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Archive for the ‘“Weird Al” Yankovic’ Category

[ATTENDED: July 19, 2025] “Weird Al” Yankovic

This was my tenth time seeing Weird Al.  That’s pretty exciting.

I didn’t know if he’d be doing another tour (he hasn’t put out any new music (aside from soundtrack songs) in over ten years!  But this was a bigger and weirder tour.  In practice, this meant that there were more people on stage than ever before–four other people on stage aside from his long-lasting regular band.

Probyn Gregory – backing vocals, trumpet, trombone, tuba, guitars, percussion ; Scheila Gonzalez – backing vocals, saxophone, clarinet, percussion Payton Velligan – backing vocals, guitars, percussion Monique Donnelly – backing vocals, keyboards, percussion.

I asked my whole fam if they wanted to go and all three of them said yes, rather excitedly I might add.  But that was a long time before the show.  And so my daughter wound up working and my son wound up going to a concert in Wisconsin!  I was able to sell my two tickets for basically face value and my wife and I enjoyed the show by ourselves.

I assumed that this show would be a kind of greatest hits show, but it turned out to be chock full of songs I hadn’t seen live before and, some that I had never even heard before!

They opened with Tacky, but there was some kind of technical difficulty, so I’m not sure how much of the song they were going to play.  I would have enjoyed hearing it, but it’s not a big deal.

Then he surprised the heck out of me by opening with Mission Statement, the CSNY inspired song that mocks corporate speak.  It sounded great with the backing singers doing harmonies.  Then came Polkamania!  I knew this medley, but not very well.  I had forgotten that he put it out in 2024 as a single covering the ten years since his last album.  It was really fun seeing Billie Eilish in a Weird Al concert.

After the drum solo, they played Everything You Know is Wrong, a song I simple cannot believe I’d never seen him play live before (I see he never played it before this tour!).  It was amazing. (more…)

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[ATTENDED: July 19, 2025] Puddles Pity Party

I heard about Puddles Pity Party a few years ago. A giant (6′ 8″) man dressed like a clown with whiteface and everything.  Who has an incredible voice.  He’s funny, but also not funny at the same time.

I’ve wanted to see his act but I didn’t think I wanted to see him as a headliner (where does he even headline show?).  So the fact that he was opening for “Weird Al” was perfect.  An opportunity to check him out.  Sadly, two things prevented this from being a great experience.  The first is we ran into a ton of traffic and wound up missing at least half of his show.  The second is that we were pretty far back, so it was hard to get absorbed in the show that interacted with the front rows.

But yes, walking in during him singing Estoy sentado aquí–beautifully, of course–was surreal because who knew if it was suppose to be funny.  By the time we were settled he had started Come On Up to the House.  This is a Tom Waits song that is, unsurprisingly, rather sad.  So it’s kind of funny to see a clown singing it, but it’s not really funny–there’s no punch line.

Up next was In the End, not a cover and also not funny.   But again, wow what a voice. (more…)

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[ATTENDED: October 28, 2022] “Weird Al” Yankovic

This was my ninth time seeing Weird Al.  I’m shooting for ten.  We’ll see if he can muster up one more tour (why did I skip the Strings Attached tour)?

I was pretty thrilled by the first Ill-Advised Vanity Tour.  It was great seeing so many songs that rarely got played (amusingly, I had seen some of those songs on their original tours back in the early 2000s, which is pretty crazy.

I was hoping that this tour would be a whole new set of obscure old songs.  I thought that for this reprise–The Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour–he might pull out “Buckingham Blues” for the Queen’s death or something really odd like “Slime Creatures from Outer Space” or holy cow, “Genius in France” would have blown my mind.

I see that he actually played a largely different set in NYC (which I considered going to, but decided against).   Including “I’ll Sue Ya” (not a favorite, but I haven’t heard it before) and “Velvet Elvis (talk about an obscurity!).  But he also did the two songs that I would LOVE to hear live….and it might have been worth the hassle of Carnegie Hall just to hear “Nature Trail to Hell” and “Albuquerque.”

Having laid out that complaint, we did get four songs I hadn’t heard live before including a wonderful “Don’t Download This Song” and the sheer surprise of “Buy Me a Condo.”  And this new, improved, extended version of “Craigslist” was outstanding.

I will never complain about hearing “The Biggest Ball of Twine in Minnesota”–and the crowd was really into it.

