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[ATTENDED: October 9, 2021] Control Top

I saw Control Top open for Ted Leo a couple of years ago and they were amazing.

I have been wanting to see them again live.  They’ve had a few shows cancelled and there was no real plan for them to play again in 2021, but then they were asked to play Philly Music Fest and I grabbed tickets right away.

Control Top is a trio of bassist/singer Ali Carter, guitarist Al Creedon and drummer Alex Lichtenauer.  They play a mix of raging screaming songs and somewhat more mellow raging songs.

Carter’s hair was dyed silver and looked pretty great.  She played a perfect combination of looking very nice and then raging really intensely.  It was great being up close and watching her expression change as she went from verse to angry chorus. Continue Reading »

SOUNDTRACK: hiatus

[READ: Fall 2021] Small Gods

Perhaps unsurprisingly, Small Gods satirizes religion.  On the Disc, it is common understanding that gods exist because people believe in them.  They come into existence when someone begins to believe and they grow more powerful the more people believe.  But some gods have few followers and they are known as the small gods.

One such god is Om.  Om once had a huge following, there was even a town named after him, Omnia.  But over the years, people started fearing the religious leaders who enforced the “rules of Om” or out of habit.

Om has been depicted in statues as a massive scary creature.  But when Om decided to manifest himself this time, he came as a turtle.

There’s a fascinating side bit about how eagles are the only animals that can kill turtles.  They bring a turtle very high in the air and drop it on a rock.  The eagle plagues Om throughout the book. Continue Reading »

[ATTENDED: October 9, 2021] highnoon

Philly Music Fest started in 2017.  I went to a show in 2019–a great line up!  Last year was online only, but this year it was back.  The lineup was different and wonderful.  And, thankfully, the two bands I wanted to see most were on the same bill.

I hadn’t heard of highnoon.  Artist Kennedy Freeman launched Highnoon in 2019.   Now Highnoon is led by Kennedy Freeman with longtime collaborator, Justin Roth on drums, Brendan Simpson on guitar, and Nathan Avila on bass.

I listened to their music and found it pretty and quiet.   Their new EP, Divers is their first body of work since their debut record, Semi Sweet.

I wasn’t expecting a pretty rocking set from this seemingly quiet foursome.  Actually, singer Freeman maintained a pretty quiet level throughout, but she was counterbalanced by some pretty wild guitar shredding from Simpson.  I took some really cool videos of Simpson’s playing, but at this time, Instagram decided that it would no longer allow me to move my video up or down to get the main part of the video into focus. Continue Reading »

SOUNDTRACK: hiatus

[READ: October 2021] The Unadulterated Cat

During this incredibly prolific period (Pratchett was releasing a Discworld book or two every year), he found time to write this slim, silly volume about cats.

It contains many many illustrations (like the one on the cover) by Gray Jolliffe whom I do not know.  I have had this book for decades and never bothered to read it.  Since I was knee deep in Pratchett land, I decided to give it a whirl.

Pratchett has had some fun about cats in Discworld already.  There’s Greebo, the insane and then there’s Death who genuinely loved cats.  So it’s no surprise that he would write a book about cats.  (This was about ten years after the odd “dead cat” comic book craze).

This book is not like any of that.  This is a “serious” look at “real” cats.  So I guess it has more in common with Real Men Don’t Eat Quiche (published 1982).

In eighteen short chapters, Pratchett compares a real cat to cats that you might find on television or greeting cards. Continue Reading »

SOUNDTRACK: hiatus

[READ: October 2021] Witches Abroad

Our trio of Witches is back.  And they’re about to do something they never imagined.  They are going to “forn parts.”

A local older witch (yes, older than Granny and Nanny) Desiderata Hollow dies and she sends Magrat her wand.  Granny and Nanny are more than a little miffed that she gave it to Magrat.  I mean, really.  Not that Granny or Nanny needs a wand or wants a wand or wants anything to do with a wand, or anything.  But still.

Getting the wand means that Magrat is now the Fairy Godmother to a girl named Emberella.  But although she gave the wand, she also gave no instructions whatsoever.  So Magrat really doesn’t know what to do.  The only note that she gave to Magrat included the important information to not let Granny or Nanny get involved.  Which Granny and Nanny take to mean that they should really take over the whole proceedings.

