Feeds:
Posts
Comments

Archive for the ‘Short Books’ Category

apocaSOUNDTRACK: DANKO JONES-Never Too Loud [US edition bonus tracks] (2009).

nevertooloudI reviewed this disc a few posts ago.   Since then the disc has finally been released in the States.  And, naturally, since I bought the import version there are three bonus tracks added on this one.  The three tracks are “My Problems (Are Your Problems Now);” “Sugar High”; “R.I.P. RFTC”

The tracks aren’t radically different from the rest of the disc.  However, the first track is notable for having a lot of backing vocals (yeah yeahs and other things).  It’s a bit weird.  As is the fact that the song sounds less bass heavy than most of their other songs–it’s still loud, but it seems a bit tinny.

The second track “Sugar High” sounds like Danko for a kids show.  In just about every other song I’ve ever heard that was about “sugar,” the sugar was a metaphor for sex.  And yet, this song’s chorus quite proudly proclaims, “ice cream cakes and candy cars, I’m the kind of guy who likes a sugar high” and “cotton candy and caramel I’m that type of guy.”  It’s almost too comical to be considered a real song, and yet it rocks really hard.  Some cartoon absolutely needs to use this song in its soundtrack.

The final song is about Rocket From the Crypt, obviously.  It’s also the first Danko song where I’ve had a hard time deciphering all of the lyrics.  But, suffice it to say that it’s a blistering fast track about the sad news that RFTC broke up.

Just three more interesting reasons to track down the CD now that it’s available in the States.

[READ: November 6, 2009] The Apocalipstix

The premise of this graphic novel is that a nuclear explosion has hit the U.S.  Our heroines are a kick-ass band comprised of three women (like Josie and the Pussy cats only really bad ass).  And despite the global destruction, they are still going to play their gigs.  Call it the “End of the World Tour.”

The main characters are: Mandy, a bad-ass black woman on guitar and vocals; Dot, a rather sweet (until she’s pushed) blonde bombshell on bass, and Megumi, a Japanese cowgirl (!) on drums who is mostly silent (she speaks Japanese) but who is very intense.

There are three short stories in this volume.  (more…)

Read Full Post »

blakcSOUNDTRACK: POSSESSED-Seven Churches (1985).

7Back in high school I was really into heavy metal.  And I got into something of a contest to find the heaviest, scariest metal bands around.  (To counter the guy in class who was into Stryper, naturally).  Well, I think I hit the jackpot with this album.

larry
Larry in Possessed

This is brutally fast speed metal.  Growling vocals, staccato super fast drums and a general sense of doom.

The song titles tell it all: “Burning in Hell,” “Holy Hell,” “Pentagram,” “Satan’s Curse” and “Death Metal.”  Allmusic.com states that this is the first death metal album.  So, how about that?

larrry
Larry (in the middle) in Primus

At this point, though, I think it is most notable for featuring Larry LaLonde on guitars.

LaLonde went on to be the guitarist for Primus for many many years.  So, he turned in his upside down cross and fake blood for purple hair and an alternative rock gig.

And I’ve got the pictures to prove it.

[READ: November 3, 2009] Black Metal

This graphic novel comes from the beloved Oni Press.  It’s the story of the brothers Stronghand, adopted siblings who live and breathe black metal.  They are notoriously evil and their past precedes them. They have been to five schools in four years and, as the story starts, we see them on their first day at Ronald Reagan Jr High.  (Which at first I thought was actually “Ronald Reagan Junior” High School, which would have been even more hilarious.)

By lunchtime, they have intimidated everyone with their black metal stares.  But, when someone questions their manhood, they strike back and are instantly expelled. (more…)

Read Full Post »

pla

Although entire issues are available in PDF, I could find no cover images online.

Public Libraries is the magazine you get when you belong to the Public Library Association, a division of the American Library Association.  As you might gather, this division is for public librarians.

