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Archive for the ‘The Short Story Advent Calendar’ Category

SOUNDTRACK: STARBUCKS Hi-Fidelity Holiday (1998).

This is one of my favorite Holiday CDs.  Say what you will about Starbucks (and I know you will), they know their audience (even if I don’t drink coffee).  Almost the entire CD is excellent, or at least in that groovy Hi-Fi style.  There are a few songs that don’t quite fit with the others, but overall, this is a keeper.

ESQUIVEL-“Jingle Bells”
I love Esquivel, and this space age jingle Bells is just the most fun.  You look ravishing tonight.

KEB’ MO’-“Jingle Bell Jamboree”
Keb’ Mo’ is a great performer, but this song doesn’t quite fit on this CD.  Especially after Esquivel.  Maybe if it was a little later in the sequence?  But the song itself is great and should be heard more at Christmas time.

COCTEAU TWINS-“Winter Wonderland”
I have loved Cocteau Twins for decades.  This version of “Winter Wonderland” has been a perennial favorite.  I love what they do with the song and how they keep it faithful but make it their own.  This should have followed Esquivel.

DEAN MARTIN-“Baby It’s Cold Outside”
This song is problematic for many reasons.  But if you can get past the creepiness, Dean’s version is fun.  It’s interesting that the female singers are practically a chorus of voices.

COMBUSTIBLE EDISON-“Sleigh Ride”
I’ve pretty much forgotten about Combustible Edison, but I love this swinging instrumental version of this song.  It’s totally terrific.

LEONARD COHEN-“Hallelujah”
This is not a Christmas song.  At all. It is also so over played that I never really want to hear it again.

XTC-“Thanks for Christmas”
I love this song.  It’s bright and happy and the XTC voices and guitars are just perfect.

EL VEZ-“Christmas Wish”
I have a soft spot for El Vez, but man I don’t care for this version of this song.  It’s not bad, but I kept thinking it was some B list actor form a 1950s rock n roll film (like Arch Hall).  I suppose if it was more in the El Vez spirit I’d enjoy it more.

JAMES BROWN-“Merry Christmas, Baby”
I like this song except it always bugs me that there’s a line about not being drunk but being all lit up like a Christmas Tree.  James seems a little not into this recording, to be honest.

THE ALARM-“Happy Christmas (War is Over)”
This song bugs me.  I think it’s the obnoxious (but well meaning) idea that war can be over if we want it.  But whatever.  This version is kind of flat, which is springing given The Alarm is all stadiumed out most of the time.

THE TEMPTATIONS-“Little Drummer Boy”
This song is tough to pull off.  The Temptations were a little flat at first I thought, but they pulled through to the end and won me over.

PEGGY LEE-“I Like a Sleighride (Jingle Bells)”
This song is weird and fun.  The “I like a sleighride” chorus is weird and kind of creepy, but it’s got a real fun feel overall.

ROBBIE ROBERTSON-“Christmas Must Be Tonight”
So I listened to this song and had literally no recollection of ever hearing it before–even though I have listened to this disc every year for a decade.  And even now, I have no recollection of it either.

THE BLUE HAWAIIANS-“We Four Kings (Little Drummer Boy)”
Is it because I have heard every Christmas song a million times that I gravitate to the oddball recording?  Probably.  I love this surf guitar instrumental version of “We Three Kings,” it brightens my day.

BOBBY DARIN-“Christmas Auld Lang Syne”
This is a classic.  It used to bug me that he goes so over the top with the LOOOOOOORD business at he end, but it doesn’t bug me much anymore–its makes me smile.  I really like the melody and the way the songs are conflated.

Overall this is a great collection of songs.  It’s not all as groovy and space-age as it appears, but it’s still good holiday fun.

[READ: December 1, 2017] “Skinks”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

This story is told by a little boy, Wendell, who wants to be called Dilly.  He tells us that Jesse doesn’t like it when he calls him Dad.  Jesse always says “Two things.”  Like “One, your dad left a long time ago and two, although you don’t want to say he’s your dad, he still is.  I’m not.  Clear?

Clear.  Clear as mud, he says.

Jesse is now in the hospital and the boy has been talking to his mom a lot.

When he goes into Jesse’s room the pastor is in there.  “He thinks all the answers are in that book,” his mother says to him.  She then says to the pastor, “I know it’s serious, but that was years ago when you both loved getting into trouble.  He’s different now.”

The pastor bristles at this and says “some of us know better than to get into fights over things people say.”