But Magrat is determined to do this right.  She wields that wand with authority and turns anything she waves it at into a pumpkin (she can’t do anything else with it).

As fairy godmother, Magrat’s one duty is to ensure that Emberella does not marry the Duke (who has a seriously questionable past).

Everyone knows that Fairy Godmothers are supposed to get young girls to marry Princes or Dukes.  So they are working against Fairy Tales.

But before they can even deal with Emberella, they need to cross the disc to Genua where Emberella lives.  This leads to a road-movie type story where the three naive travellers go to all manner of new places.

Nanny Ogg, who fancies herself a wise traveller also seems to know a lot of forn languages (or at least she knows a lot of rude words in other languages).  The Witches have some very amusing adventures.  There’s a Running of the Bulls type event which they find themselves right in the middle of, there’s a cave that they escape from in a giant pumpkin (thanks Magrat), and there’s a village where a giant house falls on Nanny Ogg to the delight of the locals.  Nanny is fine because the house fell on her willow-enhanced hat.

It turns out that the Duke is actually a puppet.  And the woman behind the diabolical plan to have Emberella marry the Duke is Lilith Weatherwax–Granny’s sister.  Nanny knows of Lilith because they grew up together, but no one else knew she had a sister.

Lilith has been using the power of mirrors to create more and more magic.  And she is quite powerful. She has been using the power of stories to impact the Witches travels and wants to use the Cinderella story to change the fates of Emberella and by extension, all of Genua.

Granny and Nanny are a little out of their element here (not that they are weak, they are just in an unfamiliar situation) and wind up getting help from a local witch.  Well, she doesn’t call herself a witch, but as the women talk they see that they have a lot in common.  Erzulie Gogol is a voodoo witch who lives in a swamp and has a zombie servant named Baron Saturday.  Pratchett has some good fun with stereotypes of the swamp–especially Granny not understanding alligators and the like.

Granny hypnotizes Magrat into attending the ball as if she were Emberella.  Magrat quite enjoys the experience. As does Greebo who is turned into a human.  Since Greebo is all impulse, he makes for a rakish human (who, unfortunately, doesn’t understand how his hands and arms work).

Another great rakish character introduced here is the dwarf Casanunda: “World’s 2nd Greatest Lover, swordsman, liar, soldier of fortune, stepladder repairer.”  Casanunda wins over women with his remarkably romantic courtship practices.   He is quite taken with Nanny Ogg who wouldn’t know romance if she sat on it.  He is fascinated that nothing he does impacts her an he finds her irresistible.

This book is a lot of fun because Pratchett is out and about, playing with and massaging sterotypes and just generally having a good time all over the Disc. And of course, it’s always fun seeing Granny and Nanny fight with each other even when they agree with each other.

Incidentally, Magrat and Verence were hot and heavy (well, luck warm and mildly chunky) at the end of the previous book, but things seem a little cooled down between them.  Witches aren’t supposed to marry, so who knows what will happen there….

[ATTENDED: October 6, 2021] John Mulaney

We don’t see comedians very often.  We do like to go to some of our favorites, but we’re unlikely to go to an unknown at a club or anything.

John Mulaney, on the other hand, is hilarious and has made S. and I laugh and quote and requote some of our favorites lines of his.  Recently our son made some kind of reference to one of Mulaney’s jokes and so I thought maybe we should go see him.  After all, he was doing an outrageously long run of shows at the Academy of Music in Philly–14 shows in 12 days!

Recently, Mulaney had made headlines for doing all kinds of questionable things.  He and his wife got divorced, he wound up going to rehab and then started dating someone else with whom he is now expecting a child.  Normally that kind of stuff doesn’t really interest me, but it proved to be a huge part of this routine (especially the rehab, which he entered in December 2020 and exited I guess in February).

We entered the venue which was a “no phones” place.  This was fine, except that our tickets were on the phone.  So I had to lock my phone in a bag.  I was worried that this would be a huge time suck on the way out, but I carried the bag with me and then on the way out they  demagnetized the bag and off I went. Continue Reading »

[DID NOT ATTEND: October 7, 8, 9, 2021Joe Russo’s Almost Dead [rescheduled from September 24, 2020]

I don’t actually know Joe Russo’s Almost Dead.  The only thing I really know about them is that Marco Benevento is the pianist for the band.  Honestly that’s good enough for me.

