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Archive for the ‘Venues’ Category

[ATTENDED: February 23, 2024] Snacktime

I had heard of Snacktime, but I wasn’t all that excited to see them.

SNACKTIME is Philadelphia’s already beloved seven-piece band, blazing a path cut from their soul, funk, punk, jazz, hip-hop, and R&B influences. Created during the height of the pandemic, the group began performing free shows that combined their love of music, food, and togetherness in Philadelphia’s Rittenhouse Square. They quickly amassed huge crowds and became a symbol of positivity and lockdown release, while showcasing the richness of their city’s musical history and community. This progressed to sold-out headlining shows, curation of neighborhood festivals, multiple appearances at Philadelphia 76ers halftime shows, and slots at major music festivals.

It wasn’t that I wouldn’t like them.  I mean, obviously, they were going to be a lot of fun.  I assumed they would play horn-filled songs that were catchy and fun and dancey.  And I felt like I had heard that before, so it didn’t excite me.

And when they came out, that’s exactly what they played.  Super fun bouncy horn filled melodies with occasional words (most encouraging people to get up, stand up or dance).

I was in a crabby mood when they started because it was super crowded and I realized for the third time how much I dislike The Stone Pony as a venue (especially when it is crowded).   I couldn’t really see the band and the lights weren’t very helpful, so it was not a great scene.  But their music cheered me up pretty much from the get go.

They played soulful music and implored us to Step Up to The Dance Floor.

I thought about how they were promoting a message of positivity, but “I Don’t Give a Damn” was kind of an odd choice.

However, I really enjoyed the stupid shout-along “Smokin’ Drinkin’ Talkin’ Shit”

The rest of the show was more of the same, with solos, chanting, clapping and good feelings.  There were a lot of people who were there to see Snacktime.  And I totally get it.  It’s just not quite my thing (except when it is). (more…)

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[DID NOT ATTEND: February 24, 2024] Stick Men / Tim Motzer 

I have been trying to see Stick Men since the pandemic.  I wasn’t really aware of them before hand.  They played a show in Sellersville a few years ago and I was busy.  They play a lot around New York, but don’t seem to venture off the island all that often.

A show in Allentown seemed like an interesting opportunity to check them out.  But it coincided with a day that we had already set aside for another event.  So, there would be no Stick Men any time soon.

Stick Men is the trio comprised of Tony Levin and Pat Mastellotto from King Crimson and Markus Reuter, one of the foremost players of the Chapman Stick guitar thing.  Bernier and Levin both play them during the set (hence the name).  I’ve wanted to see them every since I heard about them (A chance to se Tony Levin right up close!).  But Stick Men seems to tour quite a lot, and now that King Crimson is more or less dissolved for good, I assume they’ll be touring a bit more.  So when Son Lux, a band I’ve tried and failed to see twice before) was scheduled for the same night, I had to see them while I had the chance.

Tim Motzer is an experimental guitarist.  Apparently you never know what you’re going to get with him.

This was the same line up as in Sellersville, so I guess they tend to tour together.

An excerpt from Motzer in Sellersville is here.  I don’t see Stick Men available anymore.

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[ATTENDED: February 22, 2024] Indigo De Souza

This was the seventh time since Jan 2022 that I might have seen Indigo De Souza.

She had a show scheduled for Union Transfer which was postponed twice.  She was scheduled to open for Lucy Dacus–a show I didn’t get a ticket for because I was seeing Indigo headline (cancelled).  She finally played her Union Transfer show but I couldn’t make it.  Then she was supposed to open for Rainbow Kitten Surprise and that whole tour was cancelled.

I wasn’t even really sure I still wanted to see her after all this time, but the show was nowhere near sold out, so I grabbed a ticket.

There were a lot of die-hard fans there which is hit or miss.  This crowd was very respectful of her, which I liked.  There was some singing along but it was mostly quiet until it called for loud sing alongs.

I was honestly surprised at how subdued she was during the set.  I’ve never seen her before, but all of her promotional material makes her seem like a wild performer.  And she was absolutely not that tonight.

But her voice was beautiful and she was very sweet and engaging.  She played about an hour and the crowd was enraptured.

She opened with the mellow “Be My Love,” and I was so happy that the crowd was silent as she sang the quiet, sad song.

