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salSOUNDTRACK: BECK-Morning Phase (2014).

morningThe release of Beck’s latest album is what got me investigating Beck’s back catalog–just to see how Beck arrived at this mellow chillout place.

I read a lot about this album when it came out and, even hearing Beck discuss it, I feared it would be a little too slow and mopey for my tastes.  It is slow, but it’s not really mopey.  It’s quite pretty, in fact.  And as I’ve come to learn by going through Beck’s back catalog, he likes to experiment in all sorts of ways, but at his core, he is just a really good songwriter.

So it opens with 40 seconds of strings that act as  nice introduction to the tone of the album, but don’t prepare you for the pretty acoustic song “Morning.”  Lyrically it’s pretty dark, although with his falsetto, it’s kind of hard to realize that.  The melody and vocal line are really lovely (especially the weird echo they put on his voice).  And it has a surprisingly big sounding chorus–redemption even in sadness.  “Heart is a Drum” has piano and an acoustic guitar with swelling strings–once again, the chorus is big and (relatively) fun.  “Say Goodbye” is a sad song, and yet it is still catchy (which is nice), with a simple acoustic guitar.   “Blue Moon” has a wonderfully catchy verse structure and it picks up the tempo somewhat with beautiful swells of music.  And the chorus is dynamite too–it is a worthy single.

“Unforgiven” slows things down even more, making one of the moodiest Beck songs.  And then comes “Wave,” perhaps Beck’s darkest and moodiest song–just waves of strings with no drums and Beck’s longing voice over the top.  “Don’t Let It Go” has some very nice singing from Beck.  His voice has always been good, but he sounds like his voice is maturing somewhat here.

“Blackbird Chain” is the prettiest melody on the record, and it feels especially light after the downcast last few songs.  It has a great chorus and really strong verse melodies. My only gripe is the very brief string accompaniment in the middle of the song which feels like overkill–the piano solo is nice, bit the strings are too much.  But they’re very brief and don’t ruin the song.  “Phase” is a 1 minute instrumental that leads into “Turn Away.”  “Turn” has Beck’s layered vocals and a wonderful easy guitar sound.  The whole song has a sixties acoustic vibe, an again, the melody is great.  “Country Down” has a, yes, country feel (including harmonica solo ala Neil Young), and Beck’s lower, more powerful voice.  It’s a strange turn on this album, but it keeps with the mellow vibe.  The disc ends with “Waking Light” a slow, building song with more great vocals and a wonderful chorus, that makes good use of loud and soft.  It’s a very strong ending to an album.

Unlike other Beck albums this one is definitely a “have to be in the mood” for it.  There’s no pop singles, no dancey hits.  It’s all very mellow.  But it’s very pretty.

[READ: April 2, 2014] The People of Paper

An excerpt from this book was published in McSweeney’s #12.   Here’s what I thought of the excerpt:

This is an excerpt from Plascencia’s novel of the same name, a novel that I own but have not read yet.  And wow is this crazy.  There is, indeed a person made of paper and there are people made of meat, and there are different narrators.  Federico de la Fe is a grown man who wets the bed–as the story begins he and his wife (who tolerates the wet spot) are going to the water’s edge to fill it with new straw.  His wife has gotten used to it (ew), but once their young daughter is potty trained and her husband isn’t, she gets quite cross.  It is only after his wife has died that he learns of a cure–sticking his hand in the fire.  See, crazy–and we haven’t even gotten to the lady of paper yet.  I’m assuming that actually reading the full novel will bring some clarity to this story.

I included this as an introduction because this story is very very unusual, even after reading the whole thing.

In addition to the story being unusual (and, as it turns out, completely metafictional), even the physical product is unusual.

The story is broken into several styles, which are distinguished at the front of each chapter by either three lines, three dots or one dot.  In the three lines chapters, each page is broken into 3 columns–each column is about a character.  In the three dots section, the chapter is formatted normally, but different characters are written about.  And in the one dot section, the small chapter is about one person (you can read more about this in the interviews below). Continue Reading »

shoppingSOUNDTRACK: BECK-Modern Guilt (2008).

modern guil;As I mentioned, I missed Modern Guilt when it came out.  I guess I had burnt out on Beck after The Information.  But man, I have recently gotten into it big time.  It may be my favorite Beck album of all.  It is brief and simple but with enough going on to keep iot more than just interesting.  The feel is consistently retro by Beck but Danger Mouse throws in enough modern elements to keep it totally fresh (at least six years after the fact).

