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Archive for the ‘Supernatural’ Category

[LISTENED TO: August 2014] The Hero’s Guide to Being an Outlaw

outlawThis audio book was ten hours long.  We listened to it on a long car trip (from New Jersey to Canada).

I wasn’t quite sure how the title of this book would make sense since the heroes are heroes after all.  But we quickly learn that all of the good guys have been accused of killing Briar Rose (they didn’t even know she was dead!).  And her father has put a bounty on all of our heroes: Prince Frederic, Prince Gustav, Prince Liam, and Prince Duncan and Cinderella, Snow White, Rapunzel, and Princess Lila.

Of course, it shouldn’t take anyone long to determine that there has been a nasty plot afoot and that someone from their past has some pretty evil plans to attend to.

However, the way the story is written–with each character getting his or her hilarious chapter–it does take a little time before the truth comes out.  But it takes only a few pages before the scary news comes out–Rundark, Warlord of Dar is back, and he is angry.  Well, he was always angry, but I suspect he’s even more angry. (more…)

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zoltar SOUNDTRACK: LOST IN THE TREES-Tiny Desk Concert #82 (September 23, 2010).

itt I thought I knew what Lost in the Trees sounded like, but this Tiny Desk Concert changed everything I thought I knew about them.  Band creator Ari Picker studied film scoring which must explain the cinematic scope of the band.  For this set the band includes, a violin, two cellos, two brass instruments, accordion and percussion as well as Picker’s acoustic guitar.   There’s 7 people in the band altogether.

I love the way “All Alone In An Empty House” builds several times and comes crashing to an abrupt hall before starting again.  I also love the hauntingly beautiful operatic backing vocals from the accordionist.  Lyrically, the song is creepy and compelling (“where’s the baby, I must be crazy”).  I love how the strings take the lead at one point and then the horns take over and back again.  It’s very dramatic and it runs to nearly 6 minutes.

“Song For The Painter” opens with gentle acoustic guitar and pizzicato cello strings.  Then there’s some dramatic violin and delicate xylophone.  This song is also rather dark (“to the painter with no arms… if I ever find my heart darling, I promise to come home again”) but the music is so uplifting.

“Time Taunts Me” has a sing-a long part (he says they want to reenact a Flaming Lips concert that he went to recently, although they don’t have a screen with a rocket ship blasting off.  This song is mostly string based with great dramatic flourishes and runs almost 7 minutes.  It is just wonderful the way it builds.  And the singalong is amazingly catchy.  I definitely need to hear more from them.

[READ: October 27, 2015] The Eye of Zoltar

Book Three was several years in the making, so I’m kind of glad that I only finished book two a few months ago.

Although Book Two seemed to wrap up pretty nicely, there were of course several unresolved threads.  But Book Three is more or less its own entity.

In fact, our heroes leave Kazam and the Kingdom of Snodd for most of the book.

The book opens with Jennifer Strange talking about having to capture a loose Tralfamosaur (love the nod to Vonnegut there).  Seems that Kazam’s magic caused the walls of the containment cell to fall apart meting this most ferocious beast loose in the city.  They capture it with the help of The Magnificent Boo, who always wants to help animals if she can.  She decides to transport the Tralfamosaur to the Cambrian Empire, where “danger vacations” are a big business.  And one of the most lucrative is Tralfamosaur hunting.

In the previous books, some characters were killed (and some are in this one as well), but to start with, a new character is added.  Jennifer is invited to castle Snodd where King Snodd (not a nice guy) and his wife Queen Mimosa (a super nice lady) are waiting.  They have a task for Jennifer–turn their snotty nosed, spoiled rotten princess into a respectable human being.  And the Queen assures that this will be done by doing mind swap on the Princess and having her switch places with the handmade Laura Scrubb.

Soon after, Jennifer is given the titular plot of the book.  The Mighty Shandar comes out of his granite hibernation once in a while for important business and this here is such a business. He tells Jennifer that her work with the dragons (in previous books) has caused him embarrassment and financial hardship.  He has half a mind to kill those last two pesky dragons.  But he says he won’t if she is able to find the mythical Eye of Zoltar–a super powerful gem that can turn the possessor into lead.

