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Archive for the ‘Short Books’ Category

cousinkSOUNDTRACK: FOALS-“Inhaler” (2013).

foalsinhalerI really really liked Foals debut album.  It was weird and off-kilter and was one of my favorite albums of that year.  I had heard that their follow-up was very different, less weird, more conventional, and I have yet to hear it (narrow-minded, I know).  But then I heard that their new album was really great.  “Inhaler” was the first song I heard.

Man, do I love it. The song opens kind of funky with some noisy echoed guitars.  After a few verses the bridge comes in and the big excitement of the song comes when he gets to the chorus, “I can’t get enough SPACE!”  It’s not so much that he yells “space,” which he does, it’s more the way the whole song explodes with a new exciting riff and it just seems to get bigger and bigger. It blows me away every time.

After the first chorus we drop right back to that falsettoed slow verse delivery.  And the song slowly builds back up again.  The length of the bridge as you anticipate the big chorus is just excruciatingly wonderful.

[READ: April 5, 2013] Cousin K

I found this book when I was cataloging it at my job.  I don’t know what grabbed me about it (there’s nothing special about the cover).  I think it may have been the French Voices label in the corner (and its brevity).  I thought, hey why not read a contemporary French novella for something different.

Well, to my surprise, that is not what I got.  Indeed, nothing in this book is as it seems.

Yasminia Khadra is a pseudonym for Mohammed Moulesshoul.  He chose the name to avoid military censorship (that’s all the book says, I don’t really understand what that means).  Moulesshoul was born in the Algerian Sahara.  He is now retired from the military and is living in France.

But so, instead of this being a story from a French woman, the story is actually from a Male Algerian.  Which doesn’t really matter in the long run, but I assumed that the narrator was a girl (based on the “author = narrator” theory that is an easy shortcut in fiction.  This was really only confusing because the narrator is unnamed for quite a while in the book.

But what a book.  In just 80 some pages, Khadra turns in a  fascinating psychological picture of neglect and psychological abuse.  But it is such an elliptical book that there are almost as many questions as there are answers.  It is this elliptical style which provides some of the confusion, but a lot of the interesting structure of the story. (more…)

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exbabySOUNDTRACK: “WEIRD AL” YANKOVIC-“Amish Paradise (single)1996).

amishAl took some time off between Alalpalooza and Bad Hair Day and he roared back on the scene with “Amish Paradise,” a wonderful parody of Coolio’s “Gangsta’s Paradise.”  There’s a funny saga about how Coolio didn’t appreciate the joke and Al (who always asks permission even if he doesn’t need to) was really upset because he thought he had the green light.  For awhile there was an unpleasant scene between the two (not like they were in the same circle or anything) but when they finally patched things up Al admitted he could stop wearing a bulletproof vest.

The song is a spot-on recreation, (Al has totally upped his game in the studio bu this point) and while the Amish jokes are easy, they’re still funny   This single (yes, I was buying singles at the time) contains three other songs, “Everything You Know is Wrong” a great style parody of They Might be Giants and very funny song in it own right.

It also includes “The Night Santa Went Crazy (Extra Gory Version).”  I recall thinking it was very funny but now that I have kids I’d hate for them to hear it.  The extra gory part is actually the original final verse which the record company asked to tone down a bit.  So he released it here.  The last song is a very strange  an instrumental version of “Dare to Be Stupid.”  What a random song to strip words from.  Although granted, the music is pretty cool.  But still…weird.

[READ: April 7, 2013] Extreme Babymouse

I was excited to see that book 17 of the Babymouse series had come out.  This one is called Extreme Babymouse and, as you can tell from the cover, it is about extreme sports, specifically snowboarding.

What was fun about this one is that Babymouse’s fantasy dream sequence involved Sean White (for who else would you have in a snowboarding book?)  She even has crazy hair under a toque.  But what is all this extreme talk all about?  Well, everyone in her class is headed to the mountain to go snowboarding this weekend (including her locker!) and (naturally) Babymouse wants to, needs to, simply must go!  (Even if she has never been snowboarding before).

After dying inside because she can’t go, the fates align and Babymouse is able to go (her family is given a cabin for the weekend–which sounds great except that everyone else is staying at the beautiful chalet!). (more…)

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ricky1.2SOUNDTRACK“WEIRD AL” YANKOVIC-Alapalooza (1993).

