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Archive for the ‘Union Transfer’ Category

[POSTPONED: November 12, 2021] Purity Ring / Dawn Richard [postponed from May 13, 2020 and April 21, 2021 ; moved to June 27, 2022] 

indexThe COVID resurgence has forced Purity Ring to postponed their tour yet again, with their new date over two years from their first dates.  Let’s hope everything is cool by June.

They have added Dawn Richard to the tour as well.  I didn’t know who that was and Wikipedia lists these fascinating credentials:

Dawn Angeliqué Richard, is an American singer, songwriter, actress, dancer, model and animator.

That’s interesting, but I’m concerned by this:

Richard started her career after auditioning for Making the Band 3 in 2004. During this time, Richard became a member of American girl band Danity Kane, from 2005 to 2009.

I don’t know anything about Danity Kane but I have very strong opinions about made for TV bands.

Here’s the message from the band about the postponement (but not about Richard).

“Hey everyone, out of concern for the safety of our crew, our fans, ourselves and all our loved ones, we must postpone these tour dates once again. Simply put, the pandemic is not yet over. We’ve rescheduled our Fall tour dates for Spring 2022. Your tickets will be automatically transferred to the new date, and if the venue or location has changed they will be refunded. We’re not responsible for ticket sales so you must go to the place you bought them from to handle any changes. Unfortunately all dates for the EU/UK shows have been cancelled for the time being,”

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When Purity Ring cancelled their March 2020 dates due to COVID, they cleverly pushed their show back over a year.  It wasn’t far enough. The duo has had to push their show to the fall now.

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Purity Ring is a duo from Edmonton–multi-instrumentalist/producer Corin Roddick and vocalist Megan James.

They put out a couple of albums and then disappeared.

I rather enjoy the way Wikipedia describes their sound

a combination of pop and hip-hop styles and James’ “childlike” vocals and “macabre”, “gory” lyrics, that she takes from “books and books full of things she’s written” in the past.  Their music utilizes down-pitched, distorted vocals and percussive and vocal loops. A creative key to their sound is a sometimes aggressive use of a volume regulating technique called “sidechaining,” in which the rhythm of one instrument affects the volume of another.

After a five year hiatus, they returned in 2020 with a new album WOMB, just in time to have their tour postponed.

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[POSTPONED: April 6, 2020] Caspian / Pianos Become the Teeth / Maserati

My friends Liz and Eleanor have told me that Caspian was one of the best shows that they had seen.  I have been planning to see them ever since.

They were supposed to play Union Transfer in April 2020, but that show was postponed/cancelled.  It’s kind of surprising that they went from Union Transfer to Underground Arts (which is about half the size), but who knows why things are scheduled where they are.

I was pretty excited to go to this show, except that we had tickets to the rescheduled Anti-Flag show for the same night.  So Caspian will have to wait. (more…)

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[ATTENDED: November 2, 2021] Beabadoobee

Beabadoobee had a couple of hits that I really liked.  Her song “Care” was a perfect 90s reclamation–so fun and catchy.

When she announced a tour I figured it would be fun to see her.  I had no idea how popular she actually was.  The crowd was intense and surprisingly devoted.

She releases music in a way that’s hard for an old like me to comprehend–just random singles whenever she feels like it.  So even though she was touring for her album Fake It Flowers, she had since released an new EP and maybe even another single.

So I can’t keep up with that but everyone else sure did. (more…)

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[ATTENDED: November 2, 2021] Christian Leave

The weird thing about seeing an artist who is new and very young is that her opening bands need to be (relatively) newer and younger.  And so, when seeing an artist like Beabadoobie who has one album out and who was born in you’re going to get openers who are gasp, probably teenagers.

Being an old has never diminished my enjoyment of concerts, even from performers that I’m more than twice as old as.  But the way young people find music these days has really messed with my head.

I had never heard of Christian Leave only to find out that he has like 3,00,000 online listeners.

I gather that Leave is something of a minor celebrity, with people possibly going a little crazy for him.  It was hard to tell from where I was but he seemed a but of a teeny bop star–he certainly had charisma, but not a lot of stage presence (how is that possible?  I don’t know). (more…)

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[ATTENDED: November 2, 2021] BLACKSTARKIDS

The weird thing about seeing an artist who is new and very young is that her opening bands need to be (relatively) newer and younger.  And so, when seeing an artist like Beabadoobie who has one album out and who was born in you’re going to get openers who are gasp, probably teenagers.

