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Archive for the ‘Joe Shlabotnik’ Category

1997SOUNDTRACK:LOS HACHEROS-Tiny Desk Concert #546 (July 5, 2016).

hacherosLos Hacheros play “Afro-Caribbean music that provides the source material for modern salsa and all of its permutations.”

This music swings and bounces and with such simple instrumentation: an upright bass and a guitar.  With the main melodies constructed by the trombone and vocal (the trombonist doubles on violin).  But the rest of the band is there for percussion–cowbells, shakers and the conga.

The band plays three songs all sung in Spanish.  It’s fun to watch them get into the groove and begin to sway in unison to the music.

“Baila Con Los Hacheros” features a violin solo that is pretty intense “Papote’s Guajira” features an acoustic guitar solo that is complex and fun to watch. It also has a lengthy flute solo (the violinist also plays the flute!). “Bambulaye” features NPR’s own Felix Contreras on congas–he gets a solo–apparently he has been playing in bands for years.  What a nice surprise.

[READ: November 3, 2016] The Complete Peanuts 1997-1998

This is the second to last book of collected strips from Schulz.  Rerun features quite prominently and Linus has faded somewhat.  Snoopy is no longer playing characters (except for the soldier..always soldiers) and Charlie is still pining for things he won’t get.

1997 opens with Charlie showing Linus his autographed Joe Shlabotnik baseball.  But Linus thinks it’s a forgery.  Cue a week of strips about an autograph forger (who tries to hire Charlie as his accomplice).  I love that Schulz went on strange little tangents like this, but I always feel like he doesn’t follow through with these funny ideas. The whole premise of this just ends never to be heard from again.

And then in a surprise to me, Snoopy starts acting like a Revolutionary War patriot standing guard at Valley Forge.  He seems to have given up on WWI and gone back in time to a far less dramatic role–he mostly just stands around in the cold.  Strips about that occur from time to tome with him talking to General Washington.  The last one is in December 1998 where he realizes he is only guarding snow. (more…)

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peanuts-1995SOUNDTRACK: TINARIWEN-Tiny Desk Concert #184 (January 5, 2012).

tinariwenTinariwen are a band from northern Mali, whose members met in the training camps of Col. Moammar Gadhafi. Much has been written about them and their story, which is pretty amazing.  I’m only going to talk about this Tint Desk Concert.

Typically, they play an interesting electric guitar kind of trance music.  But for this one they were all acoustic.  As Bob Boilen notes, they are his “favorite electric-guitar-based band on the planet.”  But he says he was:

“initially worried and disappointed when I learned that it was coming to play the Tiny Desk as a trio carrying acoustic guitars. My heart sank a bit more when the three Tuareg musicians from the Sahara arrived in jeans and polo shirts instead of the beautiful, flowing robes I’d seen them wear on stage so many times.

But they switched clothes and they do not disappoint on acoustic guitar.

I don’t know their music all that well, but it feels like the acoustic nature of this show is even more soothing and trance inducing.  The two acoustic guitars interweave–one playing lead (which is mostly hammered notes–not a “solo” per se) and the other strumming.  The percussion is the sound of two hands rubbing, clacking (with a cigarette lighter) and pounding (for bass drum) a large gourd.

The songs tend to be almost looping.  Like they could go on forever.  There’s no real verse chorus structure that I can tell.  It’s more of a meditative sound.

All of the vocals are in Tamashek and I have no idea what the songs are about.

On “Adounia” both guitarists sing and the voices sound very traditional, almost atonal. “Takkest Tamidaret” opens with a more conventional sounding guitar lick, but it’s all so quiet in the mix, that you can’t tell how much his fingers are moving.  The lyrics are a bit slower, but still in that droning style.  I love the way “Tenhert”  has a a cool riff from the lead guitar–one that probably sounds more intense on electric guitar.  He sing/speaks incredibly quickly.  “Tahlamoyt” is a much slower song with the lyrics pretty much all spoken word.

The “Mali sound” is pretty distinctive and Tinariwen are great proponents of it, spreading it around the world for all to hear.