Weird_Al_Yankovic_-_AlapaloozaAlapalooza came out hot on the heels of Off the Deep End.  I was in college, the perfect time for a “Weird Al” rebirth.  And the fact that “Jurassic Park” and “Bedrock Anthem” had a great videos (and my college cafe played MTV), meant I got to see these videos quite a bit.  (So I was surprised to read recently that this album didn’t sell like gangbusters (it went gold whereas Off the Deep End went platinum)).

“Jurassic Park” is a crazy wonderful parody–a spoof on the crazy song “MacArthur Park,” a song that I like a lot because it is over the top and absurd, although truth be told, I like “Jurassic Park” better.

“Young Dumb and Ugly” is a heavy metal song this is certainly dumb.  This is one that parodies a style so well that it’s actually not a very fun song to listen to.  “Bedrock Anthem” is a Red Hot Chili Peppers mashup/parody with the intro from “Under the Bridge” melding into a rocking parody of “Give It Away.”  I’m not exactly sure that it works as a parody (the Yabba Dabba part is a wee bit forced) but the song rocks well and Al and co. do a great job with it.

I never much liked “Frank’s 2000″ TV.”  I’m surprised to read (Wikipedia) that it’s a style parody of early R.E.M.  I can kind of hear it but compared to some of his other style parodies, I don’t think it really works.  “Achy Breaky Song” is the most apt song, lyrically, ever: “Don’t play that song, that achy breaky song, the most annoying song I know.”  It’s surprisingly mean about the song it is parodying and it turns out the proceeds from the track were donated to United Cerebral Palsy, as both Cyrus and Yankovic felt that the song was “a little bit, well, mean-spirited.”  “Traffic Jam” is a synthy number that sounds like it’s from the 80s.

“Talk Soup” was commissioned as a new theme for the show Talk Soup.  Although the producers approved the lyrics and enjoyed the final result, they decided against using it.  Which I can understand as it would make a terrible TV theme song.  It sounds a bit like Peter Gabriel’s Sledgehammer.

“Livin’ in the Fridge” is a fun parody of Aerosmith and it really sounds like them.  This parody works both as a twist on the original and lyrically–it’s very funny.  “She Never Told Me She was a Mime” is a weird original.  It doesn’t sound like any other bands, and is kind of a classic rock type of song.  The lyrics are pretty funny, but not all that funny.  And there’s not all that much to enjoy musically.

“Harvey the Wonder Hamster” is an awesome anthem which at 21 seconds, can be enjoyed again and again and again.  It’s funny that I felt that “Talk Soup” sounded like Peter Gabriel because “Waffle King” is actually a style parody of Gabriel.  This is a weird song because the verses are good, but the chorus falls kind of flat.  But the final song is a wonderful twist on Al’s usual polka medley.  This is a polka version of “Bohemian Rhapsody.”  I read complaints that it sounds too much like the original (which it doesn’t) but it’s a testament to Al’s skill as a mimic that he can make his crazy polka version (which is much faster and with lots of his silliness thrown in) sounds so much like queen.  It’s certainly an Al highlight.

After this release, Al put out Al in the Box a 4 CD box set and then a series of greatest hits type albums–an actual Greatest Hits and then a collection of Food Songs and TV Songs.  I would never have bought the Food album except that I got to meet him after a show and I wanted something for him to autograph (which he did).  He was super duper nice and very cool.

[READ: February 22, 2013] Ricky Ricotta Books 7

Dav Pilkey planned to do nine books in this series (with Martin Ontiveros adding pictures).  According to Wikipedia, he had serious family emergencies for a while, which is why such a prolific author had literally no output for a number of years (from 2007-2010).  It also explains why book 7 is the last book that Pilkey has written in the series.  But the good news is that he’s back writing and that the eighth book is due out in December.

Of 2014.  Oh.

Well, in the meantime we have this book to enjoy.  Ricky and the Mighty Robot are learning what is fun and what is not fun (most of the things that Ricky likes to do are too small  for the robot to do and are consequently not fun for him).  Meanwhile, Uncle Unicorn lives on Uranus.  And he has turned it into a universe-wide dumping ground for toxic waste. I really liked seeing that all of the other bad guys from the series had a cameo dumping their stuff on Uranus.