Through the work of the remarkable Kevin Zipp, Kazam’s clairvoyant, they deduce that they might get some information about the Eye’s whereabouts if they go to the Cambrian Empre and talk to ex-sorcerer Able Quizzler who is said to have seen it when it was around the neck of Sky Pirate Wolff.  Of course all of the people in question are questionable in their truthfulness (or even in their existence).  But our team decides to set out for the possible fictional Leviathan’s Graveyard to see if Sky Pirate Wolff’s lair is there.

Leviathans by the way are lighter than air beasts who can fly but are the size of whales.  No one is even sure if they exits because they are basically translucent.  Neat.  Oh and since they are heading to the Cambrian Empire, they might want to get the Magnificent Boo out of jail.  Seems that she was arrested for illegal transportation of a Tralfamosaur.

And so Jennifer, Perkins and the Princess set out for the dangerous Cambrian empire.  It is very dangerous but quiet regulated–you will mostly likely be kidnapped or robbed, but your assailants will always explain whey they did it and may even give you a receipt.  Our team will need a guide, and soon enough on turns up in 12-year-old Addie Powell, a powerful tracker with an excellent success rate.

Addie says that they will succeed but there will be a 50% death rate in their party.  Not liking those odds, Addie picks up a few more stragglers–really reprehensible people like Gareth (a guy I thought was just being a jerk because he was really someone in disguise, but no he’s just a jerk).  And his friend Ignatius, a cowardly fool.  And their third friend Ralph.  They were all just looking for adventure and possibly the option to score some hits of magic.  When Ralph starts doing hits of unspecified magic, his life is spared by Perkins, but the only way that can happen is by resetting his DNA–turning him into a caveman,

Since there are always people wandering bout, the party picks up another person–Wilson the ornithologist.  He has a fascinating story to tell about his past which explains why he is here now.

About midway through the book, the real trek begins–they set out for the Empty Quarter, a truthfully named area where there is basically nothing.  But they have had some trouble along the way–Perkins was kidnapped and Addie swore she would get him back.  But they haven’t seen either of them for a few days.

When the newly numbered team arrives in their first destination Llangurig we find a number of strange things afoot–like a war between two railroad companies.  This war has gone on for centuries and has resulted in countless death , all in the hope of winning a lucrative contract with the city.  And the whole town seems to exist only to place bets on who will win.  Oh and the princess (who looks like a handmaiden) was captured, but because her financial acumen is so good (there are hilarious stories of futures and the market) she actually comes out ahead in the deal.

After all is tidied up the screaming members of their party head out for the final leg of the venture–the mountain of Cadir Idris and the possible Leviathans graveyard.

When they finally reach the foot of the mountain they learn a secret about why the top is so hard to see.  They also learn that it is being guarded by drones and that no one has returned alive in years.

Will anyone survive this adventure (the 50% death rate proves to be distressingly accurate) and what about this Eye of Zoltar.  Will they find it?  And more importantly, if they do, hoe will they carry it?

One thing that I love about these books is that Fforde throws in little details throughout the book that seem like they are just funny moments, but they all pay off later on.  The princess’ economic savvy, Ralph’s handbag and the fact that no news is able to travel beyond the borders of the Cambrian Empire.

And then he has little funny details like the Isle of Wight being a drivable island which goes on reconnaissance missions, or that the best way to communicate is through a homing snail.  Or that the dragon is named Colin.

When their quest (it was upgraded to a quest even without telling the Quester’s guild), is finished, there are still surprises waiting for them.  Like remember how the trolls were proven to be not so scary in the last book?  Well, that may have been exaggerated somewhat.  Because the Mighty Shandar has very specific plans ahead.  Plans which means that the princess may have to put her new leadership skills to the test sooner than she could have imagined.

And many other surprises which will be dealt with in Book 4.

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kazam2 SOUNDTRACK: EEF BARZELAY-Tiny Desk Concert #81 (September 20, 2010).

eefEef Barzelay is the singer and songwriter for the band Clem Snide.  I’ve never listened to them–I was turned off by the name. But I’m really curious to hear what they sound like because Barzelay’s voice is really quite nice and his song writing skills–both musical and lyrical are really good.

For this Tiny Desk it is just Eef and his guitar (in addition to records with Clem Snide, he has released some solo albums).

The first song “With Nothing to Show Of It” has great lyrics and a wonderful delivery.  I was instantly hooked to Eef after this song started.

