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Archive for the ‘Union Transfer’ Category

[ATTENDED: June 3, 2022] Kurt Vile & The Violators

Since the last time I saw Kurt Vile (2018), S. has become a huge fan of Kurt and his music.  So when he announced he was touring, and would be ending his run in his home town, of course we grabbed tickets.

I had seen Kurt playing in New Jersey four years ago and he was a delight.  He switches instruments almost every song.  he doesn’t talk a lot, but he seems to be having a really good time and is happy that we’re there with him.

It was amazing that he played almost none of the same songs tonight that he did four years ago.  True he had two new albums to showcase since that time, but even the older cuts were mixed up (except for his biggest hit which I couldn’t imagine him not playing and “Waking on a Pretty Day”).

Kurt is pretty much exactly what you get on record–his delivery is pretty much the same, his guitar playing is the same.  he comes across as the most natural performer you’ve ever seen.  Like he literally just walked in and started playing.

I am a huge fan of some of Kurt’s songs.  I love “Loading Zones” and could listen to him play that song for ages.  (more…)

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[ATTENDED: June 3, 2022] Natural Information Society

Since the last time I saw Kurt Vile (2018), S. has become a huge fan of Kurt and his music.

So when he announced a tour that would be culminating at Union Transfer, obviously we were going to go.  I’m a fan of the opener Chastity Belt, but I was bummed that they weren’t opening our leg of the tour.  So that left two possibilities for us: Sun Ra Arkestra or Natural Information Society.

I had seen Sun Ra Arkestra and enjoyed their wild free jazz craziness.  I knew S. wouldn’t like them.  But it turned out that the question was moot because I was taking my daughter to another show on the Sun Ra night anyhow.  So Natural Information Society it was.

I had never heard of them and had no idea what they were like. (more…)

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[ATTENDED: June 2, 2022] Aurora

I love Aurora.  She puts on a great show and is just chock full of positive energy.  We saw her two years ago and I was excited to see her again.

After a break, Aurora came out.

Last time, she had giant jellyfish hanging from the ceiling.  This time she had a curtain in the back of the stage a giant circle behind her.  It acted as a backdrop and a light source.

Her new album, The Gods We Can Touch had just come out and she played a number of songs from it.  Even though many of her songs are dancey, she had an acoustic guitar for “everything Matters” (along with electronic keys and drums).  

Her song “Blood in the Wine” is a wonderfully passionate song with a fantastic hook that I can’t get out of my head.

Of course, Aurora has her dedicated fans.  Several of them brought her gifts.  Someone even gave her a teapot.  (How would she bring that home in her suitcase?)

It’s easy to think of Aurora and her fan base (“Warriors”) as a bit too much, as she is practically a living embodiment of a Norwegian fairy.  But she is so sincere, that her passion as she talks between songs (in her near-perfect English, faltering just enough to make it all the more effective) is palpable.  And if you aren’t moved by a song like “Warrior” (which everyone sings along to) then you are too hardened by life.

Aurora seems like her music would be ethereal and aloof, but a song like “A Temporary High” has a pounding drum beat. (more…)

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[ATTENDED: June 2, 2022] Sub Urban

I love Aurora.  She puts on a great show and is just chock full of positive energy.  We saw her two years ago and I was excited to see her again.

I had no idea who Sub Urban was, but I enjoyed the name (it’s kinda clever and he’s from Ridgewood, NJ, right near where I grew up and also where the band Real Estate is from!).  Turns out that Sub Urban actually had a viral hit called “Cradles.”  

In fact, before the show started when I was waiting for my daughter to come out of the bathroom I saw a little girl with her dad and I said something about how great Aurora was and the girl reply “I’m not here for her, I’m here for Sub Urban.”  Huh.  

He also had a new single called “UH-OH” which featured New Zealand Singer Benee (who sounds so much like Billie Eilish it’s insane).  And, indeed, Aurora guests on one of his songs as well (“Paramour” which he did not play). (more…)

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[DID NOT ATTEND: May 20, 2022] Jens Lekman [original show was cancelled, so technically not rescheduled from April 19, 2020]

I have really enjoyed Jens Lekman over the years. His Tiny Desk Concert is tremendous.  He was even the subject of a request in an episode of Every Little Thing, a podcast that S and I really like.  (A caller could not get a fragment of a song out of his head and it was one of Lekman’s).

I have been wanting to see him for a while and this show with a local youth orchestra sounded kind of fun.

Jens Lekman originally announced a unique North American tour where he’d perform with local youth orchestras in various cities for 2020, but the dates were put on hold because of the pandemic. He’s now announced new dates for the tour, beginning this April and running through May. He’ll be joined by violinist Leslie DeShazor for the shows. “This is a tour that I have been working on and looked forward to for almost four years,” Jens writes. “The idea originally came to me in 2015 when I was invited to Cincinnati to perform a show with a group of young string players from the organization MyCincinnati. The show ended up being one of the most memorable moments of my whole career. The energy that is present when a young person is still exploring and mastering an instrument is something I’ve always been drawn to. As someone who’s been playing music more or less professionally for over 15 years I often have to go back to this youthful source to remember and learn. To let the students become my teachers.”

It’s unclear to me whether Leslie DeShazor played a set before or was a featured part of the orchestra. (more…)

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[ATTENDED: May 18, 2022] Beach Bunny

T. was really into Beach Bunny when we saw her back in November of 2021.  I was pretty surprised that she was going to tour again in May of 2022 (in fairness, the 2021 tour had been rescheduled twice and I think she was ready to play new stuff, but she had all the gear from the old tour so….).  Plus, this new tour moved her from the 1500 capacity Union Transfer to the 2500 capacity Fillmore.