But then Uncle Unicorn has had enough of the trash and he wants to leave.  He plans on going to Earth, but he knows that Mighty Robot is his major enemy.  So he sends Mighty Robot a gift–a Ladybot who immediately hypnotizes him and chains him up.  And now Ricky is alone. (more…)

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embryoyoSOUNDTRACK: QUEENS OF THE STONE AGE with EDDIE VEDDER-“Little Sister” (live) (2013).

qotsavedderThis is a live song from Chile (from what I gather it’s a Lollapalooza show–is that even still around?).  I have no idea if Pearl Jam were in Chile at the time, but what a strange thing to bring Eddie Vedder out on stage and then have him only sing backup vocals and play the cowbell.

The song sounds very much like the record, although a little sloppier.  I’m a bit surprised at that as I think of Homme as running a tight ship (but the sloppiness comes from him, so he has no one to blame but himself).  You’d never know Vedder was even there.  It’s one of the strangest guest appearances since Paul McCartney munched carrots and celery for the Super Furry Animals song “Receptacle for the Respectable.”

[READ: April 3, 2013] Embryoyo

Embryoyo is the final book of poetry I’m going to read for a while.  This book came out a few years ago but McSweeney’s had a garage sale version that I found for cheap.  I’ve always been intrigued by the title (so silly and odd) that I decided to give it a ago.  The blurbs on the back (and I know, no one should read blurbs) are telling: “Dean Young’s work will delight only two kinds of people: those who generally read poetry and those who generally don’t”  And, “No one is unsure if they’ve read a poem by Dean Young.”

I probably concur with the first but I definitely do with the second.  Because Young’s poetry is quite unusual.  And Embryoyo proves to be a demonstrative title.  Not that it means anything specifically, but in the way Young creates portmanteau words, which Young uses liberally.  Like the title “Empheroptera.”

I’m going to give some examples of his poetry that I found really enjoyable: (more…)

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loveindeSOUNDTRACK: KURT VILE-“Wakin on a Pretty Day” (2013).

Kurt Vile_CVR-31981badf76ce6680de293138b7fbf1807fe323f-s1I don’t really know that much about Kurt Vile.  I’ve been hearing about him for a while. I assumed his name was a kind of joke–like he was a comical metal guy, maybe like Alice Cooper.   That appears to be far from the truth.  I also wasn’t sure if he was well-known outside of the Philly area, but I do know that NPR has championed him for a while.

Well, he has a new album out and since NPR was streaming it, what better time to hear what the long- haired dude is all about.

There is much talk bout his voice (NPR says: There’s something about Kurt Vile’s voice that transcends whatever comes out of his mouth.).  But the whole time I listened to this song (which was a while, as it is over 9 minutes long), I kept thinking that he sounds just like the guy from House of Love, an underrated band here in the States. (He sounds even more like him in Kv Crimes”) It’s not necessarily a bad thing to sound like someone else (often times it can’t be helped I suppose), but it is a little distracting to me.

So this song is kind of groovy.  I like it musically more than vocally (there’s so many “Yeah…yeah yeah yeahs” that I lost the point of the song).  But the music is really good, including Vile’s lengthy guitar solos.  Interestingly, I was kind of bored by the song after about 45 seconds, but by 8 minutes I was really grooving it.  Subsequent listens have made me like it more, it has a kind of Neil Young or maybe Meat Puppets vibe.

My head says there’s really nothing special about this guy and yet after more and more listens, there’s something that draws me to him.  Weird.

[READ: April 2, 2013] Love, An Index

The back of Lindenberg’s book explains that the man she loved, poet Craig Arnold, disappeared in a volcano while traveling in Japan.  For such a very specific kind of event, I don’t think I would have gotten anything quite like that from these poems.  Indeed, for a book that is so specifically created about this man, there’s very little sense of the exact nature of the loss.  In some ways that’s good, it could have been a very maudlin, ungraceful collection of poems if she explicitly talked about volcanoes, but at the same time, the feeling of loss that comes across is less about death and more about abandonment (I would have presumed that the guy had left her).

I really enjoyed these poems even though I have a  really hard time accepting the bulk of these, in particular the thirty-four page title poem, as poetry.

“Love, An Index” is thirty-four pages and it is an index.  Literally, she lists words alphabetically and writes a little “definition” for each one.  There are arbitrary line breaks in the definitions but in no way does it feel like a poem.  Even the individual entries are not very poetic.  Like “Compromise, I will get up early with you/so long as you’ve made coffee.”  Okay, so that’s funny/sweet, but it’s not a poem.  But then what it is?  Yes, it is part of a greater whole and removing part of it diminishes that whole.  But again, what is the whole?  Genre defying I suppose.  Which is cool.  And despite my criticism, I really enjoyed this index.  There were personal notes that I would have no idea about, there were commonplace ideas that are familiar to all.  There’s also a ton of quotes from other poets.  And it all works together to create a beautiful portrait of a relationship. (more…)

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fragile SOUNDTRACK: ATOMS FOR PEACE-“What the Eyeballs Did” (2013)

afpThis is a secret track that you can download from the Atoms for Peace website (well some people can, I don’t seem to be able to) or you can listen to it on NPR.