“Orphans” opens with a hyper drum beat and keyboards, but once the chords and Beck’s vocals come in it has a very sixties folk/psychedelic vibe.  But those drums keep coming it, making it sound very modern.  This has one of the catchiest verses that Beck has sung in addition to a great unexpectedly poppy bridge.  The song is unmistakably Beck, but the flourishes are very Danger Mouse.  “Gamma Ray” opens with a surf rock sound and backwards backing vocals.  It sounds very “future”, but future from the 60s.  This song ends abruptly just under 3 minutes, it’s especially abrupt after the length of some of his more recent albums.  “Chemtrails” opens like mid 70s Pink Floyd–synths and falsetto vocals.  But when the drums come crashing in it totally changes the song to a more modern sound–and yet that bass is still very Pink Floyd.  “Modern Guilt” has a very simple beat and seems like a simple catchy song.  Then the keyboards come along top and it feels kind of spacey.  Then the second guitar riff comes in underneath the song and it’s grounded again.  There’s so much going on in this little poppy gem.

“Youthless” is another straight ahead simple rocker, this one has disco synth lines over the top.  It reminds me of “Cellphone’s Dead” from The Information (I keep waiting to hear “One by One, gonna knock you out”).  It’s the only song on here that reminds me of another of his songs. “Walls” has a cool vocal melody that plays off of the music very well.  It also ends abruptly–a very cool two and a half-minute song.  “Replica” has very contemporary chaotic drumming that pins this floating song.  “Soul of a Man” makes me think of Deep Purple’s “Hush” for some reason.  But I love the way the guitars and noises just seems to come and go leaving the classic rock rhythm pulsing underneath it all.  “Profanity Prayers” has a very punk feel–buzzy guitars and a fast beat, and yet it’s also smoothed over somewhat with an interesting backing vocal line.  “Volcano” is a slow song that anchors the album nicely.  It runs a little long, but this brief album earns a longer coda like that.

I just can’t stop playing this.

[READ: April 2, 2014] “Shopping in Jail”

Just when I thought I had caught up with everything that Douglas Coupland had published, I came across this book, a collection of his recent essays.  I enjoy the very unartistic cover that Sternberg Press has put on this.  It looks extremely slapdash–look at the size of the print and that the contents are on the inside front cover.  But the essays contained within are pure Coupland and are really enjoyable.

I have read a number of his older essays in recent years.  And here’s the thing: reading old Coupland essays just makes you think, ho hum, he knew some things.  But you don’t really think that he was on the forefront of whatever he was thinking.  So to read these essays almost concurrently is really fascinating.

His thoughts are science fiction, but just on the cusp of being very possible, even probable.  He also looks at things in ways that the average person does not–he notices that on 9/11 people didn’t have picture phones–imagine how more highly documented it would have been.  These essays are largely about technology, but they’re also about the maturation and development of people and how they relate to things.  Coupland can often seem very ponderous, and yet with these essays he seems prescient without actually trying to predict anything.  I enjoyed this collection very much. Continue Reading »

harperjanSOUNDTRACK: BECK-“Gimme” (2013).

gimmeThis was the final of the three singles that Beck released in 2013.

It is by far the weirdest of the three, and seems the most experimental.

The song is only 2 and a half minutes long.  It starts with vibraphone-like sounds. The vocals are layered and processed with random voices shouting “Gimme” throughout the track.  I have no idea what the lyrics are.

It is noisy and cluttered, although there is a melody under all of that.  And then it ends just as suddenly as it began.  This song may some end of the year lists, but it’s certainly not easy listening.

[READ: April 1, 2014] “Subject to Search”

Sarah recently brought home a copy of Lorrie Moore’s Bark, and I’ve put it on my to-read list (somewhere near the top).  So browsing through this back issue of Harper’s I saw this story and figured it was probably in Bark (it is), but I decided to read it anyhow.

