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Archive for December, 2016

1997SOUNDTRACK:LOS HACHEROS-Tiny Desk Concert #546 (July 5, 2016).

hacherosLos Hacheros play “Afro-Caribbean music that provides the source material for modern salsa and all of its permutations.”

This music swings and bounces and with such simple instrumentation: an upright bass and a guitar.  With the main melodies constructed by the trombone and vocal (the trombonist doubles on violin).  But the rest of the band is there for percussion–cowbells, shakers and the conga.

The band plays three songs all sung in Spanish.  It’s fun to watch them get into the groove and begin to sway in unison to the music.

“Baila Con Los Hacheros” features a violin solo that is pretty intense “Papote’s Guajira” features an acoustic guitar solo that is complex and fun to watch. It also has a lengthy flute solo (the violinist also plays the flute!). “Bambulaye” features NPR’s own Felix Contreras on congas–he gets a solo–apparently he has been playing in bands for years.  What a nice surprise.

[READ: November 3, 2016] The Complete Peanuts 1997-1998

This is the second to last book of collected strips from Schulz.  Rerun features quite prominently and Linus has faded somewhat.  Snoopy is no longer playing characters (except for the soldier..always soldiers) and Charlie is still pining for things he won’t get.

1997 opens with Charlie showing Linus his autographed Joe Shlabotnik baseball.  But Linus thinks it’s a forgery.  Cue a week of strips about an autograph forger (who tries to hire Charlie as his accomplice).  I love that Schulz went on strange little tangents like this, but I always feel like he doesn’t follow through with these funny ideas. The whole premise of this just ends never to be heard from again.

And then in a surprise to me, Snoopy starts acting like a Revolutionary War patriot standing guard at Valley Forge.  He seems to have given up on WWI and gone back in time to a far less dramatic role–he mostly just stands around in the cold.  Strips about that occur from time to tome with him talking to General Washington.  The last one is in December 1998 where he realizes he is only guarding snow. (more…)

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2016-12-05-21-06-09SOUNDTRACK: JOLIE HOLLAND-Tiny Desk Concert #210 (April 23, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

jolieJolie Holland was the singer of The Be Good Tanyas, a band I know of but am not familiar with.  Since that band disbanded, she has released six solo albums.   She sings a kind of dusky folk music.  Her voice isn’t gravelly, but it is somewhat gritty—with a kind of nonchalant slurring of words that is strangely enticing.

She plays three songs here.  “Tender Mirror” is a smooth song that is amusingly ended right on cue by Bob Boilen’s telephone ringing (which he says hasn’t rung in years).

“The Devil’s Sake” is a but more raucous with louder guitar strumming.  Although I’m far more impressed by her whistling, which sounds pretty spectacular all throughout the middle of the song.

She says that the guitar she is playing is her hardest guitar to play.  Bob asks if it’s an old friend.  She says it’s an old neighbor.  She got it at a garage sale and when she takes it in to be worked on, the people at the guitar store laugh at it.

The final song, “First Sign of Spring” is a piano song but she’s going to play it on the guitar (and you’d never know it was a piano song).

Bob loves Jolie Holland.  I found her enjoyable, but I don’t think I’d pursue anything else by her.

[READ: December 8, 2016] “Treading”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived (a few days late for advent, but that was my fault for ordering so late) I’ve decided to post about every story on each day.

I really enjoyed this story because even though it was kind of funny, it was sad underneath.  It was a short slice of life scene with all of the “story” implied.  It has a simple construct–a one-sided conversation–and it really shows one man’s insecurity.

The story concerns Georgie, an overweight man in his early 30s.  He answers the door and his unanswered dialogue begins.

He welcomes the person into his house, saying he doesn’t have to remove his shoes.  But he takes that back immediately saying that there are new hardwood floors. (more…)

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[ATTENDED: December 8, 2016] Blue Öyster Cult

2016-12-08-21-26-13I saw a whole bunch of concerts this year. I didn’t expect to end my concert year with Blue Öyster Cult.  But, I enjoyed them when I saw them last, and when I saw they were playing at the State Theater in New Brunswick (and I was able to score a 4th row seat) I decided to see them again.

