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Archive for the ‘Hingston & Olsen’ Category

SOUNDTRACK: PEARL JAM-“Angel” (1993).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

This song goes back to 1993 and has the logo from Vs.

It’s not a Christmas song (not every year end 7″ was Christmas themed).  Rather this sounds like an outtake from Vitalogy more than Vs.  Interestingly, they played it at the Fenway Park show that S. and I went to in 2016 (August 7), although I obviously didn’t know it.  I’m secretly impressed that I was there when they played this song–only  the sixth time they’ve ever played it.

It’s a quiet acoustic guitar-based song.  The chords sound a little off–a little unsettled.

The song opens with the first section, the “like an angel” section.  When the second part comes next, a second guitar is added in along with some backing vocals, (especially on the word “tortured”) giving the song an eerier harmony.  The guitar on this part is consistent until the 80 second mark when it suddenly shifts to a pretty melody.

There’s upbeat chords with some lovely backing vocals as Eddie sings lyrics he can’t seem to get out fast enough and some surprisingly high notes.

It’s certainly an oddball song–three minutes with no chorus and some certainly odd chords.  But the sentiment is quite nice.

[READ: December 5, 2019] “Acknowledgements”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story was fantastic.  I loved everything about it–tone, content, style, humor.  This had it all.

It is about a young writer who named his writer-protagonists after himself and wrote about how underappreciated he was as a writer.  The acknowledgements that the title refers to are in his debut novel which was just published.  It is called The Canon According to D. M. Murphy by D. M. Murphy.

But before getting to the people who impacted this novel, he gives us some extensive background about himself–birthday, birth method, etc.  He reveals his name is Daniel Manitou Murphy.  He liked the “Manitou” part although why his parents would name him after the islands in Lake Michigan (whose legend is that they were the Great Spirit’s memorial to her dead cubs) was always confusing to him.  He thought about going by D. Manitou, but he feared that it would be seen as appropriation.  And then of course there are the awkward years: “I had somewhere entered that phase of bourgeoisie adulthood in which one uses brunch as a verb.” (more…)

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SOUNDTRACK: PEARL JAM-“Don’t Believe in Christmas” (2002).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

Although yesterday’s song was full of Christmas cheer, this one is a rocking raspberry for Christmas.

It’s a pretty standard blues riff with the verses being just drums and vocals.  And it’s all about how last year’s Christmas was a real downer so he has given up on the holiday

I hung my stocking on a wall
I didn’t get a thing at all

It’s got the simple sing-along chorus:

I don’t believe in Christmas
I don’t believe in Christmas
I don’t believe in Christmas
’cause i didn’t get nothin’ last year

But as always, there’s a sly wink with all the bah humbug

Well i tried to get a little kiss
From a pretty little miss
She slapped me down and said “you jerk
Mistletoe doesn’t work”

There’s a nice guitar solo and then a surprising organ solo before the song wraps itself up in an tidy bow.

[READ: December 4, 2019] “The Unsupported Circle”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This is the kind of story that I really like and J. Robert Lennon is an author I would like to read more from.

The story is a series of unrelated vignettes–each one a movie or video–described by a narrator who we don’t meet for a while.

The first one is of a corporate retreat situation–a trust fall of sorts.

Next is a boy rapping on the street.  He has a humorous accident mid-video. (more…)

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SOUNDTRACK: PEARL JAM-“Someday at Christmas” (2004).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

“Someday at Christmas” is a cover of the Stevie Wonder song.  I don’t know the original, but this version is a delightful Christmas song, one which I’m really surprised isn’t in regular Christmas song rotation.

The song is simple and catchy.  After a little guitar jingle of “I’m dreaming of a white Christmas” the songs moves fluidly along with some nice bass lines from Jess Ament.

The lyrics are really wonderful, too

Someday at Christmas men won’t be boys
Playing with bombs like kids play with toys
One warm December our hearts will see
A world where men are free

Someday at Christmas there’ll be no wars
When we have learned what Christmas is for
When we have found what life’s really worth
There’ll be peace on earth

After the first two verses the song moves up a note and there’s some nice wah wah guitars added in.  There’s no chorus, just a bunch of verses which plead for a peaceful Christmas time.

