Feeds:
Posts
Comments

Archive for the ‘Venues’ Category

[ATTENDED: May 24, 2019] Cannibal Corpse

Cannibal Corpse formed in 1988 in Florida.

At the time they were probably the most notoriously revolting band around–taking the violent images in metal songs to a far extreme.  Although perhaps most amusingly, without scanning the lyric sheet I don’t know how anyone could tell what the words are.

Cannibal Corpse are pretty legendary.  They have been banned in many countries. I have never specifically wanted to see them, but I always thought it would be interesting.  In fact, when they announced a show at White Eagle Hall at the end of last year, I briefly considered going.  But I’m glad I didn’t because a little Cannibal Corpse goes a long way (They played 18 songs at White Eagle Hall (!)).

Cannibal Corpse is pretty much a wall of noise.  Although I must admit just how well they were projected, because despite them being superbly loud, I could hear each guitar, the intense drums and the vocals (if not the words) pretty distinctly–even if they are a series of growsl)

The biggest surprise for me was that their songs were quite long.  I associate super fast death metal with short bursts of aggression.  Napalm Death for instance has songs that are about a minute long.  But most Cannibal Corpse songs run to four minutes or more.  That’s some lengthy intensity, especially for the speed of the drums and the massive intensity of Corpsegrinder’s headbanging.

One of the funnest things to say about Cannibal Corpse is that they are in Ace Ventura Pet Detective (1994).  Soon after that (but apparently unrelated), lead singer Chris Barnes left and was replaced by current singer George “Corpsegrinder” Fisher.  There hasn’t been very much change in the lineup for the thirty or so years they’ve been playing.  Although in December 2018, lead guitarist Pat O’Brien was arrested for assault and battery and Morbid Angel guitarist Erik Rutan would fill in.

It’s amusing seeing a band like Cannibal Corpse in the bright sun–I couldn’t imagine sitting in the lawn for them.  But it was early evening and very bright out (which meant good photos!).

But they obviously weren’t bothered by it because they came out on stage and created a noise that made me put earplugs in and not take them out all night.

I didn’t know any of their songs (although I had heard of “Hammer Smashed Face”), I didn’t even know they had FOURTEEN albums out!  So, to pick six songs for this tour must have been a challenge.

They played one song from their most recent album–2017’s Red Before Black (the least offensive or violent seeming title in their discography).  They skipped the previous album and then played one each from the two before that.

Corpsegrinder is known for his headbanging (in which he whips his head around in a circle rather than the old-school back and forth motion).  He told the audience that he would challenge anyone to a headbanging contest.  “You will lose.  And that’s okay.”

I was delighted by how deadpan amusing he was.

Even introducing the song “I Cum Blood,” he said, “this is a song about shooting blood from your cock….  it’s sounds fun… until it happens to you.”

That song as well as “Hammer Smashed Face” comes from their 1992 album, Tomb of the Mutilated.  They had two albums out before that.

Honestly, I couldn’t really tell any of the songs apart, but there were definitely sections to the songs.  These were mostly distinguishable by drummer Paul Mazurkiewicz’s amazing playing (he’s been with the band since the beginning, as has Alex Webster on bass).  Although his playing choices are somewhat limited in this style of music his energy never flagged during his double bass pounding or straight up snare slamming.

I’m glad their set was only about 30 minutes.  It was plenty.  And honestly they didn’t do anything outrageous, like I thought they might.  Maybe if they headline?  Or maybe they’re not Gwar, they just play fast and loud and do a lot of headbanging.

SETLIST

  1. Evisceration Plague €
  2. Scourge of Iron ⊗
  3. Red Before Black ®
  4. I Cum Blood ™
  5. Stripped, Raped and Strangled ß
  6. Hammer Smashed Face ™

 

™ = Tomb of the Mutilated (1992)
ß = The Bleeding (1994)
€ = Evisceration Plague (2009)
⊗ = Torture (2012)
® = Red Before Black (2017)

 

Read Full Post »

[ATTENDED: May 20,2019] Mono

It seems entirely possible that I could subsist on rock bands from Japan for a couple of months.  Between Acid Mothers Temple, Boris and now Mono, I have an amazing collection of experiences both on record and in person.

