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Archive for the ‘The Decemberists’ Category

100 Page Tribute to David Foster Wallace–Sonora Review 55/56 (2009)

Posted in Austin City Limits, Big Books, Books about writers, Bret Easton Ellis, Charles Bock, Dave Eggers, David Foster Wallace, Death, Demons, Eschaton, Essays, Funny (ha ha), Greg Carlisle, Harper's, History, Infinite Summer, Jonathan Franzen, Karen Green, Ken Kalfus, Language, McSweeney's, Premiere, Research, Rick Moody, Sonora Review, Suicide, Sven Birkerts, The Decemberists, Tom Bissell, Word usage on January 15, 2010| Leave a Comment »

SOUNDTRACK: THE DECEMBERISTS-Austin City Limits (2007).

I’ve recently discovered the awesomeness of Austin City Limits.  And in the two or so years that I’ve been watching, I’ve seen some great live shows (even is most bands are reduced to 30 minutes).  This re-broadcast of The Decemberists, however, just blew me away.

The concert comes from The Crane Wife tour, and it is just a wonderful exploration of this fantastic CD.  I’ve liked the Decemberists for years, and have listened to all of their discs multiple times, but there was something about this recording, in particular the wailing guitar work of Colin Meloy (seeing him lying on the floor making crazed feedback was pretty impressive), and the amazing solo work of Chris Funk that gave me even more respect for this wonderful album and the band.

It is highly recommended. For more info see here.

[READ: January 14, 2010] 100 Page Tribute to David Foster Wallace

I was able to order a copy of this journal directly from The University of Arizona and received it not too long ago.  It is a two part issue (55/56) that is chock full of all kinds of things, including this 100 page tribute to DFW.  I intend to read the whole thing, or at least more than just the DFW stuff, but as I don’t see that happening too soon, I wanted to address this tribute section directly.

DFW received his MFA from UA and he was also an editor at Sonora Review.  He also published “/Solomon Silverfish/” there shortly after getting his MFA.  So the tributes make sense from this publication.  All of the tributes here come from varied people and are all either interesting or moving to the Wallace fan. (more…)

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J. Torres & Eric Kim–Love as a Foreign Language Volume 1 (2006)

Posted in Bon Iver, Boredom, Culture Shock, David Byrne, Dirty Projectors, Eric Kim, Feist, Foreign Books, Funny (ha ha), Funny (strange), Graphic Novel, J. Torres, José González, Kronos Quartet, Romance, Set at School, Sufjan Stevens, The Decemberists, The National on December 24, 2009| Leave a Comment »

SOUNDTRACK: DARK WAS THE NIGHT: This Disc (2009).

This compilation was released to benefit the Red Hot organization, who raises money to fight AIDS.  I’ve gotten about a half dozen or so of their compilations over the years (and was surprised to see that they have released about 2o of them!).

This collection is a two disc set of contemporary cutting edge indie rock bands.  And, when it came out it was definitely billed as a who’s who of cool.  The first disc is more or less an acoustic/folky collection of songs.  While that’s not entirely true, the discs are more or less broken down that way.  The artists include David Byrne & The Dirty Projectors, Jose Gonzales, Feist (on two tracks), Bon Iver, The National (a band I don’t know but whose song I love) and Iron & Wine.

Probably the coolest song of the disc (although not my favorite) is Kronos Quartet’s take on Blind Willie Johnson’s “Dark was the Night.”  For years, Kronos has been interpreting rock and other genre songs to fit into their string quartet style.  And this song sounds amazing.  I’ve no idea what they’re doing, but they turn their standard quartet instruments: violin, cello, etc into really cool blues sounding strings (even a slide guitar at one point).  It’s really amazing.  As I said it’s not my favorite track, but it sounds great.

The Decembersists contribute a 7 minute song (that I believe is new as I don’t recognize it).  It’s very good, but it seems like the kind of song that normally would have had a lot of effects/orchestration on it.  And this is an acoustic rendition, so it sounds more sparse than I would think.  It’s still very good though.

Finally, the disc ends with the weirdest track, an 11 minute freak out by Sufjan Stevens.  Every time you think it’s going to end, it morphs into a new instrument which continues the track.  It works well as a soundscape, although it’s a bit tedious in comparison to the rest of the disc which is largely concise acoustic gems.