The story begins with an amusing exchange.  A man sits down and says “I have to leave.”  He and the woman are in a restaurant and she wonders if he has time to eat.  He tells her to order lamb couscous and she worries about her pronunciation.  It turns out they are in France and her French is passable at best.  She worries that there is a distinction between lamb to eat and lamb as a pet (like between pork and pig) in French and that she may end up with something totally unacceptable.

When the man returns he explains to her that he has to fly back to the States, and to us that he is in “the intelligence game.”

As the story unfold we learn more about him from the way she has perceived him (she assumed he was a drug runner from his story about driving cars in Holland).  He escaped from Iran just before the hostage situation broke out in the 70s.  And he paid for everything in cash.  But we also learn that she has known him for years. Continue Reading »

harperjanSOUNDTRACK: BECK-“I Won’t Be Long” (2013).

iwontbelongThis was Beck’s second single in 2013.  I did not like this at first as you can see here, but as I predicted, it grew I me. Interestingly, listening to it now, after having heard it a few dozen times, my observations about the song are the same, I just find it more appealing.  And listening with headphones showed me that there’s more to it than the radio listens showed me.

The verses are actually kind of fun and while I initially found the chorus to be way too slow, it has really grown on me. And there’s a lot more music in the track than I initially realized. It’s quite a full and satisfying song. Including a very noisy guitar solo at the end which makes this song less soporific.  In fact, some of the guitar notes hearken back to 80s guitar sounds very nicely.

So, yes I’ve become a fan of this song.  And having listened through his catalog I find that it’s not as out of place as I initially thought.

[READ: April 1, 2014] “The Boys on the Block”

The only other thing I’ve read by Gordon Lish was in Harper’s in January 2013 (perhaps this is an annual thing).  That story was a tale in which Lish was the narrator and the main character and it was halting and complicated but generally enjoyable.

This story is actually listed as a memoir, so the self-referential nature is to be expected.  What is not expected (although maybe that is how Lish writes) is the halting, stumbling narrator.  In this piece, Lish looks back at the kids on his block and the games of one-upmanship they would play.  And it’s funny that he can spend several paragraphs correcting himself and addenduming himself all to talk about the boys on his block playing paddle ball

the paddle and the ball and the string–are you with me?–the paddle and the ball and the string, which the whole idea of the game was for you to grab the paddle in your hand and see if you could toss the little red ball up a little bit and then smack it with the paddle and then keep on smacking it with the paddle until you missed it altogether or, you know, you just didn’t smack it right and it went all crazy in the wrong direction and then it was the other boy’s turn… [the sentence continues for longer than I have written so far].

Naturally there were boys who were good at it–Gordon was not one of them, but the Stanleys were–they were two boys named Stanley.  But Gordon, oh Jesus, did he fear taking his turn, especially after the Stanleys were so good at it.  But at least there was Bobby–he was the worst at everything.  Gordon couldn’t wait for Bobby to take a turn.  But lo, Bobby was amazing at it, almost as good as the Stanley’s and that could not be. Continue Reading »

harperjanSOUNDTRACK: BECK-“Defriended” (2013).

defriendIn 2013, Beck released threes singles that are likely not going to be released on albums.  They were released as digital downloads and they are each very different.

“Defriended” opens with a slow, backwards sounding keyboards with purposefully electronic drums.  The riff is catchy and there are some nice clean vocals on it.

It is certainly catchy but doesn’t seem like a comeback single.  It’s doesn’t resonate as a big “hit.”  This feels more like a testing the waters single.

[READ: April 1, 2013] “How I Read as Quickly as Possible Through My Back Issues of the TLS”

I am once again confused by Lydia Davis.

I have enjoyed her short fiction, but when she releases something like this I just feel like it’s a list. Yes, we gain insights into her (or her narrator anyhow), and yes there is some humor involved, but the whole piece is just a series of things that she does and does not want to read in her issues.

I do not want to read about the life of Jerry Lewis

I do want to read about mammalian carnivores

I do not want to read about a portrait of a castrato

Continue Reading »

 walrusaprilSOUNDTRACK: BECK-“I Just Started Hating Some People Today” / “Blue Randy”(2012).

beckhateA few years ago, Beck suffered from a debilitating back injury that required spinal cord surgery.  This limited his output significantly over those years.  It also gave him a chance to re imagine releasing music.  And so around 2012 he started releasing singles with no albums attached.

