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Archive for the ‘Venues’ Category

[CANCELLED: JANUARY 24, 2021] Monster Magnet / Silvertomb / Nebula / Heavy Temple [rescheduled from March 22, 2020]

indexOn September 17, Monster Magnet was the first band on my concert schedule to realize that our government couldn’t do anything and there’s no way a concert tour could happen in January.

“Unfortunately, due to ongoing covid concerns and continued restrictions we are canceling our January/February 2021 USA tour. Holding your money and moving the tour for a second time hoping to be open where we move it to does not seem logical or fair at this point. We would prefer you all had the money back in your pockets and we hope to rebook this at a more appropriate time for all. Please get refunds at point of purchase.”

It is clearly going to a full year without live music.  A vaccine can’t get here soon enough.

~~~~~ (more…)

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[POSTPONED: December 29, 2020] Cirque Dreams: Holidaze

indexI love going to see Cirques–all kinds of fun acrobatics and stunts on display.  When my kids were younger, we went to a lot of them.  Then we stopped for a while and I felt it was time to do it again.

This seemed like a perfect show to start up again.  It’s family friendly, it’s holiday themed, it seemed to be safely out of virus risk being taking place in December.  Surely the last few days of the year would allow some public entertainment….

Well, I hope Cirque Dreams comes back, if not for Holidaze, then maybe one of their other shows.

Cirque Dreams Holidaze lights up the 2020 season with the must-see holiday show The New York Daily News proclaims a “delicious confection of charm, sparkle, and talent by the sleighload and so full of energy it could end our dependence on oil.” Created by Cirque Dreams founder and Broadway director Neil Goldberg, Cirque Dreams Holidaze is a new cirque adventure, Broadway musical, and family holiday spectacular wrapped in one! This incomparable phenomenon features over 300 imaginative costumes, 20 world-class astonishing acts, the finest singers, original music, and seasonal favorites celebrating the most wonderful time of year from Thanksgiving to Chanukah, Christmas, and New Year’s. Audiences of all ages will marvel at soaring acrobatics, gravity-defying feats, and extravagant theatrical production numbers the Boston Globe hails as “Entrancing…Las Vegas meets family entertainment.”

holidaz

 

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SOUNDTRACK: THE DISTILLERS-Very Special Christmas Special, “Baby It’s Covid Outside” (December 18, 2020).

Despite going to many live shows, I haven’t watched a lot of streaming concerts. It’s not the same, and I don’t really like watching things on my computer anyway.

I’m not exactly sure what prompted me to buy a ticket for this one.  I saw The Distillers last year and enjoyed the show. But I feel like I didn’t get to fully appreciate it because the crowd was really rowdy and knew the band far more than I did.

So this seemed like a chance to see them “live” up close. The entire special was barely 40 minutes.  This is a bit of a bummer, but at the same time, it was really a perfect length for me.

In addition to the music, there were some skits.  As the show opens, Black Metal Santa unpacks some presents from his sack.  There’s a gun on a stack of presents, he pulls out a squeaking chicken dog toy and then a very adult toy.  He turns around, all Black Metal and says “Merry Fucking Christmas boys and girls, here’s The Distillers.”

On a well-decked-out Christmas-themed set The Distillers start to play.  There’s all kinds of Christmas things–blow up snowmen and giant stocking as well as digital flames.  And a full rig of lights. The band sounds great and the recording is well mixed.  The drums and bass sound huge.

They open with “Sick of It All.”  Brody Dalle is up front playing guitar and singing.  To her right is Tony Bevilacqua on guitar.  To her left is Ryan Sinn on bass.  All three are wearing Santa hats.  They all sing the opening verses and it sounds like a wall of vocals. Drummer Andy Granelli is not wearing a Santa hat, but he does have a knit cap on. The song sounds great–a blast of punk to celebrate the season.

They follow with the outrageously catchy punk of “Oh Serena.”  When I saw them, they opened with these two songs as well.  But this set list deviates somewhat. 

Up next is the quieter “L.A. Girl.”  It starts with everyone playing softly while Brody sings.  Then the whole band kicks in with massive drumming and some tasty bass fills. A martial drum beat opens “I’m a Revenant.”  Both guitarists play the lead riffs before Brody starts singing.  This song has some great sing-along moments as well as a brief part where it’s just Brody before the band marches in again.

“Sunsets” comes next.  They didn’t play this when I saw them.  Brody’s guitar is clean as the song opens.  She sings without a snarl.  The song does not turn into a balls out rocker.  It stays slow but gets very intense.  Bevilacqua makes interesting bendy sounds from his guitar in the middle jam section.  The song slows to a bass rumble before some Christmas music starts playing.

