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Archive for the ‘Short Books’ Category

SOUNDTRACKMATES OF STATE-Tiny Desk Concert #163 (October 5, 2011).

Mates of State is another band that I only know of because of NPR.  I hadn’t heard them at all before this set (and another concert that they recorded for download).  I like them, although they haven’t totally blown me away.

Mates of State make delightful music.  I don’t know if there’s a better word for it–it’s poppy and upbeat without being cloying or treacly and it seems so happy.   The founders of Mates of State are a husband and wife.  They sing quite loudly and often in a high register.  Indeed, the write-up that accompanied this show says that the band is quite scaled back–that they are usually much bigger and louder and that they had a hard time in this small setting.

But it’s a very good set and a nice sample of the kind of music they play.   The set features keyboards, acoustic guitar and a trumpet.  They play two songs from their album Mountaintops, “Sway” and “Desire.”  They also play “My Only Offer” from Re-Arrange Us, their previous record.  Mates of State have released a bunch of stuff on Barsuk records, a wonderful indie label, so they get respect from me.

I was also amused when Kori Gardner commented that this was “the earliest concert they’ve ever done.”

[READ: November 3, 2012] Stealth the Ghost Panther

The final book of this arc has just come out and Clark was very excited to read it.  I’m torn about what to do if Scholastic releases the next story arc.  The books seem to come out every six months, but I don’t think I want to wait six months to read book 26 after reading book 25.  But then do I want to wait three years to read the next arc all at once?  No I do not.  Not since Clark will be ten!  I hope Scholastic picks up the pace here.

Anyhow, this six book arc ended with Stealth the Ghost Panther (the most fearsome beast yet!).  [The one thing I dislike about the series is that every next beast is “more fearsome” than the last, which somehow undermines the fearsomeness of the previous beasts, no?  Honestly, how could that be quantitatively true.  Having said that, this one is pretty scary.  The panther is scary, but worse, if it simply scratches you it turns you evil. (more…)

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SOUNDTRACK: SILVERSUN PICKUPS-Live on KEXP, May 11, 2012 (2012).

Following the other day’s review of Silversun Pickups, I have this more recent show.  In this one, only two members of the band are here–singer/guitarist Brian Aubert and bassist Nikki Monninger for a stripped down acoustic show.

This set is much more enjoyable than the older set.  The songs are certainly stronger, especially “Bloody Mary” and “The Pit.”  But there’s also something refreshing about hearing this band who is usually so fuzzed out sounding clean and simple.  I wouldn’t want an entire acoustic album from these guys, but it’s so dynamic in this version.  You can really hear the construction of the songs in this simple setting.

And the rapport between Brian and DJ Cheryl Waters is relaxed (they are very funny) and engaging–I really want to like these guys.

It’s interesting that in the five years from the previous set the Billy Corganisms have not gone away at all, but I guess one can’t help what one’s voice sounds like.  It’s kind of hard to get past that, but it’s not impossible, and the songs are so good, you can overlook it.  This makes me want to check out their latest album.  You can hear it here.

And for  those who watch TV, Silversun Pickups were on Up All Night this week (in a very weird mash up of pop culture).  Is that how lesser known bands get publicity, or was that meant to be a draw for the show (I don’t know how popular they are–Sarah had never heard of them).

[READ: October 18, 2012] Marshall McLuhan: You Know Nothing of My Work!

I had not heard of this book until I saw it in my local library.  I wasn’t prepared to read another biography of Marshall McLuhan, and indeed, this isn’t one.  This is the American edition of Extraordinary Canadians: Marshall McLuhan with a spiffy new title.  And it is virtually identical.

There are several things that were in the Canadian edition that were left out of the American edition (although they did leave in all of the “u”s in words like “colour”).

The things that were left out are: (more…)

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SOUNDTRACK: NADA SURF-Live at KEXP January 30, 2008 (2008).

Nada Surf is criminally underrated and shamefully treated as a one-hit wonder for a song that sounds nothing like the rest of their work.

This four song set at KEXP features four acoustic renditions of songs from their wonderful  album Lucky.  The songs are stripped down, but the harmonies are all there.  The only song that really suffers in this format is “See These Bones,” which is a little less spirited than the recorded version (although the harmonies stand out even better).

They are also funny guys and very personable, as the interview shows.  This set is definitely worth downloading.  You can get it here.

[READ: October 6, 2012] Timequake

Timequake is Kurt Vonnegut’s last novel.  It is very much unlike any of his other novels because it is actually more of a fictional memoir than a novel.

There are two main characters in the book–Vonnegut himself and Kilgore Trout.  Vonnegut talks about his life a lot–and if you know anything about Vonnegut’s life, you know that the details in the novel are accurate.  At the same time, he talks about Trout’s life, specifically the end of his life and how he went from being a destitute bum to a celebrated and oft-quoted author.