This first one is a collaboration with Jack White and is and astonishingly traditional country song.

The song has big fiddles and twangy vocals.  Then the drums kick in and a big old bass notes sounds and…it’s even more country.  There are big, fun verses (about murder, naturally) and a slide guitar solo.

I honestly can’t tell what Jack White’s contribution is, but evidently it is “punk vocals.” And those punk vocals come near the end.  Because at 3:45, it turns into a blistering fun country punk mess, which lasts for just a few seconds.  And then it morphs into a weird, string-filled kinda sexy song with a hot-sounding lady telling us she’s going to kill us.

The straightness of the country is only weird because of the straightness of the punk at the end.  It’s clear Beck wanted to have fun with this track, and so he did.

The B-side is another country song.  This one is of a more spoken word quality, but it still has the country vibe (and slide guitar).  His voice sounds decidedly more country than I have heard from him.  Even Beck fans may be confused by just how country this is, and yet he definitely has country content in his earlier releases.

[READ: April 1, 2014] “The Navigator”

This is an interesting story that has a fascinating structure.  It seems like the story is told in third person.  It is the story of a man, Walter Ehrlich, who nearly died in 1972 when he caught pneumonia.  He had been swimming every day in Lake Ontario, but the doctors told him that that was unsafe, so he had a pool put in is backyard and he swam there every day that the winter didn’t freeze the water.

He also had a passion for ballrooms, and built one in his garage (this section is quite magical).

After a few paragraphs, the narrator reveals himself and the story is suddenly in first person.  The narrator knows about the man through his wife’s family.  Walter was close to his father-in-law (the story of how they met is also funny).  Indeed, there are photos of Walter visiting his wife’s family when she was just eight or nine years old.  Continue Reading »

harperSOUNDTRACK: BECK/RECORD CLUB-YANNI: Live from the Acropolis (2010).

yanniAlthough there was no official notice terminating the club, this release has proven to be the final installment of Beck’s Record Club (for now).  And what a weird place to end.  Cheesy new ager Yanni’s live blockbuster album.  My buddy Joe (a major metalhead) got me into this album when it came out (really).  And I have to admit it’s pretty awesome–the musicianship is nothing short of spectacular.

So I was very intrigued at the premise of these guys covering the album.

According to the Beck/Record Club website:

This installment of the Record Club takes on ‘Yanni Live At The Acropolis’. The original album featured Yanni with a full orchestra at the Athenian Acropolis. A TV special of the concert was played repeatedly on PBS through the mid 90′s. To flesh out the complex arrangements, several studio musicians were brought in to read a heavily doctored score with interpolations of everything from Stravinsky to Bobby Brown (and others). Beck and Thurston Moore from Sonic Youth provided auxiliary music and noise, with Thurston improvising lyrics over the previously instrumental track ‘Santorini.’ Tortoise show up later on a few other tracks. Look for the complete rerecording of this musical monolith, originally captured at the bedrock of Western Culture, done here at Sunset Sound Studios on June 13th, 2010.

The big names for this release are Thurston Moore and Tortoise–who get to work together on two songs.  Thurston seems to be on most of them–playing noise and occasionally singing (I don’t think there are any words on the original).  I haven’t listened to the original album in ten years so I don’t really remember it very well.  I am quite certain it sounds nothing like this cover version. I’m actually looking forward to playing it again now that I’ve listened to this, mostly to see if there is any similarity at all between the songs.  But also to see if I still like it.  I’m also very interested in the unreadable score (for track 8)

