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Archive for the ‘Public Service Broadcasting’ Category

SOUNDTRACK: FIRE IS MOTION-Days 1-7 (2014), Demos (2014), Flowers in Kawameeh Park (2017).

Fire in Motion is more or less the project of Adrian Amador.  But he had a full band when they opened for Public Service Broadcasting.  I got a copy of their CD at the show (which you can stream or download here).

The first 7 songs were done with this template:

I decided to write and record a song every day for an entire month using no pre-written material. Around the third day, I realized just how overly ambitious this idea was

“Day 1” has nice ringing guitars and some great backing vocals.  There’s drums on this song too. (Ambitious first day).
“Day 2” is one of the most exciting songs here.  The riff is fantastic in this slow version (Live they played it faster), but the way the guitar echoes is really lovely. When more guitars get layered on top, it’s really quite something.
“Day 3” is an acoustic ballad.  Simple guitars with a falsetto note in the vocals that keeps it interesting.  It’s just over a minute, but when the clapping comes in around 45 seconds it feels like it could be developed into a really full song.
“Day 4” is a delicate acoustic ballad with some pretty overdubbed guitars and vocals.  This could also be expanded into something lovely.
“Day 5” Again, the overdubbed guitars are lovely and the vocal melody on top shows another interesting start to a song.
“Day 6” In the spirit of “Day 2,” this has a slow guitar melody that unwinds as the vocals sing a slightly different melody.  This song could use an interesting guitar line on top, like in “Day 2” but otherwise its very promising.
“Day 7” has an organ sound for some diversity and the female and male vocals offer nice harmonizing again.

The demos are a bit more complete sounding but still sound like demos, of course.

“How Long to Get Home” is the cleanest sounding song so far.  It has that wonderful echoed main guitar and several different pretty guitar lines.  I love the way this built from a quiet song with some big drums and backing vocals.  This song sounded great live.

“Ringside” sounds more like a demo.  It has plucked guitar sound and deep vocals.  The song is spare at the start but when it gets to a bout a minute in, more instrumentation and percussion is added and the song feels really full.  The harmonics near the end are rally a nice touch and the kind of distantly screamed vocals add a sense of urgency.

“Smile It Makes This Easier” has an upbeat melody on acoustic guitar (with a nice little riff) and the  harmonies (both high and low ) are nice addition.

I’d love to hear any of these songs fleshed out and I wonder what is on their forthcoming CD.

“Flowers in Kawameeh Park” is a single that is not going to on the record and is only available here.  It is the most full-sounding of the bunch with vocals from Avery Salermo and Adrian Amador (who plays everything else but the horns).  The quiet middle section with the great backing vocals leads to a large crashing section.  The horns make the song get bigger and bigger until the dramatic buzzy ending.

It’s really cool to listen to these songs in order and hear the band develop.  They are going to be opening for Pinegrove in late December.  I’m looking forward to that show and the CD.

[READ: August 2, 2016] Amulet: Firelight

Kibuishi has stated that there will be nine books in this series.  This is number seven and it was just released this year, so it will be a pretty long time (I suspect) before books 8 and 9 come out. Which is a real shame because, although the story has been good so far, this book was hugely exciting.

It opens with Emily and her father (!) hiking.  He gives her some advice which I have to wonder if it is true–gently push yourself away from the rock…we’re at enough of an angle that it will give you leverage.  Holding the surface tight is only going to make you slide.  Sounds like it should work.  And it also might be a good theme of the book–push away rather than grabbing tighter for your safety

But Emily realizes it is only a dream (not even a memory and soon it is gone).

She is actually still on the ship with Enzo and they are pulling into a station to hope for refuelling. The station seems empty, although it is full of memories.  As they explore, they discover that they are already on Algos Island –their intended destination (which was not an actual island after all).

But before they can secure the ship, they are boarded and a fight ensues–little Dagno even manages to help out.  It turns out the invader is Galiban–the elf from earlier in the story who stole everyone’s memories.  They secure him and he reveals that he has been saving all of the memories he stole in an underground ship.

And that’s when Galiban lays a tough truth on everyone–the stonekeepers were chosen for their weakness not their strength.  He is quite certain that Emily is being used against her will.  And while he hated the stonekeepers for the horrible things they did to his home, he realizes it was not their fault-they couldn’t control it.

And then we flash to Navin and his friends.  They are trying to get to Valcor but they are still in those giant rumbling robot suits.  They can’t earn enough money to book a ride to Frontera, so they get jobs working on the ship–they are the waitstaff (and they are terrible).  And worse yet they are spotted by Elven solders.

But it turns out that soldiers are in disguise, they were sent by Riva and she tells them that there are bounty hunters here looking for them.  The “soldiers” are Loni and Roni and they are going to fly Navin and friends to safety.

Back on the underwater memory ship, Galivan shows Emily and Trellis where the memories are stored.  This leads them to a memory that Trellis needs to see–the one where he learns that his father has been taken over by the voice.  And that the shadows have really overtaken their people.  That memory was clouded so he would forget it.

Then two exciting thing happen at once. They are detected in their underwater location and the bad guys come to attack them.  And Emily chooses a path (against Trellis’ wishes) which might be an escape but turns out to be actually another memory.

And this memory is of someone who Emily doesn’t recognize.  But he turns out to be someone who is instrumental in the accident that killed her father (it’s an intense sequence to be sure).  But in this memory she uses her power to rescue her family (including her self).  And as the memory concludes, her father is getting Riled up about the guy who caused the accident and the says he’ll make him pay.  Which means that Emily has given up control over the stone.  And that can’t be good for anyone.

