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Archive for the ‘Venues’ Category

[ATTENDED: December 31, 2019] Chris Forsyth + Garcia Peoples

I was blown away the first time I heard Chris Forsyth’s album Dreaming in the Non-Dream.  When I saw his Tiny Desk Concert I was convinced that he was someone I wanted to see live.

Forsyth is based in Philly which means I should be able to see him a lot.  And, in fact, he does seem to play in the area quite a lot. But always when I’m unavailable!  So, if it meant travelling to NYC to see him so be it.

Garcia Peoples’ set ended at around 1:15 and, since they were backing up Forsyth, there was no take down/set up to deal with.  At around 1:30, Forsyth came up on stage and made sure his stuff was in order. Then he called back Garcia Peoples to the stage and off they went.

Like the GP set, Forsyth only played three songs.  And like the GP set, it lasted 45 minutes of awesomeness.

They started with Forsyth’s new song “Tomorrow Might as Well Be Today.”  It’s got a great opening riff and the song just takes off from there.  The song is only 4 minutes on the record (his latest record Mystic Mountain), but they jammed it out for a few minutes more.  Forsyth’s soloing was just fantastic. (more…)

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[ATTENDED: December 31, 2019] Garcia Peoples

I saw Garcia Peoples about a year ago when they opened for Heron Oblivion.  I really liked them and knew I’d want to see them again.  The fact that this year they were on a bill with Chris Forsyth, who I also really wanted to see, and it was an after-party show after the final Phish show I’d be seeing of the year made it even more cool.

I was even willing to stay in NYC until 3 AM to see it!

I arrived at Le Poissin Rouge early enough to get a slice of pizza in the Village (yum) and even get a drink at LPR (the bartender assumed my change was a tip, apparently).

I parked myself on the right side of the stage (I usually prefer the left side, but it was a little crowded there).  I wound up being right in front of GP’s guitarist Tom Malach (who looked different since last time he wore a toque the whole night).

The big difference between these shows was that last time Andy Cush was on bass, but this time it was Derek Spaldo, who also sang lead vocals much of the time.  I understand Andy is still in the band–do they alternate venues?  Well, whatever the case, I thought Cush was great last time and I thought Spaldo was great this time.

This band is so much fun to watch.  Spaldo is often playing a great grooving bassline while Malach and other guitarist Danny Arakaki trade amazing licks. (more…)

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[ATTENDED: December 30, 2019] Phish

After last night’s show, I really didn’t have high hopes for knocking out a bunch of songs.  I realize they don’t know what’s on my list, but it sometimes feels like they do and they keep spacing them out to make sure I come back.

For this show I had seats that I bought in the lottery.  I never get good seats in the Phish lottery, but the tickets themselves are very cool–colorful and quite lovely.  But I was up in the 200s for this show.  And once again my row-mates were lame.  Or maybe I’m the lame one.  Whatever the case, this was my first show where I could see the video screen.  The video screen is pretty terrible because the audio and video are out of synch.  However, it did allow me to take a few good pictures of the guys.

Tonight’s trip into the city was much better.  I’d picked a garage in the village, six blocks from Le Poisson Rouge, and this time I knew I’d be able to make the afterparty (Garcia Peoples, Chris Forsyth, Ryley Walker).  I also managed to go into MSG through a different entrance (I really wish I could keep track of which entrances are the best).  I managed to get the shirt that I liked (sold out last night) and get to my seat with ample time to spare.  Let it be known that there is FAR LESS ROOM in the 200s than in the 100s!

But the lights soon dimmed and Trey played the four opening notes that can only mean one thing–“Wilson!”  The very first time I saw Phish, they opened with “Wilson” and it was a wonderful moment.  And sure, I’ve seen it four times, but it is such a great, exciting song live–so much crowd interaction–that I knew it would be a fun night. (more…)

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[ATTENDED: December 29, 2019] Phish

I blew off two of the three Phish shows I had tickets to this summer.  (I really should have gone to that Sunday show).  Camden is such a hassle.

Somehow, I find getting to Madison Square Garden much less of a hassle–which makes literally no sense.  These were my fourth and fifth times seeing them at MSG (compared to two in Camden).  But this MSG trip involved driving into the city ($15 tunnel toll?) and then getting a garage.  And, because I planned to go to an after party at Le Poisson Rouge with Marco Benevento, I decided to park in the village and subway it up.  That’s actually a lot of hassle.

But it was worth it.

This was my eighth Phish show (I could be in double digits by now if I didn’t sell those Camden tickets).

The theory is that the Sunday night of the New Year’s Eve run is always great.  And boy howdy was it. (more…)

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[ATTENDED: December 14, 2019] Kevin Devine & The Goddamn Band

I have seen Kevin Devine twice.  The first time was in 2017 when he opened for Frightened Rabbit.  The second time was earlier this year when he did a brief solo tour with John K. Samson.  The second show was so good–he was so full of energy as a headliner, that I knew I’d see him again.  But I really wanted to see him with The Goddamn Band (hilarious name).

When it was announced that Kevin and the Goddamn Band would be playing a short tour celebrating the tenth anniversary of the 2009 album Brother’s Blood, I bought tickets immediately.  I didn’t even know the album, I just wanted to see the whole band.  And holy cow was it a great choice.