There’s a lot of observations from the boy about his mother (and what both she and Jesse say about women in general)

And sometimes he just goes in and talks to Jesse, which he thinks is weird, but he does it anyway.  When he heard there was skink in the hospital he knew Jesse would want to see it. “It’s a weird word but I like it.”

But mom and a police officer enter and Dilly hears the officer say, “I’m sorry, but things have changed.”  Before he can leave the room he sees that Jesse is now restrained.

The pastor comes out while Dilly is outside and asks Dilly what he’s doing.  When Dilly mentions the skink, the pastor gives him some suggestions about bait and ways to catch them.   During this brief conversation, a lot of truths come out.  About Jesse, about Dilly’s father and about the pastor.

But I feel a little too much like Dilly in this story–like everyone is talking around me.  There’ a few too many gaps that I can’t fill in to fully get what happened.

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SOUNDTRACKJUST SAY NOËL: A Gift for You from Geffen Records (1996).

This is a weird mix of songs.  I purchased this all those years ago because I loved the Sire Records Just Say series, and this seemed like a fine addition.  But this album really pushes what might have been anticipated in a Christmas collection.

Look at the names!  Beck! Sonic Youth! (when they were riding high), Elastica! But man, this is just a crazy mix of stuff.

BECK-“The Little Drum Machine Boy” (NSFC)
This is like 7 minutes of drum machine nonsense from Beck.  There’s mention of the Hanukkah robot funk.  Gonna drop some Hanukkah science.  And then 7 minutes of Beck’s nonsense lyrics.

AIMEE MANN with MICHAEL PENN-“Christmastime” (NSFC)
This is a little mopey because Aimee is always a little mopey.  The Michael Penn parts are a bit more upbeat.  They sound great together, but “all alone at Christmastime” isn’t really much for holiday cheer.

SONIC YOUTH-“Santa Doesn’t Cop Out On Dope” (NSFC)
I had no idea that this was a cover.  Martin Mull recorded this back in 1973.  That explains the spoken word part that doesn’t sound like something Sonic Youth would construct.  But after the spoken intro, they turn the end into 2 minutes of utter noise.  Thurston sings the actual song almost a capella with strange noises in the background and twinkling bells.  The last 40 seconds are just squelching noise.  And they end with Thurston saying “Merry Christmas, David Geffen.”

THE POSIES-“Christmas” (NSFC)
This song is downbeat and sad (“you made me for the last time.  That’s okay Christmas means little to me”).  The chorus is kind of pretty though.

THE ROOTS-“Millie Pulled A Pistol On Santa” (NSFC)
I had no idea that this was a cover.  And never would have guessed it was originally by The Roots.  It is shockingly about incest. The Roots version is even darker (and the recording features an echoed voice making it even harder to hear the words).

SOUTHERN CULTURE ON THE SKIDS-“Merry Christmas Baby” (NSFC)
This version is bluesy and slightly funky in a very white way.

REMY ZERO-“Christmas” (NSFC)
This is muted and mopey and I have literally no idea what its about.

ELASTICA-“Gloria” (NSFC)
This is without a doubt the best song on this record.  Although as far as I can tell aside from chanting (and playing) the melody from the Christmas song “Gloria In Excelsis Deo” there is no connection to Christmas whatsoever.

WILD COLONIALS-“Christmas Is Quiet” (NSFC)
This is six-minute mellow folk dirge.  Her voice is pretty, but good lord, six minutes?  Even a build up and backing vocals doing la las can’t rescue this.

XTC-“Thanks For Christmas”
Obviously, I love this song as I have mentioned elsewhere.

THE MUSICAL CAST OF TOYS FEATURING WENDY & LISA -“The Closing Of The Year”
The Toys song is such a weird inclusion–clearly it’s only here because they own the rights.  But it’s a really pretty song and it should be played more at the closing of the year, for being a lovely optimistic song.  Even though I like this version, I’d like to hear a cover from someone else with a strong voice (and not necessarily Seal, or whoever that is, joining in).  I’ll bet it could be done really well.

TED HAWKINS-“Amazing Grace”
Hawkins has a low gravelly voice.  This is a lovely cover of just him and his guitar.

So overall, this is a disappointing collection of songs.  Most of them can’t be played in a festive way.  But there are a few rocking standouts.

[READ: December 12, 2017] “Announcements”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

This was a fun, light-hearted look at Wedding announcements.  And of course, as with any fun, light-hearted look at something, there were undercurrents of seriousness that made the story even better. (more…)

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SOUNDTRACK: JOHN DENVER & THE MUPPETS-A Christmas Together (1979).

This is a strange recording.  Perhaps even more so nearly forty years past its release date when The Muppets are still beloved but aren’t hugely popular.  It’s strange because it’s quite an earnest record, and yet it is sung by puppets with weird voices.

