Feeds:
Posts
Comments

[ATTENDED: August 7, 2022] Phish

I was pretty tired for this show and not really looking to the long day ahead.  But I had pretty much assured myself that this would be my last Phish show, so I’d be sure to enjoy it.

I entered through the gate under the stage which was weird and kind of fun and I wound up right by Paige again.  I was also cutting it pretty close to the start (parking this time in a garage not too far away from the stage–an excellent choice).

They came out pretty soon after and played a ripping “Wolfman’s Brother” a song on my “Gotta See List.”  So that was a good sign.  And it was an unexpectedly long jam.  There was some watery funky bass and riffs and peaks from Trey and dirty watery sounds from Page and Mike as well.  A great start.

And then they jumped right into “Tube.”  Tube is one of those wonderfully mythic live song that is so much fun to hear.  Between these two songs they’d jammed almost thirty minutes already.

They followed it up with a mellow song I didn’t recognize (even though I love Farmhouse), the ballad “Mountains of the Mist.”  At this point I was getting annoyed by the people around me (so many smokers!) so I had to move.

They moved onto a bouncy version of Ocelet, a song I’ve wanted to hear live for a long time (two on my gotta see list already!).   This one seemed delicate and almost tiptoe-like as it danced around the sand until it took off for some good jamming with some nice peaks

Sadly, that would be the end of my checklist for the night.

And yet that would be okay because the songs they played were just some of my all time big thumbs up yesses. Continue Reading »

[DID NOT ATTEND: August 6, 2022] Phish

I simply don’t think I have it in me to drive to Atlantic City three days in a row.  And I’m not going to get a hotel room.  So I tend to blow of the middle of three shows there.

Here’s what I missed

The Setlist

Set 1: 46 Days > The Moma Dance, Olivia’s Pool > My Soul, 555 > NICU > Bathtub Gin, Heavy Rotation > Character Zero, Moonage Daydream

Set 2: No Men In No Man’s Land > Tweezer, Set Your Soul Free > Simple > Backwards Down the Number Line > Golgi Apparatus > Slave to the Traffic Light

Encore: A Life Beyond The Dream, Tweezer Reprise

Overall, a decent mix of songs.  There were two that I’ve seen a bunch and only one on my Must See list.  So it was probably a good decision to bail.

The six, five and four timers club (bolded songs were played tonight so my number would be one up)

  1. Mike’s Song [6]
  2. Weekapaug Groove [6]
  3. Split open and Melt [5]
  4. You Enjoy Myself [5]
  5. Suzy Greenberg [5]
  6. Wilson [5]
  7. Roggae
  8. 46 Days
  9. Slave to the Traffic Light
  10. Everything’s Right
  11. More
  12. Carini
  13. I am Hydrogen

I have selected the 36 or so songs that I want to hear live (the ones on the bottom are the rest of the Kasvot Voxt album and it would be cool to get the whole thing, but not essential).  These are in order of frequency of play (“Possum” is their second most frequently played song and I have not yet heard it live), which means likelihood I’ll hear them I guess.

  1. Possum [548]  (Weekapaug Groove has been played 497 times and I’ve heard it 5 times)
  2. Golgi Apparatus [469]   would have been nice to hear that one.
  3. Cavern [467]
  4. Foam [349]
  5. Lizards [325]  (Split Open and Melt has been played 332 times and I have seen it 5 times)
  6. Maze [326]
  7. Sample in a Jar [298] [saw it TREY SOLO]
  8. Fee [283]    (Slave to the Traffic Light has been played 272 time and I have seen it 4 times)
  9. It’s Ice [243]
  10. Silent in the Morning [185]
  11. Punch You in the Eye [161]
  12. Prince Caspian [165]
  13. Twist [160]
  14. Scent of a Mule [137]
  15. Guyute [132]
  16. Heavy Things [95] [TAB played it]
  17. Stealing Time from the Faulty Plan [79]
  18. Farmhouse [82] [TREY played it]
  19. Joy [52]
  20. A Song I Heard the Ocean Sing [43]   (Everything’s Right has been played 42 times and i have seen it 4 times)
  21. Pebbles and Marbles [27]
  22. Weigh [44]
  23. Big Black Furry Creatures from Mars [131]
  24. Kung [38]
  25. Fuck Your Face [18]
  26. Mexican Cousin [15]
  27. Ass Handed [17]
  28. Colonel Forbin/Mockingbird
  29. *Stray Dog [Kasvot Växt] [4]
  30. *Everything is Hollow [Kasvot Växt] [3]
  31. *We Are Come to Outlive Our Brains [Kasvot Växt] [9]
  32. *Play By Play [Kasvot Växt] [3]

Continue Reading »

[ATTENDED: August 5, 2022] Phish

I saw phish earlier this summer and wasn’t sure if I was up for another Atlantic City run.  I knew I wouldn’t be able to handle all three nights, so I decided to do Friday and Sunday.  I also decided that this might be my final Phish shows, these being numbers fourteen and fifteen.