Her guitarist Maddie Shuler played a lap steel that I couldn’t even tell what the instrument was at first, it was small, plastic and portable.  It looked like a keyboard, but was clearly a guitar. (more…)

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[DID NOT ATTEND: February 22, 2024] Grace Vonderkuhn / Puppy Angst / Babyfang

This show was announced not too long ago.  A free show–an opportunity to see Grace Vonderkuhn again.  In a venue I’d never been to.  It was compelling,

But I had tickets to see Indigo de Souza, who I’ve been trying to see for a couple of years now.

While I was waiting for Truth Club to go on, I saw this update from the Grace camp

UPDATE: Due to sickness in the ranks, I (Grace) will be ~opening~ the free show at @fringebarphilly tonight with an intimate *solo* performance followed by @webabyfang and @puppyangst . Hope to see you there!

I genuinely don’t even know what Grace Koon would sound like solo.  I’d have been bummed to discover that I wasn’t getting the whole band (if I had blown of Indigo for this show).

Babyfang is a trio based in Brooklyn  The band consists of: Oakland, California native, Théo Mode (guitarist), Houston, Texas native, Canteen Killa (drummer) and Queens, New York native, 13th Law (bassist). 

I listened to their album and I really like it.  It pulls from all directions, often within a singular song.  The vocals remind me of shoegaze, the guitars rock but there’s all kinds of interesting elements pinging around the songs.  I imagine they are really intense live.

Puppy Angst is from Philly and they describe themselves:

It’s like puppy love but a lil more sad 🐕 shoegazy/dreamy fuzz pop; kind of fun kind of a bummer [alyssa + eric + john + dan + pauli💓]

Their album scorpio season hits me in all the right places–fuzzy guitars, poppy melodies and  confessional storytelling.  Great stuff.

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[ATTENDED: February 22, 2024] Truth Club

I used to really like White Eagle Hall.  I still think it’s a great venue with fantastic sound, but the people who go to show thee have really ruined it for me.

A guy preceded me into the bathroom and was enthusiastic about the show, which was cool “Bro, are you fucking stoked?”  But he brought that enthusiasm out to the floor and was shouting “rock and roll” and just being really loud (and tall). I assume he was drunk, but who knows.

Then in front of me there was a group of ten or so people who were definitely there for Indigo but who talked throughout the opening band which sucked because Truth Club was fantastic,

Any band who has a My Bloody Valentine song in their setlist is going to be interesting.  I would have love to have heard their cover of “Cupid Come,” but they didn’t play it.

From North Carolina, Truth Club is a foursome who play quiet loud really well.  Catchy melodies and big walls of sound meld into a great picture overall. (more…)

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[DID NOT ATTEND: February 21, 2024] Tyler Ramsey / Jeremy Lister

Tyler Ramsey was the guitarist for Band of Horses for many years.  I don’t know why he is no longer the guitarist for Band of Horses.

He has released some solo albums, including this new one called New Lost Ages.

Musically the songs are interesting.  His voice is also pretty good.  But it all sounds a lot like Band of Horses, just not as good.  Sorry.

Jeremy Lister is (from what I can see) in high demand.  He doesn’t have anything on bandcamp, but he is a featured guest on lots of songs.  His bio says

he is known for his ability to write and perform across a wide spectrum of genres, from pop to folk to crooner jazz. In November 2021, Lister released his full-length big band holiday album “Happy Holidays, Everyone.”

His voice is interesting and evocative.  He reminds me of a bunch of offbeat singer songwriters like Michael Penn or more theatrical songwriters like Rufus Wainwright.

I wasn’t planning on going to this show because I had other shows later in the week.

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[ATTENDED: February 18, 2024] The Dead Milkmen

I don’t know exactly when I first heard The Dead Milkmen.  It was obviously in college, probably when I was working on the radio station.  I think it was Instant Club Hit, which hated on all kinds of other bands that I liked.  By the time they released Beelzebubba, I was a die-hard fan.

And yet in 35 years I’d never seen them live.  True they were broken up for a chunk of that time, but still…

So, I’ve tried to see them a few times over the last few years and things always fell through.  But this time I was determined to go.  And what a great show it was.  I admit that I haven’t listened all that much to their newer records.  Although their latest album, Quaker City Quiet Pills is really good.

