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Archive for the ‘Supernatural’ Category

lcoke1SOUNDTRACK: SUFJAN STEVENS and FRIENDS present Gloria songs for Christmas Vol. 6 (2006).

sufjan 6I was planning to write about Sufjan Steven’s first collection of Christmas albums, but I had forgotten that I had already done so back in 2009 [Vol 1 here; Vol 2 here; Vol 3 here; Vol 4 here and Vol 5 here.]

The next five volumes (from 2006-2010) came out in 2012.  This collection bucks the rather traditional tradition he had established with the earlier volumes.  Indeed, as the discs progress, they get more and more unusual.

But this first disc is quite traditional sounding.  It has 8 songs and is about thirty minutes long.

“Silent Night” is very pretty with gentle acoustic guitars and lots of backing vocalists. The solo is kind of a singing saw I think—a little odd, but neat.
“Lumberjack Christmas/No One Can Save You from Christmases Past” is filled with fiddles and is quite sweet (with a very familiar melody (and ho ho hos).
“Coventry Carol” I love the introductory melody of this song, it’s so pretty.  The voices feature multiple harmonies;  it’s quite lovely.
“The Midnight Clear” despite the title and first line, this is not “It Came Upon the Midnight Clear,” but a song inspired by that one. This is a very pretty song with a complex melody and lots of filigree in the instrumentation.
“Carol of St. Benjamin the Bearded One” I love this instrumental opening (about 90 seconds) which plays with a twist on “Hark Hear the Bells” and then plays some different instrumental sections but always returning to that Hark section. It’s very cool.  When the vocals come in it mellows out quite a bit and is still very pretty.
“Go Nightly Cares” has a very Elizabethan feel to it.  It’s a lovely 15th century instrumental.
“Barcarola (You Must Be A Christmas Tree)” is 7 minutes long. It begins slow but gets bigger and bigger with a section from Do You Hear What I Hear (the “following yonder star” melody)
“Auld Lang Syne” is a very pretty version on acoustic instruments with lots of singers.  It’s a nice way to end the EP.

[READ: December 5, 2014] Locke & Key 1

I heard about this graphic novel series when Joe Hill was on Seth Meyers’ show.  I didn’t really know too much about his writing style but I knew he wasn’t someone I was anxious to read (even if his book Heart Shaped Box must have something to do with the Nirvana song, right?).

But Seth made this graphic novel series sound really compelling, so I decided to check them out.  There are six collections in the series and they are all available now.

The first collection is called Welcome to Lovecraft and it sets the story in motion pretty much from the get go.  As the book opens we see two creepy looking youths harassing a pretty woman.  We see that they have killed at least two people, and things don’t look good for the lady.

Then we cut to some kids.  An older boy, Tyler; a young teen girl Kinsey (with dreadlocks and piercings) and a little boy. Bode.  They are all complaining about how much they hate living where they are.

Jump cut to a funeral with a bright red urn and Tyler looking down at it. (more…)

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writeSOUNDTRACK: THE MINIONS-“Banana” (2014).

Ibanan really enjoyed both Despicable Me movies, and the minions crack me up.  So how did I not know that bananas are a big deal for them?  At Universal Studios, bananas are a huge part of the Minion gear that they sell, but I had no idea why.  When we watched Despicable Me recently, I saw them fighting over a banana, but it seemed like a minor thing.

Well, anyhow, the minions have done a cover of “Barbara Ann” as… well, you get the point.

And man, is it irritating, especially in the two hour version I present you with below.

I honestly can’t wait for the next movie though.

[READ: November 9, 2014] Write This Book

I’ve had this book on my shelf for a while.  I didn’t want to read it until I finished the Secret series.  And since I did, I decided to read this right away.  (You don’t need to read the Secret series to enjoy this book–especially for the h ow-to elements which are outstanding whether you know his work or not)

I wasn’t really sure how this would work–there was an excerpt at the back of the You Have to Stop This paperback.  He sets up the story for us and has us finish it, was it just going to be blank pages?  No, it is not.

Indeed, it is a very clever book because it accomplishes two things very well.