So this album is not meant to be funny (with some exceptions), and yet it’s hard not to smile somewhat at the crazy voices involved.  But the songs aren’t played for laughs.

So if you can get past the fact that Rowlf the Dog is singing an earnest song, it’s quite enjoyable.  In fact, the whole disc is warm and inviting, nonjudgmental and really sweet–pretty much everything that John Denver and The Muppets are known for.

The album features of traditional Christmas carols and original songs.

“The Twelve Days of Christmas” (Denver with the Muppets).  This is kind of an unfortunate song to start with if only because it feels much longer than its 4 minutes (as this song always does).  Having a different Muppet sing each line helps though.  And there are some amusing moments (Beaker of course).  But it’s not really played for laughs, exactly.  Except maybe for Piggy’s “five golden ring” line, kind of.

“Have Yourself a Merry Little Christmas” (Rowlf the Dog and Denver).  Rowlf was always an earnest singer so this pairing makes sense.  But Rowlf’s voice is pretty weird.  “The Peace Carol” (John and Scooter with the Muppets). I don’t know this song, but it’s quite pretty and they have wisely picked the least strange-voiced Muppets to sing it with him.

“Christmas Is Coming” (Miss Piggy with Scooter, The Great Gonzo and Robin the Frog) This is a round with Piggy on lead and then each one repeating the one line.  I was unfamiliar with this song too.

Christmas is coming, the geese are getting fat / Please put a penny in the old man’s hat / If you haven’t got a penny, a ha’penny will do / If you haven’t got a ha’penny, then God bless you!

“A Baby Just Like You” (Denver with the Muppets) This is a very John Denver song, pretty and mellow.  “Deck the Halls” (The Muppets)  It’s nice to hear Kermit get a lead vocal.  Everyone sings this in turn and it’s quite nice.  “When the River Meets the Sea” (Robin and Denver with the Muppets)  It’s weird to have a Muppet sing this first verse, but it’s a gentle voice and works nicely with Denver.

“Little Saint Nick” (Dr. Teeth and The Electric Mayhem)  Okay, so hearing the Electric Mayhem is always fun.  I’m amused hearing all of the voices of the band (this is a song you can be silly with).  And of course having Animal shouting “Run! Run! Reindeer!” is pretty darn funny.

“Noel: Christmas Eve, 1913” (Denver) gentle and pretty.  “The Christmas Wish” (Kermit the Frog with the Muppets)  This is a very sweet song wishing love to all whether you believe or not.  Medley: “Alfie, the Christmas Tree” / “Carol for a Christmas Tree” / “It’s in Every One of Us” (Denver with the Muppets)  This is a strange story about a tree who loved Christmas.  And it’s narrated not sung.  This one is skippable.

“Silent Night, Holy Night (Stille Nacht)” (Denver with the Muppets) I was surprised that this was sung in German first.  Then Denver recites how the song was written, and it’s quite moving.   A very lovely rendition.  “We Wish You a Merry Christmas” (Denver with the Muppets) The disc ends with a bit of fun with the cast singing.  And there’s some good Muppets antics: they sing “figgy pudding”  Miss Piggy asks, “piggy pudding?”  “no, it’s made with figs.”  “oh”  “and bacon.”  And when they sing “we won;t go until we get some” Animal chants “won’t go! won’t go!”

All in all this is a delightful Christmas album.

[READ: December 1, 2017] “Aftermath”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

There’s a lot unspoken in this story, which is revealed in little snippets.

Genevieve moved back into the house on Monday.  But she decided that it needed a good cleaning first.  She called a company named Aftermath to go through the whole house–scour it and make it shine.  They asked if there was any kind of biohazard in the house and she said no.

When she returned, everything looked the same, although a little brighter. (more…)

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SOUNDTRACK: XFM-It’s a Cool Cool Christmas (2000).

This is a long Christmas collection (about 72 minutes).  So it’s a bit hit and miss.  But the hits are pretty great.  The problem really is that the disc gets a little bogged down and slow in the back half.  The first half is bright and fun.  Either re-sequnce or add in some peppier songs!  There are a couple that just don’t belong on a Christmas collection.  Remove them, and you’ve got a good one.

GRANDADDY-“Alan Parsons In A Winter Wonderland”
I’ve loved this version of this song ever since I heard it here.  By making the simple substitution of Alan Parsons for Parson Brown (which doesn’t make any sense, really), they are able to make all kinds of weirdo jokes and musical changes to an otherwise completely faithful version of the song.  It’s terrific.

