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Archive for the ‘Venues’ Category

[ATTENDED: June 11, 2019] Baroness

Baroness is, for the most part, the work of John Baizley.  There are others in the band, but there hasn’t really been any consecutive albums with the same lineup.  I first heard of John Baizley on March 10, 2017 when he was brought out as as special guest at a Strand of Oaks concert.

I thought Baizley was great at that show and I really liked his voice.  So I investigated and I discovered the wonder that is the prog metal of Baroness.  Baizley writes beautiful passages and tacks them onto brutally heavy metal.  His voice is a rich baritone and it all works perfectly.  I later found out that all of the art is done by him and that he has crafted some amazing heavy metal covers as well (here’s his art site).

In 2017, Baroness was between albums (their previous one came out in 2015, their new one is coming out in a couple of days).  But I listened to his older records and really liked them a lot.

They have recently toured for this new album, but the two shows they played near me were not ones I wanted to see.  In April they played the Decibel Magazine Metal & Beer Fest which sounded like a terrible thing to go to, quite frankly (even if they were the headliners) –7 bands and all that beer, no thanks.  A few days earlier they were playing Starland Ballroom with Deafheaven.  A double bill I would have liked to see, but I was already seeing Voivod that night.

They announced a tour of the rest of the lands and I was a little bummed.  But then they announced this little acoustic tour to coincide with their new album.  I was planning on getting the album anyway, so to travel to Fords to get that record and to have Baroness play an acoustic show was a no brainer. (more…)

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[ATTENDED: June 10, 2019] Death Cab for Cutie

It’s not often that you get to see a band twice on the same tour–eight months apart.

When I saw that Death Cab for Cutie were playing Starland Ballroom, at first I thought I didn’t want to go because we had seen them a few months earlier (and amazing show at the tower Theatre in Upper Darby).  Then I looked at some set lists and I saw that they were mixing things up a bit.  It was still a tour for the new album, but they were changing placement of songs and adding different ones.

I also didn’t realize until we got there that they had changed their lights how (for this performance at least).  Last time their lights were very tall–two layers of lighting rigs with a giant video screen behind and above them. This time there was no video screen and only one bank of lights.  Smaller club lighting maybe?  The keyboardist Zac Rae was actually between two light poles so we could see him whenever he didn’t lean too far forward.

I had hoped we could move from where we were on the side because I’d remembered the lighting was so cool.  From where we were, the lighting rigs blocked some of the stage (but only a little) and while the lighting was cool, it was much more subdued than last time.

It turns out the setlist wasn’t radically different from last time either.  They played four different songs than last time (and one fewer because I think one of the newer songs had a lengthy jam tacked in the middle). (more…)

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[ATTENDED: June 10, 2019] Jenny Lewis

I somehow missed Rilo Kiley from the get go.  It’s not that I didn’t like them, i didn’t know them.  I may have heard a song or two, but otherwise nothing.

Same with Jenny Lewis solo.  I know a lot of people love her, but I just missed her completely.  I’ve heard a few of her songs from her last album and I rather liked them.  So I was pleased enough that she was opening for Death Cab for Cutie.

Obviously I had no idea that they had a connection to her.  (From the same region, on the same label, she sang on Ben Gibbard’s side project).  So this was a nice tour for them.

We arrived at Starland Ballroom to find a line wrapping around the parking lot.  So although we were early, we didn’t get into the building until about 5 minutes before she went on (and it wasn’t even sold out!).  It was packed though and trying to find a spot in the center was impossible.  So we wound up standing on the elevated platform off to the right.  Not the best location, but honestly if we were on the floor, it would have been really crowded and really hard to see. (more…)

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[NOT ATTENDED: June 6, 2019] Emily Reo/Charly Bliss [moved to November 14th]

Just a few days ago the Distillers show was postponed because of an injury.   And now this Charly Bliss show was also postponed.  At least for this one we received notice ahead of time.

On May 23, we were sent this message

Due to scheduling conflict at The Foundry, Charly Bliss‘ 6/6 show at The Foundry has been postponed to November 14th.

I’m not sure what kind of scheduling conflict happens a few weeks before a concert that’s been scheduled since March, but whatever. (more…)

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[ATTENDED: June 5, 2019] Ages and Ages 

A few years ago Ages & Ages’ “Divisonary (Do the Right Thing)” was one of my favorite songs of the year.  They’ve been on my list of bands to see, but I missed them back in 2017.

So I was pretty excited that they were coming back around and that they had a (fantastic) new album to tour.

We had some miscommunication at my house about the plans for the evening, so I wound up missing the opening act entirely.  But I was able to see all of Ages & Ages.  The turnout was quite sparse (a Wednesday night) maybe 35 people?   I personally love an uncrowded show, especially when the people in the audience are big fans–which several of them were.  There was an older woman who was whooping and singing along the whole night.  And a drunken younger woman who slapped me in the arm and said “these guys are good!”  (She was just there to get drunk apparently). (more…)

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[ATTENDED: June 5, 2019] Kyle Emerson 

We had some miscommunication at my house about the plans for the evening, and I wound up leaving way too late to see Kyle Emerson perform.  It was a very rainy night and I wasn’t sure what time I could leave.  So when I finally did, I got to Boot & Saddle right around 45 minutes after Emerson went on.