Black Metal Santa comes out and gives Brody a present.  It’s the album Faith by The Cure.  But there’s nothing inside–it’s just the cover. Black Metal Santa says, “Its my ‘Primary’ Christmas gift to you.  A cover.  Now play the damn song.”  It’s an amusing introduction to the song “Primary,” which I did not expect at all.  It sounds fantastic–close to the original, but heavier and obviously with Brody’s vocals sounding very different from Robert Smith’s.  She restrains her vocals until a loud snarling “oh remember” part.

Brody removes the Santa hat for “Dismantle Me” and the lights get brighter so you can see her more clearly.  This song has a great split with really fast guitars from Bevilacqua and slower guitars from Brody. 

The super fast chords continue into “Die on a Rope.”  This song also has some “Oh way oh” parts that are really catchy for such a dark song.  The middle jam is just bass and drums and Bevilacqua’s squeaky feedback while Brody sings.  There’s some thunderous drumming in the end as they jump into “City of Angels.”  This song is really catchy as she and the boys sing together.  There’s another cool middle section of just Brody’s guitar and noisy guitar sounds from Bevilacqua before the band roars off again.

The song ends and Brody looks off stage and says “Jesus.”  Granelli chides, “Brody, it’s Christmas.”  But she points off stage and Jesus comes out.  They ask what he’s doing there and he says it’s his birthday. They ask if he can make it snow.  Jesus says he makes miracles happen–he’s got a guy.   He calls a guy who comes down and the snow starts to fall.  Jesus and the guy get in a fight over who actually makes the miracles happen.  The guy says “ever since cofefe.”  But Granelli stops them, “we’re trying to do a Christmas show here, knock it off.”

Brody takes the mic and says “this year’s been a real ass kicker.  We’re looking forward to the new year.” 

Then they start Ramones’ “Merry Christmas (I Don’t Want to Fight Tonight).”  It sounds great and is a perfect set ender for a holiday special.

The show ends and they play the Ramones song over the credits.  The band takes bows and makes snow angels.

It’s a fun special and totally worth the $15.

[READ: December 25, 2020] “The George Spelvin Players”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 25.  Rebecca Makkai, author of The Great Believers, could’ve sworn she left that porridge bowl right over there [Click the link to the H&O extras for the story].

I started this story and thought it was so familiar that I was sure I had read it before.  But as it went along, it didn’t seem familiar anymore, so maybe there is a similar component of it that I had read in another story. (more…)

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[POSTPONED: December 22, 2020] KT Tunstall / Dina Hall [rescheduled from May 5th and June 28th]

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It seemed like the third time would be the charm for this show at Sellersville.  Especially pushing it all the way back to December.

Well, KT Tunstall is going to play this venue some day.  And maybe by then I’ll be ready to see her.

Interestingly, she is playing two other venues locally and each one has a different opening act, so perhaps your choice of venue wil depend on who is opening.

I had forgotten about KT Tunstall. I had her first record and then didn’t realize that she had had a couple of other (big) hits since “Suddenly I See.”

I wasn’t going to go to this, but her name has been popping up all over the place.  And the more I see her listed, the more I’ve thought about going.  This was definitely a maybe since so many other shows are cancelled anyhow.  She’s also touring with Hall and Oates this summer and she seems to be doing a lot of local shows as a headliner. All of this repetition has me thinking I might go see her. But mostly I’m intrigued by how much her name is going to show up in these posts soon.

Dina Hall is a folksinger from Bethlehem–originally from Sayreville NJ. When she’s with her full band she rocks out a bit more. I’m not sure if this was a solo or a band show.

seller

 

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SOUNDTRACK: SHAWN COLVIN-Happy Holidays from Shawn Colvin and McCarter Theatre Center! (December 19, 2020).

On December 19th, I received an email from McCarter Theatre:

Shawn Colvin, a dear friend of McCarter, gave us a special present to share with all of you!

I have enjoyed Shawn Colvin’s music over the years, but somehow was never quite aware that she played McCarter (apparently many times).  At the end of this session, she says that she is arranging something special with the Artistic Director of McCarter for 2021.

I think I’ll certainly have to check that out.

For this special concert, Shawn plays two Christmas songs from her home.

It amuses me that she says she wants to give us a little holiday cheer and then she plays “In the Bleak Midwinter.”  Good grief.

her version is lovely and her voice sounds very good.

The second (of two) songs is “Little Road to Bethlehem.”  I don’t know this song but it’s similar in tone and it suits Colvin perfectly.

This isn’t exactly the holiday pick-me-up it might have been, but Colvin sounds great and it is nice to hear her.

[READ: December 22, 2020] “The Ones We Carry With Us”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 22.  Sara O’Leary, author of The Ghost in the House, puts a bowl of candy on her front step with a sign that says “Help yourself.” [Click the link to the H&O extras for the story].