Disc one is a great collection of tracks, and the overall style works well together.  It’s a very worthy collection of songs and it’s for a good cause.

[READ: December 18, 2009] Love as a Foreign Language 1

This graphic novel is the kind of great romance story that I’ve come to expect from Oni.  It is clever, it is funny, it plays games with pop culture and, of course, the writing and art are fantastic.

Joel is a Canadian living in Korea teaching English to native Koreans.  The book opens with the 4 H’s of culture shock: The honeymoon (you love the place), the horror (you hate the place), the humor (you accept the place and its flaws) and the home (you see yourself living there).  Joel is clearly in the horror stage.  He hates everything about Korea, especially the food. Joel has a few months left on his contract but he wants to get out of it and just go home. (more…)

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André Alexis–“Kawabata” (The Walrus, December 2009)

Posted in 19th Century, André Alexis, Antony and the Johnsons, Canadian Content, CocoRosie, Colin Meloy, Constantines, Devendra Banhart, Ida, Joanna Newsom, McSweeney's, Postal Service, Richard Buckner, Silver Jews, The Baffler, The Decemberists, The Mountain Goats, The Shins, The Walrus, Wolf Parade on December 11, 2009|

SOUNDTRACK: The Believer June 2005 Music Issue CD (2005).

The second annual Believer CD ups the ante from the first by featuring all previously unreleased songs. And, just to put more of a twist on things, the artists were asked to do covers of songs that they have been listening to lately. There was only one song that I knew the original of (The Constantines’ track), so I can’t say a thing about how well the covers were covered.

This becomes something of a fun rarities mix CD. As with the previous one, there’s not a huge amount of diversity in the musicians, but given the target audience of The Believer, it all seems to make sense.

We get The Decemberists (actually Colin Meloy solo) covering Joanna Newsom (who I don’t know but whose song I liked quite a bit). The most interesting track to me was by a band called CocoRosie who I’m totally unfamiliar with. The song is recorded as if it they were using a 19th century recording machine. It sounds so far away and yet it feels modern at the same time. I have no idea what they normally sound like, but I’m certainly intrigued.

There’s a few parings that are practically predestined: The Mountain Goats cover The Silver Jews, The Shins cover The Postal Service and Devandra Banhart covers Antony & the Johnsons. There’s also a track from Wolf Parade, a band I have recently gotten into. Only two bands perform and are covered on the disc: Ida and The Constantines.

It’s an interesting assortment of songs. As with any cover, it’s hard to know if you would like the original artist or if you just enjoy the new artist’s’ interpretation. But a song like “Surprise, AZ” by Richard Buckner is so well written that I don’t think it matters what Cynthia G. Mason’s cover sounds like (which is quite good).

The disc is largely folky/alt-rock, but once again, it’s a good distillation of the genre, and a very enjoyable collection.  The track listing is available here.

[READ: December 10, 2009] “Kawabata”

This story had the (in my estimation) fascinating attribute of reading as if it were written a long time ago. The writing was very formal. It also centered around a man and a woman who meet at a bed and breakfast and do little more than walk around town. Since no real clues as to the time it is set are ever given, I could imagine them dressed in nearly turn of the (20th) century garb.

A few things do dispel this fantasy: the use of the word “tits” for one, and the fact that no married woman would have been seen out with a widower while her husband was away. But despite that, I enjoyed the formality of the story. (more…)

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Lauren Child–Clarice Bean, Don’t Look Now (2006)

Posted in Adventure, Boredom, Children's Books, Lauren Child, Marriage Trouble, Mystery, Ralph's World, Set at School, The Decemberists, They Might Be Giants, Threats on July 28, 2009| Leave a Comment »

dont lookSOUNDTRACK: RALPH’S WORLD-Peggy’s Pie Parlor (2003).

peggyWhen my son Clark was born, Sarah and I made a conscious effort to find music for him (really for us) that wasn’t, well, Raffi.  Not that there’s anything wrong with Raffi per se, but well, he’s kind of annoying.

In the 4 years since he was born, there’s been an awful lot of cool bands making kids records.  And I’m all for that (sometimes it’s nice being in tune with zeitgeist).  Although it is nice to hear one of the guys who started the whole movement.  Ralph himself was a member of Bad Examples a fairly forgettable band, nowhere near as fun/clever as Ralph’s World.

