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Archive for the ‘Johnny Brenda’s’ Category

[DID NOT ATTEND: January 25, 2025] Control Top / Dark Thoughts / Mopar Stars / Money Nicca / Nina Ryser / Noun / Pinkwash

I bought a ticket to this show primarily for Control Top.  And I added an extra donation because I felt the cause was really important.  And then I grabbed tickets to Soccer Mommy which was a show that was easier for me to get to.

Ground Control Touring’s 3rd Annual Abortion Access Benefit Series takes place in NYC, LA, Chicago, Atlanta, Philadelphia, DC, Austin, and Raleigh on January 25, 2025! Visit their website to see the variety of bands at each show and specific event details! 100% of proceeds from all shows are donated directly to NOISE FOR NOW who will allocate the funds raised to local abortion funds in need. You can also text GCT to 53-555 if you can’t make it out but would still like to donate.

Proceeds support: Abortion Liberation Fund of PA, Access Reproductive Care – Southeast, ACCESS Reproductive Justice, The Afiya Center’s SYS Fund, Baby2Baby’s Disaster Relief and Emergency Response, Carolina Abortion Fund, DC Abortion Fund, Feminist Women’s Health Center, Lilith Fund, Midwest Access Coalition, New York Abortion Access Fund, Northwest Abortion Access Fund, and independent abortion clinics in California, DC, Illinois, New York, North Carolina, the Pacific Northwest and Pennsylvania via Keep Our Clinics.

And here’s the blurb from Johnny Brenda’s

Ground Control Touring is thrilled to announce they’re teaming up for the third year with NOISE FOR NOW, a non-profit specializing in reproductive justice, to take action and bring awareness with its third annual Abortion Access Benefit Series. The series has expanded to take over EIGHT cities, coinciding on Saturday, January 25th, 2025 – Los Angeles at Lodge Room, New York City at Bowery Ballroom, Chicago at Sleeping Village, Atlanta at The Masquerade (Purgatory), Philadelphia at Johnny Brenda’s, Austin at Hotel Vegas, DC at Songbyrd, and Raleigh at Kings. Since its inception in 2023, the Abortion Access Benefit Series has raised over $110,000 via eight completely sold out nationwide events, with performances by nearly 100 artists and silent auction bundles provided by dozens of community sponsors and local businesses.
Each benefit show will feature a special night of music and festivities in support of abortion funds, community, and bodily autonomy. 100% of proceeds will go to NOISE FOR NOW who will then allocate the funds raised to local independent abortion clinics and abortion funds in each region.
More about NOISE FOR NOW: NOISE FOR NOW is a national initiative that enables artists and entertainers to connect with and financially support grassroots organizations that work in the field of Reproductive Justice, including abortion access. Reproductive health care services, including access to legal abortion, are under attack. By organizing benefit events and campaigns, NOISE FOR NOW provides opportunities for artists and entertainers to use their talent to raise money and send a clear message that Reproductive Rights are human rights. Since their inaugural benefit concert in 2017, NOISE FOR NOW has worked with over 450 artists and entertainers to raise $1.36M for 54 partner organizations. In 2023, NOISE FOR NOW established a record label and has released 3 benefit compilations, 2 of which are streaming on all digital platforms.

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[DID NOT ATTEND: January 18, 2025] Kurt Vile / Mike Polizze

I asked my wife if she wanted to see Kurt Vile (whom she loves) but we kind of both felt that we didn’t really want to see him play solo acoustic.  And that’s fine.  We had seen him not too long ago, and honestly I enjoyed his electric sound a lot more.

And then it sold out in a minute anyhow.  Later I managed to get tickets for Bruce McCullough on the same night.  But I hadn’t realized that they’d announced an early show (5:30) that night as well.  We could possibly have done both!

Mike Polizze is the main guy behind Purling Hiss, a band I’ve seen once and really liked.  I don’t think I even knew that he was an opening act for this show until I started to write this. (more…)

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[DID NOT ATTEND: January 14, 16 & 17, 2025] Geordie Greep / NNAMDÏ

Geordie Greep is one of the vocalists in Black Midi.  He’s a fascinating dude with a fascinating voice.  When I saw that he was doing a solo tour, I was really intrigued.

