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[ATTENDED: December 15, 2023] Karina Rykman 

I‘ve seen Karina Rykman play bass with Marco Benevento three times.   She exudes a joy that is infectious.  And her sound with Marco is outstanding–her fuzz bass is unparalleled.

So I’d wanted to see her solo for a while, even though her solo songs are a bit more discoey than I would have liked. She opened for Guster back in April and she and her band blew me away.  In fact, my wife liked her so much that she was totally on board with seeing her again.

Yes, her singing voice is rather discoey (she must use lots of effects on it to sound so echoey and outer-spacey, but man, when she jams, she gets down and dirty and often quite heavy.  But she also steps back and lets her impressive guitar player Adam November take over.  And her drummer Chris Corsico is pretty awesome too.

She sold out Milkboy (I was supposed to see her there in 2020 and I think it would have been a very different show) which she was pretty thrilled about.  And the crowd was 100% dancing to her groove.

She opened with three songs from her album Joyride (which had not come out in April).  “Joyride” and “All That You Wanted” are softer songs that accentuate her way with melody and hooks–the choruses are dynamite. Continue Reading »

SOUNDTRACK:

[READ: December 16, 2023] “The Kit-Bag”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Algernon Blackwood.  Each day has an online component with the author with a brief interview.

It’s December 16. Algernon Blackwood, a prolific English author of ghost stories, died in 1951. His story “The Glamour of the Snow” appeared in the 2018 Short Story Advent Calendar, among other places.

Algernon Blackwood wrote a spooky story for the 2018 Short Story Advent Calendar.  It held up very well.  As does this one.

The story opens with the end of a court case.  A murderer (the defense attorney knew he was guilty) was found not guilty.  But the defense attorney was not pleased by the result.  He just wanted the case to be over. Continue Reading »

[DID NOT ATTEND: December 15 & 16, 2023] Strand of Oaks / Pat Finnerty

I had every intention of going to this Winter Classic.  I even had a ticket to night one.  Which I bought very specifically because I had a ticket to another show on Saturday night.  Then at about 3PM on Friday the 15th, I realized that my other show was actually tonight!

And my wife and I were going to that show together.

And the Saturday night show sold out a long time ago.  Sigh.