This was the first Ralph’s World disc we bought.  And it’s still in pretty heavy rotation (although, now, really, the kids just listen to what we listen to…maybe when they’re a little older and actually understand Decemberists lyrics, we’ll be playing more Ralph).

Ralph’s songs rock, they’re amped up and excitable, like a toddler.  They’re simple, easy rock songs in a multitude of genres.  He also mixes his own originals with covers and even a public domain track (“Yon Yonson”).

And so overall you get a disc that sounds like a children’s disc from They Might Be Giants, before They actually made children’s discs.  (TMBG’s children’s discs aim a little younger).  Ralph’s songs are whimsical and catchy, in the way of TMBG’s adult songs, although the lyrics skew more towards about 6 or 7.

If you don’t have kids you probably won’t enjoy these discs, although really all is takes is a silly streak to enjoy them when the kids aren’t around.

[READ: July 24, 2009] Clarice Bean, Don’t Look Now

My son has just started watching Charlie and Lola, a delightful show based on the books by Lauren Child.  [And it has one of the single coolest theme songs of any show ever.  Seriously.  It’s fantastic.  Here, listen.]  When I mentioned that Clark was watching this, my friend Eugenie said, Oh, Lauren Child, of Clarice Bean!

I wasn’t familiar with Clarice Bean.  And then, as coincidence will have it, I was showing a patron some books in the Ch section, and there was a Clarice Bean book.  I grabbed it and only found out later that it is the last (or at least that latest) book in the Clarice series.  Well, it’s a kids book, I thought, I’m sure  I can join the series late and not miss anything.  And I was right.

I was also surprised by how into this book I got.

Oh, and also how eerily appropriate it was that I selected this particular book while I’m in the midst of Infinite Summer.  I figured Clarice Bean would be a nice relaxing thing to read in my Infinite Jest Downtime.  But Clarice Bean starts out: Part One: Where does infinity end?

Seriously. (more…)

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Kurt Vonnegut–Cat’s Cradle (1963)

Posted in Books about writers, Concept Albums, Consumerism, Corporate skewering, Death, End of the World, Funny (ha ha), Funny (strange), Gods, Kurt Vonnegut, Lavender Diamond, My Brightest Diamond, My Morning Jacket, Natural Disasters, Political Humor, Religion, Robyn Hitchcock, Sci-fi, Smarty Pants, Technology, The Decemberists on June 2, 2009| 1 Comment »

catsSOUNDTRACK: THE DECEMBERISTS-The Hazards of Love (2009).

hazardsI first played this disc a few times without really listening to it, just to get a feel for it.  And I was surprised by how heavy it sounded.  The harshest moments of the disc really stood out to me, and I was quite surprised, as I think of the Decemberists as more folky than this.

But when I finally sat down and listened, I was pleasantly surprised at how much I liked the disc overall.  I have yet to understand the complete storyline (the lyrics are printed in a near impossible to read size and color, so I’ve had to rely on what I could pick out.)

The disc is a concept album.  It tells the story of  Margaret who falls for a shape shifting creature of the forest and, I think, their offspring as well.  There’s a jealous forest queen involved, and, of course, the Rake–although I’m not exactly sure how he fits in–but more on him in a moment.

In addition to some “celebrity” guest vocalists (Robyn Hitchcock and Jim James of My Morning Jacket sing backing vocals), for the first time on a Decemberists disc, Colin Meloy doesn’t sing all of the lead vocals.  The two women characters’ parts are sung by two singers I don’t know: Becky Stark (of the band Lavender Diamond) and Shara Worden (of My Brightest Diamond).  And when the queen (Shara Worden) sings, she’s pretty angry. She creates one of the harshest sounds I can think of by the Decemberists.

Interestingly, that song, “The Wanting Comes in Waves/Repaid” also contains one of the most beautiful passages that the Decemberists have done.  “The Wanting Comes in Waves” part of the song has an uplifting chorus, a wonderful melody and a beautiful sing-along.  Meanwhile, the “Repaid” part has some harsh, angular guitars and when the Queen repeats “repaid!” for the third time, the hair will stand up on your arms.  (Of course, the song then repeats the beautiful part once again…phew…and it is reprised at the end of the disc, because how could you NOT include that passage again?).