[READ: June 8, 2016] The Complete Peanuts 1995-1996

I was under the impression that these last few volumes of books would show a serious drop in quality.  I had assumed that with the amount of product the Peanuts characters were sponsoring that these strips would be more cute.  But that is far from true.  I enjoyed this book as much if mot more than some of the other recent volumes.

I was also surprised to discover that I really enjoyed the Sunday cartoons more than the dailies.  In the past I haven’t really gotten big laughs form the Sundays–it seemed like the big stories and jokes were in the dailies and the Sundays were unrelated one offs with varying degrees of punch.  But I enjoyed a dozen or so in this book.

One of the major additions in this book is the inclusion of a slightly older Rerun.  He is now mobile and even heading to kindergarten (I love that he is aging while the others aren’t).  But rather than using Rerun for obvious cute child jokes (he’s no longer riding the back of his mom’s bike) Rerun is now making funny “outsider” observations about the world of Peanuts–he is constantly disenchanted with the way  things are going and with the belief that people are always lying to him.  There are also a ton of strips of him trying to shoot a basketball and failing miserably.  Schulz has always tended to take an idea and run and run and run with it, but this one is pretty good for the number that he uses it. (more…)

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1989 SOUNDTRACK: THE SUFFERS-Tiny Desk Concert #482 (October 27, 2015).

suffersThe Suffers are a ten piece soul band fronted by the charismatic Kam Franklin.  I loved how at the start of this show each band member counted down 1-10 while Kam stood on the desk to sing.

“Giver” is a slow R&B type song with lots of lengthy horn solos.

“Midtown” has a funky sound with a cool bass line.  I though that song started to get interesting towards the end but then they stopped it.

“Gwan” is my favorite of the three because it is more uptempo and fun and allows the band (including Kam) to really rock out.

Everything about The Suffers is right on–the horns sound great, the band is tight, Kam’s voice is string and powerful.  But I just don;’t like this kind of music at all.  And I don’t really need to hear The Suffers again (although that last song is pretty good.

[READ: September 10, 2016] The Complete Peanuts 1989-1990

I had said that the previous book felt a little lightweight compared to previous years.  This book actually continued in that somewhat unsatisfying vein.  For point of reference, when I jot down strips that I really like, I usually fill two or three small pages of paper.  This book had only one page and a little over flow.

But, it also had one of the most exiting and emotionally satisfying sequences as 1990 drew to a close.

Schulz has also been having fun with the new fewer-panel style. It’s mostly three panels but he experiments with 2 panels and even one panel.  He seems to enjoy playing with the space afforded with one panel–its interesting to see.

The year starts off with an ugly dog contest and the introduction of yet another of Snoopy’s brothers, this one named Olaf.  Olaf is very ugly and wears a sack. When he takes it off he reveals himself to be a squat round version of snoopy with buck teeth or a tongue hanging out of his mouth.  In June of 1989 we actually see Snoopy’s Dad on Father’s Day. He looks like snoopy but with a big mustache (white), small glasses, and a cap.

Starting in the previous book and continuing through now, we often see Sally responding to things on the TV.  Most of them are pretty funny.  Later, Sally says that her school play is going to be Hansel and Grateful.

Marcie still has mixed feeling for Charles and tells Patty to throw a bean ball at him, but then takes it back.  In the summer of 1989 Patty goes to summer school and Marcie teases her that she (Marcie) and Charles area at camp togetehr.  Patty gets very jealous.

In July 1981 in a one panel; the kids are on line to buy tickets to the movie sand one of them says “Those two guys on TV hated it.”

Snoopy has another good food comment this year: “Do you want a cookie with nuts or a cookie with raisins?” “Neither, I prefer plain cookies.  I don’t like food in my food.”  But speaking of cookies, there are about 100 strips where the punchline is something about Snoopy eating cookies.  It gets a little out of hand.  There were always the jokes about the chocolate chip cookies calling him but soon all of the punchlines start to do with cookies.

Franklin is still talking about his grandpa with Charlie Brown.   And Pig-Pen returns for a little while.

In July of 1989 an “old friend” calls Charlie Brown.  She insists on coming over and says she hasn’t seem hm for a long time.  She seems to have red hair (but is not the red-haired girl) an upon seeing them, runs up to Snoopy, calls him Charlie Brown and takes him away.  She looks at Charlie and asks “who are you.”  She feeds Snoopy sundaes until he is nearly sick.