There’s a slightly downer note at the end, although the song remains ever optimistic and ends with the guitar line playing “I’m dreaming of a white Christmas, once again.”

Someday all our dreams will come to be
Someday in a world where men are free
Maybe not in time for you and me
But someday at Christmastime.

Now that it’s out in the ether, lets mix it in with the standard radio songs, eh?

[READ: December 3, 2019] “Save-A-Lot”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story is by Anthony Doerr.  I thought I had read a lot more by him, but apparently I’m mostly just familiar with his name.  Which is a shame because this story is really enjoyable, even if it starts very dark.

The story is broken into fifteen numbered sections.

I was amused that the first one started “On the one hand there’s Bunny.”  We learn about Bunny’s life–she fled Texas at 17 and earned a nursing degree and a job in Bangor, Maine.  She is beloved at Woodlands Assisted and is so energetic, she is nicknamed The Prius: small, sensible, an a million miles to the gallon.

Then, when Bunny turned 22, Mike Ramirez impregnated her and fled for Tampa.  She keeps hearing her mother’s drunken voice–you’re as dumb as box of hair, you’re not worth spit.

But the baby, whom she names Hanako after the oldest elephant in the world, is very smart.  And Bunny is resilient.  She is doing okay. (more…)

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SOUNDTRACK: GURR-“Christmas Holiday” (2018).

I really enjoyed Gurr when I saw them live this year.  I wanted to see what their studio music sounded like and I found this release called the Christmas Business EP.  There are two songs that feature Eddie Argos from Art Brut.

This first track has a very B-52’s vibe to it.  With Eddie Argos doing his thing and the women from Gurr singing lovely backing vocals, it sounds like a punkish update to their style.

A thumping beat introduces Eddie speaking (in his own distinct way) “Silent Night, holy night everything is gonna be alright.  Silent Night holy night, maybe not but lets pretend it might.”

Then the Gurr women sing a line (with lovely ahhs behind it).

The chorus is simple and catchy “We’re on Christmas holiday / sat around with nothing left to say / We’re on Christmas holiday / you don’t have to stay if you donb’t want to.”

The song is short (less than three minutes) and it continues with more great Eddie Argos lines like “We’ve got something cooking in the kitchen / it doesn’t fit in with your dietary restrictions” (this sounds the most like the with B-52’s since both women do the ahhs.)

After another chorus, Eddie ends the song with this heartfelt Christmas wish

I’ve gathered you all here today to say … I  hope you are all enjoying Christmas exactly the same amount as … I am enjoying Christmas.

Check it out here.

[READ: December 1, 2019]Beginnings

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

The story it is told in many different parts–22 numbered sections.  Number 1 is called “The Beginning” and in its entirety, it consists of

 I find you impossibly beautiful, the man tells me. Give it a year, I tell him, and you’ll find me impossible

(more…)

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SOUNDTRACK: CRASH TEST DUMMIES-“The Ballad Of Peter Pumpkinhead” (1994).

 Crash Test Dummies are mostly known for Brad Roberts’ deep voice.   But for this song Roberts only says the opening “Let’s begin” while the main verses are sung by Ellen Reid.  Reid has an amazing voice and was often underutilized by the band.

Musically, the song is pretty similar to the original–guitars and harmonica and the like.  The choruses are a little bigger because Roberts contributes his bass vocals to Reid’s lead.

It is still catchy as all get out.

For the final verse, they bring the music down and focus on Reid’s vocals.  The big difference comes with the “awful lot like me” line.  Where XTC plays a big guitar chord, CTD has more of a keyboard buildup.  It still works though.

It’s a really solid cover.

Hooray!

[READ: October 31, 2019] “Dead Man’s Hate”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This is a bonus story printed on the inside of The Ghost Box.

There’s no context, no biography, not even a year (I had to look that up).  So this poem stands on its own.

It is written in rhyming couplets with an easy meter and is quite easy to follow. (more…)

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SOUNDTRACK: TRENT REZNOR & ATTICUS ROSS-“John Carpenter’s Halloween” (2017).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I didn’t actually know this version of the Halloween theme song and I was pretty excited to be super creeped out.

It turns out that this version is decidedly less creepy than the original.  But then again, nothing can outdo the starkness of that original piano score.