Santorini (2:53) Thurston makes up lyrics.  The session musicians play a beautiful rendition.
Keys To Imagination (4:22).  Tortoise & Thurston play together and the noise and samples run wild.
Until The Last Moment (5:50).  This song is kind of muddy sounding with lots of cymbals and feedback.
The Rain Must Fall (2:55).  More vocals on this one.  With samples that sound like kids singing “rain must fall.”
Acroyali/Standing In Motion (5:46). This one has a cheesy synth tone.  I think the vocals are by Beck on this one.
One Man’s Dream (4:26).  Gentle piano and quiet feedback notes in this one.
Within Attraction (5:39)  Tortoise is back with more samples and sounds.  It also sounds like there are samples from the original Yanni disc.
Nostalgia (4:07) “Thurston and Beck team up again with a crew of heavyweight studio musicians to tackle an apparently unreadable score for another song from Yanni’s Live At The Acropolis, with Thurston adding lyrics.”  I don’t know what they’re playing then, but it sounds good.
Swept Away (4:11).  Gentle keys and “funk” interspersed with noise and effects.
Reflections Of Passion (8:21).  This song opens in a very Sonic Youth style (the slower version of SY).  It’s fairly delicate with vocals until about 3 minutes in when the big drums carry it through to the end.

I haven’t watched all of the videos in the Record Club because some of the earlier ones are “artsy” and just hard to watch.  But this one is great for seeing just what they did to make these sounds (and who is singing).  The INXS one was also good for this.

[READ: March 15, 2014] “The Mighty Shannon”

The mighty Shannon is of course the river in Dublin, even though it is barely mentioned in the story.  The story opens with a man in pain–a migratory pain that has moved from his lower back to his shoulders to his neck.  The doctors can’t find anything wrong with him and suspect it may have something to so with his personal life more than actual pain.  He is reluctant to admit that, but when we learn what is happening in his personal life, it is quite plausible.

The narrator is married, but he has been having an affair with his son’s Spanish teacher (shame on them both). They first met at a parent teacher conference (where his wife seemed unimpressed by her) and then they encountered each other at the park when they were each going for a run.  He offers her running advice for her upcoming marathon and the really seem to hit it off.  Soon they start sleeping together.  He feels badly about it but also believes that his wife, Sharon, (not Shannon) was having an affair first–based on a pocket dialed phone call. Continue Reading »

harperSOUNDTRACK: BECK/RECORD CLUB-INXS: Kick (2010).

inxsOf the four Record Club releases, this is actually the album I like least.  And that is mostly because of my college roommate.  He believed that rock music was the devil’s music (or so he told me).  And so he only had a couple of albums.  Most of the Beatles records (amusingly enough) and, totally randomly–INXS’ Kick.  So I got sick of this really fast.  It’s nearly 25 years later, so I’m okay with the album, and I do like some of the songs again, but boy can I pick out flaws.

This recording seems a lot more causal than the other Record Club releases—the original recording bleeds in front of some of the tracks and I believe they play around with the lyrics on a few.  They also really rearrange some of the songs, making them quite different from the original.

Form the Beck/Record Club site:

Record Club No. 4 is here…! Joining in this time we had three of my favorite bands— Liars, Annie Clark and Daniel Hart from St. Vincent, Sergio Dias from the legendary Brazilian band Os Mutantes, as well as RC veteran Brian Lebarton, just back from the Charlotte Gainsbourg tour. The record covered this time was 1987 blockbuster ‘Kick’ by INXS. The record was chosen by fellow Aussie, Angus from the Liars. It was recorded in a little over 12 hours on March 3rd, 2010. It was an intense, hilarious, daunting and completely fun undertaking. Thanks to everybody for being there and putting so much into it. Many classic moments, inspired performances and occasional anarchy.

Overall, I enjoyed this release quite a bit and found St. Vincent’s contributions to be quite excellent.  I didn’t know Liars before this, but I really like his voice.

Guns In The Sky (2:21). Loud drums open the song and the synth is buzzy and noisy. Angus’ vocals are very similar to Michael Hutchence’s.
New Sensation (3:40) Begins with a poppy synth rendition (and people rapping over it), but that’s like a teaser version. The real version is quite mellow and interesting—a very slow song sung by St Vincent and Angus from Liars.
Devil Inside (5:16) This sounds very different–it’s slow and menacing with a sax section.
Need You Tonight (3:06) St Vincent on vocals—a rather sexy version.
Mediate (2:32) The intro has them talking about the words they’ll use, like “shake and bake and wake and bake.” With much giggling.  Done as a simple rap over a handclap drum
The Loved One (3:37) This sounds like a sixties song–acoustic but kind of psychedelic.
Wild Life (3:10) Slow and a little creepy.
Never Tear Us Apart (3:06) This one has strings and synths–St Vincent sings this in a very beautiful way.
Mystify (3:18) Sung well by Angus with a slow picked guitar.
Kick (3:14) This is a buzzy punky version with an aggressive feel.
Calling All Nations (3:04) Acoustic guitar played and sung by St Vincent–it sounds very much like a St Vincent song.
Tiny Daggers (3:30) This is a silly electronic ranting song that ends up lasting 12 minutes (which is about 9 minutes too long).