And then there’s the matter of the timequake.  In 2001, there was the first timequake.  The world stopped expanding and moving forward and instead flashed back to 1991, where everyone picked up exactly where they were on that date in 1991, and relived every detail of their lives in exactly the same way.  Only this time they knew what was going to happen.  So every person lived on autopilot through every day for the next ten years–all the good and all the band (like the man who spent several years in prison and had to relive those years all over again).  Even the dead were resurrected and relived their days.

It’s an interesting concept and yet in the end it’s really not that interesting of a topic.  In the Prologue, Vonnegut says that he had originally written Timequake (which version he calls Timequake One) with that very premise, and that Vonnegut himself made a cameo. And yet I can see that it wouldn’t really have worked as a very good novel–unless he made up ideas for what happened to everyone and we the readers lived them for the first time– or something.

But so he bailed on that novel, but he certainly left parts of it intact for this one.  And rather than a cameo, Vonnegut features largely in this one. (more…)

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SOUNDTRACK: ANIMANIACS-Wakko’s 50 State Capitals (1995).

To the tune of “Turkey in the Straw,” Wakko teaches you all of the capitals of the 50 States.   I suspect that if I had the energy, I would try to remember this (as many commenters on YouTube say they’ve done).  While I know most of the capitols, I certainly don’t know them to a  catchy tune.

This song is not as explicitly insane as the countries of the world song, but it’s still pretty awesome.  Thank you, Animaniacs for being this generation’s School House Rock!

[READ: July 2012] Chi’s Sweet Home 9

Volume 9 of Chi’s Sweet Home has just come out and the whole family was excited to read it (Clark grabbed it first!).

I don’t know how long the series is going to run, but if anyone thought it was winding down with Book 8, nothing could be further from the truth.

As the book opens, Chi is wearing her Elizabethan collar to protect her from her injuries (I actually don’t recall what injuries they were).   But she soon gets that off and her family realizes that since she couldn’t go outside with the collar on, maybe they should make her an indoor cat after all–she’ll certainly be safer!

And so begins Chi’s frustration–unable to get outside and nobody helping her out!  And she had promised Cocchi that she would met him at the fountain   For the first time in the series (as far as I can remember) another character gets an entire strip to himself: poor Cocchi, the naughty stray cat feels sad and lonely as he waits for Chi who promised she’d be back to play today.   If you think it’s frustrating to wait for people  imagine being a cat and having no way to communicate! (more…)

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SOUNDTRACK: OUT WITH THIS KIDS MUSIC MONTHLY PODCAST (2012).

I am bummed to have literally just discovered this cool podcast.  Each month Out with the Kids plays some ten songs that are kid-friendly.  They’re not all “kids songs” but they are kid friendly.  And it’s a fun way to learn about new music that kids may like.

The blog was started by Jeff Bogle, and he does proper DJ intros and outros (fortunately no “Morning Zoo zaniness”).  The songs are often connected thematically, and he plays a diverse collection of music (for his October podcast, I’d heard of none of the artists before, which is great if all of your kids music awareness comes via Dan Zanes and They Might Be Giants (nothing nothing nothing wrong with them, I love them both) or, heaven forbid Kidz Bop.

So, check him out, and subscribe via iTunes.  What have you got to lose?

[READ: August 2012] Beast Quest 7-12

I wasn’t all that excited to continue this series.  I liked some of the things in the first books, but I was on the fence about whether to continue.  But Clark enjoyed the series, so I figured I’d continue (but hopefully not do all 72 books).  Well, I was pleasantly surprised by this next series.  Although the formula is still in place, Adam Blade played around with the ideas a little bit and made them much more interesting.  Rather than having to rescue beasts who were turned evil, this time, Tom, the 12 (!) year old hero, must go in search of pieces of the golden armor.

But a step back first.  After competing the first 6 quests, Wizard Aduro shows Tom and Elenna the beautiful golden armor that resides in a special room in King Hugo’s castle.  But when they get there they discovered  that the armor has been stolen (in the prologue we see how the  armor was stolen and we know it was Malvel’s doing).  As Book 7 takes off we learn of Tom’s new quest–to find all of the stolen pieces of the armor which are now being guarded by beasts that Malvel has created.  It was kind of fun wondering what the six pieces of armor would be.  They turn out to be a helmet, chain mail, a breast plate, leg armor, boots and gloves and each one gives Tom a special power. (more…)

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SOUNDTRACK: JOHN DOE AND EXENE CERVENKA at KEXP December 31, 2010 (2010).