I skipped using the restroom and went to the back room to see him play.

He and his band were jamming a rocking song with a fantastic solo.  And just as I settled in, the song ended and he said thanks and good night.

What a drag.

All I know about Emerson is t hat he is from Denver and his album is quite good.  Maybe he’ll come through the area again.

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[NOT ATTENDED: June 1, 2019] Starcrawler/The Distillers [moved to August 14]

I got a ticket for this show more for Starcrawler than The Distillers.

I have heard that a live Starcrawler show is not to be missed and I was ready to watch them!

I wasn’t even really sure if I knew who The Distiller were, in fact.  Then I remembered I had seen an NPR Field Recording with Brody Dalle.  I didn’t love her solo song, but it got me to listening to a few songs from The Distillers, which I liked a lot more.

So I was pretty excited to go and I made sure that I got there early since I assumed there’d be a lot of Starcrawler fans there, too.

But when I drove past Union Transfer, there was a huge line out front.  Was I earlier than the doors opening time?  I found a parking spot and as I walked to the venue I saw people walking away.

When I got up to the doors, I saw the merch all set up, but the guy at the door politely said that Brody had herniated a disc in her back and the show was postponed.  And not for later in the night–she was in the hospital. (more…)

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[ATTENDED: May 24, 2019] Slayer

I have been a fan of Slayer since their debut album, Show No Mercy.  I was a major metal head in high school, always searching for heavier and heavier music.  Metallica was great but then came Slayer.   I more or less stopped listening to them after college.  Although in 2001 (with the release of God Hates Us All on 9/11) I reintroduced myself to their newer stuff.  And since then I have been checking out each release.

Their final album, Repentless, came in 2015 and they have been touring it ever since.  This is–and I assume it’s true–their Farewell tour.

They’ve had a remarkably stable line-up over nearly 40 years.  Drummer Dave Lombardo left and then came back and then left again.  I would have loved to see Slayer with Lombardo, but I was able to see him (and actually see him) when he played with Dead Cross (I was five feet from the stage).  I would never have actually seen him with Slayer (so much stuff on stage.  I never saw Paul Bostaph behind the kit).

The only other line up change came when guitarist Jeff Hanneman died.  That was pretty major, since Hanneman co-wrote so many of the songs.  But Exodus guitarist Gary Holt filled in and has been in his place for six years (he recorded Repentless).  Holt has a different playing style (his solos are more structured), but he comes from the same heavy, dense guitar background and fits in just fine.

I had actually been intimated about going to a Slayer show, especially as an adult.  I have seen my fair share of metal shows, but I assumed the Slayer audience would be a step more intense.  Just waiting online was intimidating with every other person shouting “SLAYER!” at the top of his lungs.

I finally decided to see them in 2017 at The Electric Factory, but when I called on the night of the show to secure my ticket it had literally just sold out.  So I figured I’d never see them live.

Then they announced this farewell tour.  It was going to be at an arena (which would be less insane than a club, in terms of fan behavior) and I was able to get decent seats.  [This show was better than that one for setlist, and I have to assume pyro as well]. (more…)

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[ATTENDED: May 24, 2019] Lamb of God

I had an idea of what Cannibal Corpse and Amon Amarth were all about before this show, but Lamb of God proved to be elusive to me.  Not that it was hard to figure out they played heavy music. but i didn’t know if they had an “angle.”

I had read that they were in the mold of Slayer and the song or two that I listened to before the show bore that out.

I had no idea they were going to be quite so intense of that singer Randy Blythe would have so much freaking energy.

By this time in the night, the crowd was pretty full.  The pit was writhing and the lights were in full use.  Lamb of God came out with a bang and a lot of red and blue lights (the hardest to photograph).

I was in front of lead guitarist Mark Morton, who was fun to watch.  And I really enjoyed seeing bassist John Campbell and his long grey beard (he never got close enough for a clear picture).  Rhythm guitarist Willie Adler did come over to our side once or twice, but he was hard to get a picture of.  And of course, excellent drummer Chris Adler was behind the kit most of the time and therefore invisible. (more…)

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[ATTENDED: May 24, 2019] Amon Amarth

I was aware of Amon Amarth but really didn’t know anything about them.  I had no idea that they were Vikings from Sweden!  Or that their name came from J.R.R. Tolkien (but I should have guessed that).

I had left the seats after Cannibal Corpse and when I came back, there was a ship on the stage!  And the backdrop had been replaced by this giant warrior dude.

I had listened to Amon Amarth a few days before the show, so I had an idea of what they were about–heavy riffs and lots of chanting.  Lead singer Johan Hegg was something of a growler, but the lyrics were pretty audible.  They were quite different from Cannibal Corpse.

First out was drummer Jocke Wallgren (they’ve had a lot of drummers since they formed in 1992).  Then the rest of the band followed.

Finally singer Johan Hegg came out with a horn on his belt and a swagger in his walk. (more…)

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