The second song, “something Beautiful” has a fun jaggedy melody.  This song is a bit darker, with wry, amusing lyrics.  I enjoy how the verse, which has been a series of “You make me want to…” ideas ends with “You make me want to break… something beautiful.”

During a pause, Bob asks him about his office experience.  He says he never worked in an office but he watered plants in an office (most of his clients were in the Twin Towers–yipes).

“We Are Flowers” is a Clem Snide song that never made it onto a record—he says it’s a deep cut, and a  very NPR kinda song.  Upon hearing this, Bob is concerned but Eef says he means it in the best way. And the lyrics are “we are flowers blooming in the dark…we can save the world in our beds tonight.”

The final song, “Denver” is dark and surprising.  And yet he plays it on a baritone ukulele, which takes some of the darkness out of the music.

Sometimes you can’t judge a band by its name.

[READ: June 1, 2015] The Song of the Quarkbeast

Book One ended with a satisfying wrap-up but left a rather sad moment lingering.

But this book has moved on from the events of book one by…about a week.  So not much has changed since Jennifer Strange became the Last Dragonslayer and averted a huge disaster.

Well, except that she’s not really the Dragonslayer anymore–there doesn’t appear to be a need for one at the moment.  So she is still working at Kazam, trying to keep the wizards in working order.

The book starts off with a suspiciously generous case–the magicians are asked to find a ring for a wealthy person.  It’s an easy gig.  But when they try to get the ring out of the ground, magical forces fight against them pretty hard.  They do succeed (which almost costs Tiger Prawns his life), but Jennifer refuses to give the ring over just yet–something is unsavory about this deal.

At the same time, Lady Mawgon is trying to hack into the Dibble Storage Coils.  They are a storage facility that houses untold amounts of magic.  If the house can access it, they will never have a shortage of magic again.  The problem is that when Lady Mawgon tries to hack in, as soon as she determines the passthought (think about it), a curse immediately turns her to stone.  Rats. (more…)

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kazam1 SOUNDTRACK: ALISA WEILERSTEIN-Tiny Desk Concert #80 (September 15, 2010).

alisaI have concluded that the cello is my favorite solo classical instrument and Alisa Weilerstein plays a beautiful cello indeed.

She plays three songs: two pieces from Bach and one from Golijov.

I can’t speak to specifics about Weilerstein’s style or skills, but she plays beautifully.

J.S. Bach: “Bourree & Gigue” (from Solo Cello Suite No. 3)
Osvaldo Golijov: “Omaramor”

[READ: May 15, 2015] The Last Dragonslayer

I have loved Jasper Fforde’s books.  His Thursday Next series is brilliant (and I plan to re-read it someday).

This is the first book of his 4 part (not a trilogy!) YA series (called The Chronicles of Kazam) and it was fantastic.

The story is about Jennifer Strange.  Jennifer is a foundling who has been working for the past four years at Kazam Mystical Arts Management.  Foundlings from The Lobster are sent for indentured servitude for six years.  She has been quite successful at Kazam and when the owner Zanarerilli disappeared several months ago (she wont say how) she has basically been in charge of the building.  Not bad for a 16 year old  (well, she’ll be sixteen in a couple of months).

Kazam is in the Kingdom of Hereford in the Ununited Kingdoms.  Kazam is the home to some of the most powerful wizards alive.  Sadly there aren’t that many left.  Magic has slowly been dying and as the magic goes so goes the fancy titles of the wizards.  And now you have to fill out all kinds of paperwork every time a wizard is going to cast a largish spell.   They are stuck doing basic magical deeds for people–lifting illegally parked cars, magically rewriting houses, etc.

Also in the house is the Quarkbeast–the most ferocious creatures every created. Well, at least he looks that way.  He is actually quite sweet. (more…)

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flunkedSOUNDTRACK: BUILT TO SPILL-Ancient Melodies of the Future (2001).

ancientAfter their live album, Built to Spill returned with Ancient Melodies of the Future.  For many fans, this album concluded their first trilogy of great records.  The album is similar in style to Keep It Like a Secret, but there are some new elements added.  Sam Coombs, who supplied keyboards on one song on the previous album is back on this one with prominent keyboards on three tracks (which adds a rather different vibe to the Built to Spill sound).

