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Archive for the ‘Venues’ Category

Ride (Union Transfer, Philadelphia, PA, December 7, 2024)

Posted in Philadelphia, PA, Ride, Rocket, Union Transfer on December 8, 2024| Leave a Comment »

[ATTENDED: December 7, 2024] Ride

I’ve known of (and enjoyed some of) Ride’s music for decades.  I was never a huge fan, but there were a few songs that I liked a lot.

Last year, Ride played a show with the Charlatans, but a snowstorm kept me away.  So here was another chance to see them.

I didn’t realize that they had been broken up for 21 years when they released their reunion album in 2017.  Here it is 7 years after that and they’re still a going concern.

I didn’t know really anything since they’d reunited, so I didn’t really care what they played–I assumed they’d play the few songs that I did know since those were the hits.

And I really enjoyed the new songs quite a lot–they were some of my favorites of the night.  A guy up front (who was bouncing and dancing the whole show) shouted how great the new album was and the band got a kick out of it with Mark Gardener thanking him for the affirmation (they later gave him a pick and a setlist I believe). (more…)

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Rocket (Union Transfer, Philadelphia, PA, December 7, 2024) [RIDE]

Posted in Philadelphia, PA, Ride, Rocket, Union Transfer on December 7, 2024| Leave a Comment »

[ATTENDED: December 7, 2024] Rocket

I’ve known of (and enjoyed some of) Ride’s music for decades.  I was never a huge fan, but there were a few songs that I liked a lot.

Last year, Ride played a show with the Charlatans, but a snowstorm kept me away.  So here was another chance to see them.

I hadn’t heard of the opening band (there are a few different bands called Rocket).  And it’s not lost one me that the marquee would read Rocket Ride.

This band is from LA and holy cow, they scratched just about every musical itch I had.

Soft female vocals, shoegaze to heavy crunchy guitars.  It was all there.  I loved every second of their set.

When the first chord change of Portrait Show was exactly what I hoped it would be, I knew this band was for me.

I wished that Alithea Tuttle’s vocals were a little louder (it’s probably because I was standing s close to the stage) although the quieter mix worked well with the overall sound.  Her bass was great though, understated and used perfectly to emphasize some of the songs.  (more…)

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Basic / The Early / Totally Automatic (Johnny Brenda’s, Philadelphia, PA, December 7, 2024) [DID NOT ATTEND]

Posted in Basic, Chris Forsyth, Johnny Brenda's, Nick Millevoi, Philadelphia, PA, The Early, Totally Automatic on December 7, 2024| Leave a Comment »

[DID NOT ATTEND: December 7, 2024] Basic / The Early / Totally Automatic

I have seen Basic twice in recent months and didn’t really feel compelled to go again. I do enjoy their music (and would have enjoyed seeing them at Johnny Brenda’s, but I had tickets to see Ride tonight and there’s no way I was passing up them for this.

The Early says about themselves

Formed in north Jersey in 2004, The Early’s music metabolizes the textural grandeur of post-rock, the communicational intimacy of jazz improvisation, and the patient grooves of minimalism. Currently operating out of Philadelphia, PA.

So what does that mean?  Interesting and improvisational-adjacent jazzy instrumentals, from the sound of their most recent record.  The Early appears to be Alex Lewis – electric guitar, korg minilogue and Jake Nussbaum – drum set, percussion, contact mics.  I’m not sure if there were more people on stage.

The Early released an album with Totally Automatic this year.

Totally Automatic was formed by Anne Ishii, Eugene Lew and Matthew Smith Lee in the summer of 2021. They play unarranged music with each other, on drums, saxophone and electronics, and can be found around Philadelphia.

So this set would be even more improvised, this time with saxophone.

Probably not the most enjoyable night I could spend, but it would have been kinda fun.

