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Archive for the ‘Mystery’ Category

Pierdomenico Baccalario–Ulysses Moore series, books 1-4

Posted in Adventure, Children's Books, Egyptology, Fantasy, Funny (ha ha), Funny (strange), Homer, Meta, Mystery, Pearl Jam, Puzzles, Supernatural, Threats, Time Travel, Wikipedia on April 25, 2009| 101 Comments »

masksSOUNDTRACK: PEARL JAM-Vitalogy (1994).

vitalI always think of this as the “weird” Pearl Jam disc.  Mostly that’s because the contents are certainly weird (in that it’s made up like an old book, including excerpts from the book in the liner notes).  But also because it has some of Pearl Jam’s strangest songs on it, especially “Hey Foxymophandlemama, That’s Me,” easily one of the weirdest songs in their canon, and possibly the weirdest song on a major label.  It’s 7 minutes of samples and scratchy guitars.  And it’s more than a little creepy.  The disc also contains “Bugs” an accordion-based rant about, well, bugs. and “Aye Davanita” a sort of Eastern chanting type piece.

And so I tend to let these oddities overshadow the fact that Vitalogy is an amazing album full of some of Pearl Jam’s classic tracks.

The disc opens with “Last Exit” a song that packs in everything that Pearl Jam is known for: rocking guitars, a great chorus and a great guitar solo.  It’s followed by PJ’s ode to vinyl singles, “Spin the Black Circle,” a fast and furious punk song, not unlike “Whipping.”  Next is “Not For You” a slow builder that ends in some raucous screaming.  And “Tremor Christ”, whatever that means, continues in this rocking vein.

Then we get to “Nothingman” the first ballad on the record.  I never really cared for this song all that much, although after rocking out this record, I’ve been singing “Nothingman” for the last few days.  I guess I do actually like it.  I think the live version tends to have more oomph, though.

“Corduroy” is another classic Pearl Jam song, it opens slow, but builds to an infinitely singable chorus…no idea what corduroy has to do with the sing though.

“Better Man” is a wonderful ballad and is one of Sarah’s favorite songs.  It’s always a crowd pleaser .  The album ends with “Immortality” (except for “Foxymophandle…”) a great song of longing that really comes alive live.

And so, Vitalogy really is an amazing record. The eccentricities of the disc do not overshadow the great music at all, and it is easily one of the best.

[READ: May 2007 & April 21 & 22, 2009] Ulysses Moore Books 1, 2 & 3 & 4

I started this series almost two years ago.  In the midst of Sacred Games, I needed a break and this little series seemed ideal.  It’s a suspenseful mystery about three kids on the island of Kilmore Cove.  I had intended to read the third book, but it didn’t come out until a  few months later, and, believe it or not, my library never got a copy of it.

I had intended to write about the series back in May of 2007, and yet I didn’t.  Now that I’ve finished the fourth book, and will continue to read the series, I’ll start the write ups now.  (According to Wikipedia, there are eight [UPDATED: 11/16 there are now NINE] books in the series already, although only 4 have been translated into English at this point).

Scholastic doesn’t seem to know what to do with this series, which is a bit of a shame.  In fact, there’s very little about this series online.  I couldn’t even find a cover picture of books 3 or 4 that matched the style of 1 and 2.  (Leading me to believe that they were never released in hardcover).  It’s marketed as  a good series for fans of Spiderwick, and I guess that’s true, but they are not doing much to gain an audience for it. (more…)

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Trenton Lee Stewart–The Mysterious Benedict Society (2007)

Posted in Adventure, Canadian Music, Carson Ellis, Children's Books, Contests, Corporate skewering, End of the World, Funky Web Sites, Handsome Furs, Mystery, Set at School, Smarty Pants, Sunset Rubdown, Technology, The Decemberists, Threats, Wolf Parade on March 20, 2009| Leave a Comment »

benedictSOUNDTRACK: WOLF PARADE-At Mount Zoomer (2008).

zoomerThis album made many best of lists of 2008.  It is considered a side project of both Spencer Krug (of Sunset Rubdown) and Dan Boeckner (of Handsome Furs).  I’d not heard of either band, but I was very intrigued by this disc and I’m so glad I got it.

Every track has something outstanding about it, be it a cool guitar break (“Soldier’s Grin”)  or a cool keyboard break (“Language City”–which builds to a rollicking climax).  While “Bang Your Drum” has multiple parts, each one weird and wonderful.

“California Dreamer” has  wonderfully sinister soundtrack, with a great rocking chorus. And it’s followed by a surprisingly upbeat “The Grey Estates” (keyboard pop at its best).

