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Archive for September, 2022

[DID NOT ATTEND: September 24, 2022] Frantic City 2022

When I saw this show listed, I knew that it would be a fun opportunity for my son and I to go to a Festival. Only one day, kinda far but not too far, and headlined by his favorite band Car Seat Headrest.

The whole lineup was pretty exciting, in fact,

  • Car Seat Headrest
  • Yo La Tengo
  • Snail Mail
  • Titus Andronicus
  • Superchunk
  • Rocket from the Crypt
  • Protomartyr
  • Murder City Devils
  • Shannon and the Clams
  • The Raveonettes
  • Samiam
  • Control Top

And Fred Armisen will serve as host, so you can expect his specific brand of musical comedy to move the acts along.

I wasn’t sure what time we were going to arrive.  I wanted to see Control Top, who it looked like would go on first, then I was kind of okay with not seeing some of the other bands.

I feel like I should know Samiam, but I don’t exactly.  I feel like I don’t like The Raveonettes.  I didn’t really want to see Shannon and the Clams.  I don’t know Murder City Devils.  I have seen Protomartyr, and would have been happy to see them again.  I liked the first Rocket from the Crypt album, but haven’t thought of them in years.  I have seen Superchunk twice in the last few years and don’t need to see them again, although they are great.  I have not see Titus Andronicus who I don’t love, but who I understand are amazing live.

I do want to see Snail Mail (who I was supposed to see in April, but didn’t).  I have liked Yo La Tengo for years and have never seen them.  And then there was Car Seat Headrest, whom we had both seen in April.

Then on September 17, Car Seat Headrest pulled out of the Festival because of Will Toledo’s health.

I probably should have turned in the tickets right then, but I didn’t want the Festival to crumble from people returning their tickets–I do hope it comes back next year.

But that really put the kibosh on my son’s desire to see the festival.

On the day of, he said he really didn’t want to go and honestly that was fine by me.

 

 

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[DID NOT ATTEND: September 24, 2022] Demetri Martin

Demetri Martin is one of my favorite comedians.

I would love to see him live.  But this show was scheduled for the same day as the Frantic City Festival that we had tickets for.

I hope he’ll come back around some day.

 

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[DID NOT ATTEND: September 24, 2022] Porridge Radio [moved from August 7, 2020 Boot & Saddle]

I heard about Porridge Radio from NPR back in 2020.  They are exactly the kind of weirdo post-punk British band that I love and would never hear anywhere on the radio.

Singer Dana Margolin is more of a talker than a singer.  Her accent is thick and her intensity is palpable.  The band mixes melody and noise in an unexpected way.  And of course there’s “the growing legend of their intense live shows.”

The 2020 show was cancelled and then Boot & Saddle closed.  I’m not sure if this even counts as a rescheduled show or not.  But they did, in fact come back to Philly.

Unfortunately, I thought we were going to Frantic City (which we wound up not doing).  I probably could have gone to this show after having bailed on Frantic City, but that seemed like too much chaos for one day.

Sean Henry is from Connecticut.  Henry began his career making music under the name Boy Crush.

His stuff under the name Sean Henry is pleasant and a little twee.  Although his live recording (from Audiotree) rocks a bit harder.  He’d be a good opener for just about anyone, I suspect.

I hope Porridge Radio comes back for their next album.

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[DID NOT ATTEND: September 23, 2022] Girlpool / Cecile Believe

I first heard Girlpool back in 2015.  I loved the way the two members of the band sang, but not in harmony–it was more like in unison.  It gave them almost a childlike quality that somehow made their songs really impactful.

I had wanted to see them live since then.  When they came around in 2017, I had a ticket and then a last minute plan meant I couldn’t go.  They came back in 2019, but it was during our summer vacation.

Finally, they came back around in 2023, but it was the same night as several other shows, including one I wasn’t going to pass up.

Interestingly, over the past seven years a lot has happened to the band.  Avery Tucker transitioned and Harmony Tividad started exploring new facets of herself.  So they looked very different from when they first started out.

Their musical style changed a lot as well.  They no longer sounded anything like they did on the debut.  Primarily because Avery’s voice was no so much deeper.   I didn’t enjoy their music that much anymore.  So I wasn’t that upset about missing them.

Then on August 25, Girlpool announced that they will breakup at the end of the year, and that their remaining tour dates would serve as a farewell tour.  So I guess I’ll never see them live.

Cecile Believe (formerly known as Mozart’s Sister) is a solo project by Montreal-based Canadian musician Caila Thompson-Hannant.

Resident Advisor describers her music:

Cecile Believe’s vocal and emotional range, with its exhilarating twinkles of vulnerability, made an immediate impression on me when I first heard her performing “Ponyboy” and “Faceshopping”  .. Her new mixtape, Plucking A Cherry From The Void, a collection of restless and reflective lockdown-fermented electro-pop bangers, has those same attributes in ample supply.

Although I listened to a few songs and wasn’t that impressed.  It was all fine.

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[DID NOT ATTEND: September 23, 2022] Yola / Peter One [rescheduled from February 15]

I has seen Yola on TV and her live presence (and her voice) were incredible. I don’t know a ton of her songs, but the ones I knew I liked a lot.

I thought it would be fun to see her live.  Her February show was postponed to September.

And was rescheduled for the same date as my Saucerful of Secrets show.  Which I was not going to miss.

So I have yet to see Yola.  Or Brooklyn Bowl.

Jac Ross was supposed to open, but I didn’t like him.  I was happy that he was replaced by Peter One whose story is really interesting.

