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benedictSOUNDTRACK: WOLF PARADE-At Mount Zoomer (2008).

zoomerThis album made many best of lists of 2008.  It is considered a side project of both Spencer Krug (of Sunset Rubdown) and Dan Boeckner (of Handsome Furs).  I’d not heard of either band, but I was very intrigued by this disc and I’m so glad I got it.

Every track has something outstanding about it, be it a cool guitar break (“Soldier’s Grin”)  or a cool keyboard break (“Language City”–which builds to a rollicking climax).  While “Bang Your Drum” has multiple parts, each one weird and wonderful.

“California Dreamer” has  wonderfully sinister soundtrack, with a great rocking chorus. And it’s followed by a surprisingly upbeat “The Grey Estates” (keyboard pop at its best).

The albums ends with the epic “Kissing the Beehive”: a ten minute track with several parts to it.  The first seven minutes just fly by, and then the song breaks down into a quieter feel.

It seems rare that an album comes out of nowhere to me (even if the album didn’t come out of nowhere for people who loved their first release (which I also have not heard) or the two main songwriter’s OTHER projects, but I’m very glad I found this one.  Its frenetic pacing and overall quality made it one of my favorite releases of 2008.

[READ: March 9, 2009] The Mysterious Benedict Society

While you can’t judge a book by it’s cover, you can certainly check it out because of it. I saw this book on our shelves and brought it home calling it The Decemberists’ book.  It was only later on that I realized that the cover (and interior) art is by Carson Ellis, who is, indeed, the primary artist for the Decemberists.

The second selling point was the blurb on the back cover: “Are You a Gifted Child Looking for Special Opportunities?”  How can you not say, “Why, yes, I think I am.” This blurb appears in the book in a newspaper and is the catalyst for the young children (orphans and runaways mostly) who will show up for the challenging test that comprises the beginning of the book. Continue Reading »

harpersmarch3SOUNDTRACK: THAT METAL SHOW (VH1 Classics) (2008-2009).

metalTiVo taped 120 Minutes on VH1 Classics as a suggested title (thanks TiVo), and while we were watching it, there was an ad for That Metal Show.  So, I made sure to record that as well.

The premise of the show is that three metalheads (Eddie Trunk, whose name sounded familiar–and it turns out he’s been a DJ for years in the New York area–and two comedians I’d never heard of: Jim Florentine and Don Jamieson) host a half hour talk show about heavy metal.  There were 7 shows last season and the new season has just started.

They had a brief marathon so I was able to watch a few of the last season’s episodes and the new one.  And my opinion is mixed.

I enjoyed the interview with Geddy and Alex from Rush, and I even enjoyed the Twisted Sister episode.  And yet, like with everything on VH1 there’s more fluff than substance there.  Eddie Trunk is a good host, and although he is also from New Jersey, he’s no Matt Pinfield when it comes to interviewing.  And the comedians are kind of funny in a meathead sort of way.  Because yes, even though there are ladies in the audience, the show is a guys show.

The set up is fairly straightforward–discussion of metal “news” which is often way out of date, the guests interview, “Stump the Trunk” in which 3-4 studio audience members (almost all decked in black leather) ask Eddie Trunk a question.  If he gets it right, nothing.  If he gets it wrong, they get a prize.  The last episode I watched I got two of the three questions right and was surprised that he missed one of the ones I knew).  Then there’s the Throwdown, in which a topic is discussed for two minutes: two that I remember were “Old vs New Metallica” and “Tawny Kitaen vs The chick from the Warrant’s Cherry Pie video” (See, it’s a guy show).

And so really what you get is a bunch of affable meatheads talking about music (just like high school–how serendipitous that Yngwie Malmsteen was a guest…bummed that I missed that one!)

I quickly tired of the comedians, and if the interviewees aren’t very interesting, the show is pretty much a wash.  I do enjoy the prize section (although their segment on “picking the hot chick to hold the Trunk of Junk or whatever it’s called was just foolish).  But TiVo will keep recording it and I’ll keeping skimming through.

It’s no Henry Rollins Show, let me tell you.

[READ: March 11, 2009] “Seven Stories”

This was indeed a collection of seven very short stories.  Most are a couple of paragraphs long.  I would consider this flash fiction except, well, I don’t think they really work as flash fiction.  In my experience, flash fiction is a complete cohesive story in a few paragraphs.  These were actually fairly convoluted and never really led anywhere.