I didn’t realize that Blue Öyster Cult was also the first band I saw this year (back in January).  So, it was a year bookended with BÖC.

While I enjoyed the previous show, I thought it seemed like the guys were getting a little creaky (understandable since they are in their late 60s).  But they seemed much more “on” during this show.  Eric Bloom was chatty and fun, his voice sounded great and he seemed a lot more energetic than last time.  And that made the show much more fun.  As did sitting really close–I was able to actually see the BÖC on his guitar. (more…)

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[ATTENDED: December 8, 2016] Jefferson Starship

2016-12-08-20-07-51I had no interest in seeing Jefferson Starship, but they were opening for Blue Oyster Cult and, heck I love White Rabbit, so why not check them out.

This incarnation of Jefferson Starship is pretty hilarious because the only person in the band who was in the band when they were Jefferson Starship is guitarist David Freiberg (vocals, guitar) (almost–the drummer has a tenure there too, see below).  It’s particularly amusing because Freiberg was in Jefferson Airplane for their final tour, and then they broke up.  When Jefferson Starship began a couple years later, he was a part of the band until they went on hiatus in 1985.  But when Paul Kantner reunited the band in 1993, Freiberg wasn’t included (apparently because Freiberg didn’t leave immediately when Starship formed, like Kantner did).  They made up in 2006 and Freiberg and Kantner had been touring as Jefferson Starship.  Kantner died earlier this year, so Freiberg is the only person connected with the original band left.

Interestingly, he left when Jefferson Starship became Starship, (but not as quickly as Kantner) because he didn’t like the direction the band was going (and Grace Slick considered him “dead weight”).  So he didn’t do “We Built This City.”  However, Donny Baldwin, the drummer at our show played with Jefferson Starship for two years (when Freiberg was there, too) in the 1980s and moved on to Starship and DID play on “We Built This City.”  When they reunited, they had a different drummer, but Baldwin came back in 2008.  So, when they play “We Built This City,” and they do, the drummer is the only one who was responsible for it in the first place.  Crazy.

Incidentally, Freiberg more or less left because of “We Built This City.”  According to Wikipedia: He became frustrated with the sessions because all the keyboard work in the studio was being done by Peter Wolf (lead singer of the J. Giels Band who had played on the sessions for Nuclear Furniture and briefly joined the band on the road for the follow-up tour) and keyboards were the instrument Freiberg was supposed to be playing.  He left the band and the album (with “We Built This City” which was written by written by Bernie Taupin, Martin Page, Dennis Lambert, and Peter Wolf) was finished with the five remaining members.

2016-12-08-20-23-29How’s that for a convoluted history. (more…)

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2016-12-05-21-06-09SOUNDTRACK: COWBOY JUNKIES-Tiny Desk Concert #211 (April 26, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

cowboyAfter all of these years there’s not much to say about Cowboy Junkies that hasn’t been said.  They sound a certain way and only ever sound that way.  Their songs are slow, “mournful and thoughtful,” relatively long (because they are so slow) and Margo Timmins has a beautiful voice which hasn’t changed in 25 yeas.

There are no surprises in this set.  (Well, except for the fact that in the two years from 2010 to 2012, the band released four albums).

This concert features Michael and Peter Timmins on guitar and mandolin accompanying their sister Margo.

They play three songs, two new ones “Angels In The Wilderness” and “Fairytale” and an oldie “Misguided Angel.”  “Angel” is the only song I knew already and it seems so much louder tan the other two because there’s a surprisingly loud harmonica to open the track.

I think that Timmins’ voice is lovely and I like a few of their songs, but I simply can’t listen to more than a song at a time—it’s just too depressing.

[READ: December 7, 2016] “Deep Wells, USA”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived (a few days late for advent, but that was my fault for ordering so late) I’ve decided to post about every story on each day.