Atoms for Peace is Thom York’s band (with Flea from RHCP on bass). This song sounds a lot like Radiohead.  So much so that it could easily be a Radiohead song (one of those newer more electronic ones).  The bass is cool and while Flea does a great job playing it, it sees like it should be a little dull for him to play a rather repetitive bit over and over.

And yet the song works very well in the electronic, claustrophobic way that Yorke has.

I love just about anything that Yorke and Co do, and I like this as well, it just doesn’t seem all that much different–why not use Flea for all of his manic intensity?

[READ: April 1, 2013] Fragile Acts

After yesterday’s poetry book, I wasn’t quite prepared for this one.  Zubair Ahmed is a young writer (a wunderkind as he is described).  Allan Peterson is a much older writer.  He is retired and has clearly had a lot more experiences from which to draw.  I also found his poems to be much more profound and lyrical, much more beautiful and evocative.

Yes, it could be because his poems are longer (that’s a terrible quality to judge a poem by, and it’s certainly not always true, but those shorty ones do tend to lack a bit of substance).  Of course, the poems that were really long (he had three that were multi-part and multi-page) didn’t hold together all that well for me.  So length doesn’t have much to do with it.

Many of these poems were amazing and they really reminded me of what good poetry can do.  Poetry that is not just a sentence with line breaks, poetry that doesn’t call out to be read in a sing-song voice.  To the point: poetry that sings on its own. (more…)

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cityofrivers_cover_FINALstickerSOUNDTRACK: SIGUR RÓS-“Brennisteinn” (2013).

Wsigurhat is that sound?  Low end electronic…noise?  Coming from a Sigur Rós song?  Typically you get a band in the ether, but here’s the band with loud pounding drums and almost glitchy music.  Of course, Jonsi’s voice tells you you’ve got Sigur Rós.  And yet, he’s not singing in his otherworldly falsetto–it seems like an almost human voice.

There’s a very distinctive chorus which is actually catchy in an almost poppy way.  And then, after four minutes, the Sigur Rós of old comes in–Jonsi’s voice soars, and the music reaches for the heavens (but with drums and some crazy sound effects) added in.

And then it grows haunting as the song slows down and distant horns come swelling in, keeping that soundtrack feel that the band does so well.  The video is creepy/cool interspersed with the band playing live.  I love watching them make the sounds they make (there’s a bowed guitar at some point).  I really like this a lot, and can’t wait for the rest of the album.

[READ: March 30, 2013] City of Rivers

I have said before that I don’t really like poetry.  It makes me feel stupid.  This is mostly because I have taken poetry classes and I know what good poetry should be, and yet I see so much poetry published which I think is not very good.  And yet, if it has been published, doesn’t that mean it’s good?  Have I missed something?

I’m not a total old school poetry boor, I don’t need my poetry to be in iambic pentameter, nor does it even need to rhyme, and yet sometimes a lot of contemporary poetry seems like a sentence, not really a poem.  I also suspect that the ascendance of flash fiction has made the ascendance of this flash poetry acceptable too.  Don’t get me wrong, I know a haiku is short as well, but there are lots of constrictions to haiku, whereas some free verse short poems really lack in the substance department.

I am also nonobjective about poetry because of all of the poetry slams that I have witnessed in college and since, in which basically anything is  poem if you e-nun-ci-ate it interestingly (something I doubt Keats was doing).

In an attempt to appreciate new poetry more, I decided to get a few books from the McSweeney’s poetry series. (more…)

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wz1 SOUNDTRACK: “WEIRD AL” YANKOVIC-Off the Deep End (1992).

Weird_Al_Yankovic_-_Off_the_Deep_EndIt was this “Weird Al” album that brought me back into the fold.  His parody of “Smells Like Teen Spirit” (“Smells Like Nirvana”) was hilarious.  And the video was even better.  It was enough for me to get this album (the cover of which even parodied Nevermind) and was a huge seller for Al.  This great cover makes the rest of the parodies seem so strangely one-hit wonderish (which is, of course Al’s bread and butter), but when you read the other parodied songs, it’s so amusingly “who?”