By my calculations, this should be Winter Classic XIII, but the poster says IX, so I’ll trust he’s right.  And I’ll make sure I’m there for Number 10.

~~~~~~~~

In 2015, Timothy Showalter played his first Strand of Oaks Winter Classic at Boot and Saddle.

Every year since then he has played two to four shows around Christmas time to a small but rabid fan base.  Obviously he didn’t pay one in 2020.  And now Boot & Saddle is closed

I have been to three of these fun winter events.

When he announced December shows at Johnny Brenda’s, it just didn’t occur to me that these would be Winter Classic shows.  I’m not sure why it would have made a difference, but had I realized, I would have gotten a ticket before they sold out.  Even S said, you love those, I can’t believe you didn’t go.

When I’m looking for it now I see that it was clearly stated that this was a Winter Classic, but I guess I was looking in the wrong places. Continue Reading »

[ATTENDED: December 15, 2023] Coyote Island

Coyote Island opened for Karina Rykman.  I hadn’t heard of them and when I listened to a song or two I thought they sounded kind of folkie and mellow.  Turns out

Coyote Island is the musical vision of producer/songwriter and multi-instrumentalist, Mike O’Hehir. For many years Mike travelled the country with guitar in hand. With roots in folk music, the sound quickly expanded into a new genre-bending realm of psychedelic indie. With good vibrations, dancey grooves, and tropical psychedelia, Coyote Island offers you a sonic vacation from the doldrums of existence.

Okay, so that’s promo blather but it’s not far off.

When the band started, they played an excellent instrumental jam.  It rocked and was really grooving.  Their second song was kind of lite-reggae.  I don’t like reggae, but I enjoyed this song because it deviated from the formula in little ways.

Their next song was, as the blurb says, kind of tropical psychedelia.  There’s definitely the tropical element in the drums from Ryan Benoit.  And five-string bassist Garrett Roy Jones played a great low-end.

It was lead guitarist Amir Rivera who really blew me away.  I loved the way he casually played some really amazing solos.  He was fast, but also very clean and tasteful.

I don’t have any song titles, although I do know that they played a super fun and hugely surprising cover of “Can’t Get You Out of My Head” by Kylie Minogue–sung by Amir.  Another really fun moment was when Mike broke a guitar string–a low E of all things–and had to get a new guitar.  He climbed off the stage to their gear which was stacked up in the crowd.  While he grabbed and tuned a guitar, Amir led the rest of the band in this rippling fun instrumental.  None of this is to dismiss Mike, whoc joined in about halfway through and added a ton of little details.

Indeed, Mike is a fun and engaging front man.  He’s got a smooth island-inflected singing voice [I was stunned when he said they were from Maine as they sound like the least Maine-sounding band I could imagine].  He had on a fun outfit and was generally smiling and happy.

When the set was over he walked through the crowd and happily talked to anyone.

Without question they would make an excellent opening band in nearly any situation.  I hope to see them again.

 

SOUNDTRACK:

[READ: December 15, 2023] “My Friend Goo”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Deb Olin Unferth.  Each day has an online component with the author with a brief interview.

It’s December 15. Deb Olin Unferth, author of Barn 8, looks through her hair like she doesn’t care.

This is a pandemic story.  In the story the narrator and her husband are having relationship trouble.  Primarily, her husband is exploring religious options which the narrator is not supportive of. Continue Reading »

[DID NOT ATTEND: December 14, 2023] Dogstar / Archer Oh

I toyed with the idea of going  to this show, probably for the same reason that a lot of other people did.

To see Keanu Reeves!

I can’t decide if I like Keanu ironically or not, but it’s still pretty wild to think that a celebrity of his star power could have been just a few feet from me.

I genuinely had no idea what Dogstar sounded like.   So here’s the blurb from Underground Arts Continue Reading »

SOUNDTRACK:

[READ: December 14, 2023] “Old Friends”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Paul Cresey.  Each day has an online component with the author with a brief interview.

It’s December 14. Paul Cresey, author of Exit Strategies, opposes fighting, except in the Battle of Alberta.

This story begins around the 1988-89 hokey season when the Calgary Flames won the Cup. Continue Reading »

SOUNDTRACK:

[READ: December 13, 2023] “Hamburger Baby”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Melissa Broder.  Each day has an online component with the author with a brief interview.

It’s December 13. Melissa Broder, author of Death Valley, considers the DockATot.

Continue Reading »

[ATTENDED: December 11, 2023] Open Mike Eagle

Open Mike Eagle is probably my favorite rapper.  His wordplay is great.  His topics are great and he seems like a really good guy.

He came out to the little stage, gave a brief introduction and started right in with “Very Much Money.”

My friends are superherosNone of us have very much money thoughThey can fly, run fast, read PortugueseNone of us have very much money thoughThey know judo and yoga, photography, politicsSome of them leap over buildingsWriters, magicians, comedians, astronautsNone of it mattered when niggas was hungry

He told us we could help by buying merch.

Open Mike has a new album out and he played a song from it right away, the excellent “BET’s rap city.”  Mike has his gear–a laptop and some kind of triggering sample device on the table.  Mike’s device was also on a milk crate so he didn’t have to bend over–cheap and effective.

