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Archive for the ‘Union Transfer’ Category

[ATTENDED: October 29, 2021] Pinkshift

I hadn’t heard of Pinkshift (I don’t quite understand the name) before this show, but holy cow they blew me away.

Pinkshift is from Baltimore and they play a great mix of grunge and punk all coordinated by lead singer Ashrita Kumar.

Kumar is an amazing front woman, channeling her anger and aggression into an amazing set of songs.  It was awesome seeing a young Indian American woman fronting a punk band and telling the crowd what to do.

Guitarist Paul Vallejo and bassist Erich Weinroth were locked in step as they rocked.  And drummer Myron Houngbedji was completely intense

The first two songs were intense with Ashrita stalking he stage and commanding the crowd. (more…)

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[ATTENDED: October 22, 2021] Tigers Jaw

I had planned to check out Tigers Jaw at a small club in New Hope, but the show kept getting cancelled.  All I really knew about them was a Tiny Desk Concert they did that I really liked.  There were two of them and they wrote catchy poppy punk songs.

Little did I know they’ve had tumultuous line up changes since their early days in Scranton, PA.

Back in 2014 3/5 of the band left, leaving only Ben Walsh and Brianna Collins.  Their 2017 album, Spin was recorded as a duo.  But for I Won’t Care How You Remember Me, they added the touring bassist and drummer the band to record the album.

And for the tour, they added two more members.  So this show proved to be a lot bigger, louder and dancier than I expected.

(more…)

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[ATTENDED: October 22, 2021] Kississippi

Kississippi has one of my favorite band names of recent years.  I wasn’t even sure if I liked them, I just knew I liked the name.

And here they were opening for Tigers Jaw (something of a musical mismatch because they tend to play a bit more synth poppy compared to Tigers Jaw’s heavier sound).

Kississippi is the solo project of Philadelphian Zoe Allaire Reynolds.  She’s released a few albums and EPs, but for this show, she was mostly touring her latest album Mood Ring which is a bit more upbeat than her previous releases.

I didn’t catch any of the band member names, but her bassist was outstanding.  They had a great sound coupled with a great look [I have since learned their name is Alyssa Milman (they/them)].  Zoe herself was a fun front woman.  I especially enjoyed the “YMCA” type of dance she made for “We’re So In Tune” (you can imagine it, I’m sure). (more…)

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[ATTENDED: October 22, 2021] Total Rubbish

I had planned to check out Tigers Jaw at a small club in New Hope, but the show kept getting cancelled.  All I really knew about them was a Tiny Desk Concert they did that I really liked.  There were two of them and they wrote catchy poppy punk songs.  Their opening act was supposed to be Kayleigh Goldsworthy who is more or less a folk singer.  So I assumed that’s what kind of show this would be.

The opening band at Union Transfer was Total Rubbish, a new band based in Philly.  They have one EP out called Triple Negative.

The four young women took the stage and proceeded to play some great noisy grungey shoegazey rock.  It was hard to tell exactly what the dynamic should be because they weren’t mixed all that great.  The vocals were kind of buried (or maybe I was too close to the stage).  (more…)

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[ATTENDED: October 21, 2021] Lucy Dacus

Lucy Dacus announced that she’d be playing Philly on the birthday of someone in my family.  Clearly I wasn’t going to go to the show.

That sold out pretty quickly and she announced another show the next night.   I grabbed tickets immediately.

I’ve seen Lucy two and a half times already (she played Newport Folk Festival but we only saw a couple of songs).

The only problem was that I didn’t know her new album very well yet.  The songs I knew I liked, but I hadn’t really dived into the rest of it.  And this set was heavy on the Home Video. (more…)

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[ATTENDED: October 21, 2021] Bartees Strange

Lucy Dacus announced that she’d be playing Philly on the birthday of someone in my family.  Clearly I wasn’t going to go to the show.  Shamir was opening that show.

That sold out pretty quickly and she announced another show the next night.  For some reason Shamir wasn’t going to open, but instead it would be Bartees Strange.  I have really loved Bartees Strange’s album and his Tiny Desk Home Concert was great.  So I was really excited to see him–I’m sure I’ll see Shamir again some day.

Bartees started the night with a solo rendition of “Far.”  It was good, and showed off his voice, but I was a little concerned that he was going to be by himself.