In fact I would have not finished this work, except the whole thing was only two pages long.  The stories seem to tie together (there are a couple of stories where the names are the same), but I’m unclear how.  Characters are mentioned as if we know them, but they are never explained further.  I’m actually surprised it was published at all.

30,000

3000030,000 views may not be a milestone for many blogs. But, for a blog like this which was intended mostly as a record of what I’ve read, the fact that I’ve had 30,000 views is pretty exciting. And it seems appropriate to let you, the readers know what you the other readers have been reading here. So, here is the top ten most read posts on I Just Read About That… with a director’s commentary tacked on.

1. 819 views
Gordon Korman–Son of the Mob (2002)
SOUNDTRACK: GORDON LIGHTFOOT-The Complete Greatest Hits
I’m pretty much 100% certain that Gordon Lightfoot is NOT the attraction that made this post my highest one. Son of the Mob is usually a summer reading book. However, I get hits on this throughout the year.  I’m guessing it’s just a popular book.

Continue Reading »

more-infoSOUNDTRACK: Dungen-4 (2008).

4Vill du tala svensk?

Even if you don’t speak or understand Swedish, Dungen plays music that is pretty universally understood.  The album feels more or less like an all instrumental affair.  There are some songs with words, but they are all sung in Swedish. So, no, I have no idea what he’s singing about, and in that respect it feels all instrumental.

Like the previous discs, 4 feels like a blast from the psychedelic days.  It is trippy, at times loud and raucous, (with some amazing guitar workouts) and even has flutes on a few tracks.

The big difference between this disc and the previous releases is that there’s a lot more piano.  This has an overall calming effect on the music.  And in some ways, I think I don’t like this disc as much as previous ones.

The piano really comes to the fore on track 2 “Målerås Finest” which to me sounds like a a tribute to one Zappa’s instrumentals (it reminds me of “Peaches en Regalia,” although I don’t mean to suggest it’s a rip off at all). “Samtidigt 1 an 2” are the major instrumentals of the disc.  They also remind me of Zappa in that they feels like a snippet from some crazy guitar jam session.  (Zappa releases a lot of  “songs” like this on his …Guitar… albums. On this disc, we’re privy to about 3 minutes of wild guitar solo but since they fade in and then fade out at the end we have no idea how long the jam went on.  The final track “Bandhagen” also feels Zappaeque, but maybe it’s just the staccato notes that Zappa also uses to such good effect.

“Fredag” has a feeling like some of the more otherworldly Flaming Lips songs.  And “Mina Damer Och Fasaner” has a choppy heavy metal sound that really stands out from the disc.

Really there isn’t a bad song on the disc, but for some reason it doesn’t move me quite as much as the others.  I don’t want to bring a negative vibe to the review.  I’m sure if this was the first Dungen CD I had, I’d think it was amazing, I just got spoiled by them.

[READ: February 14, 2009] More Information Than You Require

John Hodgman is a man you will no doubt recognize from the Mac Vs PC ads (he’s the PC). He’s also a contributor and guest on The Daily Show. When this book was released he promoted it on The Daily Show, and on the Sound of Young America. It sounded really funny. And I was delighted that Sarah got it for me for Christmas. Continue Reading »

552!

Congratulations Martin Brodeur for breaking Patrick Roy’s record and becoming the NHL’s winningest goalie!  You make New Jersey
(and Montreal) proud.

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brodeur-2

Save during the 2nd period of historic game.

brodeur2

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Click here for larger image

SOUNDTRACK: SIGUR RÓS-Med Sud I Eyrum Vid Spilum Endalaust (2008).

sigurSigur Rós are nothing if not ethereal.  Their music is constantly floating up in outer space somewhere.  So imagine the surprise when the first song of this disc opens with some thudding drums.  And, there are acoustic instruments aplenty this time around.  Their previous disc Hvarf/Heim had them playing a number of acoustic pieces in various unexpected settings.  And clearly the experience must have been a good one.

“Illgresi” is largely played on an acoustic guitar and “Ára Bátur” opens with a very pretty piano melody.  But lest you think this is Sigur Rós unplugged, “Ára Bátur” turns into a nearly 9 minute epic complete with orchestra, choir and as much ethereal sounds that you can cram into one song.  Indeed, a few songs before that is “Festival” another nine minute epic.  Although like in the beginning, there is a lot of bass, and a lot of drum.