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The Aimee Mann & Ted Leo Christmas Show (Scottish Rite Auditorium, Collingswood, NJ, December 6, 2024)

Posted in 'til Tuesday, A Charlie Brown Christmas, Aimee Mann, Christmas, Christmas Album, Collingswood NJ, How the Grinch Stole Christmas, Josh Gondelman, Krampus, Paul F. Tompkins, Scottish Rite Auditorium, Slade, Ted Leo on December 6, 2024| Leave a Comment »

[ATTENDED: December 6, 2024] The Aimee Mann & Ted Leo Christmas Show

My wife and I saw Aimee Mann 18 years ago.  When this show was announced, it sounded like a great way to see her again.  Way back then I didn’t know anything about Ted Leo.  And when the two of them got together as The Both, I was interested more for her than for him.  Now, all these years later, I’ve seen Ted Leo twice and am more interested in The Both because of him.

But I assumed that this would be a fun Christmas night out.

And it was.  But it also wasn’t what I was expecting at all.

I assumed that it would be the two of them singing Christmas songs and that their guests, the amazing Paul F. Tompkins, Nellie McKay and Josh Gondelman would add humor and song to the sets.

They had a backing band (whom they introduced but whose names I missed).  There was a bass player, a drummer and keys.  Aimee and Ted both played guitar.  The backing band started playing the haunting opening of Paul McCartney’s Wonderful Christmastime.  Then Aimee and Ted walked out (both dressed head to toe in black, which amused me) and sang.

And that’s basically what I expected.  Up next was a Christmas song that I barely knew but which I loved immediately–Merry Xmas Everybody by Slade.  It became a favorite Christmas song for me. (more…)

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Hundreds of Beavers (PhilaMOCA, Philadelphia, PA, December 5, 2024)

Posted in Hundreds of Beavers, Mike Cheslik, Philadelphia, PA, PhilaMOCA, Ryland Brickson Cole Tews on December 5, 2024| Leave a Comment »

[ATTENDED: December 5, 2024] Hundreds of Beavers

I had seen an ad for Hundreds of Beavers and it looked weird and fantastic.

When I saw that it was playing at PhilaMOCA, I grabbed a ticket for myself and my son (my wife was bummed that she said no when I asked if she wanted a ticket, because she admitted that it sounded like fun).

So I picked up my son from school and we drove to Philly.  We had pizza at a nearby shop and wow was it bad.  It was made worse by the fact that when I poured grated cheese on it to make it more palatable, the grated cheese was actually sugar.

In fairness, it was in a sugar dispenser, but why is there sugar on the table at a pizza joint?  Have you ever had pizza with sugar on it?  It is, simply, not good.

But we were there in time for the movie and we grabbed seats in the back.

This was a special screening in which they had random prizes to give out (posters and such).  We didn’t win, but that’s okay. (more…)

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They Might Be Giants: Big Tour (Union Transfer, Philadelphia, PA, December 5 & 6, 2024) [DID NOT ATTEND]

Posted in Philadelphia, PA, They Might Be Giants, Union Transfer on December 5, 2024| Leave a Comment »

[DID NOT ATTEND: December 5 & 6, 2024] They Might Be Giants

Las year, after five failed attempts, They Might Be Giants FINALLY got to play Union Transfer.

My wife and I were pretty excited to finally get to see them and we enjoyed the show a lot.

When they announced that they were playing Union Transfer again I think we both decided that we didn;t need to see them again so soon. (more…)

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Girl in Red (Wellmont Theater, Montclair, NJ, December 1, 2024)

Posted in Gigi Perez, Girl in Red, Montclair, NJ, Wellmont Theater on December 2, 2024| Leave a Comment »

[ATTENDED: December 1, 2024] Girl in Red / Momma

My daughter and I saw Girl in Red in April of this year.  I was really surprised that she announced a new show in Montclair and when I asked her if she wanted to go, my daughter said yes!  Even though it was a Sunday school night.

I wondered how much of this show would be the same as last time.   And the answer is, a lot and yet not that much.  The set was the same except smaller.  But the video screen was bigger and made the videos easier to see.   But there was no vertical section like last time (which is fine as it was neat but didn’t add a ton to the show.  Oh and there was no giant swivel light/projector,  But honestly she doesn’t need that because she is a dynamo and everyone is there to see her.