This record also features the catchiest song about infanticide that I know of.  “The Rake’s Song” rocks, and yet as you’re singing along to the simple but catchy chorus of “Alright, Alright, Alright,” you realize that the Rake has just killed all of his three children so that he can have a life as a free bachelor again.  (Revenge does come at the end).

And that revenge comes in one of the 4 versions of the title song.  What starts as a simple folky ditty (in Part 1) “singing, oh ho, the hazards of love,” morphs (in Part 2)  into a rocking track, then (in Part 3) a track with a children’s choir (my least favorite track on the disc–it works with the story, but I don’t care for the kids voices, really) and (finally) a haunting epilogue.

This is The Decemberists’ most striking album to date.  It is a bold attempt to alienate just about everyone, and yet I believe they have pulled off something just shy of a masterpiece.  The harshness of some of the songs still makes me a little uneasy (at least when listening with the kiddies), but the rewards are ample, and they really do fit perfectly with the plot.

I never expected the Decemberists to venture into prog rock territory but since they embraced it fully, they really pulled it off.  I do still need to get in and read the lyrics though, just to get all the details straight.  (They are legibly printed here).

[READ: June 1, 2009] Cat’s Cradle

This is the first “well-known” Vonnegut book I’ve read (not counting Slaughterhouse Five, which I’m going to re-read soon for the first time in fifteen or so years).  I’d heard of this book but never knew what it was about.  And, boy, trying to summarize is pretty tough.

Why?

Because Vonnegut invents an entire new religion and a fictional island on which to practice it.  And his characterization of the whole thing is so complete, that it is utterly believable.  And that’s only half the book.

So, let’s try this: John, the narrator decides to write a personal biography of Felix Hoenikker, the Father of the atomic bomb. Okay, so we know we are on somewhat fictional ground, and yet it is sort of based in reality.  Fine. (more…)

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McSweeney’s #4 [Timothy McSweeney’s Trying, Trying, Trying, Trying, Trying] (Late Winter, 2000)

Posted in 19th Century, Amy Fusselman, Ben Miller, Christopher P. Riley-Zaleniev, Colin Meloy, Corporate skewering, Dee Dee Myers, Denis Johnson, Digression, Dreams, Edgar Allan Poe, Essays, Fables, Flash Fiction, Franz Kafka, Funky Web Sites, Funny (ha ha), Funny (strange), George Saunders, Haruki Murakami, J. Robert Lennon, Johannes Vermeer, Jonathan Lethem, Joshua Bearman, Joshuah Bearman, Jules Verne, Katherine Anne Porter, Lawrence Weschler, LGBTQ, Lydia Davis, Marcy Dermansky, Margaret Keane, McSweeney's, Meta, Orson Welles, Paul Collins, Paul Debraski, Paul Maliszewski, Pink Floyd, Postmoderism, Rachel Cohen, Rick Moody, Sarah Vowell, Sean Wilsey, Sheila Heti, Sherwood Anderson, Short Story, The Decemberists, The Smiths, Vladimir Nabokov, Walter Keane, Wikipedia, Willa Cather, Wislawa Szymborska on May 29, 2009| 5 Comments »

scan0014SOUNDTRACK: COLIN MELOY-Colin Meloy Sings Live! (2008).

colinColin Meloy is the lead singer and songwriter for the Decemberists.  This is a recording of Meloy’s solo acoustic tour from 2006.  The recording is from several venues on the tour, although it is mixed as if it were one concert.

Meloy is a great frontman, and this translates perfectly into the solo atmosphere.  He is completely at ease, telling stories, bantering with the crowd, and generally having a very good time.

The set list includes some popular Decemberists songs as well as a track from Meloy’s first band Tarkio (whom I have never heard, but figure I’ll get their CD someday).  Meloy also adds a couple of covers, as well as snippets of songs added to his own (Pink Floyd’s “Fearless” gets a couple of bars, as well as a verse from The Smiths’ “Ask.”)

