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Archive for July, 2022

[ATTENDED: July 17, 2022] Pony [moved from January 23, 2021]

I had not heard of Pony before this show.  I was interested in hearing the original opening band, Empath, who are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

But Pony are a pop punk band from Toronto and they were fantastic.

Pony is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).

For a couple of songs at the end Sam didn’t play guitar she just sang and dominated the stage, stomping around in Doc Martins and a plaid skirt. (more…)

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[ATTENDED: July 13, 2022] Home is Where

I saw Foxing three years ago without knowing much about them.  Their live show blew me away.  So when it was announced that they were playing Philly again, I had a choice. Go to the Bikini Kill show that I’ve had tickets to for years or go to the Kevin Devine show which I had gotten tickets for just in case it sold out, or blow off them both and go to Foxing.

Well, Bikini Kill was postponed (again) and Kevin Devine was a solo show (which is good, but I’ve seen him solo twice already), so I decided to go to Foxing without having a ticket.  Traffic was light, I got free parking (well, technically it cost 68 cents) and bought a ticket in cash with no handling fees!

I went downstairs and was kind of surprised at how young the audience was.  I was also surprised by how well people seem to know the opening band Home is Where who hail from Florida.

The band is a four piece: josiah gardella – drums ; trace george – guitar ; brandon macdonald – tantrum, harmonica, singing saw ; connor “fat slaps” o’brien – bass. (more…)

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[ATTENDED: July 13, 2022] Greet Death

After the wildness of Home is Where, I wasn’t really sure what to expect from Greet Death.  I assumed they had gotten their name from Explosions In the Sky who have a song called that.  Which meant that they would probably be instrumental post-rock.

But they aren’t.

They are a four-piece from Detroit with two lead singers.   When I saw them I was in front of Samuel Boyhtari who has a more pleasant singing style.  On the other side of the stage was Logan Gaval who is more of the mouthpiece of the band, I’m guessing. (more…)

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[ATTENDED: July 13, 2022] Foxing

I saw Foxing three years ago without knowing much about them.  Their live show blew me away.  So when it was announced that they were playing Philly again, I had a choice. Go tothe Bikini Kill show that I’ve had tickets to for years or go to the Kevin Devine show which I had gotten tickets for just in case it sold out, or blow off them both and go to Foxing.

Well, Bikini Kill was postponed (again) and Kevin Devine was a solo show (which is good, but I’ve seen him solo twice already), so I decided to go to Foxing without having a ticket.  Traffic was light, I got free parking (well, technically it cost 68 cents) and bought a ticket in cash with no handling fees!

The two opening acts were really good and I settled in for Foxing.  They had just announced a new live album that you could get online or you could get (autographed) at the shows.  I bought the LP before the show (only 20 were sold each night) and was stuck holding it the whole time (next time bring a bag).

The lights went down and a recorded song played while fireworks were projected on the screen behind the stage.  Then the band came out.  For some reason I thought there were more of them, but there were only five.  And they were loud enough that they could have been ten.

Foxing released a new album last year and this was the tour for it, so there were lots of “new” songs.  But the fans knew them all (I mean the record has been out almost a year).

Singer Conor Murphy is a dynamic frontman.  He moves around, he jumps, he screams, he engages with the audience.  It’s like every note he sings is personally connected to him.  He has a delicate falsetto (not unlike TV on the Radio) but he can scream, like really roar, with the best of them.

And the way the band jumps from quiet to HUGE is really impressive. (more…)

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[DID NOT ATTEND: July 13, 2022] Kevin Devine / Anika Pyle

The embarrassment of riches continued on July 13.  Initially the Bikini Kill show was rescheduled for this date–but it was postponed again.

I’ve been a fan of Kevin Devine for a few years.  I feel like I’ve seen him a bunch because he so often plays around here.  And yet I have only seen him three time (twice solo and once with his Goddamn Band).  I would love to see him again and would absolutely gone to see this show except that Foxing, a band I saw once who were amazing live were playing the same night.

