Archive for the ‘Mr. Elevator’ Category

[ATTENDED: September 26, 2021] Osees

I didn’t really know the Osees very well when I bought tickets to this show (which had been rescheduled, but I didn’t have tickets to the original show).  I knew them more from knowing their history of names changes.  [They have recorded as OCS, The Ohsees, The Oh Sees, Thee Oh Sees, Oh Sees and now Osees].  And also from the Levitation/Reverb Appreciation Society live stream/quarantine shows.

Because of this, and because of the chill nature of the opener, Mr. Elevator, I never expected the show to be as wild, raucous and mosh pit filled as it was.

The first indicator should have been when the two drummer set up at he front of the stage (nods to King Crimson, there).  But it wasn’t until main Osees guy (the only one who has been in all iterations of the band) John Dwyer came out on stage (off to the left as we faced the stage).  He noted that it was Sunday, the Lord’s day, then he started playing “The Dream” and the crowd went apeshit.

Within minutes I was pushed pretty far to the side of the crowd, safely out of the way of flying feet.

Their set covered albums from 2011 (their twelfth album) through to last year’s Metamorphosed (their 23rd album).  It was glorious. (more…)

Read Full Post »

[ATTENDED: September 26, 2021] Mr. Elevator

I had I had never heard of Mr. Elevator and really didn’t know what to expect from them.

It turned out that they are a fun, retro-sounding psychedelic band.

I was immediately blown away by their drummer Jesse Gorman Conlee who was metronomically precise and playing complicated rhythms.  Which seemed at odds with, but which worked perfectly with the synthy grooves the rest of the band was making.

It also turned out that the keyboardist and main singer Tomas Dolas is (as of 2018) the keyboardist in Osees.  They started out as Mr. Elevator and the Brain Hotel, but droped half of the name after releasing their first album Nico and Her Psychedelic Subconscious.

The show started with them spread across the stage–drums on the left, bass (Jon Tattleman), keys (Dolas) and more keys on the right (Justin Ruiz).  They played a series of mellow, but still rocking songs.  There were lots of cool trippy synths and some solid basslines.  Dolas has some lengthy jamming keyboard solos that were very retro. (more…)

Read Full Post »