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Archive for the ‘Union Transfer’ Category

[ATTENDED: September 19, 2021] Kestrels

I had not heard of Kestrels.  They are a trio from Halifax with several releases out.

According to the new release

Since 2008, Kestrels has been the primary project of singer/guitarist Chad Peck, who spends his time offstage as a high school English teacher.  [Do his students know that their English teacher rocks?]

They played an excellent mix of loud and soft, with ripping solos, an excellent bass sound and cracking drums,

When they first started playing I actually couldn’t hear Peck’s voice at all.  I was right up against the fence in front of the stage and assumed I was too close to hear the voices (that’s not a nice audio trick to play on people in the front).  I backed up a few steps and could hear him better (they may have turned up the vocals, too).

Peck’s guitar playing was really fun–big distorted chords and then pulling back for some quiet guitar picking.

One of the more amusing moments was when the bassist (whose name I didn’t catch) asked if they could change the lights (they had been on that terrible red for a couple of songs).  He said “I’m a ginger, anything but red.” (more…)

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[ATTENDED: September 18, 2021] Soccer Mommy [moved from March 30, 2020]

I was supposed to see Soccer Mommy open for Phoebe Bridgers a few years back.  I felt sick on the way down to the show so I wound up coming home instead.

S. bought me her CD for some holiday in 2020 and I thought it would be fun to see her live.  I was supposed to see her back in March of 2020, but the show was pushed back until September 2021.   And in that time, something big must have happened to her because this show sold out! And the crowd was really intense about her.

As soon as Sophia Regina Allison (who is Soccer Mommy) came on stage, the crowd went bananas.  It was kind of funny because Sophie is so low key.

She had a pretty full band with her. I stood in front of her lead guitarist who really made some outstanding noises –a component that made her songs even more interesting to me).  Her new bassist (this was his first tour with them) had an amazing sound–buzzy and noisy but groovy at the same time.  Guitarist-keyboardist Rodrigo Avendano on the far side added some great textures and drummer Rollum Haas whom I could not see because I giant cymbal was in the way, played some amazing fills and really added a lot of intensity to these songs.

What I’m saying is that the album is good, but live, the songs were amazing.

Soccer Mommy only has two albums out.  Most of the songs came from the new(ish) album Color Theory.  I have to say that I was really surprised she played “Circle the Drain” second because I thought it was her big hit and would come at the end.  She must have a lot of hits that I don’t know about.

I had a hard time getting clips of Julian Powell because of the way he was hiding behind the carboard TVs, but I loved the way that he and Sophie harmonized the guitar licks on “Crawling in My Skin.” (more…)

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[ATTENDED: September 18, 2021] Squirrel Flower

I had heard of Squirrel Flower from All Songs Considered and I was interested in seeing her live.  So I was pleased when she was announced as the opening act for Soccer Mommy.

Squirrel Flower is the stage name of Ella Williams who has been releasing music under this name for about six years.

The show started a little late, so when Ella and her band came out, we all cheered, until we realized they wee just setting up the gear and setlists.  A few minutes later Ella came out by herself and sang “I’ll Go Now.”  It was a remarkably slow song.  She payed stretched out chords and sang slowly over them.   A few minutes in, she bent down and did something at her feet and a looping melody began–I couldn’t tell if she played it live, but it did have a not that was a slightly off.  The song ended and everyone cheered.

She apologized for the “fake out” earlier and then started “Desert Wildflowers” in that same slow style. (more…)

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[POSTPONED: September 12, 2021] Andy Shauf / Faye Webster [rescheduled from May 1 and December 17, 2020; moved to March 31, 2022]

indexThis show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[POSTPONED: August 19, 2021] Ty Segall and the Freedom Band [rescheduled from October 2, 2020; moved to June 24, 2022]

Another postponement, but in the meantime, Ty has released at least one album, and there will probably be more by next June.

index

Ty Segall is one of the more prolific artists out today.  He’s in about a dozen bands, and he releases a solo album (or two or three) a year.  He plays a garagey rock that has lots of energy and fuzz.

I can’t say I like all of music mostly because I haven’t even heard most of it. But everything that I have heard I’ve enjoyed.  And every live videos I’ve seen of him makes me think that his live show is not to be missed.

I was hoping to see him playing with his band Fuzz also this year, but that was postponed as well.  It’s interesting that Fuzz was going to play at the tiny Underground Arts while Ty and his Freedom Band were going to play at the much larger Union Transfer.

I hope both shows go on as planned–it would be a fun couple of shows.

tysegall

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[ATTENDED: August 7, 2021] Japanese Breakfast

A few nights before this show, Union Transfer sent out this message

Japanese Breakfast have requested that all attendees for the remainder of their tour be vaccinated OR have tested negative for Covid in the 48 hours prior to attending a show.

And nothing made me happier than reading that.  We arrived especially early thinking that the vaccination process would be slow, but the UT staff were efficient and friendly and I think everyone was pleased to feel safe and secure.