We have  “I Can’t Watch This” (“Can’t Touch This,” MC Hammer).  This parody is pretty funny as his TV stuff is usually very good.  “The White Stuff” (“The Right Stuff” New Kids on the Block–really??) is very very funny.  It works on a parody level and it works so well internally including the way the O-O-O-OREO fits in in both respects.  It’s probably his best overall parody for a song whose original I dislike.  “Taco Grande” is a parody of Rico Suave” (does anyone remember that song?).  This song also happens to be a favorite of mine–the way he says “Taco” in an oddly sexy way makes me laugh every time.  And, internally it works really well, too.  “The Plumbing Song” is a parody of Milli Vanilla.  While the plumbing  jokes are good, the actual chorus, the “punchline,” really doesn’t work.  Just like Milli Vanilli.

The originals are quite strong on this disc, too.  “Trigger Happy” is a Beach Boys style parody which actually is quite relevant in the big gun debate of 2013.  “I Was Only Kidding” is one of his anti-romantic songs, in which he says all of these romantic things and then takes it back.  It’s pretty funny, even with the Wayne’s World joke.  Wikipedia suggests that it’s a style parody of Tonio K, but I don’t know who that is or what he sounds like.  “When I Was Your Age” sounds a lot like a song from the UHF soundtrack–that same musical style, I wonder if the band works on the music together. It’s a funny song that’s all about old people yelling about how easy young people have it.  It’s a good one.

“Airline Amy” is an original song about a stewardess which doesn’t really do much for me.  But the final song on the disc “You Don’t Love me Anymore” is just outstanding.  It’s a funny acoustic ballad, an anti-romantic song with some very funny lines.  The video parodies Extreme’s “More Than Words,” even though the original song wasn’t a parody of that song (but since people thought it was he made the video reflect it). The video is awesome.

And of course, the polka medley is wonderful.  There’s such a weird mix of songs, and this one really dates the record (not in a bad way).  The previous medleys mixed a lot of different eras, but the songs in this one are of a very specific time: “Cradle of Love,” “Tom’s Diner,” “Love Shack,” “Pump Up the Jam,” “Losing My Religion” (the second R.E.M. nod from Al), “Do Me” (I don’t know the original but I love that he throws in a yodel at the end of it), “Cherry Pie,” “I Touch Myself,” “Dr Feelgood” and the unforgettable “Ice Ice Baby.”  It May be the only place where Metallica and “The Humpty Dance” play next to each other, too.

In a final nod to Nirvana, Al tossed in a 5 second piece of noise after ten minutes of silence which he called “Bite Me” (because Nevermind had a very noisy song called “Endless, Nameless” after some 30 minutes of silence).  My friend Matt has a very funny story about not knowing that “Bite Me” would come on and getting the crap scared out of him by it.  Al makes us laugh in many different ways.

[READ: February and March 2013] The Weird Zone series

wz2Readers will know that Clark and I love Tony Abbott.  We keep looking for his older, somewhat harder to find series, and this past month the library came through with The Weird Zone, eight books set in the small town of Grover’s Mill.  There’s a Secret Government UFO testing base at the north of the city, a dinosaur graveyard to the west of the city and Humongous Horror Movie Studio to the east.  Living in this weird triangle between these oddities can mean only one thing–Grover’s Mill, is known to the kids as the Weird Zone (their school is even call W.Reid Elementary).  The adults in town don’t seem to realize what’s going on (although, clearly they must) are called Zoners.

The Humongous Horror Movie studio is run by Mr Vickers.  His kids, Sean and Holly, are two of the five protagonist.  Although it’s a little funny that in book one, Sean is away at camp.  Mr Vickers makes a horror movie every week–they are terrible  but he shows them at the drive in and people come (perhaps because of the huge searchlights he waves around through the sky).  But having this crazy creature shop in town means that things are very rarely normal anyway.

In Book One, Zombie Surf Commandos from Mars!, Liz Duffey, Holly Vickers and Jeff Ryan are enjoying a day at the beach of Lake Lake (named after someone named Lake) when a tidal wave surges forth from the water.  Riding that wave are a bunch of Martian zombies.  They march after the kids looking for brains! (more…)

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vonlastintSOUNDTRACKSURFER BLOOD-“Demon Dance” (Live at SXSW, March 27, 2013).

surfer blood

I’ve liked Surfer Blood since I first heard them.  They write catchy, mostly short, poppy songs.  And usually after a few listens, the hooks really grab you.  The strange thing about the band is that the hooks aren’t always readily apparent, which makes their songs sound kind of samey sometimes.