Like American Libraries, this magazine starts with a letter from the President of PLA.    But it’s the Tales from the Front section that I look at first.  This section discusses interesting events at public libraries around the country (Libraries using solar panels or digital bookmobiles, or even successful programs that other may wish to emulate). (more…)

Read Full Post »

glassSOUNDTRACK: DANKO JONES-Never Too Loud (2008).

dankoDanko Jones is a hard and fast rock band, with a one track mind and a straightforward sound.  They deal in excessive cliches (album titles include: Sleep is the Enemy, We Sweat Blood, Never Too Loud, etc) and play mostly short songs.  And despite all that apparent negativity, I enjoy them beyond reason.

Their first full length was a compilation of their early EPs, and it was full of outrageously short songs about big dumb sex (a bunch of the tracks were under two minutes).  Danko’s voice sounds a but like Phil Lynott from Thin Lizzy, to give a frame of reference.

Never Too Loud, despite the name, actually changes their style a little bit.  He throws in a ballad (!), and he’s got one song “Take Me Home” which reminds me an awful lot of Kid Rock.   And songs like “King of Magazines” and “Forest for the Trees” similarly slow the pace down (Forest for the Trees is even 6 minutes long!).  But despite all that, Danko still rocks hard.

And yes, I admit that lyrically the disc isn’t ground breaking (“Still in High School” tends to sum up a lot of the themes here), but I don’t care.  Sometimes it’s fun to just rock out.  And Danko rocks with the best of them.

[READ: October 14, 2009] City of Glass

Douglas Coupland is from Vancouver.  And this book (and the revised edition) is like a love letter to the city (although he describes it as a personalized guide book).

When he first published this in 2000, Coupland had been experimenting with things other than novels, but this was the first book he released that was primarily photography (not his own, mind you).  He mixes photos of Vancouver landmarks as well as stock photos to illustrate the varied and multicultural life of Vancouver.

He also includes alphabetically titled texts in which he writes about a paragraph or two or three about the topic.  Most of these are personal insights into the city.  It’s not a work of fiction or even a collection of essays.  It’s more like love notes about this city. (more…)

Read Full Post »

rapperSOUNDTRACK: SCHOOLLY D-Smoke Some Kill (1988).

schoolySince this disc is featured so prominently in Signifying Rappers (and the book is named after the best track on this disc) I thought I’d dust it off and listen to it again.  I got this disc probably in 1989 at the suggestion of my friend Al.  He recommended “No More Rock N’ Roll,” I think.

I haven’t listened to the disc in years, probably a decade.  The last time I listened, I think I wasn’t all that impressed by it, which is why it’s funny to me how much significance the book gives this disc/track.  In listening again, I felt more or less the way I did last time, although interestingly, after reading the book, I agreed that some of the tracks are pretty good.

“Signifying Rapper” in particular, seemed better after DFW’s analysis of it (he discusses it in the tradition of the trickster narrator, and I agree it’s a good one).  Although, at one point in the book DFW decries the misogyny in a lot of rap, but he doesn’t mention the homophobia.  And, despite the trickster style in this song, the homophobia is pretty outrageous (even if, in a surprising twist, the “faggot” kicks the “pimp’s” ass).  But really, the thing that upsets the pimp so much, that he went off to fight the faggot about is this rather absurdly childish set of insults:  your dad’s a faggot, your mom’s a whore, your granny’s a dyke and your brother’s a faggot too.  Now, homophobia aside, would these insults really get anyone so angry?   Hard to say.   But regardless of the whole thing, the song is set to the riff from Led Zeppelin’s “Kashmir” so, that’s pretty fun.

The rest of the disc is a mix of kind of lame tracks and a few good ones.  “Here We Go Again” has some great scratching on it (in fact the scratching throughout the disc is quite good), and there’s some really good background samples on “Gangster Boogie II.”  Although I think the best tracks come near the end: “Treacherous” (which samples or reinterprets Gil Scot-Heron’s “The Revolution Will Not Televised”) and “Black Man” which features the cool shout-out “What’s the Word?  Johannesburg!).

A few tracks are kind of flat.  “Mr Big Dick,” is, at best, silly and even the title track “Smoke Some Kill” is sort of uninspired.  What’s interesting about somewhat flat style is that this disc has come out after Public Enemy’s wall of sound changed the face of rap.  But Schoolly is sticking with the very sparse Run D.M.C. style.  The difference is that with Run, you had two vocalists, but Schoolly is by himself.  It’s just not quite as exciting.

