested after that caveat, then by all means check it out, if only for the calendar!

[READ: August 23, 2009] Where the Wild Things Are/”Max at Sea”

Because of Dave Egger’s story “Max at Sea” (which is basically a retelling of Where the Wild Things Are I felt I needed to re-read the original.  So thank you Dave Eggers for that.

The original is a fun story which seems to be more visually based than word based.  The drawings are sublime and indeed there are several pgaes with no words at all.  And, so, the filmmakers’ question remains: how to you make a film out of a 48-page book, many of which don’t even have words?  Stills from the movie do look pretty awesome.

And thus, Dave Eggers’ story was born.

I’m not actually going to reveiw Where the Wild Things Are, because, well, it’s a classic, and it’s  awesome.  What more can I say about it?  But I did want to reevaluate Egger’s piece having re-read Sendak’s.

It is quite clear that Eggers is in no way trying to re-write the story.  He has fleshed out a lot of details that are absent from the original (which the original in now way needs, but again, if you’re going to make a film, you need some kind of backstory). (more…)

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scott2SOUNDTRACK: SONIC YOUTH-SYR 2: Slaapkamers Met Slagroom (1997).

syr2The second SYR release is like the other side of the coin from SYR1.  The premise is the same, the players are the same, but the result is rather different.

The first track is nearly as long as the previous disc (17 + minutes) and it seems to run through a variety of song styles (including noise experiments) before settling down into a noisy improv.  The third track features the first “vocals” on these discs–rather unsettling sounds that Kim spits out.  (Online lyrics pages say that there are actual words here so I’ll take their word for it; I just like to think of them as vocal stylings).

While SYR1 was a smoother listen, this one is more jagged.  Not quite the noisefest they are capable of but not exactly easy listening either.

For this disc all of the titles, liner notes etc. are in Dutch.  (SYR1 was in French).  Each volume in the series is in a different language.

[READ: August 9, 2009] Scott Pilgrim Vs The World

The second volume of the series, (and the one the film is named after) continues the exciting saga of Scott Pilgrim and his band Sex Bob-omb.

This second volume introduces us to The Clash at Demonhead, the band that Scott’s ex-girlfriend took to stardom, after they kicked Scott out of the band, of course.

But before we get to the Knives Chu’s new favorite band,we learn about the origins of her former favorite band: Sex Bob-omb.  We see how Scott and Kim first met and why she acts so strangely around him.

But more importantly, plotwise, we get to meet Ramona’s second evil ex-boyfriend, Lucas Lee.  He is a broody actor who also just happens to be in Toronto filming a new picture.  And fight they do.

But they’re not the only ones who do battle in this volume.  There’s a rip-roaring battle scene between Knives and Ramona that takes place in the beautiful Toronto Reference Library.

But the book is more than fighting and music: there’s a cooking lesson for making vegan shepherd’s pie.  Veganism will loom large in Vol 3!   And there’s even more fun asides (with captions and comments about various characters) in this volume.  I especially enjoyed the ones that give the characters’ states of mind.

While the first volume was certainly fun, it feels like he is having even more fun with volume two.  It’s a very fun series, and the books are very fast reads (for better or worse…often worse.)

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pilgrimSOUNDTRACK: SONIC YOUTH -SYR 1 Anagrama (1997).

syr1

After Washing Machine, Sonic Youth began recording a series of EPs (that gradually grew into longer discs) in which they explored their improvisation/longer piece needs.

And so SYR1 was released.

It contains for tracks and runs about 25 minute.  It’s not simply guitar feedback or waves of distortion.  Rather it is songs built around themes which are followed to their logical ends.

Thee EPs aren’t for everyone. There’s no lyrics, there’s no choruses.  It’s sort of like how the end of “The Diamond Sea” was a chance for SY to let loose and see what happened. I can’t even say that the songs and motifs are necessarily memorable (although I’m led to believe that some have cropped up on the proper albums).  I don’t listen to these a lot, but they are fun to put on from time to time, if you’re in an avant garde mood.

[READ August 9, 2009] Scott Pilgrim’s Precious Little Life

I had read this book a few years ago.  But I had read it in bits and pieces over several weeks, and so I didn’t feel like I had a real grasp of the story.  This is especially true because the story begins simply enough and then turns into a wild hallucinogenic story that is very funny, very very funny, in fact, but also incredibly surreal.

When I was at BEA in New York this year I ran into the guy from Oni Press who told me that they are making a film of Scott Pilgrim, which is pretty fantastic.  I’m rather looking forward to seeing it.  But because there are so many interesting visual things going on in th graphic novel, I can’t help but wonder how they will transform them.  And also, Book 6 of this series may be written with a different ending from the film, so that should be fun, too.

But speaking of the visuals….