I had really enjoyed her at Union Transfer and was looking forward to what she’s do at this show.

Last time the stage was filled with old video game cabinets.  This time it had old small TV screens.

Lili Trifilio came out with bunny ears on and jumped right in with “Oxygen.”  The crowd seemed very young to me (which, I guess to me they were very young, but I believe the Fillmore was designed for a largely under 21 crowd).

My daughter seemed a little overwhelmed by the crowd and the show and decided to hang nearer to the back.  She felt like she could see better, which may have been true).  But i always feel disconnected from the show when I’m too far back.  (more…)

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[ATTENDED: May 18, 2022] Ky Vöss [Wednesday cancelled]

T. was really into Beach Bunny when we saw her back in November of 2021.  I was pretty surprised that she was going to tour again in May of 2022 (in fairness, the 2021 tour had been rescheduled twice and I think she was ready to play new stuff, but she had all the gear from the old tour so….).  Plus, this new tour moved her from the 1500 capacity Union Transfer to the 2500 capacity Fillmore.

Of course I got her a ticket!

It also happened to be the same night as my rescheduled (three or four times) Deftones show which I was incredibly excited to go to.  Which my son really wanted to go to having recently gotten into the Deftones.

I tried so many different ways to make this night happen for all of us.

Perhaps I could get a ticket for him for Deftones and we could go together.  Mine was GA, but GA was upselling for like $300 (NO!).  I could get him a seat in the balcony–that would suck) and even that was upselling for like $175 (NO!).  (more…)

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[DID NOT ATTEND: May 18, 2022] Kikagaku Moyo / Nina Ryser

I saw Kikagaku Moyo in 2019 and they were amazing.  I’ve wanted to see them again, but they are from Japan, and the Pandemic kept them away.

They finally announced a new show for 2022 and I was psyched.  Too bad it aligned with the Deftones show that I’d been waiting to see for a couple of years. Too bad also the Beach Bunny show that I was going to take my daughter to see fell on the same night.

Then Kikagaku Moyo announced that this was going to be their last tour–they were going to break up.  So I’ll never see them again.

Alas.

Nina Ryser is one third of Palberta.

I happened to see her later on in the year opening for Tropical Fuck Storm

Nina Ryser is a member of Palberta.  ..  Like the rest of her Palbertans, Ryser is a prolific songwriter who is classically trained but who likes to push the boundaries of what music should do. …  For this little set, she and her husband played keyboards (and all manner of gadgets).  The set sounded improvised, but I’m sure it wasn’t. … Most of the songs were built around a beat and a simple chord pattern.  There was a droney component to it and Nina’s vocals were kind of deapan. … My favorite parts of the show occurred between songs where Nina would mess around with looping pedals and make these interesting collages out of bits of the song she’d just played.  There was definitely some improv in here and I enjoyed watching her manipulate the sounds to create something cool.

Wish I could have seen Kikagaku Moyo instead.

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[ATTENDED: May 11, 2022] Built to Spill [rescheduled from July 30, 2020]

I feel like I have seen Built to Spill a million times, but this was my fifth show.

The first time I saw him was at Union Transfer back in 2015 and he had a five piece band.  That was a couple of iterations ago and now he was back with a new band.

On this newly announced tour, his whole band was going to be different.  In fact, I have seen at least three different lineups for the band over the years.  This tour was going to feature drummer Teresa Esguerra of Prism Bitch (who opened for Built To Spill last time) and bassist Melanie Radford from openers Blood Lemon.

The last time I promised myself I wouldn’t get too close to the stage, but I did.  The problem with being so close is the way Doug Martsch has his guitar set up.  His amp is right next to him and it is so loud.  From where I was you could barely hear anything else.  Of course I’m there to watch Doug play, so it’s not too bad.  But I promised myself I would stand back to fully appreciate his band.

I love that Esguerra was on the side of the stage facing the other two (that’s how his band was set up with the previous trio as well).  This allowed for Esguerra  and Radford to communicate with each other while Doug was jamming.  And they had outstanding chemistry. (more…)

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[ATTENDED: May 11, 2022] Wetface

Wetface is the one-man-band project of Montreal based songwriter Jordan Minkoff.   He writes and plays on a mid 80’s Yamaha organ, douses “bright and ambitiously crafted pop music with layers of wonky digital strings and orchestration.”  That’s according to his label.

According to me he is a tedious, goofy in a bad way singer who is very good at playing the keyboard.  There didn’t seem to be anything ambitious about his songs which were very far from pop.  He sang often in a crazy falsetto.  It’s possible he was making things up as he went along.  The sound (’80s Yamaha) was so cheesy most of the time that I had to assume he was joking, but that the joke just wasn’t all that funny because the sound was so pervasive.

I wanted to see if I was alone in really disliking this set.  I see that the reviewer from White Eagle Hall (the show I had tickets to two nights later but which I did not go to) loved him.  Thought he was hilarious both in his song craft and his banter.

Turns out that Jordan Minkoff created some of Built to Spill’s recent videos and Doug Martsch is a big fan (he also really liked Daniel Johnston, so…).  Martsch called Wetface up on stage to sing with them in Jersey City.  Maybe that would have made me like him more.  But honestly I couldn’t wait for his set to be over.

 

 

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