While things are going very badly for Emily, things are going pretty well for Navin.  The crew lands on Frontera.  And while the landing area looks pretty run down we soon learn that Frontera has served as an underground base for the resistance–they have another base in the planet’s atmosphere (and they have a very cool-looking ship to take them there).  So while one sibling is taking control, the other one is losing control.

How can  wait a year for book 8?  [Word has it Book 8 will come out in 2018].

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[ATTENDED: September 12, 2017] Public Service Broadcasting

I first saw Public Service Broadcasting on their amazing Tiny Desk Concert.  I was blown away that J. Willgoose, Esq. and Wrigglesworth could make such complex and satisfying music with just the two of them (all the while projecting visuals behind them that matched the songs perfectly.

I instantly put them near the top of the list of bands that I wanted to see live.  But I also put them very high on my list of bands that I’d be unlikely to see live since I assumed they played primarily in the UK (whether they have recently played festivals).  Plus, how likely were they to come to the US to tour their most recent album which is all about coal mining in Wales (seriously–and it’s fantastic).

Well, when I saw that they were playing The Foundry, I bought a ticket immediately.  I figured that the show would either be unattended or sold out.  Well, sadly for the band, it was barely attended, but luckily for me, that meant I got to hang out right in front of the stage (and even meet the guys afterwards).

But even if there were only 100 or so people, the band didn’t act like the crowd was puny (because everyone there was really into it).  They played an amazing show and I’m thrilled to have seen it.

In the way of bands who don’t have roadies, all three guys were there to tune up their gear for about ten minutes before they ultimately left the stage and then came back on fresh and new.  It gave them time to put up the test pattern above.

I parked myself right in front of J. Willgoose, which was awesome seeing everything he did.  I joked with my friend Marcus (who has seen the band 6 times in the States and was going to Brooklyn the following night to watch them again) that I didn’t know where to stand.  J. Willgoose overheard and said it didn’t matter because they didn’t do anything interesting.  This was utterly false, as it was great watching everything that J. Willgoose did with guitars, keys, foot pedals, and so much more.  He even played percussion.  I only wish I had been a little to the left because I was actually so close, his keyboard was blocking some of the rest of the stage (the horrors). (more…)

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[ATTENDED: September 12, 2017] Fire is Motion

A few days before the Public Service Broadcasting show, I saw that a local NJ band (based in Union), Fire is Motion, was set to open for them.  I went to their bandcamp site and really liked what I heard.  I wrote to the band to see if they were going to be bringing any merch to the show, and Adrian wrote back that they were and to thank me for listening.

I was looking forward to seeing them, but when I arrived at like 8:05, they had already started–who knows how many songs I missed.  Such punctuality in rock!

But the remaining four or five songs were really good–bigger and more complex than their recorded sound. And the band sounded really tight. (more…)

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flies1SOUNDTRACK: PUBLIC SERVICE BROADCASTING-Tiny Desk Concert #354 (May 5, 2014).

indexI heard about Public Service Broadcasting via NPR and I loved their song “Spitfire,” a rocking instrumental with interesting samples scattered throughout.  Well, it turns out that live, the rock just as hard.  Even though there’s only two of them.  There’s J. Willgoose, Esq. on guitar, banjo and electronics and Wrigglesworth on drums. The samples come from British public-service films from roughly the 1940s through the 1960s.

Watching this video, I was stunned at just how much Willgoose is doing, and just how much noise these two guys can make.  There’s even a video going on behind them.   The only problem here was that the samples were not loud enough.

 “Signal 30” opens with samples and samples and then a rocking guitar and solid drums. It amazing watching Willgoose do some many different things while playing the guitar. The change of tone at the middle of the song is great and I love watching him just bang the guitar to keep the notes going (while he is playing the keyboard).

 After the song, there is a sample of “Thank you very much” in an arch British voice (the duo don’t speak during the show).   “Spitfire” also sounds great hear–the song is surprisingly complex for an instrumental, and for what seems like it might be a novelty band, the song is really solid.  After this song, Willgoose had to fetch something and the talking sample said “talk amongst yourselves!” The final track “Everest” has a very catchy riff and some really great drumming.  But I love most watching Willgoose play the guitar with one hand and play a solo on the keyboard with the other.

This is definitely a band to check out live.

[READ: June 4, 2014] King of the Flies 1. Hallorave

Hallorave is a dark, violent, sexual comic series written by Pirus and drawn by Mezzo.  Both artists are French and have worked together before.  This book was translated by Helge Dascher and John Kadlecek (and it was translated very well–I didn’t realize it wasn’t American until they started talking about Euros sometime in the middle of the book.

So this is actually a series of short stories narrated by different people.  They seem unrelated, but after a couple of stories, you see the connections.  And there proves to be a core collection of characters all living in this suburb (the location is really irrelevant).

The first story starts with Eric (who proves to be the main protagonist) drinking, reading magazines and sitting on a couch on the (dried up and dead) lawn of his mother’s house.  He is also jealous of his best friend Damien because he is very hot for Damien’s girlfriend Sal.

That first story introduces us to a visual that will run through the book: Eric sitting with a giant fly head on.  The three are going to a Hallorave for Halloween.  Eric is King of the Flies, Sal has a giant cat’s head on and Damien is a skeleton.  By the end of the party, they are all high (you can seem them feeding each other drugs in the picture below).  Eric pledged his love to Sal in front of Damien, and Damien is in a foul mood.  He gets in a fight with some other party goers. By the end of the short story, Eric and Sal are having sex (with their costume heads on) and Damien has been hit by a car and killed.  That’s the kind of stories we’re getting here. (more…)

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