And anyone not vaccinated?  Well, fuck em, they can stay home.

I saw Japanese Breakfast three years ago and found the show to be a lot of fun.  I also bought a fun poster that proudly adorns our breakfast area.  Since then, they have released a new album and S. has really gotten into them.

When it was announced that Japanese Breakfast would be playing the first post-pandemic show at Union Transfer, I knew we’d want to go.  I grabbed tickets immediately and it sold out almost as fast.  They added a second show and then a third show.  One of those shows was actually BEFORE our show, which meant we didn’t get to go to the venue’s inaugural show, which was a tiny (very tiny) but disappointing.

She ultimately wound up selling out five nights in a row–a Union Transfer record.  Go Michelle!

She also noted that the folks on our night were “spicier” than the Friday night crowd.  No doubt because we were the big fans who grabbed tickets right away.  Or she was just saying that. (more…)

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[ATTENDED: August 7, 2021] Mannequin Pussy

I had tickets to see Best Coast back in March of 2020.  I like them, but the primary reason I wanted to go was because Mannequin Pussy was opening.  I had seen them open for Japandroids in 2018 and really wanted to see them again.  Best Coast had cancelled their tour and while they are coming back early next year they had a new opening act.

So I was pretty psyched to find out that Mannequin Pussy were opening for Japanese Breakfast (whose tickets we had for a while already).

Mannequin Pussy are now officially a trio (they were a quartet when I saw them last), with the core of marisa “missy” dabice–guitars & vocal; colins “bear” regisford–bass & vocals and kaleen reading–drums.   Although they were a five piece on stage with a “new” guitarist and keyboardist (not sure who they were).

They came out, the red lights went on (I forgot about those terrible-for-photos lights at Union Transfer) and proceeded to play two brand new songs.  Somehow I had missed that they released the Perfect EP earlier this year.  They sounded great–Missy’s voice a terrific mixture of pretty and screamy.  “Control” set the stage followed by “To Lose You.” (more…)

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[POSTPONED: July 30, 2021] Built to Spill [rescheduled from July 31, 2020; moved to May 13, 2022]

indexI’m not entirely sure if this show was even scheduled.  It seemed to show up on their website and then was taken down.

Whatever the case, they are officially on the calendar for 2022, and I’m really looking forward to seeing this new line up.

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I’ve seen Built to Spill a bunch of times. The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford of Marshall Poole.  I knew it would be a very different show.

Unfortunately, I had tickets to Kraftwerk on July 30 and tickets for The national on July 31 (not to mention we were supposed to leave for the Newport Folk Festival on the night of the 31st as well).  So I sure hope he keeps this line up when he;s ready to play again.  And I will stand back and take it all in.

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[POSTPONED: July 16, 2021] Waxahatchee / Fenne Lily [rescheduled from August 14, 2020 and April 6, 2021; now cancelled]

indexAlthough this show was still listed on the website as of mid may, when you clicked on tickets, it officially said cancelled.

Waxahatchee is playing all over the place, so I’m not sure if they’ll ever make it back to Asbury Lanes.  I’d have liked to see Fenne Lily open.

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It took a pretty long time for this show to get officially postponed.  AS of a week or so ago, the date hadn’t been changed.  But I see now that it has been pushed just a few months away.  July seems REALLY questionable for a new show.  Although i will be vaccinated by then so…

Waxahatchee was supposed to play Union Transfer back in April.  That show was rescheduled to October.  But in the interim, she scheduled this date at Asbury Lanes.

Union Transfer holds about 1,000 people.  Asbury Lanes holds about 100.  What a different experience that would be.  Even if you went to both shows.

The one real difference though is the opening act.  OHMME is in Union Transfer, Fenne Lily is here.  I loved OHMME when I saw them and want to see them again.

I saw Fenne Lily open for Lucy Dacus and I really enjoyed her.  In fact, I would enjoy seeing her again as well.  So, her as an opening band isn’t a bad thing by any means, It’s just not as good as OHMME.

I’ve seen Waxahatchee twice–once with a full band and once solo.  I like her, although I wasn’t sure I wanted to see her again.  She has a new album out and I’ve heard it’s much more mellow than her last couple, so that doesn’t really appeal to me.

I’m curious if this show will be rescheduled.  It would be fun to see her in a small space (with social distancing).

wxa

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[POSTPONED: June 27, 2021] Joywave [rescheduled from April 24 and August 27, 2020]

indexI was looking for information about this show and went to the Joywave website which is a hilarious mock up of CNN called JNN.  And what they had to say about the tour is this:

Joywave: Tour definitely canceled, but band afraid to tell fans.

That’s hilarious.

I’m still not even sure if I’d go to the show, but I sure do like them as a band.

This show was postponed from April 24.  I didn’t know all that much about Joywave then but figured I’d listen to them more and see if I wanted to go see them.  When the show was postponed I thought it would give me more time to check them out.

I did and I found them to be okay.  But I probably wouldn’t have gone to see them anyway (I’d rather have gone to The Beths).

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