This version takes a while to get going (about 45 seconds of buildup) before a little keyboard riff that sounds a lot like the “spooky” riff in The Brady Bunch in Hawaii episode pops up.  Then some original piano comes in along with building synths and what sounds like distorted voices growling in the background.  This lasts until almost 2 minutes.  And I have to say it’s creepier than the actual familiar melody.

When the plinking piano comes in, it’s a little muted and the synth chords are louder.  As the song progresses you can hear–whispered voices (?), distorted rumblings (?) a choir from hell (?).  It’s that background soundscape that is seriously creepy.

Around five minutes, the music drops out and there’s just echoing, clacking sounds and possibly breathing.  Yeah, that’s nicely spooky.

Then the main melody returns.  It builds and turns into a rock song–with a drumbeat and everything.  But it being a song is a lot less creepy than the original solo piano playing in the middle of a an abandoned asylum.

Don’t get me wrong, this has some serious creep appeal, but the original wins hands down.

[READ: October 24, 2019] “The Psychologist Who Wouldn’t Do Awful Things to Rats”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

Even Patton Oswalt agrees that many people might not finish (or even start) this story.  I had the misfortune of reading it during breakfast.

James Tiptree Jr. was the pseudonym for Alice Bradley Sheldon (her real name was not revealed until 1977! (she died in 1987).

As I was reading it, I had no idea this story was so old.  It seemed like a current take on animal rights and animal welfare.  Although I did think the conditions in the lab were worse than I believe they actually are now (but what do I know?) (more…)

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SOUNDTRACK: ANTONIO CORA-“The Cellar” (from The Blair Witch Project) (1999).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I was getting bored of the Esquire list so I found this fun little tidbit of spookiness.

The Blair Witch Project was a low budget, DIY-looking movie.  The soundtrack is a compilation with songs on it (Josh Blair’s Witch Mix), but this track is from the actual movie soundtrack.  I couldn’t exactly tell if there was a release of the actual movie soundtrack, but the last track on the disc is similar to a video I found online for the “end credits theme.”

Excluding the intro, which has 30 seconds of dialogue from the film (“Heather’s Apology”), this track is a five-minute DIY, nightmarish ambient score.

It is largely quiet with rattling, echoing sounds.  An online thread (therefore of dubious truth) says that the score was made with the sound of sticks breaking and being thrown into a culvert (or some such) then slowed down dramatically.

There’s some kind of droning sound throughout (maybe a synth, but who knows).  It seems to slowly percolate while things scrape and bang.  There’s a few louder noises that really stand out, but there’s no momentum or narrative to the soundtrack.  It’s just a sort of endless low grade scare.

Don’t listen at bedtime.

[READ: October 27, 2019] “Last Call for the Sons of Shock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This story was the most genuinely scary and horrifying in the box because it was the most real.

It was powerful, painful and horrible.  But it was written so well, I couldn’t look away. (more…)

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SOUNDTRACK: ANTONIO CORA-“The Cellar” (from The Blair Witch Project) (1999).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I was getting bored of the Esquire list so I found this fun little tidbit of spookiness.

The Blair Witch Project was a low budget, DIY-looking movie.  The soundtrack is a compilation with songs on it (Josh Blair’s Witch Mix), but this track is from the actual movie soundtrack.  I couldn’t exactly tell if there was a release of the actual movie soundtrack, but the last track on the disc is similar to a video I found online for the “end credits theme.”

Excluding the intro, which has 30 seconds of dialogue from the film (“Heather’s Apology”), this track is a five-minute nightmarish ambient score.

It is largely quiet with rattling, echoing sounds.  An online thread (therefore of dubious truth) says that the score was made with the sound of sticks breaking and being thrown into a culvert (or some such) and slowed down dramatically.  There’s also some kind of droning sound throughout (maybe a synth, but who knows).  It seems to slowly percolate while things scrape and bang.  There’s a few louder noises that really stand out, but there’s no momentum or narrative to the soundtrack.  It’s just a sort of endless low grade scare.

Don’t listen at bedtime.

