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Archive for the ‘Johnny Brenda’s’ Category

[DID NOT ATTEND: October 12, 2023] Tigers Jaw / Yowler / Gladie

There’s a lot of great shows at Philly Music Fest this year.  Here’s the third of four nights that I would have loved to have gone to.  But I have a lot of shows that I’m going to and I can only get to Philly so often.

Plus, I’ve seen Tigers Jaw twice and both shows were great.  I really like their catchy emo pop punk, but I’m not sure I need to see them again.  But man if I was a die hard fan, here’s three days in a row of really close concerts I could go to.

And yet…  Here’s what they say about these two shows (they love playing Crossroads)

Mystery Setlists? We’re pulling out all the stops for Garwood this weekend. We’ll be playing two very distinctive sets for people who might want to come to both shows.
One of the shows setlists will concentrate on two worlds + spin, and the other will be charmer + I won’t care heavy. (Not full album plays, just most of both records, plus both sets will have some self titled oldies and newer Ep songs.)
We’re not saying which night is which combo. 🤔
So many songs. Maybe a fun cover.

Yowler, is Maryn Jones, a Philly based musician and the guitarist and lead vocalist of the band All Dogs and formerly a member of the band Saintseneca.  For Yowler her songs are kind of spare and sad, but there’s some pretty heavy elements thrown in which kind of blow you away after being lulled into mellowness.

I saw Gladie open for Otoboke Beaver late last year and really enjoyed their set a lot.  I would happily see them again, although this is the second time since that show that I’ve had to miss them.  They were supposed to open for Charly Bliss, but cancelled at the last minute.  They also played a Free at Noon recently but I didn’t go to that one.  I’m sure that with each show they just get better so when I finally get to see them again, they’ll be fantastic.

 

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[ATTENDED: October 11, 2023] CHAI

I saw CHAI about a year and a half ago and it was one of the more memorable shows I’ve been to.  The four members of the band are funny, silly, coordinated (sartorially) and play sweet pop music.

Here’s a brief history of the band

Chai was formed in 2012 in Nagoya, by twin sisters Mana and Kana.  Mana, Kana, and Yuna were in the same class at high school.  Yuna introduced the other band members to Japanese music that did not easily fit into the traditional definition of “J-Pop”, such as the band Cero or Kimyō Reitaro. After the members went to university, Mana became friends with Yuuki (originally from Gifu Prefecture, who had moved to Nagoya), and asked the four friends to form a band.  The band’s name comes from Russian tea (known as chai). Kana drank the tea with jam with her Russian literature professor at a Russian restaurant, which she thought was cute.

They have just released their fourth album, Chai. (more…)

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[ATTENDED: October 11, 2023] Font

Before this show I looked up Font on bandcamp and they had …  one song.

And it was great.

But who are they?

Font is an Austin-based band made up of Thom Waddill, Jack Owens, Anthony Lawrence, Roman Parnell, and Logan Wagner. Font began playing shows regularly in the beginning of 2022.

The Austin Chronicle has described their music as “relentless post-punk with New Wave keyboards and arty, personality-driven singing.”

I don’t know what “personality-driven singing” means, but the rest is pretty accurate.  They make noisy, unexpected songs with catchy parts and decided uncatchy parts.  The songs tend to have something–a piano note, a guitar riff–that recurs enough to call it a hook.

The bass wanders all over the place–in a great New Wave sorta way.  And, as it turns out the percussionist is a major component of the band.  From where I was I couldn’t really see the drummer (there was so much STUFF on stage), but I could clearly see the percussionist who had cowbells, blocks, cymbals (which he moved around to make different sound) and some bongos.  He must have been exhausted. (more…)

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[ATTENDED: September 26, 2023] Ratboys

I’m not sure when I first heard about Ratboys.  I think it was the release of their (terrific) album Printer’s Devil.  They were scheduled to play Johnny Brenda’s three times and each one was postponed during the pandemic.  I seem to have missed when the show was actually rescheduled though. Oops.

At any rate, two years later and they are back.  And they have a new album, The Window.  And it is really great too.  Which is good because they played every song from it (although not in album order).

Ratboys have been together since 2010, formed by singer/guitarist Julia Steiner and guitar wizard David Sagan.  I really enjoyed watching Sagan play with the pedals on the floor–for the encore, he even brought out some kind of remote controlled feedbacky gadget which was cool.