Overall this has a raw feel that I like better than INXS’ more polished version. And anything with Annie Clark participating is a plus.

[READ: March 14, 2014] “The Mission”

This story started out as an interesting personal drama, with a very memorable scene.  A woman is sent to prison.  She will only be there for nine days (which the other inmates hear about and which causes them to grumble).  The drama comes when the try to remove her wedding ring but cannot (they have to cut it off).

The memorable scene is the reason why she was sent to prison in the first place.  She was drunk driving and drove into a cemetary. She crashed through the fence and into several gravestones.  The arresting offer’s opening remark was “You’re lucky you didn’t kill somebody.”  After a few days, she believes she is going to be released, but her lawyer informs her that things are going to be really rough for her out there–the people whose graves she broke are super mad.  So she should just hold tight and be happy to have some freedoms in here. Continue Reading »

cacnelAs yet another TV season sort of winds down, and a few more shows get cancelled, I decided to compile a list of shows that I miss. This isn’t going to be one of those lists of the best shows that shouldn’t have been cancelled or killed off too early or some other kind of list (I agree with just about everything on these lists).  So, I’m not including Arrested Development or Freaks and Geeks (which I don’t really miss because I didn’t watch it when it came out so I knew what I was getting when I watched the DVDs, plus every actor from the series is seen in something or other all the time) or even Veronica Mars (now that the movie has come out, all is well).

Of course, there are shows that I miss because they were great, but many had a sense of closure, which is nice. Or shows that were great and then weren’t great anymore so I stopped watching, which is less nice but which doesn’t leave me pining for them. Rather these are shows that were cut down unexpectedly (or expectedly) and didn’t give closure (or generate enough momentum for closure).  In fact, shows that weren’t brilliant and probably deserved to be cancelled soon, but were cancelled a little too early so I have no closure. Or, worse yet, shows that could have improved over the next season or two and become really solid shows.  And so from time to time I wonder what the characters are up to (which isn’t as sad as it sounds).

I’m starting with the most recent cancellation because it is freshest: Continue Reading »

Spring TV 2014

2014 continues to throw new shows into the mix while other shows are already reaching their conclusions.  It’s very hard to keep regular track of shows when networks don’t follow the rules.  It also means that new shows pop up and quickly become favorites before going away possibly never to be seen again.

We’ve learned about the cancellation of a number of shows (but fortunately, none of the great ones and surprisingly not all of the bad ones).  And of course I’ll be sad to see How I Met Your Mother end, but it had a very good run.  And Cosmos has been mind blowing.

But I find that more and more my attention is turning to cable shows.  Although we don’t watch horror shows, I’m intrigued by Fargo.  And the cable shows are so much better at taking risks with their comedies.  We started to watch Orphan Black a while ago and then lost it, but I think we’ll be trying to catch up this summer.  And in old TV news, we just learned about Destroy Build Destroy (from 2010) and we are hooked.  Good thing there’s only 20 or so episodes.

So last time, I did a tally of networks.  Let’s see who wins this time (nightly shows like Late Night boost the numbers so I put them in parentheses):
FOX: 5 NBC: 4 (6)  CBS: 3 (4)  ABC: 3 SyFy: 3 Comedy Central: 2 (4) Lifetime: 1  IFC: 1 FX: 1

I can’t believe Fox still wins, but it has four comedies that I really like.  Actually Fox comedies are almost always good until they cancel them.
NBC is teetering away, but Thursday night helps it.
CBS is the old person’s network, and they’re losing a comedy that I like (and none of those promised new comedies look any good).
ABC is slowing building it’s comedy line up back, which is nice
And the cable networks combined really shine.

Oh and speaking of TV…how awesome was the Veronica Mars movie!!!!!!
Continue Reading »