Like last time, Marie was way overdressed in a sweater and button up shirt.  But she was committed to the outfit, she said.  And she proceeded to jump around and dance all over the stage for 90 minutes.

Like last time, she opened with the dancing title track of her new album.

She dove right into one of her faves, “girls” which had the crowd going nuts.  She followed it with “New Love” a song which she said she hadn’t yet performed this tour because she’s had bronchitis.  (more…)

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Gigi Perez (Wellmont Theater, Montclair, NJ, December 1, 2024) [GIRL IN RED]

Posted in Gigi Perez, Girl in Red, Montclair, NJ, Wellmont Theater on December 1, 2024| Leave a Comment »

[ATTENDED: December 1, 2024] Gigi Perez

My daughter and I saw Girl in Red in April of this year.  I was really surprised that she announced a new show in Montclair and when I asked her if she wanted to go, my daughter said yes!  Even though it was a Sunday school night.

We arrived in Montclair early enough to have some dinner ahead of time.  And HOLY COW.  The line to get into the venue stretched for several blocks!  I have been to several shows at this venue and have never seen anything like it.  Clearly every young woman in the tri-state area (as Girl in Red later said–a room full of lesbians) was at this show and wanted to get right up front.  Doors opened at 7 and we arrived about 7:10, so many of the people must have been waiting (in the freezing cold) for hours.  So we had our Tacoria and when we got back to the venue at 7:50, the line was till quite long.

But it moved quick and we entered the venue as Gigi was starting.  But we grabbed some merch since the line was short (good choice as it was huge on the way out).  This was my daughter’s idea and she was chock full of good ideas tonight.  As we entered the concert area, I headed down to the pit, but she stopped us at the bar/mezzanine area.  I always ignore it because it’s usually packed and noisy.  But it was fairly empty–everyone was squeezing in down below.  And we managed to be right behind people at the mezzanine railing.  We had a great view and weren’t crowded in the sweaty pit.  Fantastic!

So we missed a song or two from Gigi, but we caught most of her set.  And I was really impressed.  Her voice is amazing–really powerful and with quite a range.  On stage it was just her on guitar and a drummer (who may have been her brother?).   He triggered loops that added bass and backing vocals to her guitar and she sounded huge.  In fact, I have since listened to her album and found it a bit flat in comparison to how great she sounded live.

I’m not sure what she played. But she has one EP (which is actually longer than the most recent Girl in Red album but over 5 minutes) and a bunch of singles, including the massive hit “Sailor Song” which she ended with.

The crowd was with her right from the start and she gushed about being on the tour (she was born in Hackensack, which is just up the road, but she grew up in Florida, so it probably wasn’t much of a homecoming).

Overall I was really impressed and felt she was a perfect opener for Girl in Red.  It was even more fun when she came back on stage later to sing a couple of songs with Girl in Red.

 

  1. Please Be Rude
  2. Fable
  3. bad idea!
  4. Normalcy
  5. When She Smiles
  6. Chemistry
  7. Sailor Song

 

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Blood Incantation (Underground Arts, Philadelphia, PA, November 25, 2024)

Posted in Blood Incantation, Hällas, Midwife, Philadelphia, PA, Tangerine Dream, Underground Arts on November 26, 2024| Leave a Comment »

[ATTENDED: November 25, 2024] Blood Incantation

My brother-in-law Ben told me about Blood Incantation a couple of weeks before this show. So I grabbed a ticket just before it sold out!

With a name (and logo) like that, I assumed they were just a bludgeoning death metal band but they display all kinds of interesting progressive rock tendencies.  And those are fully explored on their newest album Absolute Elsewhere.

The album is 43 minutes long and consists of two songs.  Each song has three parts.  And they played the album in full for this show.

When I walked in I saw that there were an obelisk on either side of the stage.  It had characters carved into it and just before the band took the stage the characters lit up red.

When the band came out I couldn’t get over how the lead singer looked.  Paul Riedl has a mustache and long hair (balding on top) he looked like a manager at Staples.  But then he stepped up to the mic and went “OOH” and the growl was perfect.