X toured the Los Angeles album back in 2010–the 30th anniversary of the album.  John Doe and Exene Cervenka came to KEXP to do an acoustic set and to talk…a lot.  The DJ tells them of when he saw them at age 16.  He had his camera and wanted to be a rock photographer.  He was getting pushed around in the pit and Exene pulled him onstage (he got great photos which I’d love to see).  Surprisingly, Exene does not seem as moved as one might expect by that story.

This is a simple, acoustic set–John with his guitar and he and Exene singing.  They play a few songs from across their career: “Because I Do,” “In This House That I Call Home” (a personal favorite), “True Love” (another favorite) and “See How We Are.”  John still sounds great, although Exene’s voice sounds a little worn on “Because I Do” and is actually hard to listen to on “True Love.”

There’s some really long interviews–talking about drugs and The Germs and the heyday and how Exene can’t wait for 2011 to start.

[READ: August 27, 2012] The Emily Dickinson Reader

This book is “an English-to-English translation of Emily Dickinson’s Complete Poems.”  What?  Well, basically Paul Legualt has taken all of the “poetry” out of Dickinson’s poems and has left us with what the poems might mean to contemporary readers.  But he also reduced them to basically one line summaries as well–or as McSweeney’s says: “ingenious and madcap one-line renderings.”

So you get “translations” like: #314

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity, It asked a crumb – of me.

Which Legault translates as: “Hope is kind of like birds. In that I don’t have any.” (more…)

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SOUNDTRACK: CYMBALS EAT GUITARS-Live on KEXP June 18, 2009 (2009).

Cymbals Eat Guitars are from Staten Island (with members from New Jersey).  They have released two albums, although this recording is from after the release of their first album.    They play four songs:  “And the Hazy Sea,” “Cold Spring,” “Tunguska,” and “Wind Phoenix.”   They are noisy songs (mostly) with squalls of guitars (squalls is a good word since two of the guys are from Manahawkin, New Jersey.

The band has true progenitors in the indie rock scene–there’s sounds of Pavement, The Replacements,  even more melodic Sonic Youth .  They play noisy guitars and the vocals veer from softly sung to loudly screamed (often within the same line).    “Cold Spring” starts like a kind of shoegazery song and then after almost three minutes it turns into a  blast of pummeling rock with a noisy guitar section, before moving into a third more melodic section.

There’s   a lengthy interview with the band, where they give a shout out to New Jersey and seem genuinely surprised by the success they’ve had.  It’s a good show, and you can hear it here

[READ: September 25, 2012] God Bless You, Dr. Kevorkian

Again, against my better judgment I brought this Vonnegut book home too because it was on the shelf (and it was very short).  I still haven’t finished Bluebeard yet, but I have been curious about this book for some time.  It references Vonnegut’s early novel God Bless You, Mr Rosewater, but it also name checks Dr Jack Kevorkian.  So just what is it?

Well, it is collection of radio spots that Vonnegut did for WNYC radio in New York back in 1998.  Vonnegut claimed that he went to Kevorkian’s facility, was strapped in and almost killed multiple times, but Kevorkian brought him back each time creating a near-death experience. And each time Vonnegut travelled through that “blue tunnel,” he would interview a dead person.

The people he interviews vary quite a lot in fame and stature: (more…)

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SOUNDTRACK: …AND YOU WILL KNOW US BY THE TRAIL OF DEAD-Live on KEXP, March 12, 2009 (2009).

Back in 2009, …And You Will Know Us by the Trail of Dead had been hit by a truck.  Really.  Evidently no one was hurt too bad, but they did have to cancel a show in Salt Lake City. 

Nevertheless, they managed to get to KEXP to play a four song set from their latest album The Century of Self.  The opener “The Giant’s Causeway” is full of bombast and noise  and has a surprisingly catchy melody in the middle.  It merges into “The Far Pavillion” (just like on the album) which sounds like pretty typical Trail of Dead–rocking and yet melodic, with some good screaming parts.

“Luna Park” is something of a surprise to me as it’s a piano-based ballad (which I suppose Trail of Dead plays, but which I don’t associate with them).   “Bells of Creation” also opens with a piano, but it quickly grows very loud.  It’s a cool song with lots of depth.

I had actually stopped listening to Trail of Dead after Worlds Apart (and album I liked, but I guess the band fell off my radar) so it’s nice to hear they’ve still got it.  At least as of three years ago.

[READ: September 17, 2012] Galápagos

Each of these 1980’s era Vonnegut books gets darker than the last.  In this one the entire human race is wiped out (except for a few people who spawn what eventually becomes of the human race in a million years).  For indeed, this book is set one million years in the future and it is written by a person who was there, one million years in the past when the human race destroyed itself.  It’s not till very late in the book that we learn who the narrator is and, hilariously, what his relationship is to the Vonnegut canon.