“Strange” is yet another stellar leadoff track.  It’s got an interesting riff with some great lyrics and what evolves into a stupendously catchy chorus.  It features Sam Coombs on Rocksichord, which has a rather unique sound.

“The Host” has strings, which is quite a departure.  The song is mellow with a simply great vocal line for the verse. “In Your Mind” has an interesting acoustic guitar line with some wild backwards guitar effects over the top. I really like the way the vocal line gets loud and high when he gets to the “in your mind” part.

“Alarmed” slows things down with bigger, louder strings. There’s a lengthy crazy keyboard solo from Sam Coombs

“Trimmed and Burning” gets a little heavier sounding   “Happiness” has a slide guitar—a very unusual sound for BTS. The song picks up pretty quickly and rumbles along.  “Dont Try” comes in with a much louder fuller guitar sound (Brett Netson contributes guitars to this and 3 other songs).

“You Are” is probably my least favorite BtS song, it doesn’t really do anything.  But it’s followed by the up beat and wonderful “Fly Around My Pretty Little Miss” which has really fun guitar solo and is just so catchy.

The disc ends with the acoustic guitar ballad “The Weather.”  It builds to a slightly bigger sound by the end of the song, with interesting effects on the guitars.

I tend to overlook this disc somewhat when I think back to my favorite BtS music, but there are some real gems here.  It might be a little more mellow and introspective than some of the other discs, but it’s still great.

[READ:June 1, 2015] Flunked

I brought this book home because I thought Sarah would like it.  She never got around to reading it, but I decided it might be fun so I read it pretty quickly.  Calonita has written a number of YA books but this is her first series for younger readers (so says the blurb at the back, under her strangely unflattering author photo.  This is a new series (unclear how many books, but the next one is due out next year).

It’s another book that twists around the ideas of fairy tales (which I like).  The premise behind this series is that Cinderella’s stepmother Flora is really, really sorry for what she did to Cinderella (now Princess Ella).  And in order to make it up to the land of Enchantasia (nice) she decided to convert her old castle into Fairy Tale Reform School.  The school is designed to teach bad kids, villains and delinquents the ways of righteousness.  Some teachers include the Big Bad Wolf (Xavier Wolfington), the Sea Witch (Madame Cleo) and the Evil Queen (Professor Harlow).  More than five hundred gnomes, trolls, dwarfs, elves, mer-folks and other fairly tale students have been admitted in the past five years and there is much praise for the school. (more…)

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jup[iterSOUNDTRACK: BUILT TO SPILL-The Normal Years (1996).

btsnormalIn 1996, Built to Spill signed with a major label.  In the meantime, K Records, released this collection of early singles and rarities (not bad for a band with two albums out).

It’s not a bad collection, but it’s also not terribly essential.”So & So So & So from Wherever Wherever” is a very good song, with a weird almost seasick guitar intro and then some big heavy guitars in the chorus.  It, like most of the songs here, is pretty lo-fi.

“Shortcut” is a fast and simple song and is only 90 seconds long.  “Car” is the original version of the song from Love.  This one has no strings and is “Some Things Last a Long Time” is a Daniel Johnston song.  It opens slow with “ah ah” backing vocals and slow guitars although at 90 seconds the guitars kick in and pick up the noise.

“Girl” is done on an acoustic guitar song.  It seems very honest and confessional with the lyric that he would like “someone I can talk to; someone I don’t have to talk to.”

“Joyride” is like the opposite of “Girl.”  It’s probably my favorite song here–sloppy and funny, with a great line: “I screwed her and she screwed me but we never once had sex.”  And the whole second verse talks about the structure of the song, including which chords are being played.  It even includes a car crash.   “Some” is a live recording that opens with slow pounding drums and a long solo to start.  It mellows out by the end.

“Sick & Wrong” is an early single with a surprisingly funky bassline.  “Still Flat” comes from the Red Hot & Bothered collection, so it sounds better recorded than the other songs.  It also has a trombone.  The final song, “”Terrible/Perfect” starts slow but builds big and ends with a long mellow instrumental section.

While there are certainly some good songs here, it’s really for the die hard fan.

[READ: September 29, 2015] Jupiter’s Legacy

Jupiter’s Legacy Book One collects books 1-5 of the Jupiter’s Legacy series.