This disc is not going to win anyone over to the Decemberists, as Meloy’s distinctive voice is a love it or hate it deal.  However, if you’re on the fence about them, hearing these songs solo can only convince you of what great songs they are.  The Decemberists add a lot of arrangements to their songs.  You get a lot of interesting and unusual instruments.  Which I like a great deal.  But to hear that these songs sound great with just an acoustic guitar is testament to Meloy’s songwriting.

The intimacy of the venues also really lets these songs shine.

[READ: May 29, 2009] McSweeney’s #4

This is the first time that McSweeney’s showed that it might be something a little different. #4 came, not as paperback book, but as a box full of 14 small, stapled booklets. Each book (save two, and more on those later) contains a complete story or non-fiction piece.

There is something strangely liberating about reading the stories in this format. It gives me a sense of accomplishment to finish a book and put it down, so having 14 makes it seem like I’ve accomplished a lot.
This was also the first issue that I’m certain I didn’t read when it originally came out, for whatever reason. So, it’s all new to me.

DIGRESSION: When I was looking up publications for my Wikipedia page about McSweeney’s publications, I kept encountering records for these individual booklets.  This was rather confusing as I couldn’t find any other records or ISBNs for these booklets.  Rest assured they are all collected here. (more…)

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Jane Austen and Seth Grahame-Smith–Pride and Prejudice and Zombies (2009)

Posted in 19th Century, Adventure, Art Brut, Dystopia, Funny (ha ha), Jane Austen, Marriage (Happy), Military, Neutral Milk Hotel, Portishead, Quirk Books, R.E.M., Seth Grahame-Smith, Supernatural, The Decemberists, U2, Violence, Wait Wait...Don't Tell Me, WRSU 88.7 FM--New Brunswick, NJ, WVPH 90.3 The Core--Piscataway, NJ, Zombies on May 21, 2009| Leave a Comment »

pride-zombiesSOUNDTRACK: The Core: WVPH, 90.3 FM.

coreThe Core is also from Rutgers University.  How do they have two radio stations?  Interestingly, the station is shared with Piscataway High School.  For several hours a day Piscataway High School takes over the airwaves.  Although I admit that I have not listened to any of the PHS stuff because the first block is at 6 in the morning, and the other block is from 1- 3PM.

The college folks, however, play a pretty excellent selection of alternative music.  They’re not quite as indie and out there as WRSU, but they’re not commercial either.  To me, they’re more of the kind of college station I’m used to from my days as music director at the University of Scranton.

In the few days that I listened, I heard a lot of familiar alternative artists, with a nice focus on new bands.  What I especially liked about the station was that they didn’t play too much in the way of commercial alternative (your U2s and R.E.Ms who were once alternative but are now mainstream).  Rather, they played bands like Art Brut, The Decemberists, Portishead and Neutral Milk Hotel: bands that many people have at least heard of, but that you won’t find anywhere else on the dial.

This is the station that I would turn to most if my CD player busted permanently.

The only thing I didn’t like about it, but which also reminded me of my days as a DJ, was that college DJs tend to talk A LOT.  We all think that we are imparting precious wisdom to the masses.  And often, that is true.  Although in this one case, the DJ said that the name of the band was Art Brut Vs Satan, which is in fact just the album name.  (See, I’m still a pretentious music snob!).   However, when I’m having dinner and reading a book, I don’t need a seven minute update about that last concert that you went to.

[READ: May 19, 2009] Pride and Prejudice and Zombies

When I first heard about this book (as a punchline on Wait Wait…Don’t Tell Me at my brother-in-law Tim’s house), I couldn’t believe it was real.  I was so intrigued by the concept, and then so impressed by the reviews, that I couldn’t wait to read it.

And this book does not disappoint.

For those out of the loop: Pride and Prejudice and Zombies is, as the title suggests, Jane Austen’s Pride and Prejudice with good old zombie action thrown in.  Elizabeth and Darcy… What?

Yes.  Zombies.

