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Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: April 11 & 12, 2022] Waxahatchee / OHMME [rescheduled from April 14 and October 5, 2020 and May 16, 2021 and October 15, 2021]

This show had been rescheduled four or five times. The final time was after the tour had been successful so far.  But at the last minute, they had to postpone the final two Philadelphia shows.

I don’t recall what was going on in my life at the the time, but I was happy about the postponement and wrote

This one worked in my favor.  And I’m looking forward to that rescheduled show next year.

Of course, the Fuzz show was scheduled for the same day and I hadn’t seen Fuzz before so I was planning on going to that show instead.

But then we went on vacation, so the whole debate was moot.

Originally support was from OHMME, then Katy Kirby.  This time it was from Madi Diaz who is a folk singer I know of, but not very well.

 

wxa

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[DID NOT ATTEND: April 5, 2022] Snail Mail / Joy Again

I wanted to see Snail Mail back in 2018 and couldn’t make the show.  I really liked her debut album.

I hadn’t enjoyed songs from her new one a much, so even though I bought a ticket as soon as this show was announced, I decided not to go.

I didn’t realize at the time that my daughter had a Joy Again song on her playlist.  “Looking out for You” is a bouncy song with lots of banjo, although it doesn’t sound folky at all.  I wonder if she would have enjoyed going to this show with me.

 

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[POSTPONED: March 31, 2022] Andy Shauf / Helena Deland [rescheduled from May 1 2020, December 17, 2020 and September 12, 2021]

This show was postponed several times but when it finally rolled around I had two other shows earlier in the week, one of which was in New York City which turned out to be an absurdly late evening.  So I had to take a pass on Andy.  Who I’m not 100% sure I really want to see anyway.

Faye Webster was supposed to open for this show, but she has been replaced by Helena Deland.

Deland is a Canadian singer-songwriter with several EPs out. Her inspirations are Jessica Pratt, Joni Mitchell, and Sea Oleena.   Her music is quiet and gentle and her voice is high and soft.  Its quite lovely and was a good pairing.  I preferred her song “Someone New” which is a little more upbeat.

~~~~~~

This show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

~~~~~

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of May and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer singers who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[ATTENDED: March 26, 2022] grandson

My son got me into grandson a couple of years ago.  I really like his debut album, death of an optimist.  I promised that if grandson toured, I’d grab tickets.  I bought the tickets for this show a while ago and had no idea that in the interim, grandson had become (in relative terms) really popular.

He wrote the theme song to Suicide Squad which had apparently upped his profile and, he was also opened for Imagine Dragons which is pretty massive exposure.  So good for him.

It also meant that this show was much more crowded than I thought it would be.  We arrived pretty earlier, but the merch line was crazy long.  By the time we got into the show it was pretty crowded, but I know Union Transfer, and I know where there’s a good spot to get you closer to the action. (more…)

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[ATTENDED: March 26, 2022] Oxymorrons

I hadn’t heard of Royal & the Serpent.  When I looked them [her] up, I saw something that suggested that she had maybe worked with grandson–that he had produced something for her?  But I haven’t been able to find it since.  Whatever.

When I listened to her before the show (singer Ryan Santiago IS Royal & the Serpent–they are both parts of her personality), I thought she sounded an awful lot like grandson sonically.

When they started, first her drummer came out on stage.  She crouched by the drums waiting.  Then her guitarist,  Brent Burdett, came out, his hair was died blue and pink and he seemed very tall.  Especially compared to Royal who came bouncing out to their 2021 song “I Can’t Get High.” (more…)

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[ATTENDED: March 26, 2022] Oxymorrons

My son C. has been a big fan of grandson for a while now.  I knew that we’d be seeing him whenever he came to town.  This was also his first exposure to Union Transfer, so I thought it would be super fun for both of us.  And it was, but it wasn’t as I expected.

After getting forced to the back for girl in red, I thought we’d want to arrive earlier.  But I also knew that this show hadn’t sold out  so I imagined we could stroll in at 7:30 and get right up front (there were two opening bands after all).  But when we walked in, the merch line was ENORMOUS (and slow) and the room was already a little full.