O’Malley’s style is utterly fascinating.  When I first started reading, I felt like the artwork was “sloppy” in that sort of stylized sloppiness that people take some time to achieve.  (I think mostly this is because of the character’s eyes.  They are a refined sort of manga but the pupils are so large that i found it disconcerting.)  But when reading it through this time, I realized not only is it not sloppy, it is meticulously designed in a very cool way.  Take Scott’s hair, which is commented about through the series.  I’m not going to go and spout on about how long he must have spent getting his hair just right, but clearly there was effort and planning in the length and style, even if it is primarily drawn with a  few broad triangles. (more…)

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eggersSOUNDTRACK: SONIC YOUTH-Washing Machine (1995).

washingAfter the short blasts and diverse collection fo songs on Experimental Jet Set Trash and No Star, Washing Machine sounds like almost a different band. For although there are a few shorter pieces here, they also give us the 9 minute title track and the, brace yourself, almost 20 minute “The Diamond Sea.”

Perhaps the most amazing thing about “The Diamond Sea” is that the first 5 or so minutes are probably the catchiest song they’ve ever recorded.  It’s a gentle, meandering piece with great chord changes and some of Thurston’s most delicate singing to date.   There’s an edited version available which basically just lops off the last 12 or 13 minutes, but keeps the first chunk (including the controlled chaos of the feedback solo) intact.  Those last 13 minutes are where SY gets to open up and experiment.  It’s all sounds and washes and textures.  There very little in the way of feedback squalls, and yet it’s not  conventional song structure either.  It’s very cool.

The other lengthy song is “Washing Machine” one of their weirdest songs in recent memory with Kim going downtown to buy her”baby a soda-pop.”  She talks in a sort of New Yawk accent, exaggerated and almost silly as they discuss washing machines.  Actually, I take that back, their weirdest song (for Sonic Youth) is clearly “Little Trouble Girl” as it is a straight up tribute to/mockery of doo-wop songs (with main vocals done by the Pixies’ own Kim Deal).

Two Thurston songs, “Junkie’s Promise” and “No Queen Blues” give him some great lyrics done in a catchy fashion (even is “No Queen” revels in its own dissonance).

But none of the songs are “singles” per se.  Even the catchiest among them have portions that are designed to keep casual listeners at bay.  Although “Unwind,” another delicate song could easily meet the most sensitive listener’s needs.

But it’s “The Diamond Sea” that points the direction SY would be heading for in the next few years: longer, more abstract pieces.

[READ: August 8, 2009] How We Are Hungry

I really enjoyed Dave Eggers’ first book A Heartbreaking Work of Staggering Genius.  And, obviously, I’ve been a fan of McSweeney’s for years. So, why did it take me this long to read his collection of short stories?  I have no idea.

They were really fantastic.

But before getting to them, I want to address the look of this book.  I have often commented on the quality of the books that McSweeney’s publishes.  But it seems like especially for Egger’s books, they pull out all he stops (and, sure, he’s allowed, it is his company).  This book is beautiful.  It has an embossed leather (faux?) cover of a gryphon on it.  It also comes with a page ribbon and an elastic to keep it closed.  It truly is a beautiful book. (more…)

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[WATCHED: August-October 2009] Clash of the Gods

clash

[UPDATE: October 26, 2009]

I have now finished the entire series.  I was pleasantly surprised by how much I learned from it.  (Not that I considered myself an expert, but you never know what you’ll get from TV series). The biggest surprise was how much this series filled in the gaps of things I half knew, or things that I didn’t know were missing from my knowledge.  Can’t ask for more than that!

I’m still a little confused by the inclusion of Tolkien, but that’s okay, it was a good episode nonetheless.

General negatives: I never did get used to the egregiously repetitive imagery (if I never see Zeus pulling off his hood again, I’ll be thrilled).  I also got rather tired of that crazy howling wind/scream noise that they used as some kind of dramatic effect.  But hey, that’s okay.

The actors and the CGI and all that was fine.  They had to include some kind of footage or else it would just be people talking to us, right?  I wonder where they got the actors?  The women were all quite beautiful. The men were less handsome than I would have expected (but then the male gods were all old, right?).  How did they cast these episodes, I wonder?  Okay Zeus: can you sit in that throne?  Good.  Can you remove your hood? Good. Athena: Can you stare smoldering at the camera?  Good.  I wonder how people tried out for the part of “soul writhing in hell” or whatever it was.

I’m not sure if the “that was the myth, but how does it relate to reality” part was supposed to be the real draw of the show.  Some of it was interesting, some of it was weird, and some of it was just stretching plausibility.  There’s been a lot if discussions below in the comments about the emphasis on Christianity throughout the series.  From a historical point of view I thought it was interesting.  Although there were time when I wasn’t entirely convinced.

It was the professors who really impressed me.  They were consistently informative, and clearly enjoyed what they were talking about.  There were one or two who I would NEVER have wanted in class (their voices were rather sharp) but there were also a few that I would have signed up for multiple times, no question. So thanks to them for doing the show (I know, it was a real drag for them to get out of the classroom and do TV, right).