THE DANDY WARHOLS-“Little Drummer Boy”
Generally I don’t like this song.  It’s a little too ponderous and repetitive, but The Dandy Warhols totally rock it out.  It’s not crazy or anything, it’s just super catchy with a cool synth riff and great backing vocals on the “bum bum bum bums.”

THE WEBB BROTHERS-“Every Day is Christmas”
I feel like this compilation is the first I’d heard of this song, but since then I see that others have done it as well.  This version anyway is slow although it’s catchy–particularly the chorus.  I’m not sure I get exactly what the chorus is saying though: “every day is Christmas, if only tonight,”  What does that mean>

EELS-“Everything’s Gonna Be Cool This Christmas”
This is a poppy punky track that’s upbeat and fun.  Just before the solo E (the singer) even mutters, “Baby Jesus, born to rock.”

El VEZ-“Feliz Navi-nada”
One of my favorite Christmas songs–rocking and silly but with the spirit still in tact.

MORGAN-“Christmas In Waikiki” [NSFC]
This track opens with a Merry Christmas to the soldiers, in what sounds like Marilyn Monroe’s voice.  It then turns into a keyboard-heavy, almost reggae march through a wah wah instrumental.  Then there’s a quote from, I assume Richard Pryor, who jokes about a 300 pound honky.  This f-bomb dropping joke makes this not safe for Christmas.

DRUGSTORE-“Maybe At Christmas Time”
This a slow song filled with hope for Christmas.

BELLE AND SEBASTIAN-“O Come, O Come Emmanuel”
I have always been puzzled at the way they change the melody of the song–they sing the “and random captive” part without a pause, so the first line runs right through.  It feels rushed, but is anything but.  Once you get past that though the music sounds lovely with those gentle guitars and voices.”

GIANT SAND-“Thank You Dreaded Black Ice, Thank You” [NSFC]
This is kind of a dark song, spooky and whispered vocals.  Even if there is a happy message, it’s not really a very festive song.

THE FLAMING LIPS-“White Christmas” [NSFC]
Despite my love for The Lips, I never cared for this version.

SAINT ETIENNE-“My Christmas Prayer” [NSFC]
A pretty, moody piece of longing.  Not really anything I want to hear on Christmas.

DEPARTURE LOUNGE-“Christmas Downer” [NSFC]
This is surprisingly catchy for such a downer.  But it is indeed a downer.

SIX BY SEVEN-“I Believe In Father Christmas”
Things pick up with this version of the dark, but wonderful Greg Lake song.

SNOW PATROL-“When I Get Home For Christmas”
This seems like its kind of dark and mopey, bu the sentiment is actually quite nice.  Sounds a bit like Sebadoh.

TITÁN-“Spiritual Guidance” [NSFC]
Titán are a Mexican electronic band.  This instrumental samples a movie which has a guy telling a young woman to remove her panties.  It’s a shame it gets dark like that because the disco Jingle Bells in the middle is good fun.

BIG BOSS MAN-“Christmas Boogaloo”
This is a groovy, funky instrumental with random chants about Christmas.  Its good fun indeed.

TEENAGE FANCLUB-“Christmas Eve”
This is a beautiful guitar based mostly instrumental.  It’s a lovely piece and far too short at only 2 minutes.

CALEXICO-“Gift X-change”
Despite Calexico’s usually bright sound, this song is pretty sad, musically and lyrically.

GORKY’S ZYGOTIC MYNCI-“Hwiangerdd Mair”
This is a very pretty song which, if Google Translate is to be believed actually means Mary’s Halloween in Welsh.  But whatever.  Gorky’s always has a great way with a melody.

LOW-“Just Like Christmas”
I actually thought this was Aimee Mann singing. Despite Low’s penchant for slow, broody songs, this one is upbeat, even if it wasn’t just like Christmas at all.  But the big thumping drums keep it moving along nicely.

LAUREN LAVERNE-“In The Bleak Midwinter”
This sounds like a children’s choir very far away.  I’d never heard of her before and I have learned: Lauren Cecilia Fisher, known professionally as Lauren Laverne, is an English radio DJ, model, television presenter, author, singer and comedian.  Wow.  This is pretty neat but could use a bit more oomph.

[READ: December 15, 2017] “The Copy Chief”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

I had to play catch up with these earlier stories because this collection arrived late (my fault, not theirs).  I put this one off because it was so long, and yet it turned out to be one of my favorite stories in the collection so far.

Not because of anything flashy or exciting, just because of good writing and compelling characters. (more…)

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SOUNDTRACK: SQUIRREL NUT ZIPPERS-Christmas Caravan (1998).