But when I went to the Johnny Brenda’s site, both night were long sold out.

Sometime later he added another date, but this one was at the Church, so I knew I wouldn’t be going to the show.

I’m not too heartbroken about it, but it would have been interesting to be sure

i saw NNAMDÏ open for Wilco four years ago and I loved their set.  I wrote

I felt like he was digging into prog-rock territory and yet I guess it would be more accurately labelled as jazz with rapid time changes, incredibly fast parts and wicked jamming.   And yet the roots of most of his songs were a kind of pop/R&B vibe.

This is a solid double bill, with three shows I couldn’t make.

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[DID NOT ATTEND: December 7, 2024] Basic / The Early / Totally Automatic

I have seen Basic twice in recent months and didn’t really feel compelled to go again. I do enjoy their music (and would have enjoyed seeing them at Johnny Brenda’s, but I had tickets to see Ride tonight and there’s no way I was passing up them for this.

The Early says about themselves

Formed in north Jersey in 2004, The Early’s music metabolizes the textural grandeur of post-rock, the communicational intimacy of jazz improvisation, and the patient grooves of minimalism. Currently operating out of Philadelphia, PA.

So what does that mean?  Interesting and improvisational-adjacent jazzy instrumentals, from the sound of their most recent record.  The Early appears to be Alex Lewis – electric guitar, korg minilogue and Jake Nussbaum – drum set, percussion, contact mics.  I’m not sure if there were more people on stage.

The Early released an album with Totally Automatic this year.

Totally Automatic was formed by Anne Ishii, Eugene Lew and Matthew Smith Lee in the summer of 2021. They play unarranged music with each other, on drums, saxophone and electronics, and can be found around Philadelphia.

So this set would be even more improvised, this time with saxophone.

Probably not the most enjoyable night I could spend, but it would have been kinda fun.

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[DID NOT ATTEND: November, 14, 2024] Illiterate Light / Palmyra

My wife and I saw Illiterate Light two times within a few months back in 2019.  Since then they’ve played Philly a lot and I haven’t bothered to see them again.  I’m sure they’re still great–we enjoyed both shows–but they have just fallen off my radar.   Interestingly, they played Johnny BRenda’s back in February as well, so clearly they must be popular in Philly without my help.  So, good for them.

Palmyra is a trio from the Shenandoah Valley.  Here’s a fun review from Getalternative.com

Palmyra is a folk trio from the Shenandoah Valley. Teddy, Manoa, and Sasha have personalities that spill out all over the stage and feel like friendly strangers you strike up a conversation with outside a gas station, waiting for the car to fill. Their lyrics ponder an intimate, contemplative side of things. Sasha sings lead vocals and their voice drips with a beautiful desperation, every single word holding an earnestness you don’t find just anywhere anymore. Teddy and Manoa’s harmonies are screw-tight and the collective sound compliments the guitar, mandolin, and upright bass like whipped cream compliments peach cobbler.

I’ve listened to a couple of songs and they vary from rocking to super-folkie.  They’re probably fun live.

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[DID NOT ATTEND: November 13, 2024] Finom / Meg Elsier

I saw OHMME open for Jeff Tweedy a few years ago.  Then in August 2022 Sima Cunningham and Macie Stewart announced that they had changed their name from OHMME to Finom, for legal reasons.

I really enjoyed them (a lot) when I saw them live, but for one reason or another I haven’t been that interested in seeing them again.  I haven’t really listened to their new music, so it’s not really fair that I haven’t been interested in them, but that’s what happens sometimes.  Although ultimately, the reason I didn’t go is because I had tickets to see Ratboys and Palehound for the same night.

I understand that each of their records is quite different.  The few songs from the album remind me a bit Lucius, but with noise sprinkled into the mix.

Meg Elsier is from Nashville via Boston and plays an indie rock with synthy pop flourishes and noises and other eccentric moments.  The little I heard from her was quite good. She seems like a real character and I’ll bet she’s fun live.

I’ll definitely look for both of them next year.

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[ATTENDED: October 30, 2024] Drinking Boys and Girls Choir

I saw Drinking Boys and Girls Choir open for Otoboke Beaver about 8 months ago.  They were great and so much fun.  When they announced a headline tour of the States I immediately grabbed a ticket.