Over the summer Patty and Marcie are supposed to read four books, but Marcie reads an extra one: The Little Prince.  Patty says it’s so short what’s he big deal?  Marcie read it in French.

In August 1989 in the kids are lined up for autographs   $30 for Joe DiMaggio, $25 for Ted Williams.  Steve Garvey is $9 and Maury Wills is $5.  Charlie gets Joe Shlabotnick’s and the guys gives Charlie a dollar.  Joe Garagiola continues to pop up in the strip.  Charlie tells Schroeder he can have a career as a catcher and then after you retire you can go on TV like Joe Garagiola and Lucy says Who?

1989’s football gag has Lucy telling Charlie to think of the regrets he’ll have if he never risks anything.

Starting in 1989 and continuing for a few years it seems, Charlie has become very close to Snoopy–a relationship that was never really there before.  There’s a lot of pictures of Snoopy on Charlie’s lap (very cutely drawn, I must say.  It more or less starts in October with Charlie saying “All I seem to want to do lately is sit around holding my dog on my lap.”  This leads to Charlie quitting school and devoting his entire life to making Snoopy happy.  They eat a lot of food until Snoopy gets sick and he concludes ” I think I happied him to the vet.”  Charlie concludes that he was sorry making him happy didn’t work out and Snoopy replied “I was already happy.”

There’s also a  resurgence of the blanket battle between Linus and Snoopy which I always liked.

POP CULTURE: Lucy is listening to the radio and says she missed the ball because Michael Jackson hit a high note.  Later in the month Linus thinks to videotape the Great Pumpkin (although we never see him do it).  In August 1990, Snoopy calls himself “Joe Bungee” and in November, Snoopy is riding Rollerblades and then later Sally asks for them from Snoopy Claus.

In January 1989 Patty is watching her hero Donna Adamek bowl.

I really enjoy the wordless joke of the street sign pointing up and then a curve down.  One of the Woodstock birds stands on top of the sign, the other two where the arrow points.  Snoopy s says, “You’re right we should have had a picture of that.”

A lot of the Mother’s Day panels for the last few years have been about Woodstock trying to give a card to him mom, but in 1990 Charlie lets his mom pitch for Mother’s Day which is very sweet

For summer camp Sally refuses to go.  When Charlie describes on the phone that there will be canoeing, swimming, rock climbing, tennis hiking, soccer he turns to Sally  to sally and their Granma just signed up.

As I mentioned earlier, this book wasn’t that exciting for me.  I never really got into any of the story lines. Until summer camp of 1990 when things suddenly became awesome.  Charlie takes Snoopy to camp, which is kind of fun.  But then unexpectedly, on July 23, Charlie talks to a cute girl.  He says he always gets nervous around pretty girls.  But she says he shouldn’t be: pretty girls are human too.   Her name is Peggy Jean and he is so in love that he calls himself Brownie Charles, which she thinks is adorable.  She really likes him!  She even holds the ball for him to kick.  But he is so conditioned that he doubts her sincerity which just gets her mad.

But before camp is over, she tells him he’s the nicest boy she’s ever met and then she kisses him!  And a few weeks later when Charlie can’t figure out why she hasn’t written, it’s because Sally has been throwing out all the letters that came to Brownie Charles–if only he’d been waiting at the mailbox!

I also enjoyed the joke in August of 1990 where snoopy sells a raffle ticket and it say s “You don’t win anything but you’ll have the pleasure of owning your very own raffle tickets…  be the first on your block to start a collection.”

In Sept 1990 Pig Pen decides to run for class president.  Someone shouts that he has no dignity so he puts on a stove pipe hat.  Nobody votes for him anyhow.

And then in October, we get some real insight into Marcie.  She comes over to say that her parents are driving her crazy.  They want her to be perfect and get straight A’s.  Shes cracking up.  It’s a pretty intense moment for Peanuts.  And Charlie is in way over his head.  Marcie falls asleep at Charlie’s house.  When she wakes up she says “I don’t want to go home… can I stay here? If I go home I have to be perfect….  Sally shouts from the other room, “If she doesn’t want to be perfect she’s come to the right place!”  The sequence ends sadly open-ended with Marcie saying she’s going home so she can get straight A’s “just so I can go to some college they’ve already picked out for me.”  And Sally says “and end up marrying some nerd.”