I was unfamiliar with Mono when Union Transfer announced that they’d be playing a “big, intense show, like usual.”  But I had to check them out…  (especially since tickets were only $10–a criminally low price for such an amazing show).

Mono has released some ten albums (plus EPs and more) since 2001.   They have been a band since 1999 with only one lineup change.  The original drummer left in 2018 and was replaced by New Yorker Dahm Majuri Cipolla. (more…)

Read Full Post »

[ATTENDED: May 20, 2019] Emma Ruth Rundle

The night after Animals as Leaders, I was excited to check out Mono, primarily because I assumed it wouldn’t be all that crowded.  In fact, I didn’t even have a ticket ahead of time (risky if you’re driving over an hour, but it worked out fine).

My friends Liz and Eleanor had given me a Union Transfer gift card for my birthday and you can only use it at the box office, so I figured it was a nice time try it out.

The stage was pushed far forward to lessen the floor space (which is a cool thing they can do at UT).  I rather like when the stage is pushed forward as it makes the show intimate without being crowded.

I hadn’t heard of Emma Ruth Rundle and didn’t know anything about her.   I had no idea that she had a following (she has released three albums and plays in some other bands). (more…)

Read Full Post »

[ATTENDED: May 19, 2019] Animals as Leaders

My Brother-in-law, Ben told me about Animals as Leaders and I was rather shocked that I had never heard of Tosin Abasi.

Tosin is from Washington D.C. (his parents are from Nigeria).  He is self taught and has been playing since about 2000.  He plays primarily the 8-string electric guitar and his fingers (on both hands) are all over the fretboard.  Basically, he’s a guy you want to watch closely.

He started the all-instrumental Animals as Leaders in 2009.  The band is a hybrid of many different genres: heavy metal, prog, jazz, classical.  Or as he put it: “Thanks for listening to our weird ass music for the last ten years.”

I was also intrigued that right after talking about them I saw that they were coming into Philly a few weeks later.  So I immediately grabbed a ticket.

Indeed, this tour was celebrating the tenth anniversary of the debut, self-titled album.  I assumed that that meant they’d be playing the whole album but they didn’t.  They played about half of the debut and about half of their newest release (from way back in 2016).

I feel about this show that it was the most disappointing experience of an amazing show that I’ve had in a long time. (more…)

Read Full Post »

[ATTENDED: May 19, 2019] The Contortionist

I don’t understand how I have never heard of The Contortionist (which is a spectacular name for a prog-metal band, especially in the singular).  They have been making prog-metal since 2007.  And prog metal is one of my jams.

So how could I not know about these guys (who have a pretty intense fanbase)?

They had this cool wooden cutout backdrop thing which I rather liked.  Although when the lights came on I saw that it was beat up and weathered–ah the magic of stage craft.

The band came out and the lighting was really intense. The light behind the wooden sculpture was lit up from time to time, but primarily the stage lights coordinated very well with the (diverse and very fast) riffs and drums.  There were a few strobing moments that actually hurt my head.

I was in front of guitarist Cameron Maynard and bassist Jordan Eberhardt.  The problem for me was that once this band took the stage an influx of very tall people came up front.  Plus the lighting was mostly very very dark.  I didn’t even realize there was a second guitarist (Robby Baca) for about three songs. (more…)

Read Full Post »

[ATTENDED: May 19, 2019] Moon Tooth

Moon Tooth are a band from Long Island who began in 2012.  They have two albums and some EPs out.

What’s most striking about them is how much the one guy (guitarist Nick Lee) does not look like the other three.

Vocalist John Carbone, drummer Ray Marté and bassist Vincent Romanelli are all broad guys with short hair, while Lee has long locks and is quite thin.

In some respects he feels like an outsider musically as well.  The rhythm section is heavy and groovin and Carbone’s voice fits along really well with it.  It’s not growly or traditionally metal high-pitched, it’s just really powerful–he’s got a great voice.