I’m still trying to find more information about the people involved, but it is cleverly hidden (as is everything else about the show).  What is it with The History Channel’s website?  This is the only professor who I’ve found with a blog: Wormtalk and Slugspeak.  And he tells some interesting details about doing the show.  As for the rest, well, you’ll have to watch the episode and write down their names, apparently.

I’ll give a special shout out to the professor at Rutgers, since she’s just down the street, but i don’t remember her name.

[UPDATE: October 26, 2009]

See bottom for comments on final two episodes that i watched: Thor and Medusa (which I missed the first time around).

[UPDATE: October 15, 2009]

See bottom for comments about Beowulf and Tolkien.  (I haven’t watched Thor yet).

[UPDATE: September 28, 2009]

See bottom for comments about the Odyssey episodes.

[UPDATE: September 21, 2009]

I’ve been getting a number of hits here with people looking for the Clash of the Gods narrator.  So, his name is Stan Bernard.  He was also the narrator for Zero Hour and MonsterQuest as well as a few other things.  I’ve not seen anything else he’s done.

[UPDATE: September 2, 2009]

See bottom for reviews of 2 more episodes]

[WATCHED: August-October 2009]

I don’t normally review TV shows.  There’s just too much to keep up with.  But I’m making an exception in this case.

I had heard about this show on a public radio program.  The host was talking to some of the guys who were involved in making it, and it sounded fantastic. (I regret that I don’t know which host or even which radio station, I was driving a rental car and just happened upon the program, I think his name was John, which, frankly doesn’t help at all).

I love Greek mythology, and so did the host of the radio show.  When he said that the series was designed not only for people who are new to the mythology but that it would also give deeper information for those who were familiar with the stories, I has to check it out.

Two episodes have aired so far, Zeus and Hercules.  And the radio announcer was right.  The episodes are good.  They give the general story of the myth and then throw in some uncommon details.  But, perhaps most interestingly, they also include ways in which recent archaeological digs have uncovered information that shows the reality behind the stories.  And, even more interestingly, they discuss how some of the myths not only correspond very well to actual historical events, but also correspond to events from the Bible and other cultures’ mythologies.  So, Noah’s flood, is recounted in Greek mythology as a Zeus destroying the world.  And both are based on what is believed to be a real event in which a volcano erupted and flooded most of the Middle East.  The parallels are uncanny.

The stories (narrated by a frankly uninspired narrator) are interspersed with my favorite part: faculty from various universities (and Scientific American magazine) give their historical insight into the myths.  And they’re all pretty excited about what they’re talking about (and each has his or her own quirky mannerism which is fun to look for–and they were all apparently told to wear black, otherwise it is an amazing sartorial coincidence).

The absolute worst part of the series (and I fear it will continue through all  of the shows since it was in Zeus and Hercules) is the absolutely horrid “reenactment” footage.  It’s bad enough that the footage is kind of lame (even if the blue contacts do “pop” on screen as they said they would in the radio interview).  But they reuse the same footage over and over again in the same episode–heck in the same segments of the same episode.  It is maddening.  Are they really telling us that they couldn’t have had Zeus do something other than sit down heavily on his rocky throne?  (I think they showed that particular scene 6, maybe 7 times).  I realize that if the actor isn’t actually going to speak, there’s not a lot he can do, but come on, show us something else! (more…)

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nealSOUNDTRACK: SONIC YOUTH-Made in USA (1986 released in 1995).

usaThe liner notes explain a lot of what was behind this disc.  The then largely unknown Sonic Youth was asked to score a cool indie film, which later became a less cool more mainstream film and ultimately went straight to video.

The CD is mostly background music, but it is notable for how mainstream it sounds (for Sonic Youth in the mid-80s) and for how bad it sounds–like it was recorded in a can.

It’s mostly completely listenable soundtrack mood music.  It’s nothing to rush out and buy, especially if you like the noisier SY stuff, but, and this is something of a shock, its sounds quite nice, almost ambient at times.

If you’re interested in this sort of thing, it’s worth noting that “Secret Girl” from EVOL appears in a slightly different form (twice actually).

[READ: July 29, 2009] The Neal Pollack Anthology of American Literature

This is the first book published by McSweeney’s Books.  And it is indeed handsome, with a nice yellow ribbon for marking your page.

And so, who is Neal Pollack?  Well, as you all know, Neal Pollack is the greatest living writer today.  He has been writing for decades and has written some of the most important books, and the most important articles that anyone has ever read. His book on life as an African America has not only impressed Oprah, but it has inspired Toni Morrison and Henry Louis Gates.

And, as you can see from the back of the book, everyone from Hunter S. Thompson to Normal Mailer sings his praises. (more…)

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