The Squirrel Nut Zippers Christmas album is pretty much what you’d expect.  Part swing, but far more old-timey sounding.  This disc is comprised of originals and some unfamiliar covers.  I really like the swinging parts, but some of the slower songs are a bit too slow for me.

“Winter Weather” is my favorite song on the disc, with the cool drawl of, I assume Katharine Whalen, and the neat horn accents.

“Indian Giver” is an original.  Despite the offensiveness of the premise of the song, it swings nicely.  “A Johnny Ace Christmas” is a bluesy original song, I rather like the guitar parts that sprinkle the verses.  “My Evergreen” is another original.  It’s a slow shuffle that kinds of drags the album a bit.

Things pick up with a ripping “Sleigh Ride” It’s all instrumental and features that great moment in the back half where things slow down and then they bring it back up really big.  Good fun.

“I’m Coming Home for Christmas” is a slow original full of longing.

“Carolina Christmas” picks things up again with a hopping shuffling number about Christmas in Carolina.  “Gift of the Magi” is a slow ballad.  It is a retelling of the O. Henry story, Gift of the Magi, told in verse.  It’s a rather clever retelling of the story.  The duet format is pretty effective for this number.

“Hot Christmas” is a horn-filled swinging instrumental (with occasional chants of “hot Christmas”).  It’s got some good swing and lots of horn solos.

“Hanging Up My Stockings” is a slow swing number.  It’s earnest and sweet.  After a small pause, the disc tacks in the the original version of the song bu Chester Church on a crackling vinyl platter.  It is sweet and unassuming just like the lyrics indicate: “I want to show old Santa Claus that I believe.”

[READ: December 1, 2017] “Edna in Rain”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

I loved this story as well.  Edna is walking down the street when the first one falls from the sky.  Kevin is the first one–he was the one who could do that amazing thing “where you flip the girl from the top to the bottom without letting go.”  She caught up with him a little and then she went on her way.

The Marisa fell out of the sky.  It was nice to see her but by now, they had both moved on.

Then came Brent and Rico. (more…)

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SOUNDTRACK: BRAVE COMBO-It’s Christmas, Man (1991).

This is one of my all time favorite Christmas records.

I love that it plays around with the styles and tempos of traditional songs and yet it remains very faithful to the spirit of the holidays

Brave Combo is a band who likes to have fun, and they certainly do that here.

This record may have been the first time I’d heard “Must Be Santa” (Polka) back in 1991, and their version is peppy and wild.  In my mind it is the accurate version.  There’s lots of fun percussion and crazy sounds.  It’s got a klezmer beat and a conga session at the end.

“Oh Christmas Tree” (Samba) is a 3 minute nearly all instrumental wild version. The vocals come in about 30 seconds from the end to zip through it.  “It’s Christmas” [Cha Cha] I love this song.  It is catchy and fun and is just the epitome of Christmas to me.

“Corrido Navideño” [Ranchera]  This is a mellower song, sung in Spanish.  That’s an unexpected change, but Brave Combo celebrates all kinds of musical styles.  “The Christmas Song (Chestnuts)” [Ska] is upbeat and dancey and so much fun.  Although the vocals at the end are a bit understated for the rhythm.
“Christmas In July” They have some fun with the lyrics: “bells on the ice cream truck” “Rudolph the sunburned reindeer.”  “Have yourself a merry, steamy Christmas.”  It’s fun, fast and dancey.  “Please Come Home For Christmas” is a bluesy song.
“Hanukkah, Oh Hanukkah” [Hora]  This is fast and punky and a wonderfully jazzy version.
“Frosty The Snowman”  This is a short jazzy version of the song with horns taking the vocal melody.
“The Little Drummer Boy” [Guaguanco]  I love the various styles of drums which makes this song more vibrant to me than many other versions.  It feels calypso to me.  “Santa’s Polka” [Polka] This song is outstanding, funny and sweet.
“Feliz Navidad” [Cumbia] The album kind of slows down a bit at this point.  This is a little too slow for my tastes, especially given the wonderful faster versions that are out there.  It’s not bad it just sounds like it’s designed for older people.
“Ave Maria”  This is a pretty operatic version of the song.  It is just acoustic guitars and the singer’s lovely operatic voice.  It is completely out of place on this disc.  If anything it should have gone last, right?
“Buon Natale” [Waltz]  I never realized how strange this song is until I listened closely to this fun, upbeat waltz.
Far away across the sea
In sunny Italy
There’s a quaint little town
Not a clock has been wound
For over a century
They don’t know the time or year
And no one seems to care
And this is the reason
The Christmas season
Is celebrated all year
“Jingle Bells” is only 45 seconds long and it is zippy and minor key in a klezmer sort of way.  A jolly fun way to end the disc.

