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Rick Mercer–The Road Years: A Memoir, Continued … (2023)

February 26, 2024 by Paul Debraski

SOUNDTRACK:

[READ: February 2024] Rick Mercer The Road Years

Sixteen years ago I read Rick Mercer’s first book.  Since then I’ve read a couple of his other books, but I missed the first part of this memoir, Talking to Canadians.  I guess I’ll have to track that book down too.  Because I love the way Mercer writes.  I loved his show and now I love his print.

About his first book I wrote:

Rick Mercer is a great political comedian.  He puts all American political commentators to shame. I’m sure that much of this difference is the way Canada is structured. There seems to be so much more openness to politicians there than in our system.  For reasons I can’t fathom, politicians agree to hang out with Rick even though in the next segment he will rant about their incompetence.

Well, this book goes some way to take the blinds off how the show worked.

So this book picks up where his previous memoir finished–just as he was about to start The Rick Mercer Report.

He explains that the premise of this book and indeed of his show was “What does it mean to be Canadian?”  [Spoiler: he never does find the answer to that].

He talks about how the show was spun off from This Hour Has 22 Minutes and was originally The Monday Report.  (It was going to be on Mondays and they figured if they called it that then the CBC would never move it).  They didn’t really have a plan for the show–it was all kind of seat of the pants until they were about to start filming.  They decided that everywhere in Canada there was something interesting happening.  And he would go to check it out and show the rest of the country.  It would spur local and national pride.  And it would be funny as well.

So Rick travelled around the country and rode on “The Train of Death” (fortunately, the book comes with pictures).  And soon it was established that if Rick could be put in danger or humiliated, well, that was the show right there–locals getting the best of the snooty Toronto TV guy.

So he wore a beard of bees, he was tucked into bed by Prime Minster Stephen Harper, he pulled a sleeping polar bear out of its den and he had lots of crazy adventures with Jann Arden. Continue Reading »

Posted in Alex Lifeson, Canadian Content, Canadian Music, Corporate skewering, Dip-in Books, Essays, Funky Web Sites, Funny (ha ha), Geddy Lee, Jann Arden, Mercer Report, Neil Peart, Political Humor, Politicians, Religion, Rick Mercer, Rush, Stephen Harper | Leave a Comment »

Portugal. The Man (The Stone Pony, Asbury Park, NJ, February 23, 2024)

February 25, 2024 by Paul Debraski

[ATTENDED: February 23, 2024] Portugal. The Man

My family and I saw Portugal, The Man at the Newport Folk Festival.  Actually, we saw one song and their opening session with a Native American woman (which was very cool, but obviously meant we missed a few more songs.

So I’ve wanted to see them for at least five years, and I know that I wanted to see them for a while before then as well.

I had tickets to see them with Alt-J last summer, but couldn’t make it.   So here they were coming down to Asbury Park, a closeish drive and a cool city (especially in the off-season, when parking is cheap).

I hated the crowd.  They were squeezed in so close, and then a bunch of tall people shoved in front so I could barely see anything (I didn’t even realize there was a woman on stage until about 3/4 of the way through the show).  And the loud bros behind me engaged in this fascinating behavior: Song starts, “TALK TALK TALK TALK TALK–I love this song–sing chorus very loudly-TALK TALK TALK TALK.”  It was hard to move away from them but I slowly did over the course of the show.

But before the music started, they introduced a Native American woman from Alaska who talked about nature and how cool it was to be at the Atlantic Ocean, since she knows the Pacific Ocean.  And then she introduced a man and his daughter who had lived here on this land for thousands of years.  (I assume they were Lenapi).  The spoke a bit and then sang a song of thanks and praise.

It was pretty cool, and an amazing gesture from the band.  After they were finished, they left, the stage cleared for a few minutes.  Then the lights turned red and that just solidified that I wouldn’t see anything for the show.  So I settled in to just chilling with the music.

And it was pretty amazing.  They opened with a wild medley of Dopesmoker which segued into a really fast version of Yes’ Heart of the Sunrise (just the music).  They segued between that and two choruses of their older songs and finally settled on “Grim Generation” from the new album.

I didn’t really know the new album very well.  I’ve listened to it a few times, but it hadn’t really sunk in like their earlier stuff.  But it sounded great live.