I have had a mixed reader relationship with Chris Bachelder.  I either find his stuff pretty funny or just weird and kind of pointless.

This is a weird one.

The premise of this story is about babies in well and the kind of media sensation they can create.

It is set up in XXI sections (and an epilogue) in which we get to hear input from dozens of people involved directly or not with this issue. But the crux here is that no one is even sure if there is a baby in a well–they just all sort of hope there is.

It is set up like a play, sort of, with “characters” speaking dialogue.  It begins with a Celebrity saying there is an unconfirmed report of a baby in a well.  Consumer: “Hot damn. I love well babies.”  And off we go.

Professors, students, experts, pollsters, historians, and even Flannery O’Connor all weigh in.

Eyewitnesses are deemed unreliable: “That’s not a baby in a well.  That’s a wino in a sandbox.

And then of course there is the Mayor, who tries to calm everyone during this excitement.

But the main voices seem to come Celebrity–asking if this story harms the sheriff or proposing that certain people who have come forth are the baby’s parents.  Celebrity lists all of the previous well-babies and what has happened to them since (it’s not promising).

Even the news of a murder (of adults only) is dismissed for this potential well-baby story.

So do we ever find out if there was a baby in the well?  Sort of.

As this story ends we see the sheriff and his wife heading home, remembering back to Baby Finkerton.

I didn’t realize that I had read this before (in McSweeney’s 14, back in 2013).  I didn’t remember it, obviously.  But this story is not really something that would stick with me.

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dasha SOUNDTRACK: SACKVILLE-The Principles of Science [CST007] (1999). 

sackvilleFor Sackville’s only release for Constellation Records, they created a short disc of great folk with a hint of art rock

“Gold Dust” is a catchy uptempo folk song with some nice violin melodies as accents.  It’s a catchy number with Levine’s vocals sounding once again kind of like the guy from Social Distortion singing a mellow folk song.  The chorus has nice backing vocals added.  “Water” is a mellow song with, again, a beautiful guitar and violin melody.  The vocals have a great distinctive melody over the top.

“Blue Lips” has a kind of saloon sounding quality in its piano and a super catchy violin riff that runs through the song (and informs the vocal line).  I really like the lyrics on this one: “If memory serves me well…I may forget your name but not your face…unusual face.”  This song is only 3 minutes and it is over way too quickly.  “Four Alarm Fire” is a slow, evolving song coming in at nearly 7 minutes.  It opens with some quietly played guitar and a bass line that seems to be quiet but soon plays and interesting line that propels the song (albeit slowly).

The title song picks up the pace with a pretty guitar and piano melody.  The catchiness of the chorus “this light will disappear like breath on a mirror” is a great ending to this quiet disc.

Their final album of odds and ends, Natural Life, is available to stream on bandcamp.

[READ: June 20, 2016] A Year Without Mom

This book is a graphic novel (mostly) about a year without mom.  This is actually a memoir from Tolstikova about the year in her life when her mother left Moscow to study in America.  Dasha was 12 years old in 1983 and her mom was an advertiser in Russia.  But she didn’t like the kind of advertising she did.  She had applied to a Masters program in America and was accepted.  And soon enough she packed up and shipped out.

Dasha was to stay in Moscow with her grandparents.

In August she and her grandparents went to the country for a writers retreat.  Other kids would be there, too.  Her grandparents encouraged her to play with them but Petya, the leader is an anchor on a children’s TV show and his mother is a famous actress herself–it’s an intimidating scene. (more…)

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2016-12-05-21-06-09SOUNDTRACK: KAT EDMONSON-Tiny Desk Concert #242 (October 1, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

katKat Edmonson is a singer who is often associated with jazz (the word chanteuse is thrown around a lot), although for this Tiny Desk Concert it’s just her singing and Steve Elliot on acoustic guitar.

She has  beautiful voice and at times she can make it sound unexpectedly like Billie Holiday (which certainly explains the jazz angle).

