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Archive for the ‘Nazis’ Category

[READ: February 18, 2010] “Vagabonds”

After reading Infinite Jest, I got totally het up about reading all of David Foster Wallace’s works. Of course, I discovered that he had an awful lot of uncollected works (which were all conveniently gathered in one location by a much bigger DFW fan than I). Since I’m reading 2666 as part of an online group, I wondered if I would be similarly obsessed with Bolaño’s output.

Well first, I’m not loving 2666 as much as I did Infinite Jest (but I’m only 1/3 of the way through, so that may change).  But, on a more literal note, there seems to be very few short stories literred around the place. A very cursory search revealed a couple things in Harper’s and a couple things in the New Yorker, but very little else.  Now, I assume that’s primarily because his stories need to be translated first, so there’s possibly a bunch of uncollected Spanish stories, but as for English ones?  Well, let’s just say that scouring the globe for a complete list of short stories in English that are not part of a previously released collections is something of a dificult task.

In fact, further investigation into the stories from The New Yorker and Harper’s shows that these stories are either already released or soon to be published in translated collections.

One of the things I found in my search was this article which is more or less a review of Bolano’s, The Savage Detectives.  However, in true New Yorker fashion, it is also a detailed overview of Bolaño’s life as well. (more…)

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SOUNDTRACK: THE TRAGICALLY HIP-Live from the Vault-Volume 4 (2009).

Faithful reader will recall that this disc got trapped in my car’s CD changer.  When I had it the player replaced, they sent the old one back to mysterious Toyota offices far away.  And, about a month or so after sending it out, I received a package from Toyota with my three lost discs (this one, a Black Sabbath disc and, a promo disc I took from the library to try and wedge into the player to get it to eject the other discs (that doesn’t work, by the way) which was, embarrassingly, Ozzy & Kelly Osbourne doing a duet of something or other).

Thank you random Toyota person for keeping this disc, which is not easily replaced, in good condition.

So this concert is from 1994 and was recorded in Brussels on the Day for Night Tour.  I think many fans feel that this is a high point in The Hip’s recording career, and this concert attests to it.  The band sounds fantastic, energetic and really tight.  And the music from this era is just great: dynamic and dramatic.

This disc also adds to speculation that lead singer Gord Downie is a weird guy.  His between song banter is quite peculiar, to say the least (apropos of nothing: “Do you think of your pet as a pet or a member of the family?”).  Which also leads me to wonder if fans in non-English speaking countries (and yes, I know that many people in Brussels do speak English) think or care or even mind when lead singers babble in English to them.  Just curious.

I don’t have any other Vault discs from The Hip, but this one is certainly great.

[READ: During an ∞ of minutes during December 2009 & January 2010] Everything and More

As part of my pledge to read all of DFW’s works, I skipped the fiction and moved straight to this.  I hadn’t heard all that much about this book, except that it was pretty dense.  And, yup it is.

I’m going to give a comparison for any other DFW fans who are thinking about reading this.  If you have read Infinite Jest (and if you’re interested in DFW you should certainly read that before this book), and if you recall Endnote 123: Pemulis’ high tech math formula for calculating Mean Value w/r/t Eschaton, then you will have a fair idea of what you’re in for with Everything and More.  So, if your eyes glazed when you started to read that endnote, you’ll likely want to skip this book altogether.  However, if you plugged through with that endnote and you didn’t care that you didn’t get it, but you kind of enjoyed it because despite the math, it is very funny, well, then you might enjoy this book too.

If you’re a hard core math dude and you understand what things like: ∃ and ∈ and ∉ and ∏ and ℜ and even ∀ then you’ll have no problem with this book.

But math aside, there’s a lot of funny things in this book.  And DFW is in full conversational tone, with several places where he says things like “not sure if this has been mentioned in the book yet” implying that he never proofread the thing, which we know he did.  There’s even a funny observation as to the placement of a picture (“it’s not entirely clear to me why they put [this pencil sketch] here”).  There’s also tons of footnotes.  And most of them are labeled IYI (meaning If You’re Interested), and he totally lets you off the hook if you don’t feel compelled to read these.  Although as with most things DFW does, the footnotes are always tons of fun.

He also shows his great undying affection for his math professor, Dr. Goris (Dr. G).  He quotes liberally from Dr G’s classes, citing examples, funny quotes and the amusing joke that Irrational Numbers are called ‘surds.  There’s also great joke about schnitt (which I’ll explain later).  It even opens with a hilarious (or maybe not) section about the inability to get out of bed in the morning when you think about infinity.