The new album is a bit more mellow, but their older music is weird and wild.  And the crowd LOVED it.  I didn’t know that P.tM had such a huge and dedicated following–people who knew the words to all the songs.  Unlike me.  I knew some of the songs, but what really impressed me was how much I enjoyed even the songs that I didn’t know.  The songs were short and catchy.  Each song was about three minutes with a big chorus and they moved on to another song.  It wasn’t exactly a greatest hits type of show, but more of a touchstone for all of their songs through their career. Continue Reading »

Posted in Asbury Park, NJ, Native Americans, Portugal The Man, Snacktime, The Stone Pony | Leave a Comment »

Snacktime (The Stone Pony, Asbury Park, NJ, February 23, 2024) [PORTUGAL. THE MAN]

February 24, 2024 by Paul Debraski

[ATTENDED: February 23, 2024] Snacktime

I had heard of Snacktime, but I wasn’t all that excited to see them.

SNACKTIME is Philadelphia’s already beloved seven-piece band, blazing a path cut from their soul, funk, punk, jazz, hip-hop, and R&B influences. Created during the height of the pandemic, the group began performing free shows that combined their love of music, food, and togetherness in Philadelphia’s Rittenhouse Square. They quickly amassed huge crowds and became a symbol of positivity and lockdown release, while showcasing the richness of their city’s musical history and community. This progressed to sold-out headlining shows, curation of neighborhood festivals, multiple appearances at Philadelphia 76ers halftime shows, and slots at major music festivals.

It wasn’t that I wouldn’t like them.  I mean, obviously, they were going to be a lot of fun.  I assumed they would play horn-filled songs that were catchy and fun and dancey.  And I felt like I had heard that before, so it didn’t excite me.

And when they came out, that’s exactly what they played.  Super fun bouncy horn filled melodies with occasional words (most encouraging people to get up, stand up or dance).

I was in a crabby mood when they started because it was super crowded and I realized for the third time how much I dislike The Stone Pony as a venue (especially when it is crowded).   I couldn’t really see the band and the lights weren’t very helpful, so it was not a great scene.  But their music cheered me up pretty much from the get go.

They played soulful music and implored us to Step Up to The Dance Floor.

I thought about how they were promoting a message of positivity, but “I Don’t Give a Damn” was kind of an odd choice.

However, I really enjoyed the stupid shout-along “Smokin’ Drinkin’ Talkin’ Shit”

The rest of the show was more of the same, with solos, chanting, clapping and good feelings.  There were a lot of people who were there to see Snacktime.  And I totally get it.  It’s just not quite my thing (except when it is). Continue Reading »

Posted in Asbury Park, NJ, Portugal The Man, Snacktime, The Stone Pony | Leave a Comment »

Stick Men / Tim Motzer (Egner Chapel, Muhlenberg College, Allentown, PA, February 24, 2024) [DID NOT ATTEND]

February 24, 2024 by Paul Debraski

[DID NOT ATTEND: February 24, 2024] Stick Men / Tim Motzer 

I have been trying to see Stick Men since the pandemic.  I wasn’t really aware of them before hand.  They played a show in Sellersville a few years ago and I was busy.  They play a lot around New York, but don’t seem to venture off the island all that often.

A show in Allentown seemed like an interesting opportunity to check them out.  But it coincided with a day that we had already set aside for another event.  So, there would be no Stick Men any time soon.

Stick Men is the trio comprised of Tony Levin and Pat Mastellotto from King Crimson and Markus Reuter, one of the foremost players of the Chapman Stick guitar thing.  Bernier and Levin both play them during the set (hence the name).  I’ve wanted to see them every since I heard about them (A chance to se Tony Levin right up close!).  But Stick Men seems to tour quite a lot, and now that King Crimson is more or less dissolved for good, I assume they’ll be touring a bit more.  So when Son Lux, a band I’ve tried and failed to see twice before) was scheduled for the same night, I had to see them while I had the chance.

Tim Motzer is an experimental guitarist.  Apparently you never know what you’re going to get with him.

This was the same line up as in Sellersville, so I guess they tend to tour together.

An excerpt from Motzer in Sellersville is here.  I don’t see Stick Men available anymore.

Posted in Allentown PA, Egner Chapel, Muhlenberg College, Pat Mastelotto, Stick Men, Tim Motzer, Tony Levin | Leave a Comment »

This is the Kit / Sam Amidon (World Cafe Live, Philadelphia, PA, February 23, 2024) [DID NOT ATTEND]

February 23, 2024 by Paul Debraski

[DID NOT ATTEND: February 23, 2024] This is the Kit / Sam Amidon

This is the Kit played Johnny Brenda’s back in October.  They are a band I know from NPR Music and I haven’t thought of them in a while.  I recall liking their music but that there was something unusual about it.

I enjoyed this blurb about them from bandcamp:

This Is The Kit is the musical project of Kate Stables and whoever joins her. You thought you didn’t like the banjo but you were wrong pal. Listen as Kate rips forward with her hypnotic twang pattern and a voice of rare, unaffected beauty.