The albums ends with the epic “Kissing the Beehive”: a ten minute track with several parts to it.  The first seven minutes just fly by, and then the song breaks down into a quieter feel.

It seems rare that an album comes out of nowhere to me (even if the album didn’t come out of nowhere for people who loved their first release (which I also have not heard) or the two main songwriter’s OTHER projects, but I’m very glad I found this one.  Its frenetic pacing and overall quality made it one of my favorite releases of 2008.

[READ: March 9, 2009] The Mysterious Benedict Society

While you can’t judge a book by it’s cover, you can certainly check it out because of it. I saw this book on our shelves and brought it home calling it The Decemberists’ book.  It was only later on that I realized that the cover (and interior) art is by Carson Ellis, who is, indeed, the primary artist for the Decemberists.

The second selling point was the blurb on the back cover: “Are You a Gifted Child Looking for Special Opportunities?”  How can you not say, “Why, yes, I think I am.” This blurb appears in the book in a newspaper and is the catalyst for the young children (orphans and runaways mostly) who will show up for the challenging test that comprises the beginning of the book. (more…)

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Terry Moore–Echo #10 (2009)

Posted in Christmas on Mars, Fantasy, Graphic Novel, Military, Mystery, Technology, Terry Moore, The Flaming Lips, Threats on March 3, 2009| Leave a Comment »

echo102SOUNDTRACK–THE FLAMING LIPS-THE W.A.N.D. (2006).

wandThe first single from the Lips last album contains three tracks: the title track, “You Got to Hold On” and “Time Travel…Yes!”

W.A.N.D is quite a departure from the previous few records, as it begins with a brash guitar line, one of the harshest sounding songs they’ve recoded in several years.  Yet despite that, the lyrics are as positive an uplifting as ever.  It sounds like some kind of masterful protest song from the 1970s.  “You Got to Hold On” exhibits some of the sounds of the last two records, although it’s not nearly as lush.  It seems like it might have been a transitional song between Yoshimi and Mystics.  And the final track is a meditation on time travel, narrated by Steve from Blues Clues (he sure does get around…he appeared in Christmas on Mars too).

It was an excellent appetite whetter for the new album.

[READ: February 27, 2009] Echo #10

In Issue #10 we finally learn (although Julie herself doesn’t) just what exactly is all over Julie Martin.  We also get wonderfully complex behavior from Ivy–is she sympathetic to Julie, or is she just moving in for the kill.

An intriguing series just got really exciting.

(Wow, there’s not much to say about one issue of a comic book).

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Pseudonymous Bosch–If You’re Reading This It’s Too Late (2008)

Posted in Adventure, Dreams, Funny (ha ha), Funny (strange), Magic, Mystery, Pseudonymous Bosch, Supernatural, The Flaming Lips, Threats, Unreliable narrator, YA Books on February 18, 2009| 18 Comments »

boschSOUNDTRACK: THE FLAMING LIPS-The Soft Bulletin (1999).

bulletinThis album brought The Flaming Lips out from the underground (or one-hit wonder status) into the spotlight of Well Respected Bands.  It made a whole bunch of best of 1999 lists and even a few best of the 1990s lists.

The album is a lot more commercial than their previous records.  The choruses are catchy and they swell in beautiful strings.  And the songs themselves display amazing songwriting prowess.    Lyrically, the songs are also much deeper and more sophisticated.   While writing this up, I learned that this record was something of a payback for Zaireeka. (They promised a more commercial release in exchange for the crazy experiment).

And yet despite all of that, in no way is this a sellout album, or an obvious contender for top 40 status.  The lyrics are neither cynical nor ironic, they are simply human, emotional pleas for friendship, for love.  It would be embarrassing if they weren’t so thoughtful.

“Race for the Prize” (two versions on the disc) is full of big, loud, brash drums, smashing away as a beautiful synth intro fades away into quiet verses and a very tender bridge. It’s followed by “A Spoonful Weighs a Ton” a  delicate ballad, with a minor orchestral feel to it.  At times the tinkling pianos are almost Disneylike.  And then the big brash heavily distorted, and yet not unpleasant, bridge crashes in, keeping you dizzyingly off balance.

“The Spark That Bled” is yet another song with several different sections that meld nicely together.  The opening is emotional and delicate: “I accidentally touched my head and noticed that I had been bleeding.”  This portion morphs into the uplifting, impossible no to sing along with:  “I stood up and I said Hey! Yes!” string chorus.  And just to show that that’s not all they have, the next portion of the song is a smooth and funky guitar/synth shuffle.

