Feeds:
Posts
Comments

Archive for the ‘Restorations’ Category

[DID NOT ATTEND: April 20, 2024] Restorations / Signals Midwest / Town Liar

I saw Restorations back in 2016 when they opened for Band of Horses.  I loved them and thought they were a perfect opener for them.  Since then I’ve wanted to see them again.  But I’m never going to the First Unitarian Church, so I had to bail on this one.  I’m kind of surprised that they played such a small venue, but maybe they liked the intimacy of it.

Signals Midwest describe themselves as a “loud, smiley punk rock band from Cleveland, OH. Been at it since 2008. Will play in your kitchen or anywhere really.”

I find them to be a really enjoyable band on the softer side of punk but with big guitars and soft/quiet melodies.  A really fun band.

I had not heard of Town Liar, but that makes sense as they appear to be brand new.  Jason Shevchuk of Kid Dynamite and None More Black has formed a new band called Town Liar. The band also includes Heath Saraceno, Nick Remondelli, and Benny Horowitz. The band has released an EP called Lies: One Through Seven

I thought I had heard of these other bands, but maybe not.  People seem divided on his work, mostly based on his voice.  I listened to a track and found that I did not enjoy his voice.

 

Read Full Post »

[DID NOT ATTEND: April 28 & 29 2023] Restorations / Space Cadet / Orbit

Restorations was scheduled to pay one Philly Date (hometown date) in 2020, which was cancelled.  These two shows aren’t exactly rescheduled shows, but they kind of are.

And, I didn’t hear a single thing about them until long after they were sold out.

I saw them open for Band of Horses six years ago, and they were great.  Like with many opening bands, I thought it would be great to see them headline (especially in a small place like Johnny Brenda’s).

I would have absolutely gone to one (or both) of these shows.

The first night was billed as New and Old Songs.  The second night was billed as LP2

For the first night, they played songs from LP2, LP3, LP 5000 and Restorations as well as some new songs.

The second night they played all of LP2 and some other new songs.

They haven’t really done anything since 2019.  I’m not sure if it was a hiatus or what, but it sure seems like they are back.

Space Cadet is from Massachusetts.  It’s a little hard to find details about them.  But this review from Geoff Wilbur Music is pretty succinct

The songs on Space Cadet‘s Lion on a Leash (available digitally and on vinyl) recall the jangly, energetic radio-friendly rock of Harvey Danger and Semisonic. Vocalist Matt Hock and guitarist David Walsh were two-fifths of punk rock outfit The Explosion, and a bit of that frantic punk energy can be found powering Space Cadet’s songs, as well.

They play catchy pop rock with an edge.

Orbits (not to be confused with about six other similarly named bands (they are not The Orbits, Orbit, Orbital or Atom & the Orbits) are from Philly and Cleveland.   Clevescene says

With Orbits, Toby Reif (the Sidekicks) and Maxwell Stern (Signals Midwest, Timeshares, Meridian) expand upon the music they explored with their previous bands. And yet, Orbits’ densely layered vocals, down-tuned guitars, synthesizers, and odd timings position the record as “a unique vessel for exploring ideas well outside the realm of their past output,” as it’s put in a press release.

The guitars are loud and a little sloppy (not exactly sloppy, but noisy and unpolished).  The vocals are too (with cool loud harmonies).  The songs are short.  It’s a fun record and probably a fun live show.

 

Read Full Post »

[CANCELLED: May 15, 2020] Restorations / Hurry / thank you thank you

indexI feel like this Restorations show was kind of dropped out of nowhere recently.  It’s not part of any kind of tour because they were going to play Europe and then just this one Philly Date (hometown date).

I saw them open for Band of Horses four years ago, and they were great.  Like with many opening bands, I thought it would be great to see them headline (especially in a small place like Johnny Brenda’s).  This show happened to be on the same night as Diet Cig who I really really wanted to to see, so I wasn’t going to be able to go, but I hope they reschedule another home town dhow soon.