Kate has a very British delivery.  Reading my review of their Tiny Desk Concert, I really liked them more than I remembered.

I’m happy for them that they have moved from Johnny Brenda’s to World Cafe Live and maybe this will get them some airplay on WXPN. Continue Reading »

Posted in Philadelphia, PA, Sam Amidon, This is the Kit, World Cafe Live | Leave a Comment »

Indigo De Souza (White Eagle Hall, Jersey City, NJ, February 22, 2024)

February 23, 2024 by Paul Debraski

[ATTENDED: February 22, 2024] Indigo De Souza

This was the seventh time since Jan 2022 that I might have seen Indigo De Souza.

She had a show scheduled for Union Transfer which was postponed twice.  She was scheduled to open for Lucy Dacus–a show I didn’t get a ticket for because I was seeing Indigo headline (cancelled).  She finally played her Union Transfer show but I couldn’t make it.  Then she was supposed to open for Rainbow Kitten Surprise and that whole tour was cancelled.

I wasn’t even really sure I still wanted to see her after all this time, but the show was nowhere near sold out, so I grabbed a ticket.

There were a lot of die-hard fans there which is hit or miss.  This crowd was very respectful of her, which I liked.  There was some singing along but it was mostly quiet until it called for loud sing alongs.

I was honestly surprised at how subdued she was during the set.  I’ve never seen her before, but all of her promotional material makes her seem like a wild performer.  And she was absolutely not that tonight.

But her voice was beautiful and she was very sweet and engaging.  She played about an hour and the crowd was enraptured.

She opened with the mellow “Be My Love,” and I was so happy that the crowd was silent as she sang the quiet, sad song.

Her guitarist Maddie Shuler played a lap steel that I couldn’t even tell what the instrument was at first, it was small, plastic and portable.  It looked like a keyboard, but was clearly a guitar. Continue Reading »

Posted in Indigo De Souza, Jersey City, NJ, Truth Club, White Eagle Hall | Leave a Comment »

Grace Vonderkuhn / Puppy Angst / Babyfang (Fringe Bar, Philadelphia, PA, February 22, 2024) [Free show–DID NOT ATTEND]

February 22, 2024 by Paul Debraski

[DID NOT ATTEND: February 22, 2024] Grace Vonderkuhn / Puppy Angst / Babyfang

This show was announced not too long ago.  A free show–an opportunity to see Grace Vonderkuhn again.  In a venue I’d never been to.  It was compelling,

But I had tickets to see Indigo de Souza, who I’ve been trying to see for a couple of years now.

While I was waiting for Truth Club to go on, I saw this update from the Grace camp

UPDATE: Due to sickness in the ranks, I (Grace) will be ~opening~ the free show at @fringebarphilly tonight with an intimate *solo* performance followed by @webabyfang and @puppyangst . Hope to see you there!

I genuinely don’t even know what Grace Koon would sound like solo.  I’d have been bummed to discover that I wasn’t getting the whole band (if I had blown of Indigo for this show).

Babyfang is a trio based in Brooklyn  The band consists of: Oakland, California native, Théo Mode (guitarist), Houston, Texas native, Canteen Killa (drummer) and Queens, New York native, 13th Law (bassist). 

I listened to their album and I really like it.  It pulls from all directions, often within a singular song.  The vocals remind me of shoegaze, the guitars rock but there’s all kinds of interesting elements pinging around the songs.  I imagine they are really intense live.

Puppy Angst is from Philly and they describe themselves:

It’s like puppy love but a lil more sad 🐕 shoegazy/dreamy fuzz pop; kind of fun kind of a bummer [alyssa + eric + john + dan + pauli💓]

Their album scorpio season hits me in all the right places–fuzzy guitars, poppy melodies and  confessional storytelling.  Great stuff.

Posted in Babyfang, Fringe Bar, Grace Vonderkuhn, Philadelphia, PA | Leave a Comment »

Truth Club (White Eagle Hall, Jersey City, NJ, February 22, 2024) [INDIGO DE SOUZA]

February 22, 2024 by Paul Debraski

[ATTENDED: February 22, 2024] Truth Club

I used to really like White Eagle Hall.  I still think it’s a great venue with fantastic sound, but the people who go to show thee have really ruined it for me.

A guy preceded me into the bathroom and was enthusiastic about the show, which was cool “Bro, are you fucking stoked?”  But he brought that enthusiasm out to the floor and was shouting “rock and roll” and just being really loud (and tall). I assume he was drunk, but who knows.

Then in front of me there was a group of ten or so people who were definitely there for Indigo but who talked throughout the opening band which sucked because Truth Club was fantastic,

Any band who has a My Bloody Valentine song in their setlist is going to be interesting.  I would have love to have heard their cover of “Cupid Come,” but they didn’t play it.