But she doesn’t do that voice on the first song “Hopelessly Blue.”  This makes me think more of Kristen Chenoweth (or am I thinking that because they are both so petite?).  Comparisons aside, her voice is clear and pure and there’s no tricks to it.

“I Don’t Know” opens with a lovely “hoooo hoooo” and a slightly faster tempo.  And her voice sounds a bit more like 70s folksingers (keep in mind that she was only 29 at the time of this recording).

Her speaking voice is high-pitched and sweet as you might imagine, although she sounds quite different as she introduces “Lucky.”  “Lucky” showcases her more Holiday-ish style of singing—as if her accent is from somewhere very other than Texas.  (To hear her even more pronounced version of this singing voice, check out this song).

[READ: December 6, 2016] “Cure”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived (a few days late for advent, but that was my fault for ordering so late) I’ve decided to post about every story on each day.

This story is about the family of a Pastor living in an area of the country that is dominated by Finnish Laplanders.  The setting is just after the war.

The community has had much loss.  The Pastor’s wife had died. The Tolvi children were very unwell and even the Pastor’s eldest son Arden seems to moving beyond the family.

The Pastor’s sons Lowell and Jonas head down to the canoe by the river and go for a paddle.  They hope to go to the decommissioned fort–a wonderful place to explore for young boys.

While they are paddling, the happen upon a naked lady (!).  She is alluring, and invites them to look into the water to see paradise.  But they resists and head home–promising not to tell anyone about what they saw.

But they go back.  Jonas even brought a sweater for the woman who must have been cold. She invites them again to look into the water and see the next place where it was always lovely.  Lowell peers into the water and sees nothing.   But Jonas puts his head in and says “I saw it!”  And then he has dived into the water.

Arden seems to know about this woman–she is a mythological creature who is far too real.

The end of the story shows the near future of the family–particularly how Lowell moved on.

The story is dark for sure, but the last line is completely energizing, making you wonder what is coming next.

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coralSOUNDTRACK: SACKVILLE-These Last Songs (1997).

lastsiongs Sackville released two full length albums.  This was the first. They’d added a second guitar which gave their songs a bit more texture.  But they still had a kind of gritty folk music sound.  I saw the term “urban country” used to describe them, which is strangely apt.

“Sydney Mines” is a slow folk song with a quiet slow guitar motif.  I love the descriptive lyrics: “In the dead of winter in Sydney Mines they take their cars out on the ice.” The song is accented by a slow, scratchy violin that comes in after the first verse.  But the chorus gets rocking and kind of fun/sloppy with the drums really taking over.  The vocals don’t really change the laconic style but they do get noticeably louder.  “Clothesline” retains that slowness although the verses have a bit more sing-song quality.  And once again the chorus bursts into life with a raw violin and loud drums.

The excellent guitar riff that opens “Good Citizen” is quite a change—the song picks up speed (and the vocals sound very different–clipped and quick).  It’s a great alt folk song.  The chorus is lurching and interesting as well.  “Upstate” has an early 1990s guitar line and pounding chords at the end of each verse.  The juxtaposition of his voice with this electric song works nicely.  “Tie Back Yr Hair” returns to the slow style of the earlier songs although this melody is mostly led by the violin.  “Lines and Barriers” is a slow ballad, mostly guitar—it reminds me of Syd Barrett.

“The Frame-Up’ has more loud drums and quiet creaking violins.  Nearly four minutes in, the violin takes over with a staccato refrain that gets the song sounding more intense.  “Bender” adds a pleasant surprise with guest vocalist Genevieve Heistek taking lead vocals.  The music is much the same but her voice changes the overall style of the music quite a bit.  The addition of fuzzy static at the end adds an alt-rock touch.  “Invisible Ink” has the prettiest violin melody yet, an unscratchy ascending melody that complements the slow guitars.  And just as it seems to be another slow ballad, the 3rd minute ramps up the electric guitar and the song soars for about 20 seconds before returning to that main melody.