I actually had tickets for this show but decided kind of last minute to see Foxing instead–it hadn’t sold out so I got a ticket at the box office.

I feel like it is far more likely that I’ll see Kevin Devine again soon.

Anika Pyle has written her own bio on he site:

Many know me as the front person in the short-lived but well-loved Chumped or the feminine exploration power pop project katie ellen. In February of 2021, I released my first solo record – Wild River  – a mix of song and spoken word poetry paying homage to my late father who died suddenly in 2019. The record explores failure, shame resilience, intergenerational trauma, and how to find hope after grief.

I hadn’t heard of her.  The few clips I’ve heard make it seem like her music is slow and moody.  Not my favorite mix.

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[POSTPONED: July 13, 2022] Bikini Kill / Brontez Purnell [rescheduled from November 22, 2020 and October 2, 2021; moved to April 7, 2023]

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About a week before this show was supposed to happen we got another update that the show was postponed yet again.

I like to note that I bought ticket to this show on November 10, 2019.

The reunited riot grrrl stars were originally set to play a host of North American shows across June and July this year, but had to postpone them due to a positive COVID case in their touring party.

Original support act Alice Bag is long gone replaced by Brontez Purnell who is still slotted to support next year.

Brontez Purnell is an American writer, musician, dancer, and director based out of Oakland, California. He is the author of several books, including Since I Laid My Burden Down, and the zine Fag School; frontman for the punk band The Younger Lovers; and founder of the Brontez Purnell Dance Company.

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(more…)

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[DID NOT ATTEND: July 12, 2022] Barenaked Ladies / Toad the Wet Sprocket / Gin Blossoms [rescheduled from July 14, 2020 and July 13, 2021]

I haven’t seen Barenaked Ladies in a while.  They always put on a good show, although i feel like I’ve enjoyed the last few a little bit less than the previous ones.

I always consider going to their Last Summer on Earth tours, but i typically dislike the other bands that are playing with them–usually 90s bands that I assumed were broken up. Which doesn’t really speak all that well of BNL (unless it speaks well of them trying to boost old bands).

I never liked Gin Blossoms.

I liked Toad the Wet Sprocket for their name (which comes from Monty Python) but couldn’t tell you a single song they sang.

So, it was very unlikley that I was going to this one.  And I didn’t.

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As recent as mid-May this concert was still listed as happening in 2021, but when you clicked to buy tickets, the ticket pages said 2022.

I know that the whole “Last Summer on Earth” thing is a joke, but it’s getting a little creepy now.

I was kind of hoping they’d switch opening bands by now but, instead of this show, I think I’ll be seeing them at the Festival of Ballooning on July 24th instead.

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I have seen Barenaked Ladies almost more than any other band.  I’ve seen them from way back in the early days to a few times in the last few years.  They are reliably solid live (if not a bit predictable with their setlists).

We didn’t see them for last year’s “Last Summer on Earth” tour.  They have been using that name for the last several years, it may be time to think of a new name, especially given the current state of the world.  I wasn’t planning on going to this show mostly because I don’t really like the opening acts.  And, honestly, unless the show was something special and different, it would entirely depend on the opening acts whether I went or not. Maybe they’ll mix them up for next year.

Toad the Wet Sprocket got their name from a Monty Python skit which immediately made me like them.  I think I ha a cassette of their first album, maybe.  I haven’t really thought of them in years and remember them being kind of inoffensive.  Oh, wait, they had a pretty big hit with “All I Want,” a sweet slightly alt folk rock song.  I’ll bet there would be lots of lighters up for that song.

I really hated Gin Blossoms back in the 90s.  They were so overplayed and hardly qualified as alternative or college rock, but they were lumped in that category.  They had a number of songs that I probably know all the words to even though I never listened to them on purpose.

With a lineup change I’d consider seeing them next summer, especially if they changed the name of the tour.

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[ATTENDED: July 8, 2022] Lucy Dacus: Free at Noon [postponed from March 4, 2022]

I have seen Lucy Dacus quite a few times and she always puts on a mesmerizing show.