[READ: October 27, 2019] “Last Call for the Sons of Shock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

I feel foolish that I didn’t “get” this story right away.  When I see that it was originally published in The Ultimate Frankenstein, I guess the Blank Frank name would have been a bit more obviously Frankenstein’s monster.  I did figure it out before the end, but on a second read it was much clearer. (more…)

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SOUNDTRACK: THE FLAMING LIPS-“Halloween on the Barbary Coast” (1992).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Clearly this Esquire list is not meant to be scary or Halloween-appropriate songs.  Many of them might have a Halloween-type word in the title or chorus, but since they are songs you might want to listen to all year, the’re not really holiday specific.

There are songs that have Halloween in the title, like this one.  Although this song really has nothing whatsoever to do with Halloween.  Nor is it scary in any way.  It’s just weird trippy, pre-radio-friendly Flaming Lips.

Wayne Coyne’s voice is high and the main guitar riff is fluid and kind of catchy.  After a minute, the song shifts to a kind of acoustic stomping song.

The lyric does include the line “boy you still got shit for brains/it’s Halloween on the coast again.”  Of course it also references a Christmas tree, so I guess it could be a Christmas song too?

There’s a vaguely Middle Eastern feel to the middle portion of the song, but mostly it’s just a fun, shambolic Lips song.

[READ: October 24, 2019] “Sredni Vashtar”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Saki is the pen name of British author Hector Hugh Munro.  I could not get over that this story was written in 1912, as it was timeless and darkly amusing. (more…)

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SOUNDTRACK: KATE BUSH-“Under Ice/Waking the Witch” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Esquire didn’t pick this song, but the inclusion of Kate Bush yesterday reminded me of this pairing of songs which I find incredibly creepy–especially late at night wit headphones.

This comes from side two of the Hounds of Love album.  Side Two is a suite or a story called The Ninth Wave.  Kate makes full use of sound effects and vocal panning so that you can hear the voices all around your head as they whisper, call or threaten.

The side begins with the gentle “And Dream of Sheep” which shows a young woman falling asleep (later we find it’s not as innocent as it seems).  This segues into “Under Ice” which begins with slow string notes that sound like someone skating.

Kate’s voice is deep, slow and echoey as she sings about skating on the ice.  You can hear a voices calling, but she doesn’t heed them:

I’m speeding past trees
Leaving little lines in the ice
Cutting out, little lines in the ice
Splitting, splitting sound
Silver heels spitting, spitting snow

and then in a more tremulous voice (with great watery sound effects) followed by a chorus of voices:

There’s something moving under
Under the ice moving
Under ice through water
Trying to
It’s me
Get out of the cold water
It’s me
Something
It’s me
Someone, help them

The two minute song segues into “Waking the Witch” which opens with a whispered “Wake up!” and an early morning wake up call while voices from all over the headphones try to get you to wake up–some more gently than others.

After a minute or so of this the song becomes an intensely scary four minutes.  A voice of someone, pleading, but garbled and cut up–perhaps under water? It is a nightmarish attempt at communication when a deep scary male voice states (with Kate singing the parenthetical)

You won’t burn (red, red roses)
You won’t bleed (pinks and posies)
Confess to me, girl (red, red roses, go down)

With a pretty melody, a voice whispers Spiritus Sanctus in nomine.  It cuts to another chopped up and manipulated voice praying “Bless me, father, bless me father, for I have sinned.”

The deep voice returns in accusation:

I question your innocence
She’s a witch
(Help this blackbird, there’s a stone around my leg)
Ha, damn you, woman
(Help this blackbird, there’s a stone around my leg)
What say you, good people
(Guilty, guilty, guilty)
Well, are you responsible for your actions?
(This blackbird)
Not guilty (help this blackbird)
Wake up the witch

As the four minutes fades off, we hear a helicopter flying through the air and a man shouting

Get out of the waves!
Get out of the water!

The story continues from there and gets a bit more positive, but man, the cinematic detail of this is staggering. Apparently she was finally able to stage this suite when in 2014, she performed her first concerts since 1979.  I would have loved to have seen that.

[READ: October 23, 2019] “The Distributor”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Richard Matheson wrote I am Legend and many episodes of The Twilight Zone and this story was the epitome of dark suburban paranoia come to life.  It is also scarily timeless and, aside from some of the words used in the story, could easily have been written today. (more…)

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