I don’t know why it bugs me so much to be late for a show…especially when I don’t know the opening act.  I just like to arrive early, pick the spot I want and get psyched for he show.  For some reason, I was running late for this show and I wound up walking in after BLACKSTARKIDS had started.

There were five members on stage, but the core of the band is TyFaizon and The Babe Gabe–the main songwriters–and Deiondre acting as producer.  They all rap and sing leads (there was also a keyboardist and a drummer).

Their music is genre defying, being equally inspired by indie rock, hip hop and pop culture.  So a song like “PALS” has rapped verses (from all three of them, I think) and then a super catchy chorus with lovely backing ahhs. (more…)

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[ATTENDED: October 29, 2021] Mannequin Pussy

I had just seen Mannequin Pussy open or Japanese Breakfast back in August.  And they were great.  But there’s nothing like seeing a band as the headliner.

The unthinkable happened a few days before our show–all of the bands gear and merch were stolen while they were in Ohio.

Mannequin Pussy has a pretty unique sound, so I’m sure they’ve customized a lot of their gear.  But they decided to carry on.  The opening bands loaned them so gear and Mannequin Pussy thrived.  The crowd also helped with a few “Fuck Ohio” chants.

They broadcast Meek Mill’s “Dreams and Nightmares (Intro)” as a tension-building set up for their performance.

The set was similar to their opening set with Japanese Breakfast, but it was longer and there were a couple of substitutions.

It was a great mix of the raging and the chill.  The band really knows how to get a crowd going, often playing a few blistering punk tracks in a row to get the crowd into a frenzy and then calming things down, all the better to get the crowd going again. (more…)

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[ATTENDED: October 29, 2021] Angel Du$t

Angel Du$t is considered a supergroup (according to Wikipedia).  At the time, I hadn’t heard of either of the bands that the members came from (Turnstile and Trapped Under Ice).  Since then, Turnstile has absolutely blown up all over the place.

I’ve been wanting to see Turnstile, but I guess I’ve already seen 3/5 of them [Daniel Fang — drums ; Brendan Yates – rhythm guitar ; Pat McCrory – lead guitar].  The two guys from Trapped Under Ice were Justice Tripp – lead vocals and Jeff Caffey bass.

I didn’t know anything about the band and even the write about up them said that they defied expectations of their other bands. (more…)

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[ATTENDED: October 29, 2021] Pinkshift

I hadn’t heard of Pinkshift (I don’t quite understand the name) before this show, but holy cow they blew me away.

Pinkshift is from Baltimore and they play a great mix of grunge and punk all coordinated by lead singer Ashrita Kumar.

Kumar is an amazing front woman, channeling her anger and aggression into an amazing set of songs.  It was awesome seeing a young Indian American woman fronting a punk band and telling the crowd what to do.

Guitarist Paul Vallejo and bassist Erich Weinroth were locked in step as they rocked.  And drummer Myron Houngbedji was completely intense

The first two songs were intense with Ashrita stalking he stage and commanding the crowd. (more…)

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[ATTENDED: October 22, 2021] Tigers Jaw

I had planned to check out Tigers Jaw at a small club in New Hope, but the show kept getting cancelled.  All I really knew about them was a Tiny Desk Concert they did that I really liked.  There were two of them and they wrote catchy poppy punk songs.

Little did I know they’ve had tumultuous line up changes since their early days in Scranton, PA.

Back in 2014 3/5 of the band left, leaving only Ben Walsh and Brianna Collins.  Their 2017 album, Spin was recorded as a duo.  But for I Won’t Care How You Remember Me, they added the touring bassist and drummer the band to record the album.

And for the tour, they added two more members.  So this show proved to be a lot bigger, louder and dancier than I expected.

(more…)

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[ATTENDED: October 22, 2021] Kississippi

Kississippi has one of my favorite band names of recent years.  I wasn’t even sure if I liked them, I just knew I liked the name.

And here they were opening for Tigers Jaw (something of a musical mismatch because they tend to play a bit more synth poppy compared to Tigers Jaw’s heavier sound).

Kississippi is the solo project of Philadelphian Zoe Allaire Reynolds.  She’s released a few albums and EPs, but for this show, she was mostly touring her latest album Mood Ring which is a bit more upbeat than her previous releases.

I didn’t catch any of the band member names, but her bassist was outstanding.  They had a great sound coupled with a great look [I have since learned their name is Alyssa Milman (they/them)].  Zoe herself was a fun front woman.  I especially enjoyed the “YMCA” type of dance she made for “We’re So In Tune” (you can imagine it, I’m sure). (more…)

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