“The Spiderbite Song” is the most obvious, by hardly the only, use of really cool and wholly unusual drums on this album.  The track starts with an extremely fast (too fast for human) drum roll that flanges around into a martial beat.  And it repeats this way throughout the song.  The lyrics are an earnest appeal to friendship when one of the band members got a spider bite and there was concern that he would lose his hand.

“Buggin'” is a demented pop song about bugs.  More wonderfully brash drums underscore a poppy verse about mosquito bites…  This segues into “What is the Light?” a ponderous track with a drum like a heart beat.  During their live show, they projected a giant eyeball whose iris changed color with each beat.  The next track (the instrumental “The Observer”) uses the same heartbeat drum as its foundation too.

“Waitin’ for Superman” (two versions as well) is the most straightforward track on the disc.  I think of it as an uplifting song because it is musically so upbeat, and yet lyrically it is quite sad.  No wonder it wasn’t the huge hit it should have been.  It’s followed by “Suddenly Everything has Changed” has another fantastic bassline.  And, like the title, midway through the song everything changes into a spacey keyboard motif that is so airy it almost floats away.

“The Gash” opens with what sounds like some weird Beatlesey syncopation, but it continues with the heartfelt “will the fight for our sanity be the fight of our lives?”  “Feeling Yourself Disintegrate” starts with such a fantastic opening: a voice drumming “bah rup bup bup bah rup up up up up.”  And the drums eventually kick in following this same pattern.  And once again the earnest lyrics: “Love in our life is just too valuable, to feel for even a second without it.”  Fantastic.

I saw the Lips on this tour and their show remains one of the top 5 shows I’ve ever seen.  Everything about the show was magical, from the band handing out little FM headphone sets so you could hear the whole show in stereo (!) to the video screens, to the simply jubilant atmosphere that the band sent out.  My only regret is that this was the tour BEFORE they used the giant hamster ball or the bunny costumes.  We did get hand puppets though (and real fake blood!)

I also just learned that the UK edition of the disc had a different song than the US version.  Huh.  And it was recently released in 5.1 surround sound mix.  Who hoo!

[READ: February 10, 2008] If You’re Reading This It’s Too Late
This is the sequel to Bosch’s The Name of this Book is Secret. I was really hooked by the first book, and was pretty excited to hear that the sequel had arrived.  To see a summary of that book and for background info, click here.

At the end of book one, Cass and Max-Ernest were on the verge of joining the Terces Society. This book picks up several months later with the pair still waiting to hear from their secret contacts: either Owen or Pietro Bergamo.

One day at lunch, Cass receives a letter in secret code telling her to come to the docks. When they board the boat they are dismayed to see that it is full of Midnight Sun members (The Midnight Sun is the group of bad guys that they defeated in the first book. They include: Dr L. (twin brother of Pietro), Ms. Mauvais, and the Skelton Sisters). This boat trip puts in motion most of the events of the story. (more…)

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Robert Coover–The Case of the Severed Hand [Revisited]

Posted in Funny (strange), Gangsters, Mystery, Noir, Robert Coover, Sex, Short Story, The L Magazine, Violence on September 16, 2008| Leave a Comment »

[RE–READ September 16, 2008] “The Case of the Severed Hand”

One shouldn’t be afraid of criticism.  Heck, if you’re going to have an opinion you have to expect people will argue with you.  I didn’t like this story when I read it.  But, when Daniel commented, even though the criticism was basically, “I liked the story and you’re a stupid doodyhead” I figured that maybe I missed something.  I searched for the story again, and while browsing, I learned that The L Magazine (which I’ve never heard of) had its Best of New York City Awards and “The Case of the Severed Hand” was voted 1 of 5 BEST SHORT STORIES PUBLISHED BY NYC PUBLICATIONS, although no explanation or review of the story was given.  I’ve also learned that Coover is a highly regarded author and is known primarily for his metafiction.  I had reviewed and enjoyed Stepmother a few months ago.

So, I have now re-read the short story to see if I had indeed missed something.  And, again, I believe I did not.  The first part plays as a tongue in cheek noir and is rather funny.  The end plays as straight private eye stuff and is also rather funny.  And the middle piece was a funny little piece about incest!  I had said that I don’t know the detective genre very well, so aside from the obvious parody aspects of it–or maybe not even parody, maybe just playing withe the genre–I’m not sure how much I’m missing (that a fan of the genre would get).

The thing for me is that the parts don’t work together.  Whatever he was trying to get across between these sections of story was just lost.  And, to be blunt, I just didn’t like it.  If I enjoyed the world of private I’s more, I might have a better appreciation for what Coover is doing, but as it stands, I just don’t like it.

If you think the story works, however, please jot me a line and let me know how.  I’d be very curious to know.