In Dec 1990 Charlie goes to buy Peggy Jean some nice gloves. But they cost $25.  He sells all of his stuff to buy them for her only to find out that her parents just bought her gloves.    Sadly he gave them to Snoopy instead.

The book ends with one of the saddest Christmas strips ever.  It’s just Spike sitting alone with mistletoe stuck to a cactus and him saying “Rats.”

Apropos of this, the intro was written by Lemony Snicket.  Rather than raving about the strip, Snicket revels in how dark it is  He quotes all of the darkest lines in the book and says how odd it is that these sentences are found in the section marked Comics.

And then Snicket summarizes the strip:

The hero of this melodrama is a balding grammar school student paralyzed by fear and self-loathing.  Sadly, the psychiatrist he chooses is also a child, who not only offers him nothing but cruelty and scorn…One would be tempted to label her as the villain of this ongoing tale of terror, if she didn’t share the same unhappy hopelessness as her helpless patient.

Then there’s her young brother who shuffles around town clutching ragged bedclothes and trying to dissolve one of his own fingers in his mouth.  It’s no wonder the psychiatrist has fallen into a cycle of romantic obsession and violent argument with a temperamental musician.

Our hero, in the meantime, is not far from obsessive complication: two women compete for his attention, all the while maintaining a tense “friendship: with one another despite the fact that one of them, out of stupidity or malice, mistakes the gender of the other.

Even the neighborhood dog, who by all rights should remain clueless of the goings-on, is ravaged by the local madness.  When not talking to a bird who utters nothing but apostrophes, he fantasizes that he is fighting in one of the world’s mist horrific conflicts.

I am fascinated by the endless ghastly tale of these poor youngsters.

Make no mistake, Lemony Snicket is a huge fan.

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1975SOUNDTRACK: ESKIMEAUX-Tiny Desk Concert #466 (August 28, 2015).

esquimeauxEskimeaux is Gabrielle Smith, who is the keyboardist in Bellows, a band that played a Tiny Desk Concert just a few months before this one.  As far as her stage name,

as an adopted child, Smith discovered that her biological father is Tlingit Eskimo; she describes the -eaux suffix as “just a playful jumble of letters that represents the way I record — a confusing layering of sounds that somehow coalesce into something simple.”.

Smith sings three songs in less than ten minutes.  She has a pretty, unaffected voice–just clean and clear vocals.  For the first two songs it’s just her and her guitar

“Folly” is a simple song as you might expect from just a strummed electric guitar.  But there’s something about the way she sings her lines in a series of rising notes that is really inviting.  She also has a nice way with words.  Like:

In my dreams you’re a bathtub running / You are warm and tender / And bubbling

“A Hug Too Long” is a faster song with a simple but interesting guitar riff that’s followed by a simple but interesting vocal melody.  Again, her clear voice fits perfectly with the music.  It features the intriguing chorus: “You went to work, I went to New Brunswick.”

Her final song is “I Admit I’m Scared.”  She has her bandmates from Bellows come out to sing with her.   There’s no extra instrumentation, but Smith sings in a slightly deeper register and Bellows fleshes out sections of the song (they even do a kind of deadpan synchronized move after each chorus).   Another great line of hers is: “And everything I said spewed like sparklers from my mouth.  They looked pretty as they flew but now they’re useless and burnt out.”  As the song ends, everyone sings louder “If I had a dime for every time I’m freaking out” which leads to a  dramatic climax before the final resolution: “We could fly around the world / Or just get out of your parents’ house.”

Bob jokes at the end that they can come back any time with a new band.  She says they have five other bands (including Told Slant and Small Wonder).  He says “you could come in every Tuesday.”

Bellows isn’t that different from Eskimeaux in style–pretty, quiet songs that are articulate and almost deadpan.  But having Smith sing (and presumably write) changes the way the style is created.  Which is pretty cool.