But I needn’t have worried, as the band barreled out for a rocking “Mustang.”  It got us all moving and showed off how great his band is. (more…)

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[POSTPONED: October 15, 2021] Waxahatchee / OHMME [rescheduled from April 14 and October 5, 2020 and May 16, 2021]

indexOriginally this concert featured support from OHMME, which was half the reason I wanted to see this show and not one of the other shows.  For whatever reason, OHMME was no longer at this show, and support was now from Katy Kirby, who has a very catchy song called “Traffic!” and plays some lovely folk songs.

This show has been postponed so many times it is ridiculous.  It was finally rescheduled on the night before a special day in our house.  So, although I had two tickets, S. wasn’t going to go.  Then on October 15, just hours before they were supposed to go on stage for their first sold out show at Union Transfer, they forwarded this message:

Waxahatchee has postponed the last few shows of their tour including the Philadelphia dates on October 15 & 19.

We are confirming new dates right now and will send out those details in a few days.

Your tickets will be good for the new date (no need to do anything). If you cannot make the new date, we will be happy to refund you, however, we ask that all requests be made after the new date is announced.

From the band: “This morning, a member of our touring party tested positive for Covid. The rest of the band/crew have tested negative, but out of an abundance of caution, we have to postone these last 4 shows of our 6+ week tour. We hope to be able to reschedule them for early in the new year.”

Thank you.

— xo UT

This one worked in my favor.  And I’m looking forward to that rescheduled show next year.

wxa

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[ATTENDED: September 26, 2021] Osees

I didn’t really know the Osees very well when I bought tickets to this show (which had been rescheduled, but I didn’t have tickets to the original show).  I knew them more from knowing their history of names changes.  [They have recorded as OCS, The Ohsees, The Oh Sees, Thee Oh Sees, Oh Sees and now Osees].  And also from the Levitation/Reverb Appreciation Society live stream/quarantine shows.

Because of this, and because of the chill nature of the opener, Mr. Elevator, I never expected the show to be as wild, raucous and mosh pit filled as it was.

The first indicator should have been when the two drummer set up at he front of the stage (nods to King Crimson, there).  But it wasn’t until main Osees guy (the only one who has been in all iterations of the band) John Dwyer came out on stage (off to the left as we faced the stage).  He noted that it was Sunday, the Lord’s day, then he started playing “The Dream” and the crowd went apeshit.

Within minutes I was pushed pretty far to the side of the crowd, safely out of the way of flying feet.

Their set covered albums from 2011 (their twelfth album) through to last year’s Metamorphosed (their 23rd album).  It was glorious. (more…)

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[ATTENDED: September 26, 2021] Mr. Elevator

I had I had never heard of Mr. Elevator and really didn’t know what to expect from them.

It turned out that they are a fun, retro-sounding psychedelic band.

I was immediately blown away by their drummer Jesse Gorman Conlee who was metronomically precise and playing complicated rhythms.  Which seemed at odds with, but which worked perfectly with the synthy grooves the rest of the band was making.

It also turned out that the keyboardist and main singer Tomas Dolas is (as of 2018) the keyboardist in Osees.  They started out as Mr. Elevator and the Brain Hotel, but droped half of the name after releasing their first album Nico and Her Psychedelic Subconscious.

The show started with them spread across the stage–drums on the left, bass (Jon Tattleman), keys (Dolas) and more keys on the right (Justin Ruiz).  They played a series of mellow, but still rocking songs.  There were lots of cool trippy synths and some solid basslines.  Dolas has some lengthy jamming keyboard solos that were very retro. (more…)

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[ATTENDED: September 19, 2021] Bob Mould Band

I saw Bob Mould play a solo show last year (just before the pandemic).  I had seen him 24 years earlier and thought it would be fun to see him again.  And it was.

When he announced this new tour, I didn’t feel like I needed to see him again.  However, since he was with a band, I thought it would be a different experience.  And it was.  Not radically different, but different enough to make it more fun.

Last time he played 22 songs in about 80 minutes.  And, in what I understand is true Mould fashion, a song would end and he would jump right into the next one.  He took a break every few songs to chat and then off he went.

It was much the same at Union Transfer, although this time he played 24 songs in 80 minutes.  Having the other two guys Jason Narducy on bass and Jon Wurster on drums added a much appreciated low end.

Plus there are some songs (especially Hüsker Dü songs) where the bass and or drums play something distinctive and it was nice to hear that part.

In 2020, Bob had not yet released Blue Hearts, although he did play four songs from it.  For this show he opened with four songs (two were different, like the appropriately angry “American Crisis“).  And then he was all over his lengthy discography (dating back to 1983). (more…)

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