I didn’t love the artwork of this story.  There was something about it that I found disagreeable.  And it made my initial impression of the story less than great, too.  There is a bunch happening all at once that needs to be unpacked and I was a little distracted by the art.

But the story is so good.  It takes ideas that have been bandied about recently–What do superheroes do if there are no more super villains?  What do the children of superheroes do?  And what would happen if superpowers become illegal–and adds a personal drama (and a very elliptical storytelling style).

The story opens in 1932.  A group of people are requesting transportation to an island which the ship’s captain says simply isn’t there.  The leader, Sheldon, has had a dream about it being there and everyone (including his brother William) trusts his visions completely.  And they do find the island just as Sheldon imagined.

Then we flash forward to 2013.  We see two young people who look a bit like the earlier men and women.  It turns out that they are the son and daughter of the 1932 folks.  They are celebrities living in Los Angeles, and they looks somewhat the worse for wear.  Meanwhile in Vermont actual superheroes are battling Blackstar.  And that’s when we see Sheldon is one of those superheroes.  He has gray hair but, well, he’s a superhero–in tights a cape and he is known as Utopian.  He is super string and has a cool ability of removing a person’s mind from their body and putting it in a safe place while that person’s body is getting pummeled.  This prevents them from fighting back. (more…)

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secondsSOUNDTRACK: FOO FIGHTERS-Wasting Light (2011).

Foo_Fighters_Wasting_Light_Album_CoverThis summer I began writing about Foo Fighters’ albums.  Somehow I stopped before the final two.  Even though I had talked about Wasting Light before, in respect of a sense of continuity here’s more words about it.

It took four years for the Foo Fighters to release this album (I guess Grohl was doing one of his many side projects?).  The big story about this record was that Grohl wanted it all recorded with analogue equipment (in Grohl’s garage).  And he chose Butch Vig, who recorded Nevermind to do the work. Pat Smear was also included as a member of the band for this album (he even plays a baritone guitar)

Although to my ear it doesn’t sound any different from the digital recordings, there is a warmth and bigness to the album that their recent records seemed to lack

“Bridge Burning” opens with a bunch of muffled notes that give way to a big screamed opening verse.  This song grows more adventurous with some guitar harmonics at the end of the verses. The bridge leads to a classic Foo Fighters chorus (with more vocal harmonies in the background, that just seems to make it feel bigger)).  I love the descending chords in the (what, sixth?) part of the song.  Before the simple but great closing riffs.  It was released as the fifth (!) single from the album.

“Rope” was the first single.  It opens with some echoed guitar chords and then what sounds like a big old Rush riff and intro.  The riff is a little unusual but really cool (guitarist Chris Shiflett to comment that “What my guitar is doing over the bass makes no sense in a way. It does, but you don’t know how.” ) The verses have that riff in between them and a big “ow!” in the bridge.  Unsurprisingly, despite all of the oddness of the verses, the chorus is big and friendly with some great sing along parts.  There’s even a section for a (brief) drum solo.

Bob Mould (clearly an influence on Grohl) came into sing and play guitar on “Dear Rosemary.”  You can’t really hear him all that much, but when he pops up (especially near the end) it sounds great.   “White Limo” is a punky blast, with Grohl’s vocal shredding (lyrics are pretty much inaudible) right from the get go.  There’s some interesting riffs and chord changes (the music is so much cleaner than the distorted vocals).  “Arlandria” sounds like the Foo Fighters, but there’s something unusual about the feel of the song (the bridge especially).  The chorus is pure Foos, but the verse has an interesting style that’s not like anything Grohl has done before.

“One of These Days” opens with some rather unusual guitar notes (Grohl has clearly been experimenting with his guitar skills over the years).  It progresses into a smooth verse and then shifts to a big (but short) chorus with stadium chords and then another sing a long part after it.  It’s a very cool song (and Grohl has said it’s his favorite song that he’s written).

“Back & Forth” has a strange backwards kind of riff that opens the song and a kind of chugga chugga heavy metal guitar verse.  The song is one of the simplest ones on the record–almost completely poppy (if not for being so heavy).  It also seems weird that it ends with the riff too.  “A Matter of Time” starts out as mostly drums and vocals with some guitar riffs. It moves to a kind of unusual staccato riff around one minute and then turns into yes, a huge chorus.  The verses after the chorus seem bright and sweet with a newly added guitar line.