As in for example in the early morning, especially if you wake up slightly before your alarm goes off, when it can suddenly and for no reason occur to you that you’ve been getting out of bed every morning without the slightest doubt that the floor would support you. Lying there now considering the matter, it appears at least theoretically possible that some flaw in the floor’s construction or its molecular integrity could make it buckle, or that even some aberrant bit of quantum flux or something could cause you to melt right through. Meaning it doesn’t seem logically impossible or anything. It’s not like you’re actually scared that the floor might give way in a moment when you really do get out of bed. It’s just that certain moods and lines of thinking are more abstract, not just focused on whatever needs or obligations you’re going to get out of bed to attend to.

And but so, what is this thing about?

Okay, so it’s about ∞ and the history of ∞.  It begins with a great section about the ancient Greeks (Zeno’s Paradox and all that) and slowly moves up through to Aristotle.  I myself have always been a Platonist (yes, in fact, I have made that distinction in my life, which may say more about me than many people know), and have always been kind of anti-Aristotle.  And, for the purposes of this book, that’s a great position to take.  Aristotle turns out to be like the arch-nemesis of ∞. (more…)

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SOUNDTRACK: KISS-Alive! (1975).

This was the first Kiss live album and was the album that broke Kiss worldwide.  I’m not entirely sure why a live album of songs that didn’t sell very well would do better than the original studio albums, but so it was.

And, yes, the live recording is pretty awesome.  It is clearly a collection of greatest hits off their first three records, and the band sounds on fire: the songs are heavier and faster and largely more consistent than some of the odder tracks on the original records.

There has been considerable controversy about whether the album was overdubbed.  Wikipedia lists a few different possibilities for what originally recorded sounds were kept for the disc.  It never occurred to me that the disc might be overdubbed (and honestly that doesn’t bother me all that much).  But since I had the pleasure of watching Kissology recently, and I could see the state of their vocals live, it would surprise me entirely if the vocals were not overdubbed.  Not because the band didn’t sound good live (they did), but because they were very sloppy with their vocals, consistently leaving off the ends of lines and things like that, and the disc sounds perfect.

Of course this is all nitpicking.  Alive! is a fantastic document because the live versions add a lot of punch to the originals.  But on top of that, you get fun extras like the drum solo and banter of the 12 minute “100,000 Years” as well as Paul’s drinking banter: “I know there’s a lot of you out there that like to drink…vodka and orange juice!” (How can you pass that up?).  It’s hard to pick highlights from such a good record, but “She” is a particular one with Ace’s wild guitar pyrotechnics.  Right on to the end, the disc is a rocking good time.

It’s also funny to hear that “Rock And Roll All Nite” is not the final encore; rather it is the next to last track with “Let Me Go Rock n Roll” being the BIG FINISH.  That’s the last time that THAT would happen!

[READ: December 28, 2009] The Elfish Gene

I happened to pass this book in the New section of my library and I loved the title.  I read the blurb, made a mental note of it, mentioned how much I liked the title to Sarah and then more or less forgot about it (although, actually, I still see it every day, as it’s always facing out, cover forward).

Imagine my surprise to see that Sarah got it for me for Christmas!

So, yes, this is the best parody-titled book that is not a parody or a make-a-buck joke book that modifies a popular title.  Rather, it is a memoir of a British guy who spent his teen years utterly absorbed in Dungeons & Dragons.  But I must disagree with the Christian Science Monitor’s review as “laugh out loud funny.”  I only laughed out loud once in the book (the dog walking scene is hilarious), but that’s because I don’t think it was meant to be funny (at least I hope it wasn’t).

I’ve said before that I’m not a big fan of memoirs in general.  I find them mostly to be a big “so what,” and often without the subtlety required for a good novel.  But the topic here was delicious enough for me to dive right in.  And I think that this book, which I absolutely enjoyed, sort of proves my theory.

Barrowcliffe has done nothing worthy of anyone caring about.  He’s just a guy who played D&D, so when checking out the book, you kind of feel, so what?  Plus, the book is completely unsubtle, with him summarizing his attitude over and over and over.  But nevertheless, I could not put it down. I was hooked from the opening and was totally intrigued all the way to the end.  (I even put down the book I had been reading to speed right through this).