But despite all of the musical changes, the band is still clearly Sigur Rós.  Jon Thor Birgisson’s voice is still unmistakable, and his lyrics are still inscrutable.  In fact, the final song, “All Alright” is sung almost entirely in English(!) and I didn’t realize until I just read about it recently.

In some ways this disc is not as satisfying as previous Sigur Rós releases as it doesn’t take you to quite the same planes of existence as past discs have.  And yet, in other ways it is more satisfying as it shows an earthbound side of them, allowing us to see their craft in action.

Despite any criticisms, Sigur Rós is still an amazing band, and this is an amazing record, too.

[READ: March 14, 2009] McSweeney’s #2

McSweeney’s 2nd issue retains some of the features from the first, and yet, some things have changed.

Similarities:

First: The cover retains that very wordy style that the first issue had.  There are more jokes (a good pun about Big Name authors).

Second: The letters column is still there.  What’s different is that in addition to some unusual letters (including the complete address of a letter writer), there are conversational letters between Gary Pike and Mr. McSweeney.  There’s also several small entries from Brent Hoff.  We are also treated to a letter from Jon Langford of the Mekons, Sarah Vowell, and a piece from Jonathan Lethem (the last of which was put in the letters column because they didn’t know what else to do with it). Continue Reading »

walrus1SOUNDTRACK: MORPHINE-Like Swimming (1997).

morphineMorphine was always a pretty weird band.  They were very different even in a climate when alternative was the norm.

Their difference began with their instruments: Mark Sandman played a 2 string electric bass, Dana Colley played a tenor or bass sax and Billy Conway played minimal drums.  In fact almost everything they did was minimal.

Their sound was smooth and sexy; dirty, almost skanky, and yet they were so cool.  I got to see them live once in the Hatch Shell in Boston and it was great experience.

While their first couple of records, Cure for Pain and Yes were amazing, this record, their first major label release, seems to disappoint some.  And yet I find it endlessly rewarding.  You take that bass heavy, smooth, near-jazz and you throw tales of sex (“Early to Bed”)  “Early to bed and early to rise makes a man or woman miss our on the night life”  or just elliptical stories “Eleven O’ Clock”: (The whole lyrics are “Every night about eleven o’clock I go out” or just weird choruses ” Oooooh French Fries with Pepper.”

And through it all, that glorious slinky bass.

I could listen to Morphine all day.

[READ: March 3, 3009] “Saved”

The Walrus got something of a makeover for this issue.  I rather like the new logo, and it seems easier to read overall too.  I’m bummed however that they’ve gotten rid of the puzzles pages as that was always a favorite for me.

Anyhow, this story was okay.  The content itself wasn’t that exciting, but it was the telling that was pretty enjoyable.  In Vietnam, a teenaged boy is being questioned in the death of a 19 year-old American girl.  The first section shows his in custody of the police; the second section shows his encounter with the girl; the third shows the boy’s life before meeting the girl and the fourth shows his very first encounter with her.

I wasn’t particulalrly blown away by this piece.

ny2916SOUNDTRACK: JUNO Soundtrack (2007).

junoLate on the bandwagon with this soundtrack.  But then, I only really watch movies on TV these days, so I’m often late to the bandwagon.

Anyhow, this soundtrack was a darling in the alternative universe, and with good reason.  It’s a charming collection of mellow rockers, and it suits the film quite well.

The main artist here is Kimya Dawson, formerly of the Moldy Peaches.  She contributes six solo tracks and one song with the Moldy Peaches.  Kimya’s solo work is very lo-fi, it sounds like she’s singing in her bedroom.  Her voice has a tone that she doesn’t care if she’s in tune, and yet she always is.  There’s usually some kind of multi-tracking on each song (backing vocals or some such) that belie the lo-fi-ness of the songs, and yet they all sound like they were done in her bedroom.  Her lyrics are either overtly political or broken hearted/relationshippy.  Since those were pretty much the only songs i didn’t already know, I was a little unsure about them at first, but I have grown to like them.