1) It creates a simple yet compelling mystery (with Bosch’s typical flair for twisting things around on their heads) and

2) It teaches young writers a ton about how to write.  In fact, I hope Clark reads this soon, because I think it will really help him with his storytelling. (more…)

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stopthisSOUNDTRACK: PHARRELL WILLIAMS-“Despicable Me” (2010).

meAfter coming back from Universal, we watched Despicable Me again.  I had totally forgotten that Pharrell Williams, that “Happy” guy, had written this song about “having a bad bad day.”

Now since this is an open credit sequence, I think he can be forgiven for repeating the two verses FOUR TIMES.

Of course, that makes it insanely catchy (I’m havin’ a bad bad day), and the melody is a nice combination of bouncy jingle and suspenseful spy type movie.

It’s nice to see Williams run the gamut of emotions in these two songs (“Happy” comes from Despicable Me 2).

[READ: November 7, 2014] You Have to Stop This

This is the final book in the “Secret” series.  It has been quite a while since I read book four, so I was a little worried that I wouldn’t remember what was going on.  And I really didn’t, but that didn’t matter too much, because I immediately jumped right back into he plot and figured out the details as I went along.  And I flew through this (it was a great vacation book).

One of my favorite things about this series is the way that Bosch plays with the conventions of storytelling.  I’m not even sure if young readers can appreciate the jokes at this level (have they read enough to know what is being spoofed?).  So when chapter one begins with a pick your own beginning, it made me laugh because of the types of opening lines you can choose, but also because of what the answer is.

And then in chapter 2, the narrator promises to reveal the Secret right away… (more…)

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criminalsSOUNDTRACK: JOANNA GRUESOME-Weird Sister (2013).

joanna  I love this short rocking record from this Welsh band whose name is presumably a pun on harpist Joanna Newsome (a fairly obscure joke, no doubt).  In fact I really can’t stop listening to their blend of smooth noise and pretty/screamy vocals .  Lead singer Alanna McArdle has several distinct styles of singing, from pretty and sweet to screamed and scary.  She’s accompanied by a stellar lineup of guys who can do punk and a lot more: drummer Dave Gruesome and  guitarists George and Owen Gruesome (also vocals).

The album reminds me of My Bloody Valentine with splash of riot grrl and occasional old school punk thrown in.  There are elements of pure MBV shoegaze (and even of MBV noisy distortion), but without the meticulous layering that Kevin Shields spent years of his life mastering–this album feels largely spontaneous..

“Anti-Parent Cowboy Killers” opens with a descending guitar riff, switches to some shoegazey type verses and then jumps into some loud screamed choruses, before starting the whole thing over again.  I love the dissonance at the beginning of “Sugarcrush” and how it morphs into a strangely catchy song midway through. And then it shifts back into raw dissonance.  I also get a sense of Cocteau Twins in the vocals on “Madison” (and other songs).  The opening riff is pure dissonance but the verse is just bliss (the “head on the door line of course makes me think of The Cure even though they don’t sound like them at all).

“Wussy Void” slows things down with some actual individual notes and audible lyrics (I’m told the lyrics are very feminist, but I honestly can’t hear too many of them–which isn’t really a shame because her voice is perfect for this band and just knowing that she’s singing about meaningful things is enough of a bonus.

“Lemonade Grrl” starts shoegazey but quickly speeds up with some pummeling drums behind her delicate voice.  “Secret Surprise” is probably the “prettiest” song of the bunch–the dissonance is at a minimum, and yet it is still noisy and punky.  “Do You Really Wanna Know Why Yr Still in Love With Me?” is the sweetest song on the album, with a pleasant guitar riff and a catchy and understandable chorus–until the raging blast of punk at the end.

At 4 minutes, “Candy” is the longest song on the disc.  It slows things down and has a fairly conventional structure.  “Graveyard” starts as a punk blast but gets softer for the chorus.  And the album closer “Satan” belies its name and the album by opening delicately and having the first notices of a large bass sound and then after 2 minutes it abruptly ends.