In typically Vonnegut fashion, the story is told in that spiral style in which he tells you a bit of something and then circles back to it again later and comes back again later until finally 200 or so pages into the book you get all the details of what is happening.  Interspersed with the respawning f the human race (and flippers) is the story of the Adam and Eve and Eve and Eve and Eve and Eve who created the human race–how they got to be together, what their lives were like before and what contribution they made to humanity, such as it is now.

In another bizarre and fascinating twist, every character who is going to die in the near future gets a star next to his name so that the reader knows that that person is going to die.  We get a lot of things like ★Andrew MacIntosh for many pages until the character finally dies.  And pretty much everybody does die.  Well, obviously if it is set a million years in the future, but aside from that part, only a few of the characters survive.

So here’s how these few people managed to create a new human race in the Galápagos Islands.   (more…)

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SOUNDTRACK: KISHI BASHI-Live at the 9:30 Club May 1, 2012 (2012).

I had never heard of Kishi Bashi before this concert.  Kishi Bashi is a one man band headed by K. Ishibashi.  He plays violin and sings and, as is the trend it seems, he records and loops his own beats and melodies.  Whether or not this is overdone by others, Kishi Bashi does an amazing job.  His songs are powerful and his soaring falsetto is fantastic.

I find myself singing lines from “Atticus in the Dessert” all the time.  And who could resist the title “I am the Antichrist to You.”  Hearing him pull this stuff off live is really impressive.  When he’s not sampling and beatboxing, his violin is gorgeous–I never really understood the folks who could violin and sing at the same time, but he does it wonderfully.  He’s got a funny, charming stage presence and this whole brief set is really enjoyable.  Check it out (audio and video!).

[READ: September 1, 2012] Elliot Allagash

I really enjoy Simon Rich’s humorous pieces.  But somehow I totally missed that he had written a novel (or two–the second one came out in August).

This novel eschews Rich’s humor style–there’s no absurdist takes on life–and focuses on a plot. The plot is pretty straightforward.  Seymour Herson is a middle school loser–everyone picks on him.  In a nice twist on the high school loser, Seymour’s family is pretty cool.  They play Monopoly every Friday night, they eat together and are generally supportive of each other.  While they might be somewhat geeky, they are not played as straw men for Seymour’s problems.

At his school there are three rows of lunch tables.  The popular kids sit at the first row.  The rest of the kids sit at the second row.  And Seymour sits in the final row.  By himself.  In part that is his plan, so he can score a minimum of 5 chocolate milks at lunchtime without the other kids seeing.  Then one day Elliot Allagash sits next to him. (more…)

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SOUNDTRACK: SISKIYOU-“Bad Days” (2012).

Siskiyou has had some medical problems and have canceled their recent tour.  They are also going on a brief haitus.  This is a shame as after their second album, they really had momentum and they sounded better than ever.

As a kind of peace offering to fans who would not be able to see the band, they recorded a cover of The Flaming Lip’s “Bad Days.”  The cover souds remarkably like the original, with one big difference: rather than squalls of feedback, Siskiyou uses only piano.  And it works very well, getting down  to the basics of the song and sounding a bit like Wayne Coyne singing.

It’s a nice tribute and  a nice “until later”

[READ: August 27, 2012] Agapē Agape

I have a long history with this book.

I was working at Baker and Taylor, a book supplier, when this book was released.  Some of the higher ups were able to get free books from the publishers they dealt with.  The guy who dealt Viking was not the friendliest guy, but since B&T paid absoluet crap wages, I was going try to get any books I could for free.   So, I asked for this book.  It was embarrassing enough to walk in and say this title with confidence, since I knew how it was pronounced (yes I took Greek in college), but knew he didn’t.  After some groveling, his reaction led me to think I wouldn’t be getting it.

But lo and behold a few weeks later it was sitting on my desk.

And now, ten years later, I’ve finally read it.

In JR, Jack Gibbs is writing a book with the name Agapē Agape, it is a jumbled history of the mechanization of the arts, starting with the player piano.  JR was finished in 1975–who knows for how long he had been working on it until then.  According to the Afterword of this book by Joseph Tabbi, Gaddis was pretty all-consumed by the idea of the player piano.  (It’s really quite an obsession).

This book is the culmination of all of Gaddis’ work on the player piano and how it removed all of the artistry from music (this theme of art and mechanization is in JR as well).   But rather than write this as an essay, which he didn’t think would be very effective, Gaddis decided to make this a novel.   I admit to not really knowing if he finished it–Gaddis died in 1998.  While it doesn’t feel unfinihsed, I’m just not sure if he was “done” with it. (more…)

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