Of course, any “Weird Al” show is a good time.  Al gave amusing introductions to all of the songs and even did an amusing “encore” bt where he stood at the side of the stage checking his phone and then arguing with the band about whether they were going to do an encore or not.

The encore was worth the price of admission.  He did a (straight and fantastic) cover of Elton John’s “Saturday’s Alright for Fighting.”  And the closing medley of songs in very different styles was outstanding.  I especially enjoyed that someone in the audience was able to do the Yoda chant dance. (more…)

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[ATTENDED: October 28, 2022] Emo Philips

I saw Emo Philips open for Al four years ago.  I rather enjoyed his set.  As I said:

Emo’s comedy is really dark but–delivered in his bizarre manner that goes somehow beyond deadpan–it makes his jokes really hilarious

I wasn’t sure if I needed to see his set again–I wasn’t sure how different it would be.  And so, coupled with a Phillies game, it being a Friday night and it taking place in the center of Philadelphia, I rather assumed I’d be late and miss some or all of his set.

I arrived at the show at a little after 8 and by the time I got to my seat I guess I missed about half of his set.

(more…)

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[DID NOT ATTEND: October 29, 2022] “Weird Al” Yankovic / Emo Phillips

I did not see this show when it was in Wilkes Barre in May.  However, I did see this show last night

And it was awesome of course.

I secretly loved the idea of seeing “Weird Al” at Carnegie Hall.  There’s just something wonderful about that.

But, having just seen the show in Philly and knowing that getting to Carnegie Hall is just a huge pain in the butt for me, I didn’t even bother getting tickets.

Which is fine.

I love the idea that I could have seen him three times in a year, especially since this tour doesn’t have as much repeating as his full scale tours do.

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[DID NOT ATTEND: May 13, 2022] “Weird Al” Yankovic / Emo Phillips

When “Weird Al” announced that he was doing another iteration of The Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour, I immediately grabbed tickets to Philly.  In October.

It was crazy to me that he playing Wilkes Barre (less than two hours from Philly) in May!

I’m pretty sure my friend Matt was going to this show, and I thought it would be a blast to go with him since we used to go to Weird Al shows pretty regularly (and had even seen him there decades ago).  For whatever reason it did not work out and I had to wait five months to see Emo and Al.

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SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al [Vanity Edtion]

This book came to my work and I said, Hey I have this!  And then I said, but my cover is orange.  What gives?

And then I saw that Rabin, inspired by Al’s Ill-Advised Vanity tour expanded this book.  Or actually, since there is very little information about these books, perhaps he wrote them at the same time and released a shorter and longer version.  But why would he do that?

The first 366 pages are the same but, (and here’s the thing that messed with my head) they are not exactly the same.  Now, I didn’t read the same text in both books and compare them (that would be really insane). But I did flip through the book comparing paragraph and chapter breaks.  The text appears to be the same in both books.  BUT, the paragraphs are not!  For reasons that I don’t understand, in book 1 some pages end with paragraph F, but in book 2, with the same exact text, the page now ends with paragraph E.  Like the spacing of a period threw off all of the justification (Users of Word will know what I’m talking about).

So I’m assuming that both books are the same.

And then the new stuff was added to Book 2 (or taken out of Book 1, whatever).

Starting on page 368 we move on to Other Stuff. (more…)

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SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al

After writing the “Weird Al” biography, with “Weird Al” himself, Nathan Rabin dug even deeper into his “Weird Al” fandom to write a detailed account of, as the subtitle says, “Every ‘Weird Al’ Yankovic Album Analyzed in Obsessive Detail.”

“Weird Al” wrote the (short) introduction and then Nathan drops the needle on “Weird Al” Yankovic, Al’s 1983 debut album.

Nathan goes into varying degrees of detail on each of the songs.  Nathan was a rabid “Weird Al” fan from when he was a little kid.  And when he talks about how much he loves Al, you can see his deep abiding appreciation for everything Al has done.

Some songs get a paragraph, nut most get a page or so.  He usually talks about how much he likes (or loves) the song (and occasionally dislikes).  There’s nostalgia in the older songs and jokes and observations about contemporary things as well (Rabin’s politics poke through once in a while.  Good thing he’s a smart guy.