I really love this record (all 28 minutes of it).  And I can’t wait for more.  I just found out that they have a few singles and E.P.s streaming on their bandcamp site.  Most of these recordings are earlier, rawer version of songs on the album.

[READ: October 19, 2014] Sex Criminals

This intriguingly titled comic is intended for mature readers (as you might expect).  But before we get to the criminal aspect of the story, we’ll back up to meet the characters.

First there is Suzie.  Her mostly amusing story begins with a pretty awful tragedy. A man killed Suzie’s father when she was a little girl (the story promises that things will get funnier as we learn her story). This all ties into the big banks that she rails against later, but I’m not exactly sure that this back story is even necessary (yet).

But this incident makes young Suzie delve deeper into herself.  And when she discovers what kind of pleasure can be had by herself she discovers something…peculiar.  It seems that whenever she climaxes she enters into what she calls The Quiet.  In a nutshell, everything around her stops, but she is able to move–this later led to some fairly awkward moments with guys.  She tried to talk to girls at school about this–of course they looked at her like she was crazy. Although one girl proceeds to show her about a dozen sex positions (by drawing them on the bathroom wall–this may be the funniest thing in the whole book as they are so outrageous yet so cartoony, and I’ve not heard of half of them).

She tries talking to her doctor–he basically tells her that her husband will help her when she’s older.  And then she tries her mother who is still grieving about Suzie’s dad.  So, three strikes, she’s out.

So, how does a plot develop out of this? (more…)

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birdkingSOUNDTRACK: TRICKY-“Sun Down” (2014).

trickI really liked Tricky’s first few albums.  He came back with a good album last year and now he has a new one called Adrian Thaws.  It is currently streaming on NPR.

I listened to the whole album and I like it quite a lot.  There’s a decent variety of stuff, most of which is really fantastic.  There’s a few tracks I’m not so sure about.  But one of the key things is that Tricky’s claustrophobic and slighty off-kilter style is at the forefront here.  Especially in this song.

It begins with a kind of tribal sounding beat and then some distorted bass notes.  There’s a clock ticking in the background as Tricky’s voice (sometimes doubled) speaks/raps his slow style.  It feels close up and dark.  When guest vocalist Tirzah sings the female parts, she continues that slightly echoed, slightly muffled style that doesn’t really shed any brightness on the song.

Sure, there’s a chorus, but it’s not the reach out and grab you kind.  Rather, it just pushes the song along to its inevitable conclusion.  The keyboards noises that end the song create an uneasy feeling as the beat continues until the song ends with a ticking clock.

It’s great to have Tricky back in form.

[READ: July 1, 2014] The Bird King and other sketches

I’ve been marveling over Shaun Tan’s work this summer, so I was delighted to see this book as well.  The Bird King is, as the subtitle says, a collection of Tan’s sketches. He gives a brief introduction about how he was unsure whether or not to publish them as they are clearly unfinished, but so many of them are so beautiful in their “what might be” stage, that it’s hard to deny their value.

I mean, the very first picture, called “Bee-eater” is magnificent (it’s at the bottom of the page here).  It is part of the first section called Untold Stories.  This includes several of the pages from the comic Flinch that I read back in June.  I said I didn’t love the pieces then (I didn’t realize he did the cover of that book as well).  But I see now that I like the drawings better out of the context of that book, which was more about spooky and unsettling things.  I don’t think of Tan’s work as spooky or unsettling, rather it’s more magical, so seeing this series of titled pencil drawings together was really cool.

The second section is called Book Theatre and Film (I didn’t know that he was a creative consultant for Wall-E), and it includes samples from his books (like Eric and The Red Tree) as well as stills from movies that were made of his books like The Lost Thing as well as earlier books which I don’t know like John Marsen’s The Rabbits and covers of other books (like Tender Morsels). (more…)

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red treeSOUNDTRACK: ELVIS COSTELLO-“Monster Went and Ate My Red 2″

elvisOf all of the songs that I might think would get turned into a children’s song for Sesame Street, I must say that “The Angels Wanna Wear My Red Shoes” was pretty low on the likelihood list.  It’s one of my favorite songs, but what might you do with it for the Street (and why would you pick a sorta popular song from 40 some years ago?).