And, then there’s the aforementioned “No More Rock N’ Roll” which is a companion to “We Don’t Rock, We Rap”.  The whole anti-rock trope rings hollow especially since he samples from it so freely.

It was still early days, but rap has progressed pretty far from this CD.  It also turns out that this disc is really hard to find.  It’s discontinued and lists on Amazon for $50.  How lucky for me!

[READ: October 2, 2009] Signifying Rappers

I wasn’t planning on reading this book this soon.  (I’m  not turning into a DFW addict, I swear).  But this showed up all because of the whims of the interlibrary loan system.  I put holds on books for people all the time, and usually it’s for new, popular books, so it’s often several weeks, sometimes months before the books come in.  I tend to forget that a 19 year old book that nobody is clamoring to read will show up in about 3 days.

So, those of you thinking about reading this book because you want to complete the DFW ouvre were probably wondering if this co-authored book should really count.  And, like, how would you know what he wrote?  Well, I didn’t immediately figure out the patently obvious system that they used in the book: When Mark Costello writes a section it is introduced with a large M.  When DFW gets a section it starts with a large D (see, obvious).   You can also tell because DFW’s section are laden with footnotes and very large words (no, really?)

I think for all readers, the main question is what are these two white, educated, twentysomethings doing writing about rap.  And, they both answer in their own way that, well, they like rap.  A lot.  In fact, DFW goes on to say that rap circa 1989 is the only musical genre that is interesting after some five years of commercial pap (and he’s pretty accurate with that, actually).  He also notes that as of their writing of the book there had been no real in-depth treatises written on rap.  Oh, and lastly, in the spirit of rap itself, they did it because they wanted to do it. (more…)

Read Full Post »

glist1SOUNDTRACK: DEERHUNTER-Microcastle/Weird Era Continued (2008).

deerSomehow, I can never remmeber what this disc is going to sound like when I pop it in.  Once it gets going the songs are all familiar and very good, its just that initial listen, where I forget that the band is rather delicate and poppy.  I tend to forget this because well, the bands name doesn’t sound delicate, and the album artwork has skulls all over it.  So, to put it on and hear pleasant keyboard songs is alwaya  bit of a surprise.

The guitarsd are jangly and have an almost 60s folk rock sound and yet the drums are very electronic  (I presume its a drum machine) and the vocals stick out as rather unlike the 60s style.  There is also a wonderfully low budget/hazy quality that pervades the disc.  It sort of envelopes the disc in a layer of cotton keeping the sound consistent and sometimes narcoleptic.

And yet despite that sort of sleepy feel, the catchciness of the songs shines through.

The last few songs of Microcastle especially provide a really strong set of songs.  And they lead into Weird Era very nicely.  For although it is clearly the same band, Weird Era is a very different disc.

It is a far more rocking/noisy affair.  And although there area  number of very short instrumental pieces, for the most part, the songs are catchier and a bit more fun.  Ideally, mixing the two discs together would provide an overall more well rounded listening experience.

[READ: September 15, 2009] Glister 1-3

This is a strange little series from Andi Watson.

I’ve enjoyed just about everything he’s written/drawn, mostly for his artistic style, but really because of his off-kilter and wholly fascinating sensibilities. So what makes this series so odd is the rather almost-sloppy style he uses for the backgrounds and other characters.  Maybe it’s not sloppy so much as “fuzzy” which lend an air of spectralness to this supernatural tale.

The other thing that is odd about the series is that everything suggests that this will be a long running story.  The story has a convoluted set up and a weird plot (and Issue #1 even includes an unrelated sub-story).  The inside back cover also has all manner of things that suggest we’re in for the long haul: a letter-writing address, a contest to design a teapot, etc.  But no, the series ends after three issues. Weird. (more…)

Read Full Post »

genxSOUNDTRACK: THE DEAD SCIENCE-Villainaire [CST054] (2008).

villainThis is probably the most fascinating album that Constellation has released recently.  I’d never heard of The Dead Science, but evidently they have a few disc out already.