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Marisha Pessl–Special Topics in Calamity Physics (2007)

Posted in Against Me!, Books about writers, Corporate skewering, Funky Web Sites, Funny (ha ha), Gilmore Girls, Marisha Pessl, Mystery, NPR/PRI/PBS, Rush, Set at School, Smarty Pants, Social Distortion, Tegan and Sara, Unreliable narrator on July 21, 2008| 1 Comment »

SOUNDTRACK: AGAINST ME!-New Wave (2007).

I’m not sure why I never listened to these guys before. I’m not crazy about the band’s name: it makes sense, but it’s awkward to work with. And I think I lumped them in with the whole emo scene, which I was pretty well done with. Anyhow, I read a review of New Wave recently and decided they might be worth checking out.

New Wave is an astonishingly refreshing and heartfelt album. It’s fairly short, as the songs are fairly short, and they pack a lot of punch. In fact, I’ve been singing this great, catchy chorus all morning: “Protest Songs in a response to Military Aggression. Protest songs to try and stop the soldier’s gun.”

The songs are great: really diverse for what is essentially a punk album. And the topics are protestations that I haven’t heard in a while (at least not in such a catchy style): Lack of originality in the mainstream. (“New Wave” & “Up the Cuts”), Drug Addiction (“Thrash Unreal,” the latest single that I’ve heard). “Stop” is a change of pace mid-album, with a catchy chorus and an almost dance feel. “Piss and Vinegar” is a plea for honesty. And possibly the strangest item on the disc: the song “The Ocean.” One doesn’t expect a punk band’s verse to start like this: ” If I could have chosen, I would have been born a woman. My mother once told me she would have named me Laura” and it continues on in that vein. What a shockingly honest (presumably) lyric in a song.

The only thing I don’t like about the album is…the singer’s voice. I just can’t get past it, and I’m not sure what it is I don’t like about it. He sings on key, his voice is strong and impassioned. There’s just something about it I don’t like. Of course, I also don’t like the singer from Social Distortion either. I guess I’m more of a high, whiny voice than a gruff aggro voice. Despite this, whenever the band does harmonies, they sound great! All of the choruses have nice harmonies somewhere in them, and they really make the songs. Plus, there’s a song called “Borne on the FM, Waves of the Heart” which is a duet with Tegan from Tegan and Sara, and it’s really fantastic. They are a perfect match for each other. Normally, not liking the singer would make you not like a band. (How many people can’t get into Rush because of Geddy Lee’s voice?). And yet, I still think the album is great. I’m certainly going to check out some past records as well. I’m especially intrigued by this album title: Reinventing Axl Rose.

[READ: June 25, 2008] Special Topics in Calamity Physics.

I heard about this book when I was scanning the NPR stations and there was a story about authors/publishers making great websites to accompany books. Two of the ones they mentioned sounded pretty interesting, so I jotted them down and checked them out. This was the first one, Special Topics in Calamity Physics. The site was pretty neat, but I didn’t spend much time there, as I was at work. I checked that we had the book and took it out that day. (more…)

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Robert Coover–“The Case of the Severed Hand” (Harper’s, July 2008)

Posted in 21 Jump Street, Agent Orange, Gangsters, Harper's, Mystery, Noir, Northern Exposure, Robert Coover, Threats on July 19, 2008| 3 Comments »

SOUNDTRACK: AGENT ORANGE on 21 Jump Street (1987).

Sarah and I are watching 21 Jump Street on DVD.  We were both fans of the show when it came out, but our only thought about it was to sing JUMP every once in a while.  So, we got Season One and have been very pleasantly surprised at how good the show is.  It holds up surprisingly well: the story lines are a bit over the top, and some very basic logical issues like: they go to a different high school every episode, just how many high schools are in this town?  And, what town in the world is as pervaded by so many different teen criminal masterminds?  But, once you get past that (and the egregious late 80’s fashion) the stories are really compelling.

Anyhow, the music on the original was very good, but like many DVDs, (Northern Exposure, I’m looking at you) the original scores could not be obtained so they have lame background music.  (Don’t even get me started on the bullshit factor of THAT).  But the last episode of Season One features music by Agent Orange (it’s about punks, you see).  I assume the band on screen is Agent Orange (although the singer isn’t the band’s singer, so maybe not).  Anyhow, there are several scene in a punk club, and the Agent Orange songs are really good.  I never got into them back in the day, probably because they only really put out two albums, but I am now intrigued enough to see what they were like.  I’ll likely be getting and reviewing their debut, which sounds very promising.

[READ: July 2, 2008] “The Case of the Severed Hand”

This was the only story out of all of the magazine stories I just read that I did not like. (more…)

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