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Archive for the ‘Johnny Brenda’s’ Category

[ATTENDED: February 4, 2020] The Dull Blue Lights

The Dull Blue Lights are yet another Philly band that I’d never heard of.

I’m always curious about the logistics of touring.  Like, when does a band wind up using local bands as opening acts instead of having someone tour around with them?  And how do they pick a local band in each town?

Well, whoever did their research did it very well because The Dull Blue Lights were an absolutely perfect opening act for Seratones and they were absolutely fantastic.

The Lights describe their music as “Basement Soul” which is a perfect summary of the kind of music they play.  It has a Soul feel (with a fantastic organ sound) but a nice gritty guitar and vocal component that makes it different from pure soul.

Generally, their songs had great riffs from singer/guitarist Todd Fausnacht.  But there were also multiple sections of the songs that made the more than one-dimensional.   Fausnacht also had a cool yelping falsetto that he could employ whenever he needed.

But what really sold me right away was the way the first song, “A Faint Whisper,” seemed like it was one thing (kind of an old-school rocker) and then the chorus turned into something much smoother before rocking out again. (more…)

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[ATTENDED: January 27, 2020] Illiterate Light

S. and I saw Illiterate Light open for The Head and the Heart back in October.  We were really impressed by them–their power (especially for just two people), their intensity, and their overall sense of fun.  In fact, because of annoying crowd people around me, I enjoyed Illiterate Light more than TH&TH.

I knew that they would be really great to see when they were the headline act, so when they announced a show at Johnny Brenda’s, I quickly got us both a ticket.

The band is a duo with Jeff Gorman on guitar and bass pedals (and what a huge difference those bass pedals make) and Jake Cochran on drums (and dancing).  The dancing is important because unlike most drummers, Cochran plays his drum kit standing up.  This allows him a lot of mobility–he wanders the stage, hangs out with Gorman and hits cymbals from all angles.

We couldn’t help but notice that there were several camera dudes all around the stage.  They told us that they’d be filming this show for some kind of upcoming something or other.  I’m looking forward to seeing it (we’re bound to be in it).  Although there was SO MUCH FOG (which is why my pictures are so hazy) that I have to wonder how good their video will be.

The guys came out and set up their gear (I was amused at how much more stuff Cochran had–I guess since his floor tom is removable?).  Although when Gorman brought in his foot pedals (a cool Moog device) he raised it over his head to much applause. (more…)

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[ATTENDED: January 27, 2020] Camp Howard

This was S’s first time at Johnny Brenda’s and we had to decide between floor and balcony.  We chose floor and it was pretty cool being so close to the band.  Although in the middle of this set a big gaggle of bros came in and started hugging each other and talking.  It was nice that they were so friendly and happy to see each other, but I didn’t need that right in front of me.  So after a couple of songs we moved over a bit (to a location I rather prefer anyway).

I’m always torn about the balcony there because the balcony is amazing, but I so much prefer to be in the thick of it (even if I complain that I’m too short).

Camp Howard is a four-piece from Richmond, VA.

They seemed to have a pretty big following at this show (although I’d never heard of them before). (more…)

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[ATTENDED: September 29, 2019] Philly Music Fest

For those counting, this makes four concerts in four nights, which is frankly insane (and thanks to my poor wife who tolerates such excesses).

But the whole reason I wanted to go this evening was to see Man Man (more in their own post).

But, in fact, the entire Philly Music Fest was pretty fantastic.  I would have certainly gone to three of the four nights if I could have.  This little festival is a testament to the amazing music that Philadelphia is producing, and they didn’t even include two of my favorite Philly bands, Mannequin Pussy and Control Top.

The first night I actually didn’t know any of the bands.

  • Wednesday 9/25 at Milkboy (a venue I haven’t been to yet)
  • Secret American
  • Sixteen Jackies
  • Ceramic Animal

The second night was an amazing line up! (more…)

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[ATTENDED: September 7, 2019] Fontaines D.C.

I had heard of Fontaines D.C. from NPR.  They raved about the band’s live show.   I was pretty exited to get to see them in a small place like Johnny Brenda’s.  Then I was really quite surprised that they sold out.  I feel like a lot of times bands that I think have a lot of buzz either don’t or don’t have it in Philly.

But it was sold out and the crowd knew the band really well (much better than I did).

When Pottery went off stage, the floor cleared out a bit and I got a great spot right up front.

Then they turned on these awful blue lights.  Was that the band’s decision?  Why were they like that for the whole show?  Who thought that wa sa good look for anyone?  But I didn’t really care because I was ready to hear this legendary (already) band.

They are an interesting band to be sure.  Many (but not all) of their songs are fast.  But all of their songs feature lead vocalist Grian Chatten speak-singing ala Art Brut but with a Dublin accent.  On stage Chatten is something of a caged tiger, walking around grabbing the mic stand, lurching, looking distracted or pissed off.  And then he bursts out his vocals.  (more…)

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[ATTENDED: September 7, 2019] Pottery

After cutting it so close last night for the Joanna Newsom show, I made sure to leave plenty early for this sold out show.

A few months ago, Route 95 was closed at Girard Avenue.  For TWO YEARS.