I decided to drive to Atlantic City straight from work on Friday night.  It saved a little grief, although not a lot of time.  I also wound up arriving fairly early, but apparently nowhere near early enough to get the famous Atlantic City posters (people started lining up for them at 2PM).   I parked in the Bass Pro Shops, which I pre-paid for, but I think that it would have been free because the store was closed.  Or something.  It was confusing.

So I wandered around A/C for a bit and enjoyed being plenty early.  The mood was good and I managed to walk all the way through the people set up with blankets and got a walked pretty close to the Paige side of the stage.

One of the bad things as far as Phish for me is that I have never really gotten close to the band–never gotten GA tickets.  So I thought it would be cool to be close (even with so many other people around).

Well, I enjoyed the view and the breeze and was soon rewarded with one my favorite songs “Chalk Dust Torture.”  It was quickly followed by a second favorite “Wilson.”

When Phish plays the shore, they play thematically appropriate songs like “Sand,” a slinky slow grooving song.  Although they had jammed Chalk Dust, this one they stetched out over ten minutes with a grooving mellow jam that seamlessly bounced back to the rugged raw melody of the song before segueing into “Plasma.”  “Plasma” had a bouncy ebullient jam with lots of swirling grooving keys behind Trey’s solos.

This led into a “Theme from the Bottom” a song I really like–many parts, weird melodies and it’s thematically appropriate.  Even though they had just played it at the Mann center back in July. Now I was under the impression that Phish almost never played the same song more than once in a tour.  I know that’s not true.  It may have been true for some tours in the past, but is no longer the case, with some songs getting multiple plays in a tour, but still I was really quite surprised that they played a song  that I heard last month.

This one had a lot of piano and kept a happy vibe as by this time my feet were in the ocean and things were very chill.  It segued into a bouncy “Back on the Train.”  There was a good long solo with so me nice high peaks.

Phish shows, especially at the Mann and Atlantic City are very strange for me because I can actually move around. Usually I am planted in my spot and the only moving I do is to schooch up or move back away from obnoxious people.  So to have the huge amount of freedom that the shore affords is a little unnerving to me.   It’s also my fourteenth Phish show and I’ve given up on the idea of “watching” the band and have accepted that Phish shows are more about the experience.  So yes, sometimes you’re walking away and looking at the water or the sky or the people dancing or whatever.

Then I got my first experience of the title track of their new album “Sigma Oasis.”.  I really like the album and I like this song quiet a bit.  I never expected it to run for over 21 minutes (the 6th longest Phish song I’ve seen them play).  A 20 minute jam on the beach is an interesting thing because you can really wander around and enjoy the sights and everything.  But you still want to get into the vibe and the lights.  I think that the air of COVID has made my usual hesitancy about strangers even more pronounced at events like this, so I’m even more standoffish than usual.  Continue Reading »

[ATTENDED: August 2, 2022] Girl in Red

After seeing Girl in Red earlier this year, I didn’t think we’d be seeing her again.  But then my daughter’s friend invited her to go along to see Girl in Red at the Rooftop at Pier 17.

I was glad I didn’t have to drive as getting there was a hassle.  But getting into the venue was cool.  I enjoyed the way the whole place was designed (ads for the show on every floor as we escalatored to the roof).  And then the rooftop itself was really quite lovely.

There are excellent views of the city and the camera crew did some excellent editing, occasionally splicing up Marie Ulven’s face with the crescent moon that was hanging in the sky.

We both really enjoyed the show at Union Transfer and assumed that another show would be equally go.  We didn’t really consider that an outdoor show would be any different.  The setlist wasn’t really, but the stage production was much bigger.

She had three screens and even had smoke machines late in the set! Continue Reading »

[ATTENDED: August 3, 2022] Paranormal Cirque

I was in a parking lot in Princeton and I saw a poster for Paranormal Cirque.

My family loves a good Cirque, so I was intrigued.  I saw that it was at the Menlo Park Mall (what?).  I went to the website and saw their big warning that their Cirque is Rated R.

And this big blurb:

Slow down so you can take it all in…but if you scare easily, you might want to run….as we welcome you into this new world of Paranormal Cirque! Under this Clown Castle, the black and red big top tent, Acrobats of the Air, Illusionists, freaks, mysterious creatures and all the elements that make one think of a “normal” Circus but that of normal has very little! A new show with breathtaking implications always poised between fun and the most uninhibited fear that will transport you to a dark world inhabited by creatures with incredible circus art abilities. A crazy yet fun fusion between Circus, theatre, and cabaret in perfect harmony with the evolution of a show that brings you back to when we dream … and when we had nightmares and fantasies. Scare, encompass, amuse and surprise are the ingredients for a mixture of emotions impossible to forget. This is truly a Paranormal experience like no other.

