Napalm Death are legends. They have been around since 1981 although formed a solid lineup in 1987. Although their Wikipedia page lists 18 former members, the lineup I saw was almost has been with the band since at least 1991.
Current members Shane Embury – bass, backing vocals (1987–present) Mitch Harris – guitars, backing vocals (1990–present) Danny Herrera – drums (1991–present) Mark “Barney” Greenway – lead vocals (1989–1996, 1997–present).
That’s pretty impressive for a grindcore band whose first album contained songs that were almost all under two minutes long. (more…)
[DID NOT ATTEND: April 30, 2022] Typhoon / Carm / The Ophelias
I saw Typhoon back in 2018 and the show was amazing. They were so good live, that I knew I’d want to see them again. Although actually, playing Underground Arts seemed like too small of a stage for their show (I saw them at Union Transfer last time).
Their brand of orchestral rock is really powerful and moving. It’s interesting how much singer Kyle Morton sounds like Andy Shauf–that same kind of almost marble mouthed delivery that IU don’t quite understand but kind of makes you lean in to hear.
I was pretty excited to see them again, but then I found out that Born Ruffians, a Canadian band that I really like was playing Johnny Brenda’s the same night. So I opted to see the band that I’d never seen rather than the one I’d seen before.
Despite having tickets to see Girl Talk, I decided I’d go see this North American Siege of 2022. I’ve been intrigued by Behemoth for quite a while. The are an extreme metal band from Poland who sing of the occult and thelemic ideas. But they are known mainly for their intense live show.
I haven’t really ever been to a show like this and it seemed worth a visit.
I arrived absurdly early. I think doors opened at 6 and I arrived at 6:15 or something. And there was hardly anyone there. The guy at the bar said it sold poorly. (more…)
[DID NOT ATTEND: April 29, 2022] Altin Gün / Sessa
Altin Gün sounds like the kind of band I would love–a Turkish psychedelic band from The Netherlands. (Their name means Golden Day).
Their live shows are supposed to be wonderful as well:
Altin Gün’s relentless grooves are truly immersive, anti-elitist, inclusive. It’s truly music for the dancefloor – all dancefloors. Altin Gün are the perfect 21st Century psych band, hinting at a deep record collection while still belonging to a living tradition and having a unique and distinctive voice
[from Forestpunk].
But when I listened to them I just couldn’t quite get into it. Possibly because I knew I was so overbooked that night I didn’t want to have yet another band I was dying to see.
Sessa is a Portuguese musician whose record label says “a songwriter …. blessed with a flair for the intimate, the enigmatic, and the licentious. Sessa’s songs are sung in Portuguese, with visceral, sensual lyrics, and melodic flourishes.” He seems more mellow than Altin Gün but I could see people on the dancefloor for both.
I saw Fontaines D.C. in September of 2019 just as they were getting a buzz about them. The show was sold out and crowded. And, it turns out people knew them very very well. And they wanted to dance.
Johnny Brenda’s does really lend itself to that and when one guy took exception, he started to get really rough. It was not a great experience. So I wanted to see them again, to cleanse my palette.
Fontaines have to be the most disaffected band that ever existed. Not an expression on any of them. They seem like they are disgusted with everyone there. And lead singer Grian Chatten feels simultaneously like he is not there and is the only thing there.
He often seems like he’s in his own world and then he seems to focus on the audience and consumes everyone. (more…)
Just Mustard are a five piece band from Dundalk, Ireland. They make a fantastic noisy mess of shoegaze combined with a wall of noise and singer Katie’s droney but at times piercing vocals.
The blew away Underground Arts when they opened for Fontaines D.C.
They have a new album coming out soon and they played a bunch of songs from it. Lead singer Katie Ball was wearing a cheerleader-type outfit with her name in letters across he front. This was about the only whimsical thing in their entire set.
The band exuded seriousness and they were exceptional musicians. Drummer Shane Maguire played some amazing and unexpected fills and when he hit the snare hard (which wasn’t always) it cracked to attention. I was in front of guitarist David Noonan who played a lot of rhythmic sounds (not so much rhythm guitar as rhythmic sounds–his playing was very percussive.
[DID NOT ATTEND: November 14, 2021] We Were Promised Jetpacks (postponed from November 14, 2021).
I’ve seen We Were Promised Jetpacks a couple of times and they put on a ripping show.
But recently one of their original members left and they seem to have changed their sound a bit. I didn’t enjoy it quite as much. But I still had a ticket to this show and figured they’d still be great live.
But when Gustaf announced a show the same night, I knew I’d be going to that one instead. I saw Gusaf open for Idles and imagined that their headline show would be amazing. So I chose Gustaf.
Frankie Rose is evidently a legendary musician who has played with everyone like Vivian Girls and Dum Dum Girls. She sounds like she’d put on a good show. Although her poppier sound suggests that WWPJ were leaning a bit more pop on this album.
[DID NOT ATTEND: April 11, 2022] Fuzz / Electric Candlelight
This week was supposed to be an intense week of concerts for me. I don’t really like when they all line up in one week. but what can you do?
Then we decided to go on vacation (it was Spring Break), so I blew off all of these shows.
This second show was with Fuzz. Fuzz is one of Ty Segall’s bands. He plays drums in this one and, as their name suggests, they play fuzzy psychedelic music. I thought this would be a fun show even though I didn’t know the band all that well.
Besides, I had tickets to Ty Segall later in the summer as well.
Electric Candlelight is a Philly-based band who sound right up my alley. Here’s a brief write up:
Electric Candlelight — the newly minted four-piece is led by singer Owen Stewart from Ruby The Hatchet and guitarist Justin Pittney, formerly of Residuels and Moon Women. The heavy psychedelic band is rounded out by Max Jonas from Tough Shits on bass, Joshua Aaron from The Lawsuits band on drums, and Ali Awan on guitar. The group made its debut this week with a single called “Another Year Gone By,” a six-minute-long thrasher with ample guitar melodies and the drive of Stewart’s raspy, Credence-esque vocals that offer an element of Ruby The Hatchet’s psychedelic hard rock.
Sounds like it would have been a trippy, fun show.
But D.C. was a wonderful trip, so no regrets.
And Markit Aneight has a video of the whole show from Fuzz
[CANCELLED: March 24, 2022] Fu Manchu / Speedealer [rescheduled from May 9, 2020 and March 18, 2021]
This show had been rescheduled for March of 2022 after two previous cancellations. But with the rise of more COVID cases Fu Manchu decided to cancel once more. It strikes me that they seem quite content to just cancel a show and then work with the venues for a future show, so I’ll assume they’ll be back to Philly eventually.
~~~~~
This concert was never formally cancelled it seems (as of last week you could still get tickets for it). But Fu Manchu officially cancelled all of their shows on the tour. No word yet if they’ll be back, but I hope so.
Fu Manchu is one of the great stoner rock bands. They have been around for thirty years with a similar fuzzy, grungey sound. I missed them the first time around but because more keenly aware of them when their 2018 album Clone of the Universe featured not only an 18 minute song, but also a guitar solo from Alex Lifeson of Rush.
Their early stuff is really catchy and I wish I had known about them for longer. They seem like they’d be a really fun live band.
Speedealer was originally called REO Speedealer, which I love. They were told to cease and desist from REO Speedwagon (imagine that). They play a kind of aggressive garage metal. They have a punk edge and the lead singer has a growly punk voice that is clear enough amid the roughage.
I feel like they don’t quite pair with Fu Manchu (they seem a bit too aggressive) and would pair better with Monster Magnet.