“Her Ghost Will One Day Rise Again” has the most country feel of the album—the violin is much more fiddle than violin and the simple melody is very catchy, but in a drunken hillbilly kind of way rather than a country song proper (which means a I like it better).  On “Border Towns” he sounds the most like the lead singer from Social Distortion.  This is a lurching kinda punk y song, although it’s the chorus that really has that Social D feel—a slow catchy chorus in which his delivery is uncanny.  “Pioneers” ends the disc with a downbeat song with really catchy lyrics: “It’s hard to be a pioneer” in the keening voice of the 12-year-old protagonist.

Given the popularity of alt-country, Sackville was sadly ignored.

[READ: June 10, 2016] Coral Reefs

Wicks created the Human Body Theater graphic novel (also from First Second), which I absolutely loved.  This book is part of First Second’s new Science Comics series, in which they take a good hard look at scientific things and present a ton of information in a fun cartoony format–easily digestible chunks with awesome pictures that convey a lot of information.

I loved the dinosaurs one for just how much new information I’d learned from it.

This book has a really inspirational forward about scuba diving which I thought was by wicks (and I wondered how she was so scholarly AND an artist), but it was actually by Randi Rotjan from the New England Aquarium (and is still inspirational).

I didn’t know a ton about coral reefs going into this book and man, is it full of information about them: how they grow and form (yes, they are animals), who lives among them and what we can do to protect them. (more…)

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2016-12-05-21-06-09SOUNDTRACK: FIRST AID KIT-Tiny Desk Concert #204 (March 28, 2012).

I’d published these posts without Soundtracks while I was reading the calendars.  But I decided to add Tiny Desk Concerts to them when I realized that I’d love to post about all of the remaining 100 or shows and this was a good way to knock out 25 of them.

firstThis Tiny Desk Concert is what first introduced me to First Aid Kit.  It was “The Lion’s Roar” that really sold me on this exotic duo with the beautiful harmonies (they are sisters from Sweden–that’s Johanna Söderberg with the lighter hair and Klara Söderberg with darker hair singing lead).

For the first song, “New Year’s Eve,” Johanna plays the autoharp as Klara sings lead.  They both do the lovely harmony chorus.

For “The Lion’s Roar” Klara plays guitar.  And while she sings a lovely lead, it’s Johanna’s haunting low harmonies that really make the song amazing.  The album version has keys but they are not missed in this beautiful rendition.

I also fell in love with “Emmylou,” a song about Emmylou Harris Gram Parsons, Johnny Cash and June Carter.  Klara’s lead is beautiful, but when both sisters sing lead in the second verse it’s stunning.

I have listened to the audio of this many times but haven’t actually watched it for a while.  This looks like it was filmed after hours at the NPR offices.  It is very dark with just one light shining on them.  It’s a shame as it would be fun to see them a little better.  But it also gives the whole recording a kind of subversive feel.

What a great introduction to a great band.

[READ: December 5, 2016] “Pet”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived (a few days late for advent, but that was my fault for ordering so late) I’ve decided to post about every story on each day.

This is the first story I read in this calendar (I received it on the 5th).  I wasn’t sure if the stories would be thematic or if they would avoid dark subjects (it being advent after all), or if they would just be a box of good stories.

I was pleased that the first story was by Unferth, whom I really like.

This story is told in a very interesting way–a strange sense of removal that comes with the first line: “Somehow they have wound up with these two turtles.”

The “they” are a mother and her teenaged son.  The mother rescued these turtles from her sister.  She was house sitting and saw the turtles down there–pathetic, one rock between them in a dark basement.  And she felt compelled to take them home.  Her sister is all too happy to get rid of them.

Her son is dismissive.  Of the turtles and of her in general.

And the story telling also seems to be dismissive of her, in a way.  The story is not told from her point of view and yet it seems to take on her voice for this paragraph, but it seems to slowly morph into her son’s:

Besides, the turtles aren’t much work.  She has to feed them and check their water temperature and turn the light on and off.  She has to clean the tank each week.  She has to take the tank’s water out, cup by cup, pour it into a bowl, then carry the bowl to the tub, walk through two rooms to do it (drops of dirty water falling on he floor).  She has to empty bowl after bowl….