I was in a strange location for me at the show.  I was literally standing right under bassist Sean Neumann, so I couldn’t really see his face much, but I enjoyed watching his basswork and his backing vocals were stellar. (more…)

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[ATTENDED: September 26, 2023] Free Range

When the lineup for the All Things Goes Festival was announced, the first band to play on Saturday was Free Range.  My daughter and i are going to the Festival and we both agreed that we had not heard of Free Range.

Imagine my surprise to find out that Free Range was opening for Ratboys at Johnny Brenda’s.

Free Range is Chicago musician Sofia Jensen (who is originally from Scandinavia).  Free Range put out an album (Practice) in February.  I listened to maybe a song on it and was kind of meh about it.

But live, they were excellent.

The songs had a pretty consistent feel to them–they would start slow and would often build to a loud middle section (usually instrumental) and then kind of fade back into the quieter verses.   It wasn’t a quiet-loud-quiet verse chorus thing because the loud parts were more of like a jamming session in the middle of these (otherwise rather short) songs.

Sofia’s voice sounded familiar–maybe a kind of Phoebe Bridgers vibe–a kind of strong whispery style, and her songs had a strong Pinegrove feel to me (turns out that Nick Levin from Pinegrove plays pedal steel on on two of the tracks).  I guess the songs are indie rock with a whiff of country about them. (more…)

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[ATTENDED: September 14, 2023] Palm 

I discovered Palm by accident back in 2016 when they opened for the band Dilly Dally (who have since broken up).   About that show I wrote:

So Palm was fantastic.  An amazing band to see live (especially from so close).  The band plays noisy, complex music that has parts math-rock and parts shoegaze.  They remind me of Battles, but only in part.  The two guitarists Kasra Kurt and Eve Alpert are constantly playing different (and highly unlikely) chords or notes.  Meanwhile the bassist (Gerasimos Livitsanos) is typically playing his own patterns that somehow meld with the two and keep everything grounded.  And the drummer (Hugo Stanley) is doing complex things of his own.  It’s so hard to tell who you want to watch.

I got to see them headline a few months after that at PhilaMOCA and that was great (although apparently I was shoved aside by a slam dancer at the show).

Six years later and I hadn’t had a chance to see them again when they announced that they were calling it quits as a band.

“Palm is ending. Thank you to everyone who has supported us, to the artists we’ve shared the stage with and to all our collaborators over the past 12 years”.

Not much more was said, and not much more was said in stage either. (more…)

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[ATTENDED: September 14, 2023] Nourished By Time

Nourished By Time is Baltimore producer Marcus Brown.  I could have seen him a while back, but didn’t make that show.  He’s also supposed to open for Vagabon later next month, but I think I’m not going to make that show either.  So this was my only chance to check him out.

During the Palm set, Eve said that they had been listening to his new album Erotic Probiotic 2 all the time.

Nourished By Time was, indeed, just Brown, with a laptop on the floor and keyboard on a stand.  I liked that he had a bandana round his mic cord–I imagined it was his way of keeping track of his stuff.

He played about six or so catchy songs.  They were kind of a blend of new wave and R&B.  His vocal delivery differed for each song, which I really liked.  His first song, “Staring Into the Fireplace” he kind of drawled and sounded almost bored as he rhymed his final lines.

Each song had an instrumental section–either middle or coda which had him playing solos over the prerecorded music.

Some of the later songs got bigger and were even more catchy.  I liked “The Fields.” (more…)

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[DID NOT ATTEND: September 12, 2023] Palm /Body Heat

Palm is a band I discovered by accident (they were opening for someone) and who I really bonded with.  Their music is weird–catchy (sometimes) obnoxious (sometimes) and always challenging (and yet somehow addictive).

They are ending their life as a band and they announced a show in Philly, which I quickly grabbed a ticket for.  It sold out and they added a second show two days earlier.

Since I had a ticket to the Thursday show, I didn’t feel the need to see the Tuesday show as well.  There are different opening acts for this show.  (more…)

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[DID NOT ATTEND: September 12, 2023] The Spirit of the Beehive / Mary Jane Dunphe

I saw The Spirit of the Beehive six years ago and they were outstanding live.  I’d never heard of them before that show but they blew me away with their set which was a great mix of shoegaze and noise.  I said then that I’d like to see them headline a show.