From North Carolina, Truth Club is a foursome who play quiet loud really well.  Catchy melodies and big walls of sound meld into a great picture overall. Continue Reading »

Posted in Indigo De Souza, Jersey City, NJ, Truth Club, White Eagle Hall | Leave a Comment »

Tyler Ramsey / Jeremy Lister (Milkboy, Philadelphia, PA, February 21, 2024) [DID NOT ATTEND]

February 21, 2024 by Paul Debraski

[DID NOT ATTEND: February 21, 2024] Tyler Ramsey / Jeremy Lister

Tyler Ramsey was the guitarist for Band of Horses for many years.  I don’t know why he is no longer the guitarist for Band of Horses.

He has released some solo albums, including this new one called New Lost Ages.

Musically the songs are interesting.  His voice is also pretty good.  But it all sounds a lot like Band of Horses, just not as good.  Sorry.

Jeremy Lister is (from what I can see) in high demand.  He doesn’t have anything on bandcamp, but he is a featured guest on lots of songs.  His bio says

he is known for his ability to write and perform across a wide spectrum of genres, from pop to folk to crooner jazz. In November 2021, Lister released his full-length big band holiday album “Happy Holidays, Everyone.”

His voice is interesting and evocative.  He reminds me of a bunch of offbeat singer songwriters like Michael Penn or more theatrical songwriters like Rufus Wainwright.

I wasn’t planning on going to this show because I had other shows later in the week.

Posted in Jeremy Lister, Milkboy, Philadelphia, PA, Tyler Ramsey | Leave a Comment »

Arthur Conan Doyle–“The Boscombe Valley Mystery” [The Adventures of Sherlock Holmes] (1891)

February 21, 2024 by Paul Debraski

SOUNDTRACK: MAGANA-Teeth (2024)

I saw Lady Lamb back in 2019 when they opened for New Pornographers.  In my post I had singled out her bassist Jeni Magaña

fantastic bass from Jeni Magana.  Magana is also the bassist for Mitski and she has such a dynamite sound.  I could have listened to Magana play all night long.

I recently got a DM from Audio Antihero saying that since I seemed to be a fan, would I like to hear the new Magana solo record?  I initially assumed that it was a new album by the singer of Lady Lamb (Aly Splatro), it had been five years, I can’t be expected to remember everything.

The record didn’t sound anything like Lady Lamb, and that’s when I read the liner notes and saw my mistake.

Teeth is available next month, and you can hear a few songs now.  The bandcamp page says Magana describes the album

as “Witchy Rock,” … unlike any of her past works. An album about “regrowth and a new view on the world,” its sound touches on Acid Folk, Alternative Pop, and even Krautrock as she tackles the bleakest and most brutally honest subjects of her songwriting career.

I liked the album a lot and although I haven’t had time to write about albums so much anymore, I wanted to give this indie label a shout.

All other instruments: Jeni Magaña

The album opens with strummed guitar that sounds slightly-off–in an intriguingly (minorly) dissonant way that I found really intriguing.  Then “Garden” introduces Magana’s lovely full voice.  Keys float in to flesh out the sound as it builds somewhat.  It’s not really an indication of what will come next, but it does hint a little at the unusual music within.

“Beside You” introduces a starkly fuzzy guitar line and what sounds like electronic toy piano.  But most of the music fades back for the verses as an electronic drum (the snare is close to a clap sound) keeps the music going.  It’s like eccentric bedroom pop, but it sounds really clean.  The song is about 3 minutes long and half way through it’s like a full band joins in and the song explodes into fullness–with some terrific harmony vocals.

More unusual instrumentation follows on “Matter” which features not one but two (I think) clarinet melodies to introduce the song.  Then comes in a cool electronic bass sound to propel the song.  Incidentally, Jeni Magaña plays everything on the record except for drums (Jonathan Smith) and strings: Violin: Jenna Moynihan and Cello: Marie Kim.  The mixing of the clarinets and the big synth sounds works wonderfully together–in one of those moments where when the bass notes return after the middle part it’s like an old friend returning.

“Paul” strips the music back to a quiet, prepared-sounding guitar and her beautiful voice.  Magana’s voice sounds familiar in a way that I find very comforting (although I can’t place who I think she sounds like).  After a verse the song builds up with a few flutes and strings.  The melody is lovely.   And I love the return of the clarinets. Continue Reading »

Posted in Arthur Conan Doyle, Australia, Blackmail, Lady Lamb, Magana, Mitski, Murder, Mystery, Regrets, Robbery, Sherlock Holmes, Short Story | Leave a Comment »

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