Well, we waited for mech (good decision) and heard Oxymorrons start their set.  We walked in during “Think Big” and, even though it was crowded all the way to the back, I found my favorite spot stage right was open, so we slunk our way to that corner and were within a reasonably close distance from the stage.  Sweet.

Meanwhile, Oxymorrons were on stage ripping it up. (more…)

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[POSTPONED: March 22, 2022] They Might Be Giants [rescheduled from March 13, 2020, September 8, 2020, April 15, 2021 and March 22, 2022 moved to June 16, 2022]

index

Fifth time’s the charm?

After what seemed like a wholly sensible rescheduled date of March 22, 2022, the virus reared its head again, and TMBG decided to push things back one more time.  This time they broke their tour into small chunks to avoid having to cancel a huge tour in the future.

Hello everyone. We have rescheduled all of our Spring 2022 shows. The new batch of shows begin in June and run all the way to May 2023 (proving that 2020 is the first year to last for three!).

And the venue has added

Hello! Thank you for purchasing tickets to see They Might Be Giants. We know that this has been a journey and after two+ years their long awaited tour will finally happen! The Philly show scheduled for March 10 has been moved to June 16 2022.

~~~~~~~~~~~~~~~~~~~~~

This show was originally scheduled for March 2020 and it now being rescheduled to March 2022.  It’s hard to believe that it will be two years.

So, with no opening date in sight, this is where we ask you for a big favor. Without a doubt our biggest expense has been refunding tickets for shows with new safe dates in 2021/2022.  The They Might Be Giants show has been officially moved to March 10 2022! With a date this far out, it ensures there will be no issues with TMBG touring and most important – we are near guaranteed to have a safe and normal show (finally!)

This was one of the first shows that was postponed because of the coronavirus.  The new date was scheduled very quickly and, as it turns out, too soon.

Now, like most shows, it is being pushed back about a year from its original date.  Boy I hope it holds out.

I am still very much looking forward to it.  Don’t give up on us yet, Johns!

March was going to be a very busy concert month for me.  This was to be the first of four shows in five nights.  This show was going to be for me and S.–a night of They Might Be Giants performing Flood!

It turned out to be the first of dozens of shows cancelled or postponed by the coronavirus.

Obviously, my main concern is for everyone’s safety, including the bands!

My selfish concern though is that once the shows are rescheduled that all of these shows will be scheduled on the same day!

Let’s hope the rescheduled dates also do some social distancing.

tmbg

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[DID NOT ATTEND: May 19, 2022] Touché Amoré / Vein.fm / Militarie Gun / Closer

I didn’t know what Touché Amoré sounded like.  In fact, I thought they were a dance band.  When this show was announced, I discovered that they were not a dance band at all.  But in fact, rocked pretty hard.

I was definitely interested in the show, but decided not to get tickets right away.  Then several other interesting shows were announced for the same day, so I never bothered.  But I still think they’d be interesting to see some day.

I’d never heard of vein.fm (formerly Vein).  Apparently, they are a hardcore/screamo act

I’d also never heard of Militaire Gun, who are apparently a post-hardcore supergroup (made up of bands I’ve never heard of) that draws major inspiration from the melodic post-hardcore of the ’90s as well as more alternative-leaning acts.

And Closer is a screamo act from New York City.

Four bands is a long night, but I imagine it would have been a good show.

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[ATTENDED: March 16, 2022] Girl in Red

My daughter, T., became a huge fan of Girl in Red a little while ago.  When Girl in Red announced a show at my favorite club, Union Transfer, I knew I had to get tickets.  So, I got this pair back in June of 2021.   It seemed like the show was a lifetime away.

And then it finally arrived.

Our friends had recently gone to a show there and had arrived at 5 (doors opened at 7) to ensure a prime spot.  I have been to Union Transfer dozens of times and have never arrived earlier than 7:30 and always gotten a decent spot (sometimes right at the front).

But I’ve clearly never been to a sold out Girl in Red show.  Because we arrived at 7:30 (a wee but later than I wanted to, I admit) to find a huge line outside!  (I’ve never seen that before).  By the time we got in, the place was packed!  The one okay thing about this is that we decided to get merch first since we had no hope of getting any closer.  The other okay thing was that Girl in Red fans seems to be pretty short, so even though we were pretty far back, we could see the stage pretty clearly.