I thought they’d play a bunch of new stuff and a few oldies, but holy cow it was like a greatest hits night for me (although I like a lot of their songs, so I guess that would be true for any old songs, but they played songs I really like).

Opening with “Dean’s Dream,” a classic from their debut, it featured Joe Jack Talcum singing and Rodney Anonymous hiding out behind the curtain.

I had deliberately placed myself to the side of the stage as I assumed there would be a massive pit for this show.  And I was 100% wrong.  There was no pit.  Maybe some pushing, but mostly it was just everyone wanting to sing along.  But this meant that I never saw bassist Dan Stevens or drummer Dean Clean.

Oh and Kurt Vile (and his brothers) was standing right in front of me.

One of the fantastic new songs is “Grandpa’s Not a Racist (He Just Voted for One)” and that got Rodney out on the stage doing his thing.  Despite not being the young bratty punk any more, he still has a ton of charisma and knows how to get a crowd going.  And his young bratty voice hasn’t changed all that much. (more…)

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[ATTENDED: February 18, 2024] Flag of Democracy

The only thing I knew about Flag of Democracy was that The Dead Milkmen song “Nutrition” ends with Rodney saying

And Mom and Dad say if I eat all of my foodI can go to the hard core show and see F.O.D

So The Dead Milkmen and F.O.D. have been friends for a long time.  F.O.D. writes intense political hardcore songs and, impressively, they’ve had the same line up for almost their entire existence:

Jim McMonagle – vocals, guitar (1982–present)
Dave Rochon – bass guitar, vocals (1983–present)
Bob Walker – drums (1986–present)

So Bob (who payed barefoot and held the sticks like a jazz drummer) is the new guy since he’s only been in the band for 38 years.

Most of their songs are 2 minutes long (except for “Aberration” (ha!) which was 5).  Even their most recent (2018) album has the same style of short intense songs like “Let’s Build a Wall” (more…)

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[ATTENDED: February 18, 2024] YDI

I couldn’t make the show last night, but there was no way I was missing tonight’s show.

I really didn’t know anything about YDI before this show.

I still don’t really know that much about them.  There’s very little information about the band at all.

It’s not even clear who the band members were (in one article I only saw first names).   But the summary is that in 1983 Y.D.I. (pronounced: Why-die) put out a 7” EP “A Place In The Sun” (a blistering nine-track blast of american-hardcore fury). Two years later, the band had changed to a more filthy, metallic, damaged punk. The “Black Dust” (a concoction of PCP, heroin and formaldehyde) 12”- LP in 1985 was YDIs’ final recording. (more…)

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[ATTENDED: February 16, 2024] Deap Vally

My wife and I saw Deap Vally open for Garbage and Blondie back in 2017.  Here’s how I summed them up seven years ago

So Deap Vally is a duo: Lindsey Troy (guitar, vocals) and Julie Edwards (drums and vocals).  And as with many duos these days, they are able to get a huge sound out of just a guitar and drums (even during the guitar solo which can often leave a big sound feeling a bit empty).

We enjoyed their brief but loud set.  And I kind of forgot about them.  They did a project with The Flaming Lips (Deap Lips) which I knew of but have never heard.

And then a few months ago, they announced that their project as Deap Vally was coming to an end and they were going to go on their final tour.  I had enjoyed their set and thought it would be fun to see them one more time.

They were playing their album Sistrionix in full.  It also turns out that they re-recorded the album recently because their record label had the rights to it and they wanted a new version (hence 2.0).

The premise of the band is pretty simple–simple bluesy heavy rock–a few chords and occasional riff and lots of fuzz and drum.  It works pretty well, although to be honest a headlining show is a little samey.

I wonder if they weren’t playing the album straight through if there would be a bit more variety in the set.

Which is not to say that the show was bad.  None of their songs are very long and so none overstay their welcome.  Lindsey clearly has a lot of fun up there, but I feel like she might enjoy a little more freedom to walk around or, as she does from time to time, jam over by the drum kit.  But most of the songs are pretty short and there’s not a lot of jamming time.

I enjoyed the set quite a lot especially with the addition of Smashley Williams on backing vocals.  She stood in the back and kind of danced and sang from time to time and she was a fun addition. (more…)

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