[READ: December 1, 2017] “Dogs of Cuba”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

Read Full Post »

SOUNDTRACK: MAYBE THIS CHRISTMAS TREE? (2003).

 I really didn’t like the second volume of this series.  But this third volume is back to form.  Nearly everything on this record is great.  There’s a few songs where they have chosen to take all of the joy out of the Christmas song.  This is a valid choice, sure, but it doesn’t work when a collection mixes it up with happy Christmas songs.

But by far, this album is far more positive than mopey.

THE POLYPHONIC SPREE-“Happy Christmas (War is Over)”
I don’t really like this song, but this version is fun.  I think the full choir overwhelms what i don’t like about the song.

THE RAVONETTES-“The Christmas Song”
I don’t really know The Ravonettes, but I love this version of this song  The whispered vocals, the plinky guitar, the general rocking shuffle–it’s all good to me.

DEATH CAB FOR CUTIE-“Christmas (Baby Please Come Home)”
It would take a lot for Death Cab for Cutie to mess this up.  This is a terrific version of this song.

PEDRO THE LION-“I Heard the Bells on Christmas Day”
This is a slow piano ballad.  I actually thought it might be Coldplay.  It’s too slow, especially given the other songs so far.

BELSANA-“Bittersweet Eve”
This is a catchy folk song although it leans towards the mopey in the vocal delivery.  And technically it’s about New Year’s Eve.

IVY-“Christmas Time is Here”
I love Ivy.  Her voice is so great in general.  This version of the song sounds really compressed, almost like a music box, which makes its sound even prettier.

ROYAL CROWN REVUE AND VICKY TAFOYA-“Baby It’s Cold Outside”
I don’t know if Royal Crown Revue is typically a retro sounding band, but man, this song is perfectly retro.  It sounds like it could have been recorded a long time ago, right down to the vocal styling.

TOM McRAE-“Wonderful Christmastime”
I don’t understand why you would take this song and make it a downbeat ballad.

PILATE-“Fairytale of New York”
I love the original of this song so much.  Musically, this version is pretty good, but there’s something vocally about it that falls flat for me.  It may just be that it’s close but not exactly right so it feels off to me.

LISA LOEB-“Jingle Bells”
It sounds like she’s smiling entirely through this song, which is exactly as it should be–even with a somewhat breathy version like this.

JARS OF CLAY-“Christmas for Cowboys”
This is a John Denver song that I didn’t know before.  It’s kind of a country song, but it doesn’t really feel like it in this version.  I like the cowboy whistle.

COPELAND-“Do You Hear What I Hear?”
Because of the autotune, this version grates.  And yet, I find it strangely compelling add well.   The guitar chorus and synth voices are great, but when it gets into the auto tune it goes too far until it goes way too fast and actuate sounds interesting again..

[READ: December 12, 2017] “Kings”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

I really enjoyed this story, which was designed as a Crowdfunding request to do exactly what the title asks.

We see that the person’s goal is $5,229 and that she has received $1,395 with 28 days to go.

That all seems reasonable except for the whole Land of the Dead business. (more…)

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SOUNDTRACK: MAYBE THIS CHRISTMAS TOO? (2003).

This second installment of this Nettwerk Christmas series is much darker than the first.  Perhaps this is indicated by the tree being on fire.  In fact, of the three it’s the one I listen to the least, despite the fact that it has a couple of my favorite Christmas songs on it.  The downer songs are labelled [NSFC] Not Safe for Christmas.

RUFUS WAINWRIGHT-“Spotlight on Christmas”  I love this song.  It’s actually quite sad and stands up for poor little rich people at Christmas, but the chorus is so pretty.  And i really love Rufus’ voice.

EISLEY-“The Winter Song”
I’ve never heard of this band outside of this song (they are still active).  The song is terrific and their voices and harmonies are really wonderful.

AVRIL LAVIGNRE & CHANTAL KREVIAZUK-“O Holy Night”
This version of the song has stuck with me for years.  I simply cannot decide if Avril has the most pure and unmodified voice when singing his song or if she is just totally flat (which I don’t think she is).  I find her delivery is haunting in a very strange way.  Krevizauk, on the other hand has and absolutely incredible voice and her parts are amazing.

RILO KILEY-“Xmas Cake” [NSFC]
This is the first of many depressing songs.  Five and a half minutes of bad news and sad tidings.  Good grief.  The melody is nice and maybe in another context it would be powerful, but holy crap, no one want to hear this at Christmas.