Girl in Red’s band came out–five guys dressed in black–and made a U at the back of the stage.  They started playing music and Marie Ulven bounced onto the stage and just started rocking all over the place to “You Stupid Bitch.”  Swinging her hair and bounding from one side of the stage to the other.

The crowd was insane from the get go.  They screamed and yelled and sang along.  A girl behind us must have been told that it was important to shriek at the top of your lungs at the end of each song because she did so in the exact same pitch and frequency (one long, two short) after each song.  T. and I decided that she sounded like when a fox screams at night–that ear piercing, spine chilling sound. And, she was perfectly at ear level with me.  Good grief.

I knew most of Girl in Red’s album from multiple in house plays, but I clearly didn’t know what the big songs were going to be because she played “girls” third and I thought sure that was going to be a much later song.

Before introducing “we fell in love in October,” she told us that she had a new girlfriend, although they didn’t fall in love in October.

The ban left and she brought out her acoustic guitar to play “I’ll Cal You Mine.”  It was great to hear her sing without the rest of the band.

I also assumed that “Serotonin” would be the big set ender, but she played that right in the middle  It sounded fantastic.

Her band was really great, too.  Her lead guitarist was really quite impressive and her bass player was a lot of fun, jumping around.  But really, none of us were looking at them.  She did acknowledge them a few times and when she spoke to them, her Norwegian accent came out on force.  Her normal stage speaking voice is completely un-accented.  I was amazed at how non-Norwegian she sounded until it slipped out.

She talked about an old racist homophobic uncle that she had who told her to make her songs “less gay” and we all mocked him.  She said she used to think that he was old and couldn’t change.  But there are plenty of old people who are neither racist nor homophobic.  So there.

For the remainder of the show she kept the energy high.  Even in the somewhat more mellow songs, the energy remained high.

When she ended the show with “I Wanna Be Your Girlfriend,” the crowd, which I didn’t think could get any more wild, ramped it up even more.  And when Marie dove into the crowd at the end of the song the place erupted.

The song faded when she got back up onstage and some people even started to leave, but she told us it wasn’t done yet, and she grabbed a water bottle and doused the front row and sang the chorus a few more times.

It was quite a show.

And even though it was kind of short (relatively speaking), it was the the perfect length for the amount of music she has released and it got us home at a fairly reasonable hour on a school night.

The stage for the show was flanked by large banks of really bright lights.  Not an expensive display, I wouldn’t think, but very effective.  And I left the show thinking that girl in red could easily be playing much much bigger venues.

  1. You Stupid Bitch
  2. Body And Mind
  3. girls ©
  4. .
  5. i’ll die anyway.
  6. we fell in love in October §
  7. I’ll Call You Mine (acoustic)
  8. hornylovesickmess
  9. Serotonin
  10. bad idea!
  11. 4am ©
  12. dead girl in the pool. 
  13. midnight love
  14. Rue
  15. Did you come?
  16. I wanna Be Your Girlfriend. ©
© chapter 1
chapter 2
§ A Collection of Every Song I’ve Ever Posted on Soundcloud

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[ATTENDED: March 12, 2022] Holly Humberstone

I thought there was some excitement that Holly Humberstone was opening for Girl in Red, but it turned out that T. had never heard of her.

Well, I was impressed by her.  She played guitar, keyboard, piano and created live beats on the drum machine while singing.  And her voice was really lovely too.

Her songs are on the pop side but with some good loud guitars from time to time.  “Please Don’t Leave Just Yet” was the synthy song (that featured sped up samples of her voice trilling in the background.  I enjoyed the way she jumped from the synth rack to the piano mid-song.

Humberstone has a couple of EPs out.  And I had to laugh when she said she was going to play the first song she’d ever released–way back in 2019.  But it was a sweet song she’d written for her sister called “Deep End.”

She also played a new song called “London is Lonely,” which was far more plaintive than the other songs and showed Holly’s range. (more…)

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