This is the second story in this collection which I have read previously (that’s a good ratio 2 out of 22).  Here’s a link to the original post.  This is a slightly edited version of my original post:

This story starts with a fascinating sentence: ” A few years ago, I accidentally midwifed a death.”

This could literally mean many things, although figuratively it makes sense for what she actually means.

The narrator then goes on to tell us about three women whose lives have impacted her.

The woman who died was Agatha. (more…)

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[POSTPONED: December 18, 2020] Andy Shauf / Faye Webster [rescheduled from May 15, 2020]

indexPostponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[POSTPONED: December 17, 2020] Andy Shauf / Faye Webster [rescheduled from May 1; moved to September 12, 2021]

indexPostponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[CANCELLED: December 10, 2020] Billy Strings / Molly Tuttle [rescheduled from April 10]

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I initially didn’t want to see Billy Strings in The Fillmore because the venue was too impersonal for his kind of music.  But by December, I was ready to see anyone anywhere.

It’s a shame this had to be cancelled as well.  I guess I should have watched his streaming tour when I had the chance.

I saw Billy strings open for I’m With Her in a small theater (seated).  He was amazing.  Not only was his guitar playing phenomenal (as his name suggests), but his banter and his attitude and everything about him just made me want to watch him all night.

When he announced a headlining tour I thought I’d really like to see him again.  But this show is at the Fillmore–it’s just too big and impersonal a room to really enjoy what Billy can do, in my opinion.

I hope he can come back around and play some more intimate venues.

Molly Tuttle is an amazing bluegrass guitar player.  Molly is noted for her flatpicking, clawhammer, and crosspicking guitar prowess.  (She is also amazing at the banjo too).  In 2017, Tuttle was the first woman to win the International Bluegrass Music Association’s Guitar Player of the Year award.  In 2018 she won the award again, along with being named the Americana Music Association’s Instrumentalist of the Year.  She played with Billy at Newport Folk Festival, but we only saw about five minutes of their set.

A night of Billy and Molly would blow your musical mind.  Maybe the venue is immaterial.

Once this tour was postponed, Billy announced a streaming tour.

July 16 – Brooklyn Bowl (Streamed live via FANS)
July 17 – Brooklyn Bowl (Streamed live via FANS)
July 18 – Station Inn (Streamed live via Station Inn TV)
July 19 – Station Inn (Streamed live via Station Inn TV)
July 22 – City Winery (Streamed live via Nugs TV)
July 23 – City Winery (Streamed live via Nugs TV)
July 24 – Exit/In (Streamed live via TourGigs)
July 25 – Exit/In (Streamed live via TourGigs)
July 26 – 3rd & Lindsley (Streamed live via Nugs TV)

billyu

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[POSTPONED: December 4, 2020] Loudon Wainwright III [rescheduled from May 29]

indexIt really seemed like pushing shows back over six months would be enough.  Especially for a small place like Sellersville.  But how do you socially distance in a small club?  If you can only fit 200 people and you have to remove over 1/2, is it even worth it?

Some day they’ll figure this out and when they do I’ll be looking forward to it.

I really got into Loudon Wainwright III about ten years ago because he was on Freaks and Geeks and so was his music.  I enjoyed a lot of his then new stuff and even started going back through his older material.  He is a funny, snarky guy who writes really catchy songs.

I’ve seen his name at a lot of venues in the last few years, but the timing has never worked out.

Sellersville is a little too far away for me to go to, but it did seem like a good opportunity to see him in a close, quiet setting.

This is going to get postponed, so I assume it will be rescheduled, but I do hope he adds a show even closer to me.

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[CANCELLED: November 24, 2020] Squarepusher

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Squarepusher is an electronic musician (Tom Jenkinson) who has been making weird glitchy electronic noise beats since the mid 90s.

I have an LP and an EP.  I really haven’t listened to him in a very long time.  In fact, I didn’t even know he was still doing stuff.  But his new stuff seems to be just as weird and glitchy and cool as his earlier stuff.

He hasn’t toured the States in five years and hasn’t been to Philly in eight years.

His North American tour was originally in April and was basically Boston and New York on the East Coast.  He rescheduled his shows and added Philly to the tour.  I asked my friend who introduced me to them so long ago if he would consider going.  He said he was never that big a fan and that the man is full of himself.  Not a ringing endorsement.

Since I’ve never been to a show like this–noise and glitchy “dance” music, I would be interested to see what it’s like.  It might also have been a fun first show to return to, although it was officially cancelled.

I do hope he decides to come back in 2021.ca

EUgZB4fWoAEle91

 

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