Seth Grahame-Smith has taken Pride and Prejudice, changed a few details and then added an entire…well, subplot is not right…more like an underlying condition to the story.  It turns it from a story of love and marriage into a story of love and marriage amidst zombie brain-lust. (more…)

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Trenton Lee Stewart–The Mysterious Benedict Society (2007)

Posted in Adventure, Canadian Music, Carson Ellis, Children's Books, Contests, Corporate skewering, End of the World, Funky Web Sites, Handsome Furs, Mystery, Set at School, Smarty Pants, Sunset Rubdown, Technology, The Decemberists, Threats, Wolf Parade on March 20, 2009| Leave a Comment »

benedictSOUNDTRACK: WOLF PARADE-At Mount Zoomer (2008).

zoomerThis album made many best of lists of 2008.  It is considered a side project of both Spencer Krug (of Sunset Rubdown) and Dan Boeckner (of Handsome Furs).  I’d not heard of either band, but I was very intrigued by this disc and I’m so glad I got it.

Every track has something outstanding about it, be it a cool guitar break (“Soldier’s Grin”)  or a cool keyboard break (“Language City”–which builds to a rollicking climax).  While “Bang Your Drum” has multiple parts, each one weird and wonderful.

“California Dreamer” has  wonderfully sinister soundtrack, with a great rocking chorus. And it’s followed by a surprisingly upbeat “The Grey Estates” (keyboard pop at its best).

The albums ends with the epic “Kissing the Beehive”: a ten minute track with several parts to it.  The first seven minutes just fly by, and then the song breaks down into a quieter feel.

It seems rare that an album comes out of nowhere to me (even if the album didn’t come out of nowhere for people who loved their first release (which I also have not heard) or the two main songwriter’s OTHER projects, but I’m very glad I found this one.  Its frenetic pacing and overall quality made it one of my favorite releases of 2008.

[READ: March 9, 2009] The Mysterious Benedict Society

While you can’t judge a book by it’s cover, you can certainly check it out because of it. I saw this book on our shelves and brought it home calling it The Decemberists’ book.  It was only later on that I realized that the cover (and interior) art is by Carson Ellis, who is, indeed, the primary artist for the Decemberists.

The second selling point was the blurb on the back cover: “Are You a Gifted Child Looking for Special Opportunities?”  How can you not say, “Why, yes, I think I am.” This blurb appears in the book in a newspaper and is the catalyst for the young children (orphans and runaways mostly) who will show up for the challenging test that comprises the beginning of the book. (more…)

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J.K. Rowling–Harry Potter and the Deathly Hollows (2007)

Posted in Adventure, Big Books, Children's Books, End of the World, Fantasy, Harry Potter, J.K. Rowling, Set at School, Supernatural, The Decemberists on July 25, 2007| 1 Comment »

hp.jpgSOUNDTRACK: THE DECEMBERISTS-Castaways and Cutouts (2002) & Her Majesty (2003) & Picaresque (2005) & 5 Songs (2003) & Billy Liar [single] (2004) & The Tain (2004).

The Decemberists were, in fact, the soundtrack for this book. The last 250 pages were accompanied by the entire Decemberists catalog [excepting The Crane Wife, which was out in the car]. Whether or not it was a good choice, I feel that it certainly set a mood for the book.

I feel that the Decemberists have been part of my cultural landscape for many years. Their name seemed to pop up from time to time in a way that said I should check them out. And yet I resisted. No real reason why; I just did. And then when Picaresque came out and was so widely applauded, I thought I would need to hear for myself what this band was about. I was immediately smitten: by the tunes, by his voice, by the subject matter. Everything. Such an odd band, yet so smart, so literate, so edifying. They are truly one of the great storytelling bands.

(more…)

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Maile Meloy–Liars and Saints (2003)

Posted in Canadian Music, Destroyer, Maile Meloy, Marriage Trouble, Neko Case, Short Books, The Decemberists, The New Pornographers on June 14, 2007| Leave a Comment »

liars.jpgSOUNDTRACK: THE NEW PORNOGRAPHERS-Mass Romantic (2000).

I was introduced to this album via “Letter to an Occupant,” the great sing- along-at-top-volume song that features Neko Case. The title track also features Neko, and her voice is just so dynamic that I really never listened that much to the rest of the album, which features the boys’ singing. Well, after looking up some information about Destroyer, I learned that he was part of the New Pornographers, so I figured I’d give another listen. I was really pleasantly surprised by the overall quality of the album. I still think that Neko’s songs really stand out, but that seems to be because she really belts out her vocals, while the guys seem to be more subtle, I guess. (more…)

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