I can’t answer the last part, but you can tell by the title what you’d do with it:  turn the angel into a monster and the shoes into the number 2.  And now Elvis can’t count to ten because the monster ate his red two.  Lyrically it stretched credibility somewhat, but when accompanied by the video in which Cookie Monster does in fact eat a number 2 that is red, it all makes a kind of weird sense.

True, Elvis never sings the “She said drop dead and left with another guy” line.  In fact, Elmo sings that verse in which he goes and gets another red two.  But, just when you think it’s all good, there’s a surprising twist.

And, best of all, Elvis looks like he’s having fun.

[READ: July 1, 2014] The Red Tree

It was surprising seeing this children’s book come across my desk, but since I love Shaun Tan’s work, I was excited to read this one (his other children’s books are gorgeous).

This story is quite dark–perhaps a little too ark for my six-year-old, although I feel like she could relate to it on some days (perhaps the wording was a little much even if the feelings were spot on).  And she has red hair too.

The story opens with a girl sitting in bed with the caption that “Sometimes the day begins with nothing to look forward to and thing go from bad to worse.”  Sure everyone has experienced days like that.  And the drawings are wonderful–in this case, the girl’s bed is swamped by leaves. (more…)

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[LISTENED TO: August 2014] The Hero’s Guide to Saving Your Kingdom

stormThis audio book was ten hours long.  We listened to it on a long car trip (from Michigan to New Jersey) and when it looked like we might not finish the book, I considered slowing down on the interstate so we’d get to the end before we got home.  THAT is how good this book was.

This book picks up a few months after the exciting conclusion of the first book.  The Princes are back home (well, most of them are), reveling in the glory of their accomplishments.  Except that those blasted bards have written new songs about the League of Princes, like the incredibly popular “The Embarrassment of the League of Princes” which is causing the Princes even more grief than they had before they saved the world from blowing up.

Prince Liam is living with Prince Frederic (in Frederic’s castle).  He is trying to train Frederic to be a better fighter (with very poor results).  Princess Ella is living there too (in separate rooms, of course).  Ella and Frederic have been engaged since their first adventure, but not much has been spoken about it since that first day.  Indeed, Ella is a much better fighter than Frederic and she has been training harder with Liam. Liam is clearly smitten with Ella, but he doesn’t want to hurt Frederic.  When Frederic’s father gets fed up with Liam trying to teach Frederic how to fight, he makes it clear that Liam is unwanted.  So Liam leaves.

Gustav is not fairing any better.  It is his brother’s birthday and the humongous cake has been set out for them (while Gustav has been sent to the kiddie table).  When he disrupts the ceremony once the bard sings “The Embarrassment of the League of Princes,” he is unceremoniously sent off to teach the trolls how to farm (so they stop stealing from the villager’s gardens).  Of course, Gustav knows next to nothing about farming, so he teaches them how to brawl, which the trolls love even more.

Duncan has been writing a book since the first book. It was originally to be called The Heroes’ Guide to Saving Your Kingdom (hey!), but has since been changes to The Heroes’ Guide to Being a Hero.

The Prologue of our book tells us about Duncan’s book and then says:

No you may be asking yourself, Who is this Prince Duncan and what makes him such an expert on heroes? To which I will respond by saying that perhaps you may have skipped a book on your way to this one.  You should probably check on that.

So yes, the series will continue to be hilarious. (more…)

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[LISTENED TO: June 2014] The Hero’s Guide to Saving Your Kingdom

heros1Holy cow, did I love this audio book!

I was looking for an audio book that the kids would enjoy on a long car ride.  The title sounded terrific and when I saw that it was read by Bronson Pinchot, I didn’t wait another second to download it.  And yes, Pinchot’s reading was stellar and amazing, but in addition, the story was hilarious and fantastic.

And I’ll get out of the way that the book is completely kid-friendly.  There’s nothing objectionable (the harshest word is crud).  Some of the violence is cartoony (and Pinchot makes it pretty visceral) but it doesn’t last long.  My nine-year old and six-year-old were just as hooked as the adults.