Well, here they are.  But it’s the same night that we have tickets to see Beck and Phoenix.  So, sorry SOTB.

It turns out that the show has sold out, so they didn’t me anyway.

Mary Jane Dunphe is a poet and musician who tells stories–not through direct narrative but through embodied presence and performance, through cinematic and fragmented memory, the wild transmission of feeling. Her versatile songwriting has garnered critical acclaim in past projects such as the visceral punk of Vexx and Gen Pop, the minimal dream pop of CCFX and CC Dust, and the lonesome country-rock of The County Liners–and now Dunphe’s debut solo album, Stage of Love, is the start of a captivating new chapter.

I listened to a couple of her songs and I like the big fat synth sounds she uses but I don’t really like her voice.  I feel like I wouldn’t enjoy her set.

 

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[ATTENDED: September 5, 2023] Speedy Ortiz

I saw Speedy Ortiz back in 2018 at a sold out PhilaMOCA show )I was right in front of Sadie Dupuis).  Their show was great–a fan-favorite selection of songs from throughout their career.

It had been five years since they released a new album and they were celebrating by playing the entire album at our show (the only show they were likely to do so).  [I didn’t know that until she told us].

I had heard a few of the new songs at the Free at Noon show, but this one promised to be so much better.

And so, they played Rabbit Rabbit start to finish.  There were a few moments where she joked about what a pain it was to tune between songs (which is why most bands don’t play the album straight through–they group songs with similar tuning together to minimize drag.

I had listened to the album about three times, so it wasn’t familiar but I recognized many moments.

The band is mostly the same.  Of course, Sadie Dupuis is the main force–her guitar playing is excellent and complex and her voice sounds amazing.  Andy Molholt is still with them playing lead guitar and more.  I especially enjoyed Audrey Zee Whitesides (now a full time member of the band) absolutely screaming backing vocals on a couple of songs.

What was great about seeing the album live like this is that songs that hadn’t quite grabbed me yet on a listen were really powerful live.  Sadie said “Cry Cry Cry” was her favorite song on the record, and after she said that I paid more attention to it and it was great.

Speedy Ortiz doesn’t do encores, so instead they played three older songs to wrap up the night–one from each of the the previous full lengths.

I like Twerp Verse the best so I liked hearing “Buck Me Off”  And “Raising the Skate” is a great song off off Foil Deer.

The final song of the night was “Plough” a great song from their debut–the only bummer about that is that’s what they ended their Free at Noon set with as well.  But that’s a very minor complaint because it’s a killer song.

They have gotten a new drummer since five years ago Joey Doubek has replaced Mike Falcone and unless I am very much mistaken, Doubek hits the drums a whole lot harder.  I feel like he adds a very heavy element to these songs.

Hearing the album like this was really great and I’ve enjoyed it even more after seeing it live.  There are of course other songs I would have loved to hear (made a super long encore?), but I enjoyed this set a lot.  And when I see that in other cities they play maybe 7 or 8 songs (out of 13) off of Rabbit, I feel especially lucky.

 

Johnny Brenda’s 2023 Free at Noon 2023 PhilaMOCA 2018
Kim Cattrall ¥ The Graduates Buck Me Off
You S02 ¥ Scabs ¥ Lean In When I Suffer
Scabs ¥ Ghostwriter ¥ Lucky 88
Plus One ¥ Silver Spring Raising The Skate
Cry Cry Cry ¥ Plus One ¥ The Graduates
Ballad of Y & S ¥ Lucky 88 Silver Spring
Kitty ¥ You S02 ¥ Plough
Who’s Afraid of the Bath ¥ Plough Alone With Girls
Ranch vs. Ranch¥ I’m Blessed
Emergency & Me ¥ Taylor Swift [single]
The Sunday ¥ You Hate The Title
Brace Thee ¥ Moving In
Ghostwriter ¥ Villain
Raising The Skate €            * Swell Content
Buck Me Off * “Silver Spring” was Dvrk Wvrld
Plough on setlist

 

¥ Rabbit, Rabbit (2023)
⇓ Twerp Verse (2018)

€ from Foil Deer (2015)
♠ from Major Arcana (2013)
⊗ from Sports EP (2012)
[single] from (2012)

 

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