Knowing that the album was a bit more trippy (with lots of synths and quiet parts) I wasn’t sure how moshy the crowd would be.  But as soon as the band started, and the opening bludgeoning began, I quickly had to move several feet to the right.

The song starts out with some pounding guitars and Isaac Faulk using all of his drum kit.  And after a squealing guitar and a bug grunted Oooh, the band took off with some seriously fast double bass drums and wild guitar soloing.

After 2 minutes of furiousness, the song slowed down dramatically with picked guitars and quiet washes of synths.  Three minutes later it’s back to the heaviness with some growled lyrics and wild soloing from Morris Kolontyrsky.

Jeff Barrett played bass and while I couldn’t seem him from where I was, his low end was felt from the speakers.

After 8 minutes, the song segued into Tablet II. (more…)

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Midwife (Underground Arts, Philadelphia, PA, November 25, 2024) [BLOOD INCANTATION]

Posted in Blood Incantation, Midwife, Philadelphia, PA, Underground Arts on November 25, 2024| Leave a Comment »

[ATTENDED: November 25, 2024] Midwife

My brother-in-law Ben told me about Blood Incantation a couple of weeks before this show. So I grabbed a ticket just before it sold out!

I knew they were death metal, and assumed that the opener would be as well.  But, wow, what a difference!

Madeline Elizabeth Johnston is an American singer-songwriter, multi-instrumentalist, and audio engineer. She is best known for her work under the moniker Midwife, and has also released music as Mariposa and Sister Grotto. Johnston describes her music as “heaven metal.”

She came out on stage and her microphone was a telephone.  She spoke into it and her voice sounded a million miles away.

And it turns out that I have seen Midwife before!  They opened for Deafheaven.  And the funny thing is that I absolutely remembered a woman singing into a telephone, but I didn’t think it was the same person for some reason.  But I see from a previous post that I saw Midwife in 2022.  And I felt exactly the same as I did this time.

She created a beat on a drum machine and began playing very slowly.  She sang quietly, from a million miles away.

All my friends are in New York
All my friends are in LA
All my friends are in Chicago
All my friends in Santa Fe
All my friends in Colorado
All my friends are here to stay
How much more death can one person take?

It was the antithesis of death metal.  It was slow and ponderous.  I think had I not been there for a death metal show I would have enjoyed it more, but the crowd–dudes in leather and chains–ate it up.  I was really happy for her as she seemed like she could have been so vulnerable up there, but she was poised and powerful as she sang these slow songs about death.

Killdozer:

This has always been my town
Now it’s a living hell
Everyone wants a piece of me
How am I not myself?
All my songs are love songs
All my songs are blue
All my songs are about death

All of these songs were pretty long, but Midwife was given about 45 minutes to play.  I didn’t actually think she’d play another song after S.W.I.M. but then Morris Kolontyrsky of Blood Incantation came out and they played No Depression in Heaven together.

The lyrics to that song?

Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying Crying
Ha ha ha ha ha ha ha ha ha Ha ha ha ha ha ha ha ha ha Ha ha ha ha ha ha ha ha ha Ha ha ha ha ha ha ha ha ha Ha ha ha ha ha ha ha ha ha

Kolontyrsky played beuatiful complicated solos over Midwife’s slow repeated guitars.  Her musical patterns are simple but effective and while he wasn’t showing off, he was playing some impressive lead solos.

When the set was over, they hugged and she began cleaning up her stuff.

I’d never listen to her music on purpose, it’s totally not my thing, but it was a mesmerizing performance.

 

2024 Underground Arts 2022 Union Transfer
Colorado £ Christina’s World £
Vanessa ⊗ God is a Cop £
2018 ∞ 2018 ∞
Killdozer ⊗ Colorado £
S.W.I.M. ∞ S.W.I.M. ∞
No Depression in Heaven ⊗ (with Morris Kolontyrsky of Blood Incantation)

∞ Forever (2020)
£ Luminol (2021)
⊗ No Depression in Heaven (2024)

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