I knew my son would enjoy it.  I assumed my daughter would enjoy it.  She is 14, but has been getting into horror movies.  I figured my wife would hate it.  But I also had to wonder just what exactly made this Rated R.

I mean, they couldn’t do anything especially violent–they couldn’t actually hurt anybody, right?  So what made it different from any other cirque?

So, this was indeed at the Menlo Park Mall.  But it was set up in the parking lot!  You could see it from a long way away.  And as you got closer they did a great job of decorating around it with spooky lights and great props all around the entrance. Continue Reading »

[ATTENDED: August 2, 2022] Blu deTiger

I had heard of Blu deTiger and knew her song “Figure It Out” which I quite liked.

I didn’t realize that she was a bass player and lead singer–she played some great lead bass lines and did some good funky riffs too.

Blu has been playing bass since she was seven and has been in bands on and off for many years so she has her stage show down really well–she’s flirty and funny and knows how to play an audience.

It also turns out that she’s something of a TikTok sensation, but somehow my daughter wasn’t familiar with her.

Continue Reading »

[ATTENDED: August 2, 2022] binki

My daughter’s friend invited her to go see Girl in Red at the Rooftop at Pier 17 in New York City.  Part of the deal was that I went as well.  Which was cool as I enjoyed the last Girl in Red show quite a lot.

Best of all, the friend’s dad (who I like, so that’s a relief!) was driving.

We got into the city, did not get to use the parking space I pre-paid for (who know why) but found another garage after some fruitless and frustrating driving around.

We grabbed a slice nearby and walked down to the Pier.  Which has some very cool art and a very excellent walk way up to the rooftop.

We arrived after binki had started.  I’d never heard of this Pennsylvanian rapper.  The sound was terrible where we were, but I realized we were right in front of one of the massive speakers so I moved us to more of the center and the sound was much better and we managed to get in  the shade (late August sun can be brutal).  Continue Reading »

[ATTENDED: July 29, 2022] Kings X [rescheduled from August 21, 2020 and June 11, 2021]

Back in 2017, after seeing King’s X for the fourth time, I felt like I didn’t really need to see them again–they tended to play a lot of the same songs after all.

But then two big things happened.  One.  There was a pandemic and bands didn’t tour for several years.  And two.  Which was possibly more shocking, King’s X released a new album.  Their first in fourteen years!  The album came out in 2022, so I’m not sure if the proposed show in 2020 or the original rescheduled show in 2021 would have had the new songs, but this new show sure did!

Even with a new album out, King’s X didn’t venture too far from their old path when they played this show.  Indeed, this show’s setlist was pretty much the same as the one five years ago.  The big difference was that they did play some of the album’s songs.  The kicker, though, was that they took out some of their more popular song to accommodate them!

All shows start with “Welcome to the Groove Machine,” which makes sense.  It’s a statement of purpose.  You get to hear dUg Pinnick’s bass sounding lower than anything that can be imagined.  You get to hear Ty Tabor’s guitars sounding incredible, and everyone will cheer for Jerry Gaskill’s dynamic drumming and harmonies. Continue Reading »

[ATTENDED: July 29, 2022] Big Handome

It had been five years since I’d seen King’s X and I was pretty excited to see them again.  I didn’t care who was opening for them.  I was a little happy that it wasn’t Kings of Spade again (nothing against Kings of Spade, they’re actually pretty awesome, but they had opened for King’s X the last two times, so it was nice to mix it up).

Instead was a band called Big Handsome.

This is a hilarious name for a band.  And I was delighted that the guys didn’t take themselves seriously.  But they also totally kicked ass.

Big Handsome is a “Hard rock power trio from Quakertown, PA.”  The band has Steve Seachrist on bass and vocals, Ziggy Bang (or Zippy Who) on guitar and vocals, and Adam Beigler on drums and vocals.  It’s possible that they are still in high school–I wasn’t very close to them but they have the intensity of a young high school band which I loved (realistically they are probably not in high school, although Ziggy does look very young). Continue Reading »

[DID NOT ATTEND: July 29, 2022] Nada Surf / Hurry

I had just seen Nada Surf in November and didn’t really need to see them again.  But never pass up a chance to see a great live band, right?

Well, it turned out to be the same night as my rescheduled King’s X show.  I have seen King’s X more often than Nada Surf, but I hadn’t seen King’s X in five years and they are getting up there in age.  So I opted for King’s X.  I think I made the right choice as I’m not sure if I’ll need to see King’s X again, but I’m sure Nada Surf will be back again.

I was supposed to see Hurry open for Restorations back in 2020 but COVID cancelled that show.  Here’s what I said about them then:

Hurry is a band from Philadelphia, originally the solo project Matt Scottoline.  They are described as 90’s rock revivalists and all of their influences are bands I like.  Some of their songs online are a little slower than I expected, but they do have some uptempo ones as well.

At this point I hope they open for someone else I want to see.