This book aims to set the record straight about Prince Charming.  Prince Charming is of course in every fairy tale, but you did know that they are not the same Prince Charming, right?   Those lousy bards who created the songs about the female leads certainly got the Princesses names correct, but they never bothered to get the Princes’ names into the songs.  (Charming is an adjective, not a name).  So, meet Prince Liam, Prince Frederic, Prince Duncan and Prince Gustav. They’re the Prince Charmings (actually it is Princes Charming–the book is very much a stickler for proper grammar), who saved–Sleeping Beauty, Cinderella, Snow White, and Rapunzel, respectively.  And they are out to make names for themselves or at least make their names known.

Each one of them starts as an outcast for a different reason.  The only thing I found confusing about this story was trying to keep the kingdom names straight.   So I’m trying to outline them here. (more…)

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reySOUNDTRACK: ECHO & THE BUNNYMEN-“The Cutter” (1983).

echoI’ve never been a huge Echo & The Bunnymen fan, but I do like their greatest hits.  This is one of them, and it’s a song I’ve liked from pretty much the minute I heard it.  Ian McCullough has a Jim Morrison vibe in his vocals, and there are interesting Eastern melodies and pieces thrown into the song (like in the intro).  These give it an unconventional feel, even though the main melody is pretty straightforward.

I have no idea what the song is about–I sing along without really thinking about it.  And the “spare us the cutter” chorus, complete with screechy guitar chord is pretty dynamic.  As is the loud drum change during the “drop in the ocean” part.

By the end of the song the drums seem to sound bigger, and the fills really propel the song to the end.  It’s a fine song by a band that I’m not sure I need to hear more of.

[READ: August 25, 2014] Pale Summer Week 7 (§46-§47)

After the pile of small chapters that last week gave us, this week offers just two.  One is a very lengthy discussion between two characters.  The other is another piece of the Toni Ware puzzle.  I enjoy the way the first of these sections balances the medical, the emotional and the supernatural.  And it makes me laugh that Drinion’s supernatural bit is never addressed directly in any way–it just is–as assuredly as Rand’s psychological problems just are.  But I do find it interesting that more people have talked about Rand’s problems than Drinion’s (even though his is as fascinating as he himself is dull).
(more…)

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rattleSOUNDTRACK: THEY MIGHT BE GIANTS-“Greasy Kid Stuff” (2013).

3This song was recorded especially for the Greasy Kid Stuff radio show and appears on Greasy Kids Stuff Vol 3.

It starts out like a very TMBG song–with funny lyrics (by John L) over a simple keyboard melody.  The lyrics are about his unruly hair (it needs some schooling).  But it quickly turns into a plea to the radio for songs about Greasy Kid Stuff!

The chorus sounds very “rock n roll” (with old style backing vocals).

It’s only 1:40 and it’s the kind of song TMBG seems to be able to whip out in a couple of minutes.  But it’s really quite catchy.  It’s nice to get some new fun from John and John and the Dans.

[READ: August 11, 2014] We Can’t All Be Rattlesnakes

Indeed we cannot all be rattlesnakes. Even the main character of this book, a gopher snake, can’t be one, despite how much she looks like one.

The gopher snake is unnamed because even though she is the main character, she has just been captured by a boy named Gunnar.   Well, actually he calls her Crusher, but that’s not her name, and she refuses to acknowledge it (especially since she doesn’t crush her prey, she asphyxiates it).  We see everything that happens to her from her own eyes. This allows us to see everyday human items (like a video game console) as completely foreign.

Gunnar is a kinda dumb, kinda violent boy, at least that’s what the other captive animals claim (reptiles can communicate telepathically, you know).  Speedy the tortoise and Rex the lizard tell Crusher all about how things are in this house.

Gunnar plays violent video games, disobeys his mom, has dumb friends and refuses to accept that Crusher is a girl.  At first Crusher is really angry about being captured and she vows revenge.  Not only won’t she eat the dead mouse he puts in there with her, she refuses to eat the live mouse he puts in there with her.  In fact the mouse, named Breakfast, becomes quite taken with Crusher, and cuddles up next to her. (more…)

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