[READ: June 8, 2016] The Complete Peanuts 1975-1976

I really enjoyed this book a lot.  In the introduction, Robert Smigel talks about how it seems like in this era, Schulz turned a corner a bit to become more absurd.  The jokes are sillier, with new characters and some crazy ideas–like talking buildings, pitching mounds and body parts.  He wonders if it was Schulz’ happy marriage or just a desire to take some chances rather than repeating himself.  But whatever the case, the book is really fun.  I especially love the Peppermint Patty/Marcie strips in which Schulz just seems to be having a great time.  I also love all of the jokes with Sally in which she makes herself laugh with some awful puns–I just imagine Schulz cracking himself up and not being able to wait to draw the strips.

But for all of the newness of the strips, Peanuts is always seasonal.  So 1975 beings with ice skating and snowmen.  Linus has made a snowman reclining and reading a book. Charlie asks if it’s Robert Frost and Linus snarks “You said it, I didn’t.”

Patty has been falling asleep a lot in school–her dad is away–and Snoopy makes as terrible watchdog for her.  More funny Patty moments are when she is being so decisive about true false questions.  “Irrefutably true, understandably false, intrinsically false, inherently false, charmingly true.”  To which Franklin asks “Charmingly?”  Patty also becomes the first disciple of the Great Pumpkin–but she blows it by asking for a gift, as if the Great Pumpkin is some kind of Santa Claus. (more…)

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1973SOUNDTRACK: LUCINDA WILLIAMS-Tiny Desk Concert #412 (December 20, 2014).

lucindaI set tiny, manageable goals for this blog.  They often change over the course of the year, but I like to see if I can complete them.  One such goal was to write about all of the Tiny Desk Concerts from 2014.  And here’s the final one.  (Another such goal is to write about the remainder of the 2016 shows, which is doable).  I also want to write about all of the rest of the First Second Graphic Novels (there’s about 20 of them left).  Insignificant goals that I find satisfying to complete.

I’ve never been a fan of Lucinda Williams.  Although, while I’d certainly heard of her, I obviously didn’t know any of her music. The blurb talks about her distinctive voice.  And it is certainly that.  About 20 years ago a sort of friend of mine saw her open for somebody else and she dismissed Williams as trying to sound like a different singer (wish I could remember who it was).  The irony that Williams has been around since the late 1970s was not lost on me.

But Williams has changed her style over the years.  She originally sang country and has morphed into more of a folk and now a blues style.  This Tiny Desk Concert focuses on her bluesy songs.  I know she’s something of a legend, but I found her demeanor through the whole show off-putting until the end, when she loosened up a bit.

She sings four songs.  “Something Wicked This Way Comes” is rocking blues song.  And I have to say I was pretty shocked by her voice–rough and raspy and sounding not a little hungover.  Her lead guitarist was really the start for me, effortlessly playing some great groovy licks.

For “Cold Day in Hell” (she laughs at saying the title) she straps on an acoustic guitar and then sings like Tom Waits.  That seems like a joke, but the structure of the verses is pure Tom Waits–I would have even suggested he wrote the song.

The third song is the more bluesy “Protection.”  There seems something so inauthentic about this song.  I just don’t believe her rendition of it–I don’t believe that she actually needs protection.  It’s really disconcerting.

She finally smiles after this song and says “Now I’m kinda getting used to this … I’m not a wake yet, that’s what the thing is.  She straps on her guitar and says this is based on the story of the West Memphis Three.  It’ my favorite song of the four–she seems to really get into it.

But all the same, I really don’t like her voice all that much–she’s got a weird drawl and sounds like there are some marbles in her mouth. It’s very strange.  I listened to a bit of a song from a live show from 1989 and her voice was quite pretty–deep, yes, but very pretty.  By 2007, her voice has changed–it’s deeper, with a pronounced drawl.  At a show in 2013, she sounded kind of pretty again.  So, I don’t know what to make of it.  I’ll have to just go back to not listening to her.