Kevin has a fantastic stage presence–he bonds with the crowd instantly (even when I first saw him as an opening act and had no idea who he was, he just owned the stage).  He invites the audience to sing and the audience does.

And with the whole band, that interaction was even greater.  Kevin joked with the band members, soloed off of them and made the whole show like a party.

The crowd was totally into it–singing along to nearly every song.

It was a fantastic show.

I have since listened to the album a bunch and the songs are really great–but this live show was something amazing.  The band feeds off of each other, making every song bigger, richer, with more noise and jamming.  They clearly love playing with each other and were having a fantastic time. It was wonderful. (more…)

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[ATTENDED: December 14, 2019] An Horse

I feel like I’d heard of An Horse, but didn’t really know all that much about them.  It turns out they are a duo from Australia: Kate Cooper on guitar/vocals and Damon Cox on drums/backing vocals.  They’ve been around for ten years but have only released their third album this year.

I listened to them a bit before the show and liked what I heard.  But I was in no way prepared for how great they would be live.

Kate Cooper is a fantastic front woman.  She is funny, vibrant and she totally rocks.  Damon Cox is a fantastic drummer–playing interesting patterns, using different kinds of mallets and also singing backup.

I have seen a lot of rock duos recently and I’m always impressed with how big they can sound with just two people.  An Horse doesn’t sound big exactly, but they sound totally full.  You never feel like something is missing.  Their songs aren’t especially complex, but the way they both play, it never feels like “only” guitar and drums. (more…)

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[ATTENDED: December 12, 2019] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I got a ticket for the third night, not really knowing what to expect.

It turned out to be a fantastic night of music and togetherness.

I missed the next year but went last year to Winter Classic IV.  Which was also great.

There was no way I was going miss Winter Classic V.  This year I went for the first night of the three.

The other two shows had opening acts announced, but there was none announced for my night.

I didn’t think we’d get an extra long show (Tim doesn’t do extra long shows).  Instead we got a cool improv by his partner for the night, Mike “Slo-Mo” Brenner. (more…)

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[ATTENDED: December 12, 2019] Mike “Slo-Mo” Brenner

I was pretty excited to go to the fifth Strand of Oaks Winter Classic (this is my third).  I chose the first night of the series because I was going out on Saturday as well. The other two shows had opening acts announced, but there was none announced for my night.

When I arrived, my friend was there up front (of course) and I managed to get up next to her.  She told me that the opening act was going to be Mike “Slo-Mo” Brenner.  It was apparently decided just before the show started.

Well, Mike “Slo-Mo” Brenner was accompanying Tim Showalter for these shows (it was just the two of them during the Strand of Oaks set).  So, I guess it was decided last minute to let Slo-Mo do a twenty minute improv before the main show. (more…)

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SOUNDTRACK: PEARL JAM-“Angel” (1993).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

This song goes back to 1993 and has the logo from Vs.

It’s not a Christmas song (not every year end 7″ was Christmas themed).  Rather this sounds like an outtake from Vitalogy more than Vs.  Interestingly, they played it at the Fenway Park show that S. and I went to in 2016 (August 7), although I obviously didn’t know it.  I’m secretly impressed that I was there when they played this song–only  the sixth time they’ve ever played it.

It’s a quiet acoustic guitar-based song.  The chords sound a little off–a little unsettled.

The song opens with the first section, the “like an angel” section.  When the second part comes next, a second guitar is added in along with some backing vocals, (especially on the word “tortured”) giving the song an eerier harmony.  The guitar on this part is consistent until the 80 second mark when it suddenly shifts to a pretty melody.

There’s upbeat chords with some lovely backing vocals as Eddie sings lyrics he can’t seem to get out fast enough and some surprisingly high notes.

It’s certainly an oddball song–three minutes with no chorus and some certainly odd chords.  But the sentiment is quite nice.

[READ: December 5, 2019] “Acknowledgements”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story was fantastic.  I loved everything about it–tone, content, style, humor.  This had it all.

It is about a young writer who named his writer-protagonists after himself and wrote about how underappreciated he was as a writer.  The acknowledgements that the title refers to are in his debut novel which was just published.  It is called The Canon According to D. M. Murphy by D. M. Murphy.

But before getting to the people who impacted this novel, he gives us some extensive background about himself–birthday, birth method, etc.  He reveals his name is Daniel Manitou Murphy.  He liked the “Manitou” part although why his parents would name him after the islands in Lake Michigan (whose legend is that they were the Great Spirit’s memorial to her dead cubs) was always confusing to him.  He thought about going by D. Manitou, but he feared that it would be seen as appropriation.  And then of course there are the awkward years: “I had somewhere entered that phase of bourgeoisie adulthood in which one uses brunch as a verb.” (more…)

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[ATTENDED: December 4, 2019] A Very She & Him Christmas Party

S. and I have a large Christmas album collection.  It’s fun to add a CD a year or so, especially when they are new and interesting.

We’ve enjoyed the two Christmas CDs from She & Him (Zooey Deschanel and M. Ward).  So when it was announced that they’d be coming to Philadelphia (actually starting their mini-tour here), I got tickets right away.

We went in with expectations of a sweet Christmas experience.  And that’s what we got.

They played about 30 songs and the biggest surprise for both of us was just how long the show was.  I assumed 75 minute, but it wound up being almost and hour and 45 minutes.  That’s the holiday spirit! (more…)

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