Because he did the Al biography with Al, he presumably got a lot of insight into the man and his work.  So although sometimes his insights seem like maybe he’s reading too much into a goofy parody, perhaps he’s on to things.  Maybe Al’s depth is deeper than rhyming Sharona with Bologna.  Which is not in any way to diminish Al’s intelligence.  He’s obviously very smart, especially as his later songs indicate.

Rabin’s tone throughout the book is smart and snarky.  He talks about the songs and the video (if there is one).  He talks about the production quality (or lack thereof) on the first album.  He references Dr. Demento (because the Dr is essential to Al’s career).  He also references Don DeLillo’s White Noise and says things like “Al is in deconstructionist mode.” (more…)

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SOUNDTRACK: see below.

[READ: August 2021] Rock Stars On The Record

I saw this book at work and rolled my eyes.  I thought well, here’s another book about musicians talking about music.

Really, most musicians aren’t very interesting and it was probably just the same old same olds talking about albums that have been praised to high heaven already.

But then I saw a few names that intrigued me.  So I read it.  And it was fantastic because Eric Spitznagel did a magnificent job with this task.

Not only because he chose diverse people (some hardly even rock stars, really) who had interesting things to say, but because of the way he followed up his questions with better questions–questions that the musicians seemed excited to answer.

And also because the list of people turned out to be really interesting.  I didn’t recognize a number of names, but that’s because they might have been the guitarist for a famous lead singer).  And this made it really interesting.

I don’t know if it’s worth stating the why’s of each person here (each interview is basically four pages) but I will state each person’s favorite record (with a few extra comments here and there). (more…)

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SOUNDTRACK: THE NIGHT BEFORE–WXPN (December 24, 2020).

Every year, from Midnight on December 23 to Midnight on December 24, DJ Robert Drake plays TWENTY-FOUR HOURS of the most esoteric Christmas music around.  Sure, there’s some familiar songs, but mostly, this is weird, wonderful Christmas music.  It is a MUST LISTEN for your Christmas Eve.  Especially around 11PM, when he’s been up for over 24 hours.

Check out the stream here and read all about this fascinating history below

It was 28 years ago when WXPN came to me, with those puppy-dog eyes, hoping that I’d fill in on December 24. Seems no one was available, and in those days before digital, you needed a body to oversee any programming. So, I agreed – as long as they gave me complete freedom to spin an aural web of sounds of the season – direct from my collection of holiday tunes.

What they didn’t know was that I had already developed a fascination for Christmas songs. Not the burnt cookies anyone can hear up and down the dial in December. My collection was chock-full of unique nuggets – some not given the light of day for decades.

So, they agreed to give me three hours and I delivered. The three hours went to four – which went to six and then to twelve, to celebrate twelve years of tradition! The following year management asked what I planned to do to top my 12-hour marathon. I said, how ’bout 24 hours?! After checking my pulse and temperature – just to be sure I wasn’t babbling under some illness – they agreed. Ever since, I’ve been on the air for 24-nonstop hours every Christmas Eve.

And now I am doing it all again!

Within my 24 hour radio takeover on December 24, I will air some special programming that have become traditions within the tradition! Every Christmas Eve morning at 10am, I replay Home For The Holidays hosted by Helen Leicht. An amazing selection of regional artists perform classic sounds of the season.

At noon it’s my annual broadcast of STRIKING TWELVE – a wonderful and creative retelling of “The Little Match Girl”, a short story by Danish poet and author Hans Christian Andersen and performed here by GroveLily.

Later in the evening at 7pm, I broadcast It’s A Wonderful Life – the 1947 Lux Radio Theatre broadcast with Jimmy Stewart and Donna Reed … a perfect way to showcase the magic of radio on this most magical of nights!

Here’s a few songs you’ve already missed today

Bailen – Christmas Is All Around
The Piano Guys – Carol Of The Bells
Weird Al Yankovic – Christmas At Ground Zero
Asleep At The Wheel – Christmas In Jail
Wall Of Voodoo – Shouldn’t Have Given Him A Gun For Christmas
John Flynn – Christmas Balls

[READ: December 24, 2020] “A Portrait of an Unnamed Man”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 24.  Edward Carey, author of The Swallowed Man, writes his phone number on his hand for just such an occasion. [Click the link to the H&O extras for the story].

This story read like a Mad Lib to me and I don;t understand why it was written.

It starts out fairly normally.  After a bad storm the air is full of the smell of rotting photographs.  That’s very specific, but I get it. (more…)

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