[READ: June 8, 2016] The Complete Peanuts 1973-1974

I really enjoyed this volume a lot.  There were a lot of really funny jokes and the characters are really nicely distributed by now.  I don’t want to say that Schulz hit his stride around this time, because he’s been pretty solid right from the start, but this book was easily my favorite so far.  Possibly because it contained so much of Marcie and Patty who have easily become my favorites.

The year starts off somewhat inauspiciously with the anticlimactic return of Poochie.  She shows up, realizes that Snoopy isn’t a cute puppy anymore and leaves.  Never to be seen again.

More interesting is that Linus decides that since Charlie has been their manager for so long and worked so hard that they ought to throw him a commemorative dinner. They plan it for a couple of weeks and when he finally hears about it, his smile is awesome.  They even get Joe Schlobotnick to agree to come. Of course, then Marcie starts saying that they’d all be hypocrites if they actually showed up and said nice things about him since he’s a terrible manager.  And so they cancel it at the last-minute–while Charlie is there. (more…)

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1963SOUNDTRACK: RESTORATIONS-Tiny Desk Concert #462 (August 14, 2015).

restor I don’t know Restorations, although I understand that they usually play pretty big loud guitar rock.   For the Tiny Desk they are stripped down (I guess) to the three guitars, but no drums or bass.  Lead singer Jon Loudon has a powerful and excellent voice.  On “Separate Songs” there are two guitars and a keyboard and wonderful harmonies.  The keyboardist sings backing vocals in the beginning of the song, so that when the lead guitarist joins in later, it’s even more impressive.

The guys are very friendly and funny.  The joke about the “desk” and about their constant tuning needs.

For “Tiny Prayers” all three play guitars and there some wonderful melodies that they play together.  The Future” is the slowest song of the three, but it contains all of the same elements–cool guitar sounds and wonderful harmonies.

The band has a great sense of melody.  And yet for all that I liked t his set, there was nothing that really stood out for me about the band.  They are simply a good rock band, and that’s not a bad thing.

[READ: November 29, 2015] The Complete Peanuts 1963-1964

The drawing style of Peanuts that I most associate with the strip has been pretty consistent by this point.  And most of the characters look “right” (although Snoopy will continue to morph over the years).

Why does Charlie Brown keep going?  Despite all of the abuse Charlie gets, this one strip seems to sum up his strengths: “adversity is what makes you mature…the growing soul is watered best by tears of sadness.”

I feel like Schulz was either looking up facts to write about for some of this year.  Because we get things like this: Lucy: “You have to have [a note excusing you from school] otherwise the school can’t collect its state-aid money.”  Is that true or has Lucy hoodwinked Linus and me?  Later Charlie tells Lucy “when cranes and herons stand on one leg they can’t be injured by ground lightning.”  Later, Linus tells Sally that birds “have muscles in their feet which automatically contract when they fall asleep (which is how they sleep on a limb without falling off).  He then says the same principle applies with Snoopy’s ears.  Is this true?

In July 1963, there must have been an eclipse as the strip spends several days telling everyone how to safely watch it.

Linus’ blanket continues to occupy a lot of attention, with Lucy continually yelling at him about it.  His blanket hating grandma returns and even takes it away (she gives him a dollar bill which he tries to snuggle with).

Linus is full of ambition in these years.  He wants to be a rancher for several weeks in 1963.  Although, horror of horrors, he doesn’t make the honor roll in March of 1963.  But that doesn’t stop him.  And in a big surprise in 1964, he runs for school president (and has but one failing…and it’s not his blanket).

Schroeder continues to dismiss Lucy, this time even saying the chances are a googol to one (and then writing out how many zeros that is) of them getting married.  In July 1963 she complains that Beethoven never made it on any bubble gum cards.  Later when Lucy asks him why he doesn’t like her, Schroeder gives a very simple answer.  She replies, “I hate reasons.”

Rachel Carson returns in Feb 1964 with Lucy saying “we girls need our heroines.”  Of course Lucy also gets this quotable moment: “The crabby little girls of today are the crabby old women of tomorrow.”

Attacks on consumerism continue with a shoddy baseball about which Charlie says “this is what is called ‘planned obsolescence.'”