And yet, Barrowcliffe himself is so unlikable.  And not, as he suggests, because of the D&D. (more…)

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harpersaugSOUNDTRACK: Songs That Got Us Through WW2 (1993).

ww2My dad was in World War II. He was a Navy man, and he worked on airplanes.  He was stationed in the South Pacific.  When I was growing up, he listened to a lot of big band music (while most of my friends’ parents were listening to folk music).

This collection of songs is a favorite of mine whenever I’m feeling nostalgic for my parents.  Although not every song on this disc was one I knew, the majority are greatly familiar.  My dad even had a lot of these records on 78 vinyl (and I have begun a small 78 RPM collection of my own).

When I think of a lot of these songs and what they meant to the people back home they go from being upbeat fun dance songs to being songs that people held onto during such a tough time.  There hasn’t been a lot of documentation about what families hold onto during our current wars (emails I gather are pretty important), and I suspect that with popular culture being fragmented so much, there aren’t really any unifying songs like in WWII. I’m not sure if that’s a shame, but it does mean less that nostalgia like this isn’t as likely 60 years from now.

[READ: July 19, 2009] “Kinds of Killing”

Normally I don’t write about book reviews.  However, since I enjoyed William Gass’ The Tunnel, and I am fond of his writing in general.  In fact, Gass is such a powerful writer, and he spends such a great deal of time honing his words, that anything he writes is worthy of a read.  And since this book review was something like 8 pages long, it seemed worthy of a few words. (more…)

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s5SOUNDTRACK: SONIC YOUTH-Bad Moon Rising (1985).

Abadmoonnother Sonic Youth record, another record label.  Bad Moon Rising is a pretty big leap from Confusion is Sex, in that there are actual songs.  Well, that’s not fair, what I mean is that the songs have structure like proper songs do. In fact, “Death Valley ’69” (with vocals by Lydia Lunch) is quite catchy!

Indeed, the band doesn’t shy away from catchy at all.  The opening track, “Intro” is a pretty one-minute guitar piece.  And it’s followed by “Brave Men Run (In My Family)” a catchy (!) song sung by Kim.  The third track “Society is a Hole” returns to the stark tracks of yore, with Thurston’s despairing vocals, but it introduces guitar harmonics, a key SY staple in songs to come.

And if you like ” I Love Her All the Time,” and who doesn’t, check out this footage from a 1991 concert (complete with Thurston using drumsticks on his guitar).

Despite these signs of lightening up, there are some pretty heavy sounds on this disc.  “I’m Insane” and “Justice is Might” sounds kind of like you might think they would based on their titles.

The band has definitely gotten control over the noise they want to make; it doesn’t seem to be enveloping them, (like it envelopes the listener), it’s more at their beck and call.  We’re not quite to the levels that prime SY will sound, but it’s pretty darn close.

And songs from the attached Flower EP are okay, but “Flower” is especially good. It has a cool “Love the power of women” spoken piece from Kim that foreshadows some of her really fantastic songs to come.

And just to be difficult, they end the disc with the one-minute “Echo Canyon” which is just as it sounds,an echoic noisefest.

[READ: July 16, 2009] Slaughterhouse Five.

What is worse?  Reading a book and not remembering a single thing about it, or not reading a book but convincing yourself that you have?  I am stuck with this dilemma as I realize that one of the two options applies to me and Slaughterhouse Five.

I was certain that I read Slaughterhouse Five.  In fact, I was certain that I knew exactly when I read it (my junior year of college on Super Bowl Sunday, when I blew off the Super Bowl party to read the book).  I realize now that it must have been some other book (but what could it have been?) as I had no recollection of Slaughterhouse Five.  At all.  Even though the cover of my mass market paperback  (which I can’t find online anywhere) was completely familiar and there’s even a dog eared page or two.  Huh.

The first thing I want to say about the book is, having read all of the novels that Vonnegut wrote before S5 was a real boon to reading it because so many of the characters from the other books appear in this one!  More on that in a moment.

The book is also about the air attack that obliterated Dresden, Germany.

Amazingly, and this is common knowledge after you read the book, Vonnegut was in Dresden at the time of the air attack.  (more…)

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bogSOUNDTRACK: BELLE AND SEBASTIAN-BBC Sessions & Live in Belfast 2001 (2008).

bsbbcVirtually every review of the BBC Sessions says the same thing: these tracks barely differ from the original recordings.  And, for better or worse, that is very true.  In fact, even the trumpets and other instruments sound so perfect, you tend to forget it’s a live recording.  Clearly this sends a positive message about their live playing.  But if that’s the case, why would you buy this?

