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Archive for September, 2021

[ATTENDED: September 14, 2021] The Haunt

I was pretty delighted to see that Mongolia’s The HU were coming back to Philly.  I really enjoyed their set last time and figured they’d be just as fun this time.

This year’s opening band was The Haunt, who I’d never heard of (and it’s VERY hard to find them online because there’s all kinds of Haunt-named bands).

And here’s a fascinating bit of history

The Haunt, formerly known as AnastasiaMax are from South Florida. The band consists of siblings, Anastasia Grace Haunt (lead vocals), and Maxamillion Haunt (vocals, guitar and production), alongside Nat Smallish on bass guitar (formally Beach Day), and Nick Lewert on drums (formally Ethan Bortnick).

I can’t guarantee that those last two were the rhythm section.  he mentioned their names, but all I remember is that the drummer was nicknamed “waffles.”

I arrived in the middle of the first song (I hate the parking around TLA) and managed to get past the clustered people after a song or two.  But right from the start I was impressed with the sound of the song “Constant.” (more…)

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SOUNDTRACK: hiatus

[READ: Summer 2021] Sourcery

This story follows up on some of the ideas in Equal Rites.  In that books we learned that the eight son of an eighth son was destined to be a Wizard.  But the eighth son of a Wizard–which shouldn’t happen since Wizards don’t have relations.

But in this story, an excommunicated Wizard (he DID have relations) had a eighth son whom he named Coin.  He wanted to take revenge on the Wizarding world because of how they treated him and what better revenge than to create a Sourcerer.  A Sourcerer generates power rather than using it.

A few years later, Coin goes to Unseen University and overthrows the current Archchancellor Wayzygoose.  (The Archchancellor role becomes more stable in a few books, which is what I remembered).  Coin, being a strong presence and the kind of person who can Set Things Right, is embraced by the Wizards (who are pretty susceptible to this sort of thing).  It turns out that Rincewind (and his Luggage) as well as The Librarian (who is a Wizard that was tuned into an orangutan and does not want to be turned back) were not at the University when this all went down.  So they’re aware that something is suspicious about Coin. (more…)

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[POSTPONED: September 12, 2021] Andy Shauf / Faye Webster [rescheduled from May 1 and December 17, 2020; moved to March 31, 2022]

indexThis show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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SOUNDTRACK: hiatus

[READ: Summer 2021] Mort

Mort is the fourth of four books that I bought as Discworld mini books.  Pratchett himself says that this was the first book that he was pleased with.  He says of his other books that the plot had existed to support the jokes, but that in Mort, the plot was integral.

I remembered the story of this one quite well, although the details were a little fuzzy.  Is it possible I only read this one?

The story starts out with Mort, a teenager who is all elbows and knees–gangly, awkward, embarrassed and just generally the kid of person who gets more work done for you if he is not helping.

Needing Mort to go away and find employment elsewhere, his father takes him to the local job fair.

No one wants Mort.

At midnight Death arrives.  Death has appeared in all of the books so far and has always been a bit of comic relief, but here he is a full on main character, and Pratchett does a great job filling him with pathos.  He also fully introduces the idea that everyone can see Death when he appears but that the human mind is excellent at not acknowledging what shouldn’t be there.  So as Death walks about, people tend to see right through him. (more…)

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[ATTENDED: September 10, 2021] Almost Queen

S.’s co-workers invited her to see Almost Queen with them late in June.  She agreed, thinking it would be a fun night out.  As September approached, she realized that the friends had a slightly different plan for the evening than she did, and realized that she couldn’t ride down with them.  So she asked me to come along.

I was game, of course.  I have never intentionally paid to see a tribute band before.  But since this was a band that I would never be able to see live (Queen last played in New jersey in 1982–although the version with Adam Lambert had played here more recently), I said why not.

I was intrigued that a cover band had two opening acts, also cover bands: Philadelphia Freedom, The Elton John Tribute and The Unforgettable Fire: The U2 Tribute.

However, the combination of Friday night plans and Friday night traffic meant we got to the Stone Pony during the final two U2 songs (“One” and “Bullet the Blue Sky”–a rather odd final song I thought).  They sounded good from the street, but I have no real opinion of The Unforgettable Fire.