One of the turtles is sick and she takes it to the vet.   But the vet only deals with mammals and has no advice (and charges her $40).  Then she is stuck carrying the turtle with her everywhere else that day–even to her AA meeting, where they all insist she leave with the smelly thing.

She gets some medical advice from a friend and the turtle gets better.  But then it starts fighting with the smaller turtle.

Her son tells her to just leave them in the road and let them get run over.

The story seems to loom as a story of helplessness, but then she sees a ray of hope.  A man from her AA meetings asks her to dinner.  Her son, of course, is dismissive of him as well.  But he is willing to come over and help with the turtles.

And I love that he gives her an answer she was completely unaware of.

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sandwalkerSOUNDTRACK: SACKVILLE-Low Ebb EP (1996).

lowebb Sackville was a Montreal based folk group who released one album through Constellation Records, and a couple of other releases on other labels.  When they broke up, most of the members of the band went on to play with other bands, many of whom were later released on Constellation.

The focus of the band is really singer/guitarist Gabe Levine whose voice shows a lot of folk, rock and avant garde influences.  His voice sounds at once familiar and also strangely unique.

And this EP was their first release.

The first song is “Messengers.” I love the way the violin cuts through the slow verses to add a great melody to the chorus (including some raw scratching sounds before the verse starts again).  There’s a hint of Mike Doughty in his delivery too. “Donkey Song” opens with some quiet verses and violins has a loud clamorous chorus—super fun and stomping with a nice side guitar riff.  “William” has a standard American folk song melody but the way he sings it is very Social Distortion (through a tinny modulator).  The fiddle gives it more of country sound, but still kind of alt

“Showcase Showdown”  opens with a cool slide guitar and very different vocal style delivered by Kurt Newman.  And the chorus is fund and perhaps a little silly in three-four  dance rhythm “your eyes scare us more than the mirrors on the dance floor.” It’s the most fun song on the disc.  “Low Ebb” continues with the more rocking sound with big brash guitar and crashing cymbals.  It also features some quiet but cool backing vocals—a kind of scream that acts as a drone.   “Thomas” opens with a slide guitar and quiet vocals, the chorus is a major highlight with the vocal duet playing against the loud crunching stop-start guitars.  “This Thing I Want, I Know Not What” is a straight ahead folk song with a lead violin and a pretty melody.  “Cheap” has a quiet melody ending with some slide guitars and violin.

It’s a solid E.P. with even better music on their full lengths.

[READ: June 25, 2016] Last of the Sandwalkers

This is a fascinating book that proves to be an amazing look at beetles and insects and a somewhat interesting adventure story.

I actually found myself a little confused by the story when it started because while I knew it wasn’t going to be realistic (the beetles are leaving their civilization to discover the world) it was also very rooted in real insect knowledge.  And then it got a little out-there so the level of reality in the story wavered from time to time and I found myself getting pulled out of the story to try to puzzle things together.

Which was a shame.  Another shame is that it doesn’t tell you that there are notes at the back of the book (do most people flip to the end to discover this?  Because I didn’t).  And the notes are one of the best parts of the book.  But more on that later.

The protagonist of the story is Lucy.  She is in charge of a small team who have decided to leave their home to go exploring.  Her team includes Professor Bombardier; Raef, a lighting bug (with a secret); Mossy, a giant beetle with a big horn and Professor Owen who has huge mandibles. They also run into Ma’Dog, an old storyteller who is rather cantankerous.

The story begins with Lucy’s diary as the teams sets out from Coleopolis.  They quickly discover Old Coleopolis which was destroyed by coconuts falling from a tree.  It was said that the city was destroyed 1,000 years ago by the god Scarabus, although Lucy can’t believe how not-overgrown it looks after 1,000 years.  It all seems very suspicious. (more…)

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