They are playing three nights in Montclair and two of them sold out almost immediately.

It didn’t actually occur to me that the Dead in the band name is a Grateful Dead reference.  But I see that JRAD is like a Grateful Dead cover band plus more.  They are known for their intermingling of the Grateful Dead’s recognizable folk-rock and Americana sound with more contemporary Progressive Rock and Jazz Fusion influences.

So I had a lot going on that week and decided I didn’t need to see a Grateful Dead band.  Especially since I don’t especially like the Dead (althouh it’s more their recording sound (too tinny) than their songs.  But according to GratefulWeb, the run was a hit. Continue Reading »

[ATTENDED: October 6, 2021] Seaton Smith

I don’t go to see comedians that often.  I knew in the back of my mind that there would be a warm up act, but it didn’t actually occur to me that there would be one.

The line was INSANE when we arrived.  We were fifteen minute early and didn’t get in until just about 8 o’clock, but they delayed the start, thankfully.

This show gave you a secure bag to put your phone in so that you couldn’t use it during the show (that process was quite seamless, I have to say).  But I hadn’t turned my phone off and was concerned that it might ring during the show.  But while I fretted about that, the lights dimmed and they introduced the comedian whose name I didn’t hear.

This is the second comedian I’ve seen whose opening act was introduced quickly and unclearly who then never repeated his or her name during the set.  It took more than a little work to discover he was Seaton Smith.

Smith started his set with jokes about growing up poor and black.  They were quite funny, but it seems like Mulaney’s audience is pretty white so it seemed kind of unrelatable.  And yet the jokes were really funny and the crowd was very responsive.

After a little while he started talking about politics.

He said he was all about bringing people together–so who did you vote for in the last election? Continue Reading »

SOUNDTRACK: hiatus

[READ: October 2021] Reaper Man

This book opens unlike any other, with an amorphous group of beings called The Auditors of Reality.  (Well, it opens with a bit about Morris Dancing, which is pretty funny).  The Auditors have no individual personalities (in fact, when One says I (“I hate them”) it is immediately dispatched so a more neutral Auditor can take its place.

The Auditors want to make sure that everything is following the Rules. And what isn’t following the Rules?  Well, Death isn’t following the rules.  Death is developing a personality.  And that cannot happen.  So they fire him.  Yes indeed.

He goes off on his own trying to figure things out.  He winds up getting a job as a farm hand (his reaping skills are unparalleled).  The woman he works for is quite suspicious of him (and everyone in town is quite suspicious of her). Death is caught off guard and when she asks his name he comes up with unsuspicious name of Bill Door.

The woman is Miss Fitworth.  She is an elderly woman (rumored to have a large chest with a lot of money in it).  She had a fiancé who went on a business trip and never came back.  Rumor is that he left her, but she doesn’t believe it.

This is all well and good, but without Death, dead humans don’t know what to do–no one is there to guide them to the afterlife.  So they kind of just keep piling up.  Poltergeists run amok.  And then there is aged Wizard Windle Poons.  He was really looking forward to reincarnation.  But after he died, his spirit just returned to his body.  Of course, since he is dead, he doesn’t have any concern with old age–his sight and strength are better than they have been in years.  But everyone is more than a little freaked out by him. Continue Reading »

[ATTENDED: October 3, 3021] Frank Turner with Matt Nasir

Frank Turner has been opening for the Counting Crows, a band that he loves which I absolutely do not.  There is no way I would have gone to see him with that other band, even though I have been wanting to see him for many years now.

And then, on September 15, Frank Turner announced that he would be playing Underground Arts on October 3.  At 2PM!

Turns out that on the Crows’ days off, Frank decided to play some solo shows (with opening acts).

This show was going to be the first of two shows he’s play that day!

I grabbed tickets immediately.  What a novel idea to have an evening free after seeing a show.

Frank used to be in a punk band and then he became a kind of punky folk singer.  He writes politically charged anthemic sing alongs.  A kind of younger Billy Bragg.  And while he songs are great, it’s his live shows that are do amazing because he gets the audience 100% involved. Continue Reading »