He didn’t do as much live music manipulation as Pink Navel did, although he did do some.  But he did leave his work area and come around front a few times.

Like during “Relatable” one of my favorite songs of his.  I love his delivery on this song and it was cool having him come right to the edge of the stage–I wonder if he had thoughts of coming down into the crowd.

I found Open Mike through his album Brick Body Kids Still Dream, so I was psyched that he played three songs from it.  I absolutely love “(How Could Anybody) Feel at Home” with it’s super catchy chorus.  He delivered the chorus in a really different way, which was fun.  And the gentle refrain of the following song “Legendary Iron Hood'”s “Ain’t nothing gonna stop me now” was great to hear.

Turns out that I now his What Happens When I Try to Relax EP better than just about anything else.  So it was great to hear Relatable and the follow up “Microfiche.”  I absolutely love his vocal style and his delivery–and the rhymes of this song are excellent.

For “79th and Stony Island” he did a fun freestyle.

Then it was time for a few more new songs. “WFLD 32” has a slow cadence and drunken horns over more if his clever lyrics

I started rockin’ simply then expandеd
This execution’s iffy but I planned it
I protect it if it gives me an advantage
Still want to be the greatest MC on the planet
Yeah, ’cause I’m immature
If I can name my own sicknesses then it’s cured
I’m finished at high ninety-percentage pure
COVID makin’ it impossible to finish tour

Then the new titles “a new rap festival called falling loud” and “we should have made otherground a thing” which features the lyric “Bonded over MF DOOM.”

This led to him playing the song “For DOOM” saying that a dream came true when he was able to rap with DOOM.  He followed that up with a song just for him, by playing (and silently rapping along with) the Madvillain song “Raid.”

There were two songs from his darker EP Anime, Trauma and Divorce, like “Death Parade” with the chorus that discusses the cycle of trauma

Should’ve been cool, but dude got screwed up
‘Cause shit got burned up, so he fucked her up
Then she turned big, I got chewed up
That shit fucked me up, so I’ma fuck you up
A kid caught hell, that kid grew up
And messed his kid up, he fucked her shit up
Then she fucked dude up, it all got screwed up
And that fucked me up, so I’ma fuck you up

And “Bucciarati” has a video with the awesome Paul F Tompkins (see below).

He ended the set with another song from Brick, 95 Radios, which features a chorus everyone can easily get into.

He said that normally he would take a little encore break and pretend to leave the stage.  But in Milkboy there’s nowhere to go. So fuck that.  He would stay and do more rap on purpose!

This was my first rap show and I realized it’s kind of weird to watch a guy rap when there’s nothing else to look at.  No band, no one else on stage.  But Mike was captivating.  And when he told us that the next song was a gang initiation, I think we were all ready to join up.  “Maybe Gang (an initiation)” is another great song from the Relax EP.

It has my favorite line

Confident, I keep my password on my license plate

And with the chorus, he rapped it heavier and heavier

We is not a gang, we all look the same as you
But don’t be ashamed, we all make the same snafu
We got different names, we might get the same tattoo
Maybe it’s a gang, maybe it became that too

It turned out that one of the guys near me went to high school with Mike.  Mike knew it and they were nudging each other on all night. It was really fun.

Mike ended the night with one more song, a track from an early EP.  “Ziggy Starfish (anti-anxiety raps)” is one of his faster songs and his flow was outstanding.

The show was short–about an hour. But it was great.   I was delighted to finally have seen him and I’ll certainly see him again if he comes back next year.

SETLIST

  1. Very Much Money (Ice King Dream) ©
  2. BET’s rap city
  3. I’ll Fight You
  4. (How Could Anybody) Feel at Home
  5. Legendary Iron Hood
  6. Relatable (peak OME)
  7. Microfiche
  8. 79th and Stony Island
  9. WFLD 32
  10. a new rap festival called falling loud
  11. we should have made otherground a thing
  12. For DOOM
  13. Raid (Madvillain cover)
  14. Death Parade ψ
  15. Bucciarati ψ
  16. 95 Radios
    encore
  17. Maybe Gang (an initiation)
  18. Ziggy Starfish (anti-anxiety raps) ¥
© Dark Comedy (2014)
¥ A Special Epsiode Of (2015)
∏ Brick Body Kids Still Daydream (2017)
≅ What Happens When I Try to Relax EP (2018)
ψ Anime, Trauma and Divorce (2020)
A Tape Called Component System With the Auto Reverse (2022)
♥ another triumph of ghetto engineering (2023)

SOUNDTRACK:

[READ: December 12, 2023] “Overtime”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Hilma Wolitzer.  Each day has an online component with the author with a brief interview.

It’s December 12. Hilma Wolitzer, author of Today a Woman Went Mad in the Supermarket, suffers neither fool nor broken hanger.

Here’s a fun bit from the Q&A

When did you write it, and how did the writing process compare to your other work?

HW: I wrote it 50 years ago! My only other work way back then was housework, and as with writing I was always trying to make order out of chaos. Revising a story is something like cleaning out a closet: excessive words and broken hangers all have to go.

This was one of those delightfully weird stories that has a weird premise and follows it through to a very satisfying ending.

It opens

Howard’s first wife wouldn’t let him go….  I wondered why he was attracted to her in the first place.  It could only have been her pathos.  Reenie is little and thin.

Howard and Reenie had only been married for seven months, and yet Reenie constantly called them for help and advice.  And financial support.  Continue Reading »