Speaking of baseball, there’s plenty of it.  I enjoyed the Sunday strip where Charlie using Snoopy to show how to break up a double play.  In 1964, Charlie suffers from Little Leaguer’s Elbow (and the team does great without him).  And when Lucy hurts her elbow (and refuses to call it Washerwoman’s elbow) she says she’ll sue Babe Ruth, Ty Cobb and Willard Mullin (Mullin was a sports cartoonist).

In August 1963, we see the first mention of Charlie Brown’s baseball hero Joe Shlabotnik (and the very distressing moment when Lucy won’t give let Charlie have his card).

I got a real kick out of Schulz returning to the McCovey joke from last year (in January!) saying “or why couldn’t McCovey have hit the ball even two feet higher?”

In 1963’s National Library week, Sally gets her library card this time and she is even more excited than Linus was.  She even has the line: “Happiness is having your own library card.”

Sally also addresses helicopter parents of 1963: “My mother is watching me out of the window.  Mothers feel secure when they see a child of theirs playing in a sandbox.  Sigh.  She’s secure and I’m bored to death.”

The little red-haired girl is obsessed over from time to time. Especially during Charlie’s lonely lunches.

Frieda has definitely dwindled by now–even if she never really did much.  She does abuse Snoopy about chasing rabbits but in one strip, we seem him playing with bunnies and four sleeping on his stomach on top of his doghouse.  This seems to set in motion Snoopy’s love of all other animals.

Later, there’s a really funny strip with Snoopy trying to fill his water bowl from a tap.  Then it rains on him.  The punchline “That’s one I’m going to have to think about for a while” is hilarious.

And…Snoopy goes to the hospital for a couple weeks! (nothing serious).  Charlie says he has a private room “he has a health insurance policy that pays forty dollars a day!”

In September of 1963, there’s a joke about ZIP Codes (Snoopy forgets his) and then shortly after a new character named 5 is introduced.  He explains, “My dad says we have so many numbers these days we’re all losing our identity.  He’s decided that everyone in our family should have a number instead of a name.”  His sisters 3 and 4 look like Peppermint Patty (who hasn’t arrived yet).  ZIP codes were introduced in 1963.

At Halloween in 1963 Linus slips about the Great Pumpkin and says “if he comes” (like in the TV show).  He’s doomed!

In February of 1964 a whole set of strips focuses on the existence of the humane society.

And in May of 1964 we get the classic bit from the movie when Charlie puts a coin in Lucy’s can and she sings “Boy what a sound.  How I love to hear that ol’ money plink!  That beautiful sound of cold hard cash!  Nickels! Nickels! Nickels!”

In June of 1964 there is a very touching Father’s Day strip.  (Although it wasn’t officially recognized until 1966 and signed into law as a official day by Nixon in 1972).

I really enjoyed the series of strips where they clean out Snoopy’s house and the dimensions (which we never see) are enormous!  There’s stairs, a pool table and all kinds of cool things.

For years now, Peanut has had strips where charters hold up signs–sometimes for Beethoven’s birthday, or national library week.  But in Sept 1964 it gets a bit more surreal with a bird holding a sign that has  ! on it.  Later another bird’s sign says ; and ?   A fight breaks out about it.  It’s very funny.

And in October 1964 Lucy pulls away the football despite given Charlie a signed document… “it was never notarized.”

And the year ends with something of cliffhanger.  Charlie has to do a report on Gulliver’s Travels over his holiday break, but he keeps putting it off… what will happen in 1965?

The foreword was written by Bill Melendez.  Melendez first met Schulz when they collaborated on an animated commercial for the Ford Falcon in 1960.  In 1963, they worked together on a documentary about Schulz using more animation.  Then in 1965 Coca Cola contacted him to see if Schulz would like to make a Christmas special.  They had 5 days to write the outline.  They used the kids from the Ford commercial as the voices. And they had six months to make the move.  It first aired on December 9, 1965.

Melendez raves about their work (rightfully) and then talks about the many other specials the made together–a Veterans’ Day one called What Have We Learned, Charlie Brown, and a show about cancer called Why Charlie Brown, Why?   In total they made fifty network specials and 4 feature films.  He talks about how great it was that they found Vince Guaraldi for the music and that they used real kids and no laugh track.  It’s hard to believe that special is so old!

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