I love Johnny Brenda’s as a venue, but the parking around there has gotten so bad, it’s almost impossible to go.

The place wasn’t very crowded but everyone there was super excited to be there.  When Megan Nisbet asked if anyone had seen them with Otoboke Beaver, most of the audience enthusiastically raised their hands.

Meena Bae (bass & vocals) and Myeong-jin Kim (drums & vocals) started the band in 2012.  They’ve gone through a few guitarists over the years and have now grabbed Scottish guitarist Megan Nisbet who joined the band in 2020 (and had been studying Korean for 15 years!).

The trio came out and Megan whaled some feedback as they started “Limitless Night.”    Meena Bae is a phenomenal frontwoman, she has a great voice and a ton of energy.  She smiles when she’s not singing and she jumps and kicks her feet in the air.

It was hilarious and fun.

Megan doesn’t really interact with the crowd, as she really holds down the songs with fantastic solos (she gets an extended, impressive solo in “Red Shift” which made someone at the end of the song shout expletives of approval) and backing vocals. (more…)

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[ATTENDED: October 30, 2024] Party Nerves

I saw Party Nerves open for Say Sue Me back in November and for Drinking Boys and Girls Choir and Otoboke Beaver in March.  And now they are back opening for Drinking Boys and Girls again.

Party Nerves is a great, fun band.

All three members are super in tune with each other, but fairly or unfairly, most of the attention has to go to guitarist Woolly since he’s the one playing the lightning fast, non-stop surf guitar riffs. Yup, rocking surf guitar that reminds me of Shadowy Men on a Shadowy Planet (the band who made The Kids in the Hall theme song), although listening to them this time, they have more urgency and intensity that Shadowy’s laid back vibe).

Admittedly a lot of the songs are samey–I mean, it’s instrumental and it’s all kind of reverbed and riff-based.  But each guy is really good and the riffs are tasty.

The crowd was really into it with lots if applause after each song.   They just put out a new EP.

Party Nerves is a great opening act, check them out!

 

2024 2024 2023
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Whose Blood is This? © Hearse Donuts ©
Scum Island ⇔ Texas Pastry Month ⇔
Hearse Donuts © 12
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Jackie Dracula © Scum Island ⇔
Tellez Marella ⇔ Jackie Dracula ©
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Toothpaste, NJ ⇔ Toothpaste, NJ ⇔

⇔ Go Broke or Go Home (2024)
⊗ 2023 single
© Put a Load On, Come Back Mangled (2022)

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[POSTPONED: October 11, 2024] The Bevis Frond [moved to March 1, 2025]

I feel like I’ve always been aware of The Bevis Frond, but I don’t think I’d ever heard them.

When they announced their first US tour in 25 years I grabbed a ticket without even being sure if I really liked them,  So I listened to them a bunch and, yes, I do like them.

I felt lucky to be able to go to one of these shows as there were only 8 shows on the tour.

And then in late August it was announced

The Bevis Frond’s first US Tour in over two decades has now been re-scheduled for 2025. Fans can expect a selection from the Frond’s colossal catalogue as well as new music from their recent Fire releases, for what promises to be an historic live show.

But at least there’s a new date because now I’m even more excited about it

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[DID NOT ATTEND: October 8, 2024] La Luz / Mia Joy

It fascinates me when multiple shows that I want to see wind up on the same night.  It’s a bummer, of course, but weird, like why were there FOUR shows I would have gone to on October 8?

I know La Luz from a live Levitation recording that I really dig.  I don’t know a lot more about the band aside from the basic bio.  They are from Seattle and are known for their “surf noir” style, with layered vocal harmonies.  I didn’t know that their “energetic live shows often include Soul Train-inspired dance contests and crowd surfing.”  Which sounds really fun and makes me want to see them even more.

But again, this was the fourth show tonight and the band I knew the least, so I wasn’t going to go to this one.

Mia Joy Rocha, is an American indie rock musician from Oak Park, Illinois.  I haven’t heard of her but her music is described as ethereal indie pop that envelops the listener in a shroud of gentle, personal hymns that are both intimate & warmly inviting.

Listening to her stuff, that description seems very apt.

This would have been a delightful show.

 

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