“Miss the Misery” features Fee Waybill, lead singer from The Tubes (and a friend of Grohl’s).  The opening riffage actually reminds me a song by Aldo Nova (who?).  I like the chorus (and backing vocals, although I never would have guessed it was Fee Waybill).

And Krist Novoselic plays bass (and accordion!) on “I Should Have Known.”   It has a slow echoey intro (complete with mellotron and strings).  It has an aching vocal delivery in the chorus.  The bass doesn’t really kick in until about 3 minutes (when the song really fills out)

“Walk” ends the album.  It is pretty classic Foo Fighters at this point, a slow opening and then big choruses (and was written about helping his daughter to walk).  This one even has a radio friendly pause in one of the choruses.   (I love that the final song was released as the second single, and am so glad they didn’t front load the album!).  And that the song and album end with a fast chord .

This is a solid album from start to finish.  I think when they keep their albums under 50 minutes, they keep the music tight and don’t throw in any filler.

[READ: January 13, 2015] Seconds

Wow I loved this book.

I had been reading a lot of graphic novels and I was a little burnt on them, but this one rose above everything else I’d read in a while.

O’Malley did the Scott Pilgrim series, one of my favorite series and a darn good movie too.  While this has similar sensibility to Pilgrim (including the punchline of the same joke, ha) I think this being a a single book made it more impactful.

The story is about Katie.  She is a chef.  She also looks a lot like the style of O’Malley’s characters–sort of short roundish features, bordering on anime but with his own style thrown on top.  Katie’s most recognizable feature is her awesome flame of red hair on top of her head.

Katie co-owns Seconds, a very popular restaurant.  People come for her food because she is a very good cook.  Even if she doesn’t actually do much cooking anymore–she’s more a manager than a chef (having read a lot about chefs in Lucky Peach, I understand what this whole scene is like more than I might have otherwise).  She is really interested in opening up her own place (called Katie’s) across the river.  Since she is only co-owner of Seconds, she wants to be out of it and into her very own restaurant (even if she still likes the other co-owner).

We meet the others who work at Seconds.  The new head chef Andrew (with whom there’s a bit of a romance) and the waitresses, especially Hazel, a very tall mousy kind of woman whom everyone else thinks is very strange.  Hazel is quiet, she’s really hot, and she always wants to close the restaurant at night (others have seen her doing strange things before she leaves). (more…)

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powers SOUNDTRACK: THE VIOLET ARCHERS-Victoria, BC (October 2005).

violetarcI have reviewed this show already, but with some context of other shows, it seemed worth revisiting.  The opening act was Scribbled Out Man (their bio on the CBC Music site says that they are friends of the Rheos).

I suspect this dates from 2004, as Tim says the album is coming out late spring or early summer and might be called The End of Part One (it was released in 2005).

The opening track is a soundcheck.  It sounds fine, although the “real” version later is better.  They play 12 songs at this show (compared to 8 in the previous show).  They cover all of the songs from their debut except “Outrovox” which is a short instrumental and “Fools Gold Rope” which is sung by Ida.

The opening two tracks are just Tim on guitar, singing the lovely simple song, “Simple” and the slightly darker, minor chord “All the Good.”  They sound good, but it’s more fun when the full band comes out.

Yawd on guitar and keyboard, Steve Pitkin on drums and Bass on bass.  “The End of Part One” sounds great, but Tim has some major guitar problems playing “Life and Then” a normally great song.  The rest of the set goes off without a hitch.  It’s true that the band sounds better when Ida sings with them, but in this original incarnation, they’re quite good.

For the final song “Here Comes the Feelings,” Tim asks, should we do the false start?  That’s become part of the song.  Steve counts to 5 and then we go–but we’re gonna get it wrong.  And they do.  But once they get past that, it’s a great set closer.

The band is still looking for a name, Tim suggests “The Gay Apparel.”

[READ: May 27, 2015] Powers Bureau

I hadn’t heard of Powers Bureau before (this book collects issues 7-12).  My initial thought was “do we need yet another superhero book?” But this book is different in a fun way.  Also I love the artwork–it is blocky and bold and reminds me of the Bryan Lee O’Malley style.