The main thing one notices about this disc is the lead singer.  His voice is fascinating: a sort of slow, whispered falsetto laced with an incredible vibrato.  It almost sounds like he’s struggling to sing (although clearly he isn’t).  So take this delicate voice and put it over a series of songs (each one very different) that feature rapid time changes, punk breaks, mellow guitars and/or a harp.

The music is definitely strange and yet I found it very engaging.  I also thought that I wasn’t really absorbing the music since it was so esoteric, and yet after listening to it again today I realized I knew when all the breaks and interesting bits were coming up.  The disc definitely needs repeated listens to get what’s going on, but it is a fascinating collection.

[READ: September 23, 2009] Generation X

As with many books with multiple covers, I never seem to be able to find a picture of my cover online (my copy is a nuclear green, which I’m sure I spent a few minutes selecting back then).  I bought this book in November 1992 (I know this because that was back when I wrote the date I bought a book on the inside cover of the book). I know that I loved the book when it came out because it made me an instant fan of Douglas Coupland (I bought Shampoo Planet just one month later).

And Gen X is a generation-defining book. The margins of the book are filled with cartoons and slogans and definitions of Gen-X speak.  Now, I’m not sure if anyone ever used these definitions or if Coupland made them up.  I certainly never heard anyone say them.  Nevertheless, real or not, they work well as a frame of reference for the way (some) 20somethings in the 90s thought about culture and their place in it.

And so, by proclamation, this book speaks to every slacker and is ever so grunge and slacker and ironic and slacker and…well, no.

I’m actually surprised that I enjoyed this story as much as I did back then, because I’m not sure how it spoke to my 23-year-old self.  And from a vantage point of 17 years later, I’m surprised at how earnest and honest the book turns out to be. (more…)

Read Full Post »

lydiaSOUNDTRACK: SONIC YOUTH-SYR8: Andre Sider Af Sonic Youth (2008).

syr8This final (so far) SYR release is another live recording and it sees the bands joined by saxophonist Mats Gustaffson and electronic wunderkind Merzbow.  This EP comes from the 2005 Roskilde Festival in Denmark (and the language is all written in Danish).  According to the SY website, the day before this, they had performed a set in support of Sonic Nurse. However, this set, “The Other Side of Sonic Youth” is an hour or so improvisation. It is basically broken down into 5 minute intervals:

1 min.  Kim (guitar) & Steve (drums) start
5 min. Thurston (guitar) joins
10 min. Lee (more guitar) joins
15 min. Jim O’ Rourke (bass/synth?) joins
20 min. Mats Gustaffson (saxophone) joins
25 min. Merzbow (laptop) joins
30 min. Kim & Steve leave
35 min. Thurston leaves
40 min. Lee leaves
45 min. Mats leaves
50 min. Merzbow finishes

All times are approximate, and even listening to the disc it’s not entirely clear when the new players come on (or when they leave). For the most part, the set is varying levels of noise and dissonance.  But it’s not just a wall of chaos. It starts fairly simply with the guitar and drums (although when Kim and Steve play it’s never really simple).  By the time Jim comes out, the band has morphed into all manner of sound scapes.

When Mats comes in and that saxophone starts squealing, it’s a whole new ballgame. I don’t find Merzbow’s entrance to be all that noteworthy, but by the end, when it’s just him and Mats (or him by himself) he’s doing some pretty amazing stuff.

It’s hard to imagine what the Roskilde people thought of this (although crowd noise seems to be positive).  This set was followed by Black Sabbath, which in and of itself is pretty funny.  Especially since the SY set seems far more dissonant.

[READ: September 6, 2009] Samuel Johnson is Indignant

This collection of Davis’ work contains fifty-six of stories.  The stories range from one sentence (!) to some twenty pages.

The book is disconcerting in that it opens with several of the one to two page stories, leading you to suspect that they will all be that length. Then, when you actually get to the longer pieces it kind of throws you.