Lee’s guitars feel a lot more metal, though–little squeaky high notes and flashy riffs and what not. (more…)

Read Full Post »

[ATTENDED: May 10, 2019] Kevin Devine

I saw Kevin Devine open for Frightened Rabbit back in 2017.  I didn’t know his music, but I really enjoyed his solo set.  When I heard that he was doing this tour with John K. Samson I was really excited to see him again.  I had hoped he’d be with His Goddman Band, but it turned out to be solo again.  I kind of assumed it would be with the band because of the new piece of merch (below) which I love but can’t imagine where you’d wear.

But it was excellent to see him not with the Goddamn Band because he was excellent solo.

Devine came out on stage to much applause.  He fiddled with the microphone stand and then said, you should be careful with your applause–what if I spend the whole night just tightening the mic stand.  Which he proceeded to do for another 40 seconds or so to much laughter until he admitted he couldn’t keep up the joke.

Devine played a song or more from nearly all of his nine albums as well as from his new split singles sets. (more…)

Read Full Post »

[ATTENDED: May 10, 2019] John K. Samson

I loved The Weakerthans from the moment I first heard “Civil Twilight” on a compilation and then on their album Reunion Tour.

I then went back and devoured the other three albums and loved the incredible lyrics that John K. Samson wrote.

Reunion Tour came out in 2007.  And that was the last anyone heard from The Weakerthans.  Well, not really, they put out a live album and toured some, but otherwise, that was pretty much it.  Sometime in 2014 they announced that they were more or less officially broken up.  So I figured I’d never get to see them live.

And I won’t.  But John K. Samson has been releasing solo albums since around 2009.  He has played Philly about three times in ten years.  And I was so excited to get a ticket to this show before it sold out.

The thing that made me so incredibly happy (aside from the play list) was that he sounded EXACTLY like he was supposed to.  I don’t mean that I don’t expect his voice to change over the years, but Samson has a distinctive voice and he sounded just like John K. Samson!

It was wonderful.

And the setlist was fantastic. (more…)

Read Full Post »

[ATTENDED: May 10, 2019] Shannen Moser

It’s funny how some artists wind up as opening acts quite often.  In fact, there’s a number of bands that I could have seen many times because they opened for bands that I wanted to see.  I guess I haven’t wound up seeing all that many of these bands for whatever reason, but I do see the same opening bands popping up from time to time–especially if they are local.

A few weeks ago, Shannen Moser was scheduled to open for Girlpool, but I had to miss that show. And now a couple of weeks later, here she is opening for John K. Samson and Kevin Devine.

Shannen is from Berks County, PA.  She plays a simple kind of open-tuned guitar (such that a capo is all you need to make a chord sound good).  Some of her songs have a finger-picking section as well.

Her lyrics are personal and often pointed.

She told some amusing stories in between song–amusing stories that often led to rather dark songs.  She sings in a powerful style–with countryish inflections.

There were a few times when she sang so loud that I had to put earplugs in–which I did not need for the other two.  She had a song where she seemed to growl some of the lyrics as well.

It was a treat to hear her really let loose.

Read Full Post »

[ATTENDED: May 1, 2019] The Murlocs

I was aware of The Murlocs as being the spin-off band from King Gizzard and the Lizard Wizard’s Ambrose Kenny-Smith.  I’d listened to them a few times but hadn’t really listened intently.

Then I saw that they were playing at Underground Arts (in the Black Box, one of my favorite venues no less).  I thought it would be a great opportunity to see 2/7 of KGATLW (Craig Cook plays in both bands) before seeing KGATLW again later this year (probably from much further away).

I had also seen just the day before the show that two other members of KGATLW (Stu Mackenzie and Eric Moore) were on the East Coast (a picture of them hanging out with Trey Anastasio(!) has surfaced), so I thought there was chance that they might come down and join Ambrose on stage (they didn’t).  Although I learned that Stu and Eric joined the band for the encore cover of Hot Chocolate’s “Every 1’s a Winner” the night before in NYC (always at the wrong show).

I assumed that this show wouldn’t be all that well attended.  The King Gizzard shows are always popular, but I figured it was a side project by the “second singer” so how crowded would it be?  (more…)

Read Full Post »

« Newer Posts - Older Posts »