So this book is about Federal Agents Christian Walker and Deena Pilgrim.  They used to be homicide detectives who worked solely on (super) powers-realted cases.  But there was a disaster of some kind (presumably in book 1) and now all powers-related cases are Federal cases.

The two arrive at a crime scene in which a woman is tied up naked in the bathtub (way to open, huh?).  The boyfriend is the suspect, but he says that the woman (whom he did tie up for sex purposes) suddenly appeared next to herself, killed “herself” then fled.  It sounds preposterous, until they realize that the woman is Matzuii, who can split her self into multiple parts.  So essentially she killed herself. (more…)

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yolenSOUNDTRACK: BETTY LaVETTE-Tiny Desk Concert #61 (May 21, 2010).

bettyAnother peculiar Tiny Desk is this one from Betty LaVette.  It’s only peculiar because, for licensing reasons, they can only show one of the three songs she sang.

I don’t know much about LaVette, but I immediately loved her voice–rough and sultry and amazingly powerful.  The only song here is her take on “It Don’t Come Easy,” and it’s really great.

With only her voice and guitarist Alan Hill accompanying her, she manages to bring amazing depth to this song.

The other two songs were: “Don’t Let the Sun Go Down on Me,” and “Nights in White Satin.”  While I’m not that interested in “Sun,” I would love to hear her take on “Nights.”

The notes say that at this time they don’t have the rights to play the songs.  It has been five years, and I imagine they are not really pursuing those rights any longer.

[READ: July 28, 2015] Curses! Foiled Again

Since I recently posted the Foiled review I had to run out and get the sequel (also on First Second books)

After a quick “Previously,” we get reintroduced to Aliera’s weapon and its glowing gem and we learn that Avery is beautiful on the outside but an actual troll within.   As with the previous book, the panels are all gray scale until she runs into the mystical beasties.

The problem with this book is that Aliera is mad at Avery for secretly being a troll (fair enough), but there is nothing he can do to get her to listen to him.  So it is actually rather tedious that for the whole book he keeps trying to tell her things but she refuses to listen. (more…)

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mercurySOUNDTRACK: MOBY & KELLI SCARR-Tiny Desk Concert #58 (May 4, 2010).

moby This is the first of a few Tiny Desk Concerts that break with the format we’ve come to know.

For unclear reasons, there is a video for only one song from this show.  Although there is a full audio feed in which you can hear all of the songs that Moby and Kelli play.  This video is also filmed at night, which is quite different from their usual mid-morning showcase.  It is very dark outside and in the studio, which is also unusual.

The song that they play is “Gone to Sleep,” a song they created for Project Song.  The premise behind Project Song is to write, record and complete a song in 48 hours.  As inspiration, they used the word Sunday and a picture of a man in the woods with clouds for a head (Moby describes him as a pedophile from another dimension).

It’s quite a good song with a really catchy, very Moby chorus.  And the dark video is interesting to watch.

There’s audio where you can learn a bit more about Project Song and how they created their song.  But there’s also audio from the rest of their set, which features covers and Moby originals all done on acoustic guitar.

They play a fun, surprisingly light version of “Ring of Fire” (with audience participation on “trumpet solo”).  Then the do Moby’s “Pale Horses” which is quite nice in this stripped down version.  Their next cover is “Take a Walk on the Wild Side.”  They do an interesting take–it’s almost upbeat and folky, which is unusual.  He switches from “and the colored girls say” to “and everybody here says.”  He also tells a funny story about campaigning for John Kerry and playing that song and seeing Kerry’s wife act horrified and maybe a little turned on by the lyrics.

The final song is CSN&Y’s “Helpless.”  It’s a pretty, very different version from the original.  It’s a good set, especially for those who think of Moby as a more dancey artist.

[READ: June 21, 2015] Mercury

I really enjoyed this book by Hope Larson, one of my consistently favorite graphic novelists.

And this book may be one of her best.  The book drifts back and forth between two timelines in Nova Scotia.  The older timeline is 1859.  We meet the Fraser family living in a house on French hill.  They have just had a visitor, Asa Curry and he seems taken with their daughter Josey.

The modern timeline is set 150 years in the future.  The Fraser family until recently still lived on the property at French Hill.  A few years ago it burnt down and the survivors had to move.

The 1859 story has a black border while the contemporary story has a white one, it a subtle but very cool way of distinguishing the timelines. (more…)

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