DAMIEN RICE & LISA HANNIGAN-“Silent Night” [NSFC]
This is a really dark song that turns Silent Night from a song of hope to one of despair.

GUSTER-“Donde Esta Santa Claus?”
This is perhaps my favorite Christmas song, ever.  It’s fun and lighthearted and super catchy.  I can’t believe it is wedged in between these really dark songs that I always skip.

THE BE GOOD TANYAS-“Rudy” [NSFC]
This is a sweet, catchy song until you hear the words and that its about a red-nosed wino who dies.  Good grief.

DAVE MATTHEWS BAND-“Christmas Song” [NSFC]
This song has a pretty decent melody but Matthews sings it really quietly and, man, it just never goes anywhere. It’s five and a half minutes long and has no energy.  Gah.

OH SUSANNA-“Go Tell It on the Mountain”
I always forget that this is a Christmas song, but it certainly is.  It’s full of gospel tinges, as it should be.  Apparently new lyrics have been added but I don’t know all the words so it was news to me.

BARENAKED LADIES-“Green Christmas”
BNL has recorded three versions of this song.  It was written for the 2000 film How the Grinch Stole Christmas and appeared on the soundtrack.  It also appears on Barenaked for the Holidays.  Each of those versions is different and they both differ from this one.  It’s a bit of a downer but only as much as BNL can be downers.

MARTINA SORBARA-“It’s the Most Wonderful Time of the Year” [NSFC]
Never has anything wonderful felt so sad and mopey.  This bluesy version is kind of interesting but man is it ever at odds with the meaning of the song.

BADLY DRAWN BOY-“Donna & Blitzen”
This is another terrific song.  Its got a  great melody, some terrific piano and a super catchy chorus.  Its not exactly Christmas although it sort of is and certainly works for the Christmas season

THE FLAMING LIPS-“White Chritsmas” [NSFC]
Despite my love for the Lips I really don’t like this version of the song at all.  It’s subtitled that it is a demo for Tom Waits which might explain why it is sung in such a crazy way, but Waits would do it so much better.  He just sounds mocking all the way through.

SIXPENCE NONE THE RICHER-“It Came Upon A Midnight Clear”
This band used to be pretty huge back in the day.  This song is very pretty–played on a kind of Spanish-sounding guitar with some neat and kind of spooky keys playing single notes at the end of each verse.  It’s a really cool version and ends the disc on a good note.

[READ: December 12, 2017] “Kings”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection

This is a story about D.H. Lawrence and his life in Kandy, Ceylon in 1922.  I don’t know anything about Lawrence, so I assume this is all based on research.  As with most fictionalizations of real people’s lives, I don’t get why it was written.  But it was quite interesting and enjoyable, so maybe that’s why.

He and his German wife had exiled themselves from England immediately after the war.  They met an American, Brewster, who invited them to Kandy, nicknamed Little England.  But it was a sad trick, that name, for it was all jungle.  Lawrence suffered from tuberculosis and the jungle heat did not help. (more…)

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SOUNDTRACK: MAYBE THIS CHRISTMAS (2010).

This is one of my favorite Christmas discs.  There’s not a lot of traditional Christmas music on it, but the originals are all either spot-on Christmas songs or at least work nicely for this time of year.  The only song that doesn’t fit is Ben Folds’ which is funny and vulgar.  It is not safe for Christmas and should be skipped in a family setting and saved for the drunken debauchery part of the night.

PHANTOM PLANET-“Winter Wonderland” Back in 2010, Phantom Planet was a kind of buzzy, talked about band (you’ll have to look up why).  But this is a great version of the song, I especially love that it’s kind of rocky and slightly dissonant but still really pretty.

RON SEXSMITH-Maybe This Christmas.
It’s a shame that this series of records is named after this song, which is so forgettable.  I usually like Sexsmith’s stuff, but I can’t keep this song in my head at all.

COLDPLAY-“Have Yourself a Merry Little Christmas”
Unlike Phantom Planet which was all buzzy when this was recorded, Coldplay had yet to take off and had a small hit with “Yellow.”  It’s interesting to hear this spare version (just Chris Martin singing and playing piano) and how he modifies the words in small ways.

VANESSA CARLTON-“Greensleeves”  This is a lovely version of this song, even if Carlton’s voice is a bit affected (and its technically not a Christmas song in this lyrical version).

BRIGHT EYES-Blue Christmas
This is a nice version of this song, mellow and catchy.

SENSE FIELD-“Happy Christmas (War Is Over)” The more I listen to this song, the more I think it’s really weird.  “The yellow and red ones” (?).