The place was PACKED and there was no vaccination requirement (good grief).  This is my third Summer Stage show in a few years and honestly, unless there is something really amazing playing there, I don’t think I’d go back.  The crowd is just terrible–filled with drunken Jersey dudes and dudettes.  If this was a band I really wanted to see I’d have been really annoyed by them all.  Fortunately, this was a fun tribute act and I was happy to just kick back and enjoy.  We somehow managed to find our group (amusingly, I told S. to have her friend hold up her phone and wave it.  Immediately someone did and we followed the light only to realize that it wasn’t her friends, but the person standing right next to them–weird). (more…)

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[CANCELLED: September 9, 2021] Bachelor

indexBachelor is the lockdown-inspired collaboration between Palehound’s Ellen Kempner and Jay Som’s Melina Duterte.  Their song “Stay in the Car” is one of my favorites this year.  I was excited to see both of these great women in a small venue like The Foundry.

Then on Friday August 13th, they sent out this message.

Unfortunately, the Event Organizer has had to cancel your event.

With this follow up on their Instagram

Due to unforeseen circumstances, Bachelor will no longer be hitting the road for the following shows. However, Ellen will still be supporting @lucydacus as @palehound on the first leg of her tour. Tickets for our headline shows will be refunded at point of purchase. Please get vaccinated and stay safe.

So that was a bummer.  Hope they can rebound and do more shows next year.

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SOUNDTRACK: hiatus

[READ: Summer 2021] Equal Rites

Neither of the first two Discworld books were all that familiar to me, so I assumed that Equal Rites would jar my memory.

It introduces Granny Weatherwax and has some of my favorite jokes so far, but again, I didn’t really remember the story all that that well.

This story puts into Lore that the eighth son of a eighth son will be a wizard.  A dying wizard (Drum Billet) seeks out this eighth son of an eighth son and prepares to give the boy his staff, signifying his acceptance into wizardly ways.

It all goes really well until everyone has a chance to reveal that the eighth son is actually a girl–Eskarina Smith.

The Smith family has been on friendly(ish) terms with the local witch Granny Weatherwax for as long as anyone can remember.  And when it’s revealed that Esk has been given the wizard’s staff (which seems to be glaring at everyone), Granny is a bit concerned.

Everyone knows that girls are witches and boys are wizards.  It’s how its always been.  They both use magic, but well, witches used a kind of headology–a more real magic than the fancy faffing about that wizards seemed to do.  And when Granny sees the power that Esk has, she knows that the girl will make a great witch.

Until she realizes that Esk is actually more powerful than Grany realized. And, with that staff, she’s a bit out of Granny’s understanding of things.  Granny decides to take Esk to Unseen University so she can be brought up like a wizard.

As has been made clear, Unseen University is a boys club.  An all boys club–no women will enter except those who will do work around the place,. The wizards themselves have given up any romantic or sexual inclinations (it messes up the magic), so they have learned not to see women at all (pretty much).

The thought of Esk entering the University is laughable. Which has never stopped Granny.

So the set off for “forn parts.”  They travel via many different modes of transport.  Along the way they meet Simon, a promising young wizard from the hinterlands. He is very powerful but has no discipline (or charisma). But he and Esk do get a long for a time.  Simon’s magical ability is to reduce everything in the world to numbers (is this another computer joke)

When Esk arrives at UU, she is basically laughed out of the building.  She had been able to do magic, but when inside the doors, it seemed to vanish from her.  So Granny gets her in as a servant, where she tries to learn things as she goes.  But mostly she learns that wizards are jerks.

The wizards are also totally enamored of Simon and encourage him to do what he does best.  Unfortunately, as we learned in the previous book, the Dungeon Dimensions are waiting to flood into this world, and nothing allows that to happen as much as powerful magic.

Esk’s staff has been a pretty hilarious sidekick throughout the book–especially as an inanimate object.  Its power is immense, and it is loyal to Esk–violently loyal.  When the staff realizes that what Simon is doing will endanger Esk, it attacks him.  But this happens while Simon’s mind is in the Dungeon Dimensions, essentially trapping him there.

But Esk thinks that the staff attacked Simon and, since she knows Simon is a good kid, she throws away the staff and goes to rescue him.

The staff takes off in a big old sulk.  And that is very bad indeed.  Because now both Simon and Esk are trapped in the Dungeon Dimensons with no way to get out.

So there a wonderful road trip between Granny Weatherwax and Archchancellor Cutangle (I love that it reveals that they grew up together).  They travel across the Disc (on a broom among other things) to retrieve the staff.

We also learn an important lesson that the way to defeat the creatures in the Dungeon Dimensions is to have the ability to use magic but to not use it

Granny Weatherwax proves to be a wonderfully enduring character–stubborn and suspicious but wise and with a hidden soft spot.