Singer-songwriter Peter One left his home in Côte D’Ivoire in 1995 amid rising political unrest in the West African country that eventually boiled over into two civil wars in the 2000s. His life in the United States began in New York and then Delaware, before landing in Nashville, where he now lives. Along the way, he found community with fellow displaced Ivorians, including a friend who inspired a song from Peter One’s first new release in more than 30 years.

Peter One plays a kind of country-folk but with a West African twist that makes it sound fresh.

 

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[ATTENDED: August 24, 2022] Kathleen Edwards

Back in 2019 Kathleen Edwards came out of “retirement” after spending five years running a coffee house in Stittsville, Ottawa called Quitters.  She has since sold Quitters and it is now something else.

She announced a few shows in 2019 and then a small tour in 2021.  I hoofed it into New York City to see what I imagined would be my only time seeing her.  (She was also opening for Jason Isbell, but I didn’t want to see her as an opener nor did I want to see Jason Isbell).

But then she announced a full tour in 2022!  A few years ago I thought I’d never see her live and here we are and I’ve now seen her three times in under a year.

What was also pretty interesting was that this band line up was almost entirely different from the last time (which had been different from the first time).

The first time it was a five piece with two guitars (and a keyboard), bass and drums.  The second time it was drums, bass, pedal steel guitar and violin/keyboard.  So no lead guitar (all leads were on the pedal steel).  For this third show there was no bass or drums.  So, we had the same two “new” members from the show just a month earlier: Aaron Goldstein on pedal steel and Kinley Dowling who played keys and violin.  And we were once again joined by Colin Cripps (her ex-husband).  He played with her back in the old days and also when I saw her in NYC, but not a month earlier). (more…)

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[ATTENDED: September 23, 2022] Nick Mason’s Saucerful of Secrets [rescheduled from January 25, 2021]

Back in 2019 I saw Nick Mason’s Saucerful of Secrets play old, obscure and unpopular Pink Floyd songs.  And it was awesome.

When he first came up with the idea:

Mason says he wished to revisit songs that were staples of early Pink Floyd shows from 1969–1972, as well as other songs that were never performed live by Pink Floyd during this era. Mason said the group was not a tribute band, but that they wanted to “capture the spirit” of the era.  And they were going to play some of “Atom Heart Mother,” my personal favorite.

The band would consist of (and still does) Dom Beken on keys, Lee Harris and Gary Kemp on guitars and vocals, and long time Pink Floyd collaborator Guy Pratt (man, he has played with EVERYBODY) on bass and vocals.

I enjoyed the Met Philly’s experience.  But this time the show was going to be at the Miller Theater, part of the Kimmel Music Center complex.  Although I was quite far back and I said

I didn’t get a close seat because I didn’t really think it would be worthwhile.  But if he tours this show again (maybe with one or two different songs?) I would see them again, but I’d be much closer.

But this time, I decided to get even further away (sort of).  I grabbed a seat in the top tier (4th balcony), but in the front row.  I had a GREAT view!  Until I realized that the metal safety bar was EXACTLY at my eye line when I sat back.  So I had to lean up or down to see the whole stage. (more…)

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[CANCELLED: September 23, 2022] Spiritualized (moved to November 6, 2023)

I wasn’t planning on going to this show in Jersey City (I was going to Union Transfer) because this show was on the same night at the Saucerful of Secrets show.

However, it was worth noting that this show was cancelled too

Spiritualized have canceled tonight’s show at Jersey City’s White Eagle Hall. No explanation has been given, but Thursday night’s show at Philadelphia’s Union Transfer was also canceled — less than an hour before it was supposed to start — and the venue sent messages to ticket holders, writing, “We are incredibly sorry but tonight’s Spiritualized show will NOT take place tonight. There is an medical emergency w/ a member of the touring party. We’ll send out more details asap but tonight’s show is 100% not happening. – UT”

We don’t know who that member of the touring party is but we’re hoping everyone is ok.

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[CANCELLED: September 23, 2022] Andrew W.K./Uncle Dan [moved from September 24, 2021]

Andrew W.K. had this show rescheduled pretty quickly after cancelling his 2021 tour.

But then it was also cancelled.  I don’t really keep up with his goings on, but as far as I can tell he has maintained complete media silence.  No idea what’s going on with the guy.  Hope all is well and that he and his new wife and baby are doing well.

(more…)

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[ATTENDED: September 22, 2022] Matt Sucich

I thought that Matt Sucich was going to open for Kathleen Edwards in Haddon Heights.  But he joined her tour right after that show.  And so we saw him for this SOPAC show.

Despite how easy it is to get to SOAPC, the parking area was nuts, so we walked in in the middle of his first or second song.

We also had the terrible realization that the seats (which were moveable and placed in specifically for this show were REALLY close to us.  It made for a remarkably uncomfortable set in the otherwise normally really comfy SOPAC.

Sucich has a really pleasant folksinger style with a soothing deep-ish voice and a simple playing and lyrical style.

Midway through the set as I was enjoying him quite a bit he said one of the few things that will turn me against a singer.  he said that his new album had backing vocals by Adam Duritz and that he had just been on tour with Counting Crows.  There may be no band that I hate across the board as much as Counting Crows (mostly because of Duritz’ voice).  So this was not good news to me.  Although since Duritz didn’t appear, it wasn’t the disaster it could have been.

At some point he had made a joke about himself and the audience applauded and it became a regular thing that he would say this same thing about himself and we would all applaud.  It made for a warm and fun set.  Later on when he sang with Kathleen, he really won me over and all memory of Duritz was forgotten.

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