The rest of the disc comprised a great line-up of previously released songs: The Kinks: “A Well Respected Man” (this also sets the tone for the record); 2 Belle and Sebastian songs; Mott the Hoople: “All the Young Dudes” (probably my favorite song by a band that I don’t think I’ve ever heard another of their songs);  The Velvet Underground: “I’m sticking with You” (the least representative song of a band ever…it’s charming and cute).  And, what you would think would blow the tone of the album: a song by Sonic Youth.  And yet that song is a cover of the Carpenters’ “Superstar.” It’s one of their mellowest songs and one of my favorite cover tracks ever.  The effects they wrangle out of their instruments are great, the tone is amazing, and it even got me to investigate the Carpenters further.

Chances are if you like any of this music, you own most of these songs, but it’s still a great collection of, dare I say it, twee folk rock songs.

[READ: March 4, 2009] “The Invasion from Outer Space”

This was a very short (one and a half pages) story.  It begins with everyone watching the skies in anticipation of an imminent invasion from outer space.  The anticipation builds as they see lights in the sky.  And then a fine yellow powder is dropped all over the earth.

The yellow powder  is the extent of the invasion and the townspeople feel somewhat disappointed that the invasion wasn’t more dramatic.  That gives away a bit of the story, but really it’s the details that make it rewarding.  I rather enjoyed this one.

ny2209SOUNDTRACK: ELBOW-Leaders of the Free World (2005).

elbowSo this is where Peter Gabriel has been!

The opening track of this album starts quietly with a vocal doppelganger of Peter Gabriel crooning in his low voice.  In fact, throughout the album Peter Gabriel’s voice pops up.  It’s certainly not a case of trying to be Gabriel, as their music isn’t at all the same, it’s just that the voice is eerily similar sometimes.

This is my first exposure to Elbow, so I guess everyone has long known about this Peter Gabriel thing.  But I’m new to the party.  I’d read that this was their best disc, so I got this one first.

I’ve now listened to this record a half a dozen times and I’m still not exactly sure how to classify it.  And even though I like it, I don’t think I love it.

They remind me a bit of early Radiohead, and yet that’s not quite right.  And they remind me sort of of Coldplay, but that’s not right either.  They have similarities to Doves, but they’re not quite as mopey.  I guess they’re just a good rocking British band.  This album contains many heavy moments, but there are also some thoughtful, mellow sections. And lyrically it’s quite interesting, especially the title track.

I’m intrigued enough by it to want to check out other records by them, and although I said I didn’t love the record, by the sixth listen I was singing along with most of the tracks.  Weird.  But good weird.

[READ: March 4, 3009] “Al Roosten”

I had mixed reactions to George Saunders’ In Persuasion Nation some time ago, but I started this story and it sounded promising.  And it was.

Al Roosten is a dumpy, middle aged man.  All of his life he has lived in the shadows of thinner, nicer, and, well, better boys and girls.  Now that he is an adult and an owner of an antiques shoppe called Bygone Daze, he has been invited as a Local Celebrity to take part in an anti drug “auction” (the winner has lunch with the “celebrity”).

Al goes on after Larry Donfrey (of Donfrey Realty).  Larry showed up to the auction in just a swimsuit.  His studly physique elicited quite the reaction.  Buy when Al struts on stage, the whoops and hollers are more start as mockery but soon morphs into pity.  And this sets off a story that takes place mostly in Al’s head.  He changes his mind about Larry several times in the story from admiring him to hating him to pitying him to being super pissed about him.

Al exacts a small bit of revenge backstage (and a very satisfying one, I admit).  But on the way home he questions himself and feels bad for what he has done.  After talking with his dead mother, he gathers his strength, and plans to do something about his failing business.  And yet once again, he questions his motives and behaviors.

This was a fun piece about the self-reflection that can lead to impotent behavior in one’s life.  It’s a great examination of blame, frustration and catharsis.  This tips the balance of Saunders’ work to the positive for me.

skymailSOUNDTRACK: THE CURE-The Cure (2004).

cureI’ve been a huge fan of The Cure since my friend Garry introduced me to them circa 1985.  I saw them twice in concert, I overplayed Kiss Me Kiss Me Kiss Me, and even got the giant Boys Don’t Cry poster.

And then I grew up.  I basically stopped getting Cure albums around Wild Mood Swings (which was only two albums before this one even though it was nearly a decade ago).  I eventually got Bloodflowers when a friend said it was very good, and I agreed.  But it took me a long time to get this one (I think I was tired of the persistent “last album ever” deal).  Nevertheless, I still like the Cure, and I do like this one.