So the ease of getting to Johnny Brenda’s has been removed.  They are also doing a lot of other road constructions in the neighborhood.  Which meant it was impossible to find a parking space.  I drove around for nearly 30 minutes before finding a spot in a neighborhood I’ve ever been to before. By the time I arrived for the show, Pottery had already started.  I don’t know how much I missed, but I am bummed I did because e I really enjoyed them a lot.  [Judging by other setlists, I suspect I walked in during the first song, but I’m not sure].

Nevertheless, I did get to hear a solid 30 minutes of their set. (more…)

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[ATTENDED: April 5, 2019] And the Kids

Almost exactly one year ago I saw And the Kids open for Lucy Dacus.  They put on a great show, but I had heard that they would be even more wild if they didn’t have the time constraints of that show (there were two full sets that night, so the earlier one was kind of rushed).  Back in November they opened another show that I wanted to get to but couldn’t.  But here they were headlining, which is what I really wanted to see.

I bought tickets as soon as they went on sale.  But then I found out that Voivod was playing the same night across town.  Voivod is a band I have loved and never saw live.  So I chose Voivod.  During the headliners, YOB, I decided if I left I could get over to Johnny Brenda’s (about 10 minutes away) in time before And the Kids started.  I listened to one heavy YOB song and then took off.  I got on street parking a block away from Johnny Brenda’s and walked in a few minutes before And the Kids were to go on.  All signs indicated that I had made the right choice.

I was surprised at how crowded it was (good for them!)  But I managed to get past the drunken clumps and got right up at the edge of the stage, but to the side–near the steps where the band comes in.  It’s not a great vantage point (and the sound really isn’t as good, but it was better than standing in the middle of tall people.

Then the band came out.  Last time And the Kids were a four-piece.  But for this show they were only a duo.  I gather the core of the group has always been Rebecca Lasaponaro on drums and Hannah Mohan on guitar and vocals.  I have yet to find out why they were touring with just the two of them and not a full band.  I’m also not exactly sure how the bass and other sounds were handled.  I know it had something to do with Lasaponaro, but whether she was triggering them live or just starting them on a laptop, I don’t know.

In some ways this hindered their improvisatory nature.  But not really, because Mohan is a born entertainer and she was a ton of fun throughout the night–and made me glad I was standing where I was.

They played eleven songs in about an hour.   Five were songs from the new album, which I hadn’t heard yet. I hadn’t heard much by them when I saw them last time either, and I feel like hearing them live–even new songs–is absolutely the way to go.  The recorded versions are good, but the don’t quite capture the vitality and energy that their live set has. (more…)

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[ATTENDED: April 5, 2019] YOB

I hadn’t heard of YOB before this show.  I was there for Voivod.  But I assumed they must be compatible if they were playing together.

I also had a ticket to see And the Kids (a very different type of band) that night at Johnny Brenda’s.  After jumping in to see Dilly Dally upstairs in the Foundry after the Guster show in The Fillmore, I thought, well, why can’t I go to both shows if one ends early enough.  Johnny Brenda’s is about ten minutes from Union Transfer.  The Johnny Brenda’s show started later than this show, so I considered my options.

After the pummeling from Amenra and the fun but heavy set from Voivod, I was pretty wiped out.  I had read that YOB was “Epic, crushing, and heavy beyond words.”

So I decided to stay for the first song and see if I wanted to hear more. (more…)

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[ATTENDED: October 10, 2018] Gruff Rhys

Super Furry Animals was one of my favorite bands of the 1990s.  Their music was great and I loved that they were Welsh.  It’s unfathomable that some of their singles weren’t huge here.  Even their all-Welsh album Mwng is catchy as anything.

Since the mid 2000s they’ve been in a different musical space (and on hiatus).  Lead singer Gruff (pronounced Griff) Rhys has released several solo albums and just recently released the album Babelsberg.

I hadn’t heard any of Babelsberg, but that didn’t stop me from wanting to see Gruff live for the first time.  (I saw SFA back in the 90s, but this would be very different).

Gruff was supposed to come to Johnny Brenda’s a few years ago (he explained), but Visa issues caused him to miss the Philly date.  That show was supposed to be solo, but for this show he had a four piece band: bassist Stephen “Sweet Baboo” Black and Osian Gwynedd on piano (who I could never see because he was behind Gruff, but whom I talked to after the show).  And he had Kliph Scurlock from the Flaming Lips on drums (!).  Kliph was selling the merch (while the other guys were talking Welsh backstage) and I chatted with him for a bit.  He has moved to Wales! (more…)

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[ATTENDED: October 10, 2018] Lorkin O’Reilly

Lorkin O’Reilly is a Scottish musician who has been living in upstate New York for the past while.  He opened for Gruff Rhys.

Other than the fact that he worked construction a bit (and wrote a song about his boss), I don’t know much more about him.

However, because Philadelphia loves to start construction projects before adequately preparing the drivers for said projects, I wound up being a little late to the show.  I don’t think I missed much from Lorkin (maybe a song and a half?) and what I heard was excellent.

Lorkin is a wonderful guitar player.  He has an excellent fingerpicking style and really creative use of capos and tuning. (more…)

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