JIMMY EAT WORLD-“12/23/95”
This is a very catchy Jimmy Eat World song (once again, before they got huge for a time).  It’s hard to realize its Christmas-related until late in the song when they mention the holiday.

JACK JOHNSON-“Rudolph”
I love this version of “Rudolph” so much because Johnson tacks on an ending where the other reindeer feel bad of making fun of Rudolph.  And Johnson’s vibe is just always so mellow and chill.

BARENAKED LADIES & SARAH McLACHLAN-“God Rest Ye Merry Gentlemen”
This recording is quite old–from 1996.  The artists work very well together and Sarah’s voice sounds great.

BEN FOLDS-“Bizarre Christmas Incident” [NSFC]
Ben played all of the parts himself on this song.  I love Ben and I love when he is funny and vulgar.  But this song which is very vulgar and mildly funny is so out of place on this disc.  You can’t play this for the kids, whereas everything else is totally fine. I might like it on a vulgar CD collection bu I dislike it a lot here.

DAN WILSON-“What a Year for a New Year”
Dan Wilson always writes pretty, catchy songs.  This is a lovely song that seems (possibly) even more appropriate in 2017 than it did in 2002 when he wrote it.

NEIL FINN-“Sweet Secret Peace”
This is a very pretty, delicate song with a wonderful chorus.  It’s not necessarily a Christmas song, but it works at this time of year.

LOREENA MCKENNIT-“Snow”
McKennit’s voice is amazing, and this song is hauntingly beautiful.  It’s a stark and lovely ending to this disc.

[READ: December 14, 2017] “Lady with Invisible Dog”

Near the end of November, I found out about The Short Story Advent Calendar.  Which is what exactly?  Well…

The Short Story Advent Calendar returns, not a moment too soon, to spice up your holidays with another collection of 24 stories that readers open one by one on the mornings leading up to Christmas.  This year’s stories once again come from some of your favourite writers across the continent—plus a couple of new crushes you haven’t met yet. Most of the stories have never appeared in a book before. Some have never been published, period.

I already had plans for what to post about in December, but since this arrived I’ve decided to post about every story on each day.

This story was pretty bizarre and really wonderful.

There’s so much going on.  And much of it is pretty weird.  The story is set in 1995.  The narrator, Edwin, has had a run-in with a man called “The Narrator.”  And that has set all of the action of the story in motion. (more…)

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SOUNDTRACKENYA-Oiche Chuin (1995).

I bought this 3-song single back in 1995.  A few years later Enya released a Christmas EP with five songs on it.  It contains the first and third songs from this single and then a few songs from her other records.

“Oiche Chuin” is Irish for Silent Night.  Her version of the song is beautiful and haunting.  The melody is the same, but it has all of Enya’s trademark sounds on it which makes it even more ethereal.  Having it in Irish in no way removes the power of the song, unless of you course you just listen for the lyrics.

“Oriel Window” is a pretty piano instrumental–very different from her multi-tracked productions.

‘S Fagaim Mo Bhaile” is a lovely Enya track.  Not Christmassey, but it’s in Irish so it doesn’t really matter what it’s about.  It translates as “And I Leave My Home,” so it is full of sorrow and yearning.

So not a full Christmas album but the version of “Silent Night” is wonderful.

[READ: December 12, 2017] “Souterrain”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection.

I didn’t expect that these advent stories would be all sweet and full of Christmas, but I also didn’t expect to read about bodies being torn in half and flattened by tanks.

I have enjoyed a few stories from Boyko in the past.  However, this story is, as you can tell from the title, a military story.

What happens in military stories?  Somebody (sometimes everybody) gets killed.  And the rest of the time everyone else is more or less waiting to get killed.  Either you wipe out the enemy or they kill you.  It is a torturous time where any diversion is welcome.

But these frightening episodes don’t really make for compelling stories–especially if the person you care about is going to die.

So you can only read for the details of each story and hope they are effective..

The one nice change for this story was that most of the soldiers were women.

I guess these are actually five episodes within the story:

“High Ground” is about choosing the safest place from which to attack some one.

“Six Inches” has the soldiers talking about death (if she had been six inches to the left she would be dead.  And then they were all attacked.

“Mail Call” looks at what happens to the package of a dead solider.

“Still Alive” deals with a soldier’s fear of the dead and how to cope with it–by exposing herself to more dead bodies.

“The Cook Up” finally shows some leisure.  The soldiers are allowed to scrounge for something other than the lousy food ratios.  It’s nice to see them enjoying themselves for a few hours before they all die.

Being a soldier really must suck.

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