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[ATTENDED: September 5, 2021] Avatar

When Avatar announced they were playing TLA I knew I wanted to see them again.  When they opened for Babymetal, I was blown away by what a show they put on–for an opening act.  I imagined that when they headlined, it would be even more amazing.

It wasn’t more amazing (I was actually more impressed by their lights last time) but it was certainly a lot of fun–an even more fun since the audience was there to see them.

Their gear was set up and then a small drumkit was brought to the front of the stage (which was pretty unusual).  Then the five of them walked out and stood in a tight v formation.  After a lengthy pause with all five of them staring at us, drummer John Alfredsson began hitting out a loud snare beat.  Then the guitars started playing and singer Johannes Eckerström–dressed like a ringmaster, his face covered in white paint with (scary) clown makeup on–began singing the fantastic growling anthem “Colossus.”  The band played the entire sing in that tight V shape and from my vantage point when both guitarists played the same solo it was like a multi-armed beast on stage.

They followed that up with “Let it Burn” and then the stage went black.  The crew removed the tiny drum set and the band left the stage briefly while Alfredsson climbed up on top of his full sized kit.  When the band came back out they utilized the full stage and when they started “Silence in the Age if Apes” (the actual first song on the new album) the full synchronized headbanging extravaganza was under way.

Both guitarists take some time to show off, although never for too long.  In fact, when they started soloing, it was usually over by the time I had the camera ready.  Jonas “Kungen” Jarlsby and Tim Öhrström (“he’s single, ladies”) both took turns at the front of the stage.  Although it was Jarlsby who stood up front to play the slow pretty intro of “Bloody Angel.” (more…)

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[ATTENDED: September 5, 2021] Magic Sword

When Avatar announced they were playing TLA I knew I wanted to see them again.  When they opened for Babymetal, I was blown away by what a show they put on–especially for an opening act.  I imagined that when they headlined, it would be even more amazing.

I was pretty psyched that the opening band was going to be Magic Sword.  I had recently been getting into their brand of instrumental 80’s sci-fi/metal soundtrack kind of music (I don’t really know what else you’d call it) and I was pretty excited to see it live.

There are three members: The Keeper (red, keyboard, audio-visual), The Seer (blue, guitar), and The Weaver (yellow, drums).  Oh yes, they are all masked (and not COVID masked, but like a fencing mask with a glowing light (in the above color) for the eyes).  All of their songs are pretty heavy with a main riff (and bass) coming from the keys (and sometimes guitar) and really heavy drums.  And then The Seer plays some extended impressive and super catchy guitar solos.

Every song feels like the exultant triumph of a cheesy 80s sci fi movie.  Which is not to say that their music is cheesy (it really rocks) but that it would be placed in a cheesy movie–and would sound great. (more…)

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[ATTENDED: September 4, 2021] King Crimson

This show was originally scheduled at the State Theatre in New Brunswick, which would have been an amazing place to see King Crimson.  The sound would have been incredible, and it’s only 30 minutes from my house.  When this was first rescheduled, it appeared that they’d be playing at the Count Basie in Red Bank, which would have been fine–great sound, but a further drive.  Then it wound up at PNC Bank Center, which has less great sound, but is a nice venue and is very easy to get to.

A few days before the show I heard an ad on the radio that said this was King Crimson’s final tour. I hadn’t heard that before.  And maybe if they had originally played in 2020, they might have done another stretch into 2021…who knows.  Anyhow, an article recently said that yes, this was probably the final tour, but they didn’t want to make a big deal about it.  So it’s possible that this will be my final King Crimson show (five times in eight years is pretty good–especially for King Crimson).

The last few times King Crimson has played two 90 minute sets.  But this time they had the Zappa Band opening for them.  Which meant that they’d do only one set.  Sadly, for the same amount of money.  But oh well.  What this meant was that they did a 90 minute set that almost felt like a greatest hits (of the last few tours) package.

I decided to splurge somewhat for this show–not paying for a VIP, sorry Robert–but I was reasonably close and more or less in the middle.

The back row has remained consistent throughout these tours: Tony Levin (bass, Stick, keyboards this time, too); Mel Collins (saxes, flutes); Jakko Jakszyk (guitar, vocals), and of course, Robert Fripp (guitar and more).  From this vantage point I could see everyone very clearly, which was ideal.  A very obnoxious couple sat down next to me but there were, thankfully, two empty seats on the other side of me so I slid over and was able to sit between the heads of the two people in front of me for an unobstructed view.  The obnoxious couple left mid set…huh. (more…)

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