Of course, samey isn’t a bad thing, necessarily.  Surfer Blood is quite distinctive and I tend to enjoy everything they do.  This new song sounds like their other stuff, which is fine.  But the most distinctive thing about the band of probably their singer who sounds like a less-affected Morrissey.

Having also listened to the song from the album I can say that the singer is far harder to understand live, so maybe live is not the best way to hear a new song from them, but for an old favorite, Surfer Blood has a great energy live.

Watch the show here and hear the studio version here.

[READ: March 27, 2013] The Last Interview and Other Conversations

Melville House has published a number of these “Last Interview” books, and as a completist I feel compelled to read them.  I have read criticisms of the series primarily because what the books are are collections of interviews including the last interview that the writer gave.  They don’t have anything new or proprietary.  The last interview just happens to be the last one he gave.   So it seems a little disingenuous, but is not technically wrong.

There’s so far five books in the series, and I figured I’d read at least three (Vonnegut, David Foster Wallace and Roberto Bolaño–the other two turned out to be Jorge Luis Borges–who I would be interested in reading about and Jacques Derrida (!) who I have always loved–I guess this series was tailor made for me).

At any rate, these interviews are from various times and locations in Vonnegut’s career.  There are six in total.  I don’t know if the titles they give here were the titles in the original publications but here’s what’s inside:

  • “Kurt Vonnegut: The Art of Fiction” from The Paris Review, Spring 1977 (by David Hayman, David Michaelis, George Plimpton, Richard Rhodes)
  • “There Must be More to Love Than Death” from The Nation, August 1980 (by Robert K. Musil)
  • “The Joe & Kurt Show” from Playboy, May 1982 (by Joseph Heller and Carole Mallory)
  • “The Melancholia of Everything Completed” from Stop Smiling, August 2006 (by J.C. Gabel)
  • “God Bless You, Mr. Vonnegut” from U.S. Airways Magazine (!!!), June 2007 (by J. Rentilly)
  • “The Last Interview” from In These Times May 9, 2007 (by Heather Augustyn) (more…)

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stringer SOUNDTRACK: HAIM-“Falling” (Live at SXSW, March 17, 2013).

haim

Haim are three sisters and a drummer.  The sisters play guitar and sing, play bass and percussion and play keyboards.  And yes, they look a lot alike (an a lot like Alanis Morrissette).  But they sound very classic rock–kind of like Heart, with a more modern, noisy twist.

I didn’t really care much for the sound of this song–it seems kind of anemic to me.  The sisters are all quite talented and when the lead singer/guitarist started wailing they were really good.  But the overall feel of the song seemed more high school than rock show–like they couldn’t get the mix right, like the keyboards (which were little bopping notes, rather than waves of music) were the main force behind the song–which I don’t think is true.

Maybe they’d sound better on record, or if they had a better mix on stage.

[READ: March 26, 2013] Like Shaking Hands with God

I had been reading a lot of Vonnegut, but I got a little burnt out by him.  However, when I was checking his bibliography all those months ago, I found that Princeton University had a book that I couldn’t find anywhere else.  Well, given my new employment situation, it was time to take advantage of that connection.  So I went to the Firestone library and grabbed this book (and a few others that I didn’t see elsewhere).

It’s a lot of fuss over an 80 page book, but I’m glad I read it and it did get me back in the mood to read more Vonnegut (I have five books of his left to read, although I believe more posthumous stuff seems to come out all the time).

This book is essentially a transcription of two conversations that Vonnegut had (one public and one private) with the author Lee Stringer and the moderator Ross Klavan.  The first conversation occurred on October 1, 1998 at a bookstore in Manhattan.  The second was a private affair in January 1999  (which was of course, recorded), in which they followed up on some of the same ideas.

Stringer had written one book (Grand Central Winter) when the first conversation took place (he has written two more since).  Stringer says he always admired Vonnegut and Vonnegut talks about how much he liked Grand Central Winter (which Vonnegut wrote a forward to).  GCW is nothing like Vonnegut’s books, it is a serious book about being homeless (Stringer himself was homeless for a long time) and it is real and gritty.  It sounds good, although maybe a little too gritty and real for me. (more…)

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