This self-titled disc is very familiar sounding. In fact, it’s as if someone told Robert Smith: make a greatest hits album but with all new songs.  And that’s more or less what you get with this disc.  It doesn’t have a theme like Disintegration or The Top.  There are manic highs and lows all over the album.  In fact, on several songs Robert is happy and in love, and on others he will never be in love.  Rather than depression, it’s almost all schizophrenia.

It starts in a very downbeat fashion (“Lost”) with scowling, reeling vocals despite him singing about being “so happy and so young.”  The mood continues on “Labyrinth” with its sinister, somewhat Egyptian sounding guitar line.

And then you get two of Robert Smith’s upbeat songs, “Before Three” (“The happiest day I ever knew…”)  and “Until the End of the World” (“I couldn’t love you more!”).  You know they’re happy songs when he drifts into that impossible falsetto.  “Anniversary” is one of their dark songs like ” A Forest” with that great Cure drumming tribal drumming. And there’s the single “alt.end,” which is, simply, another great single from The Cure.

The sonic landscape continues with another falsetto song “(I Don’t Know What’s Going ) On.” And then we’re back to the aggrieved and angry “Us or Them” where Robert almost repeats a line from “The Kiss”  “get your fucking head out of my world” (the original being “get your fucking voice out of my head”).

The only questionable song is the final one, “The Promise”.  And the only reason it’s questionable is that it’s 12 minutes long. That’s not necessarily a bad thing for The Cure, since the aforementioned “The Kiss” is 6 minutes of delightfulness.  But I think 12 might be a bit too long.  Nevertheless, it lets the album end on an angry, bitter note, just as it began.  Symmetry, after all.

I guess I’m still a Cure fan after all these years.

[READ: March 8, 2009] SkyMaul

I heard about this catalog through a plug from The Sound of Young America.  They said it was selling cheap on Amazon, so I snatched up one of the last remaining copies.

This catalog is hilarious.  Obviously, it is a parody of the Sky Mall catalog that you look at on airplanes when you have run out of everything else to look at, and have no intention of purchasing anything from (unless you are Barney Stinson [I tried to find a link to his Sky Mall compulsiveness, but there are no official ones, so if you just Google “barney skymall” tons of things comes up].

Many parody titles don’t live  up to the hilarity they promise.  This boils down to a couple of reasons: They are so true to the original it’s hard to tell them apart; they require a deep awareness of the original in order to really appreciate the joke; most people who know they original that well actually LIKE the original, and don’t want the parody.

SkyMaul however, is that rare beast: a parody that is very funny but is also full of crazily inventive and absurd humor.  Unlike many of the very specific parodies that exist, SkyMaul allows for across-the-board humor, so it never gets bogged down in finding that “perfect parody moment.”

SkyMaul works similarly to The Onion, in that some of the items in this catalog are direct parodies of existing items (Atheist motivational posters; the first ever Milk vacuum–for when people put unwanted milk on your cereal), and others are simply utter nonsense (like the Llamacycle (a llama with a wheel for front legs, or the Air Straightener “Stop Breathing Disorganized Air!”)).

There were a number of things that had me laughing out loud and thinking of people who would love to read this (Happy Birthday, Matt).

The genius of the book is dividing the catalog into smaller subsections (just like the real thing) which allows them to diversify their products.  Some subsections include: The Image Sharpener; The Statuetory (Meeting and Exceeding Your Home Statue Needs); J. Crewcifix (Extreme Religion Since A.D. 33); Tomorrow’s Garage Sale (Filling up you home, office, and storage areas); NASCAR Stepdad; WhadjaGITme? (Toys for demanding kids…); Shemail (Doodads for ladies) [Although that’s not as good as Arrested Development’s designer Shemále]; Heavy Petter (pushing animal product on people]; The Nicest Gift (is to let people deal with stuff on their own); Coming Soon (the store 4 sex toys ‘n’ stuff).

You get the idea of where this catalog is going. And to top it off there’s even a crossword puzzle in the back.  This may have been the funniest part of the book, so don’t skip it!  Sample entry: Q: Superman’s weakness. A: Chocolate.

To see some examples from the book, click here.

Oh, and in case you’re like me, you didn’t know that Kasper Hauser is not a person but a comedy troupe.