Those first stories are I guess what you’d call flash fiction.  Except that for the most part, it’s hard to tell whether the pieces are even meant to be fiction.  They are aphoristic, often.  Talking about neighbors and friends, uncomfortable moments, and mostly, lots of thinking about everyday activities.  Some of them are funny.  Some of them are thought-provoking.  Some of them are just weird.  And some of them make you wonder why they were written at all, or more to the point, why she would name this collection Samuel Johnson is Indignant, when this story,consists of this:

“Samuel Johnson is Indignant: that Scotland has so few trees.” (more…)

Read Full Post »

sp5SOUNDTRACK: SONIC YOUTH-SYR 5: Sonic Youth Featuring Kim Gordon/DJ Olive/Ikue Mori (2000).

syr5The fifth SYR disc is rather different from the others in that the only SY member is Kim.  This is a sort of side project for Kim, Ikue Mori and DJ Olive. They’ve played shows together as well.

This disc is also different because it features a number of short songs rather than a couple of long ones.  It also features a lot of different instrumentation: turntables, keyboards, that sort of thing.  Most of the tracks are instrumental (more or less) although a few have Kim’s vocals on it.  And Yuka Honda from Cibo Matto does vocals on one track.

Kim’s side projects (like Free Kitten) are usually pretty abrasive. She lets her freak flag fly with her vocals.  And that in a nutshell will determine whether you like this or not.  Kim is playing mostly guitar, so the other instruments tend to take over a bit.

It’s always interesting when SY mixes it up with another band or solo artist.  But it doesn’t really make it a SY record, proper.

Oh, and all of the writing on the disc is in Japanese.

[READ: August 25, 2009] Scott Pilgrim vs the Universe

There’s a new Scott Pilgrim website which lets us know that Volume 6 will be out in 2010.  I can’t wait that long!

This 5th volume seemed a bit different from the other four.  The lines were crisper, it seemed like Ramona looked a little bit different (her eyes were bigger or something) and overall, the volume was a lot darker (in tone).

Today is Scott’s 24th birthday (he’s now the same age as Ramona, yup he finally asked her).

But at a party Steven Stills tells Knives that Scott had cheated on Knives with Ramona and on Ramona with Knives (which wasn’t true exactly), which sets Knives off again.  She violently confronts Ramona and when she says why, Ramona gets pissed too.

At this same party, Ramona’s evil ex-boyfriends (the twins Kyle and Ken Katayanagi) show up.  Scott prepares to fight them, but they send their robot after him instead.  The fight continues downstairs while everyone pretty much goes to other rooms, kind of bored with the whole escapade.

We also see a bit of Ramona and Scott’s domestic life (Ramona runs errands all day and Scott does, well, nothing). (more…)

Read Full Post »

vol3SOUNDTRACK: SONIC YOUTH-SYR 3: Invito Al Ĉielo (1998).

syr3This SYR release adds Jim O’Rourke to the mix (O’Rourke played with with them on A Thousand Leaves too).  I’ve always been aware of O’Rourke but I’ve never really listened to any of the bands that he’s been associated with (and there’s a lot).  So, I’m not sure what his actual contributions are, but he seems to be pushing the SY members into a much more noisy/abstract direction.  (A few samples of Gastr Del Sol shows them to be pretty out there, so perhaps pushing SY in a direction that was not too far from where they’d go on their own.  And, I rather liked the Gastr stuff, too).

The EP is nearly an hour with 2 songs over 20 minutes long.  And, the most fascinating parts come from the most unexpected places: Kim plays trupmet!  There’s keybaords!  And all of the text is in Esperanto.

This disc doesn’t diverge too much from the first two…it’s noisy and discordant and full of lots of experimentation.  There’s some good stuff on here, but there’s also a lot of it.

[READ August 9, 2009] Scott Pilgrim & The Infinite Sadness

Things get pretty intense in Vol 3 of this series.  We get an in-depth look ant Envy Adams, Scott’s first girlfriend and lead singer of The Clash at Demonhead.  TCaD have asked Scott’s band Sex Bob-omb to open for them, but there are clearly underlying reasons behind this.

One of them is that another of Ramona’s evil ex-boyfriends is the bassist in the band.  And, another more narratively interesting reason is to give a peek into Scott’s past.  We learn that Envy was a rather shy young girl, until she slowly grew out of her shell (and changed her name to Envy), and then became the extroverted lead singer.

Todd Ingram, the evil-ex is a vegan.  (more…)

Read Full Post »

« Newer Posts - Older Posts »