After her March Free at Noon was postponed, I decided to definitely grab a ticket for this July Free at Noon (somehow I’m more interested in doing a weekday concert in the summer than in March).

The last time I saw Lucy she said she was living in Philly, so I assume that this show was fairly easy for her to cooridnate.  She was also upright (after her herniated disc injury) so this must have been an easy show to perform, too.

She stood up on stage in a white dress as blue lights filled the stage.  Her band surrounding her, she began with the lovely, quiet “Triple Dog Dare.”  The lights slowly brightened as the rest of her band came into view (I love watching her guitarist Jacob Blizard play)

They moved into the bouncier “First Time” (“You can’t feel it for the first time, a second time”) as the lights changed color and grew brighter.  There were notably more keys in this set, I thought–from synth player Sarah Goldstone who also added lovely harmonies. (more…)

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SOUNDTRACK: Hiatus.

[READ: July 4, 2022] Charlie Thorne and the Curse of Cleopatra

This is the third book in the Charlie Thorne series.  And there will clearly be a fourth.

Sarah brought this home and was very excited about it.  I was pretty excited to read it as well.  Our excitement was justified, because Stuart Gibbs has created a great heroine, an intriguing mystery and a thoughtful historical quest.

One of the things I liked best about this book was the historical information about Cleopatra.  We all know all about Cleopatra.  Except  that everything we know is incorrect!  The course of (male) history has been very unkind to Cleopatra–she was an amazing woman and ruler and has been historically described as little more than an exotic temptress.

In the acknowledgements, Gibbs, heaps praise on the book Cleopatra: A Life by Stacy Schiff.  I have just checked out the book and the first chapter is fantastic.

The Prologue is set in Alexandria, Egypt in 30 BC.  Cleopatra was being held prisoner by Octavian–Julius Caesar’s nephew.  Cleopatra and her husband Mark Antony were united in a war against Octavian–but they had lost.

Octavian lied about how he would treat Cleopatra after Mark Antony’s death.  She discovered this and was preemptive about her own fate.  She did not kill herself with an asp–rather, she drank poison and burned down her mausoleum.  And her great treasure was destroyed wit her.

Staying in Egypt, the book shifts to the present day.  At the end of the last book Charlie has escaped from the CIA as well as the Mossad, the national intelligence agency of Israel.

Now she is sneaking into a party in Giza, Egypt, at the penthouse of Ahmet Shah, the oldest son of a wealthy shipping magnate.  Ahmet has a ton of security because he has a ton of expensive things in his house.  But one thing that Charlie wants is not expensive–it is information. (more…)

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[ATTENDED: June 30, 2022] Man Man

I have seen Man Man twice before and each show was a wild extravaganza of fun and craziness.  Lead Man, Honus Honus knows how to put on a show–part lounge, part punk, part WTF.  It’s a spectacle in the best possible way.

This was the first time I Was seeing them as the headliner–they did headliner Philly Music fest, but it was a Festival, not a Man Man show.  The crowd was there for Man Man and they were pretty rowdy and wiled up (I didn’t really care for them).

But we were all there to see the band put on a great show.  So the lights dimmed, the band came out and soon enough Honus Honus walked up to his keyboard (which, as always, abuts the drums that sit at the front of the stage) and the launched right into their latest single “Cloud Nein.”

The band recently (pre-pandemic) put out a new album, Dream Hunting in the Valley of the In-Between, and this was their first time back in Philly since the album came out.  They were well practiced with the song with Honus standing up and getting everyone to sing along.

It was followed by an oldie, the swinging surfy “Piranhas Club.”  It’s impossible to keep track of what everyone is doing on stage.  Especially since everyone seems to play whatever they can get their hands on during the next song.  As for a lineup.  I’m seeing:
Jazz Diesel on drums, Smunk Smalls on guitar, Eggs Foster on keyboards, Mature Kevin on marimba, and Hard Tay on wind instruments.

Next came a new song.  Not a new song on the new album, but a new, unreleased song.  This would be the first of several new unreleased songs.  This one was called “Iguana” and featured several deep chants of “Iguana!” (more…)

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