Well, clearly Belle & Sebastian devotees will buy it even if there’s only marginal differences.  But really the selling point is the last 4 songs, all of which are brand new (at least to me). It’s also amazing to me how on the first batch of live songs from 1996, the band sounds so delicate it’s as if they would fall apart just by looking at them.  The opening songs are soft, and Stuart’s voice is barely a whisper.  And yet through all of that the choruses are still catchy, and the songs are amazing.

But really the main hook for this set is the Live in Belfast disc.  It comes from 2001, and is a surprisingly rollicking set.  I saw B&S several years ago at a small club in Manhattan. It turns out to be one of my worst concert experiences.  Not because of the band, but because it was so overcrowded (B&S were the “IT” band at the time) that I had to keep moving back to stop getting crushed.  I eventually spent time in the lobby trying in vain to hear the set.

So this is the next best thing for me.

The set is an interesting mix of covers (and surprising ones at that–“The Boys Are Back in Town!”) and B&S rarities (with a couple of popular songs like “The Boy with the Arab Strap” and “Legal Man” thrown in as well).  There’s also a fun rendition of The Velvet Underground’s “I’m Waiting for the Man” by a fan named Barry who requested the song and then came up on stage to sing it.  The band is loose, a little shambolic and apparently having a lot of fun.

It’s a remarkable collection of tracks for any fan of the band and certainly overcomes the similarities of tracks on the first disc.

[READ: May 24, 2009] Beware of God

I read this book exclusively because of my authority as a librarian. I received an email saying that the person who had put this book on hold no longer wanted it (her book club was last week and she had to buy the book…that’s a book club I want to be in, actually).  When I took it off the hold shelf, I saw who it was by, and since I have wanted to read his stuff (and this book was fairly small) I thought I’d take it home with me.  When we canceled the hold, I learned that someone else had a hold on it, so technically I couldn’t take it.  However, I broke a rule. Since it was Saturday and Memorial Day weekend this book wouldn’t be shipped out to the net person on line until Tuesday morning!  Surely I could read this in time with no one the wiser.  Well, imagine my surprise to have read it by Sunday night…it could have gone back even if it wasn’t a long weekend!  Huzzah!

I hope that doesn’t get me fired. (more…)

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plotSOUNDTRACKPEARL JAM-Live on Two Legs (1998).

2legsThis is the first official Pearl Jam live release.  It is compiled from a number of different concerts, yet it flows pretty seamlessly. It highlights how much faster many of the songs became during their live shows.  This increased their power almost uniformly.

This disc also works as, not really a greatest hits, because there are plenty of hits left off the set list [most of Ten, notably] but maybe a greatest hits of all the non-Ten songs.

A track listing would be the most sensible way to cover what’s on here, since  it is uniformly solid and enjoyable.  And I don’t have too much to say about each track.

Corduroy-Vitalogy
Given to Fly-Yield
Hail Hail-No Code
Daughter-Vs
Elderly Woman-Vs
MFC-Yield
Go-Vs
Red Mosquito-No Code
Even Flow-Ten
Off He Goes-No Code
Nothingman-Vitalogy
Do the Evolution-Yield
Betterman-Vitalogy
Black-Ten
Fuckin’ Up–This song bears a mention as it is a cover.  This is their first recorded cover of a Neil Young song.  Later, this song and “Rockin’ in the Free World” became staples of their live shows.  On here, they play a gorgeously sloppy rendition of this track.  It perfectly encapsulates the record: raw energetic and more than a little vulgar.  Perfect.

The set list also belies the fact that No Code isn’t as popular of a disc as the others.  There are three tracks from each of their records (except Ten which has two).  And the No Code tracks sound as good as the rest.

This is a good representation of Pearl Jam around this time, and it’s a good place to investigate their live sound (until you’re willing to take the plunge into the 72 self released live discs).

[READ: 2004 or 2005] The Plot Against America

DIGRESSION: I read this book a few years ago, and I didn’t remember the details all that well.  However, the overall story had a pretty big impact on me–especially in that it made me want to read more Philip Roth.  So, I’m going to include it here.  Some of my summary comes from other sources, but I do include my own recollections too.

I’ve never read Philip Roth before reading this novel.  Despite all of his famous works, he’s always slipped under my radar.  But the urgency and political nature of this book made me want to read it right away.

What was so interesting to me about the novel was that, even though it is a fictionalized account of things that didn’t actually happen, I didn’t know a lot of the history behind the story.  And so I actually wound up learning a bit of American history from this novel. (more…)

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