Hurry is a band from Philadelphia, originally the solo project Matt Scottoline.  They are described as 90’s rock revivalists and all of their influences are bands I like.  Some of their songs online are a little slower than I expected, but they do have some uptempo ones as well.

I can’t find out anything about thank you thank you except that they are based in Philadelphia, they have one song on band camp (a piano ballad) and that the email address for the band is to Tyler Bussey.

Read Full Post »

[ATTENDED: September 24, 2016] Restorations

2016-09-24-20-25-47Restorations opened for Band of Horses.  They’re from Philadelphia, but I didn’t know them at all.  At the end of the set the singer said that they used to practice around the corner from the venue and that it was a real trip playing here.  So that was fun.

Before the show, I looked them up and saw them described as alternative, punk and post-hardcore. I was expecting a really heavy rocking band.  But somehow, when they opened for Band of Horses, they sounded a lot more like…Band of Horses.  I’ve been listening to their stuff on the site and I’d say there’s something about the guitars of “Misprint” that reminded me of BoH.

On their studio albums, lead singer Jon Loudon has a gravelly voice, but it didn’t quite sound that way live for some reason.  And the music had the soaring quality of Band of Horses’ more rocking songs.

And it was great.  They were definitely heavier than BoH, but the overall vibe worked perfectly.

The drummer in particular played some great rhythms and really bashed the hell out of the kit.  But the whole band played well off each other.  There were quite a few guitars, occasional keys and a small horn section.

Loudon said that the trumpeter and trombonist who were on stage were playing live with them for the first time.  They added a nice touch but were not mic’d so it wasn’t always easy to hear them.  But when they came through it was good.

I don’t know any of their songs, so I can’t give a setlist, but According to some recent shows, the songs they’ve been playing are:  New Old, The Plan, Separate Songs, West River, Misprint, D, A, Let’s Blow Up the Sun, The Future, Tiny Prayers and Documents.  Confirmation of lyrics shows I have a 20 second clip of “Tiny Prayers” here.

I’ve been listening to their stuff on their tumblr site (it tickles me that their albums are called Restorations, LP2 and LP3) and it’s really good.

They were a great complement to Band of Horses (Ben Bridwell also raved about them when he came on stage) and I’m excited to hear more from them.2016-09-24-20-17-01

Read Full Post »

1963SOUNDTRACK: RESTORATIONS-Tiny Desk Concert #462 (August 14, 2015).

restor I don’t know Restorations, although I understand that they usually play pretty big loud guitar rock.   For the Tiny Desk they are stripped down (I guess) to the three guitars, but no drums or bass.  Lead singer Jon Loudon has a powerful and excellent voice.  On “Separate Songs” there are two guitars and a keyboard and wonderful harmonies.  The keyboardist sings backing vocals in the beginning of the song, so that when the lead guitarist joins in later, it’s even more impressive.

The guys are very friendly and funny.  The joke about the “desk” and about their constant tuning needs.

For “Tiny Prayers” all three play guitars and there some wonderful melodies that they play together.  The Future” is the slowest song of the three, but it contains all of the same elements–cool guitar sounds and wonderful harmonies.

The band has a great sense of melody.  And yet for all that I liked t his set, there was nothing that really stood out for me about the band.  They are simply a good rock band, and that’s not a bad thing.

[READ: November 29, 2015] The Complete Peanuts 1963-1964

The drawing style of Peanuts that I most associate with the strip has been pretty consistent by this point.  And most of the characters look “right” (although Snoopy will continue to morph over the years).

Why does Charlie Brown keep going?  Despite all of the abuse Charlie gets, this one strip seems to sum up his strengths: “adversity is what makes you mature…the growing soul is watered best by tears of sadness.”

I feel like Schulz was either looking up facts to write about for some of this year.  Because we get things like this: Lucy: “You have to have [a note excusing you from school] otherwise the school can’t collect its state-aid money.”  Is that true or has Lucy hoodwinked Linus and me?  Later Charlie tells Lucy “when cranes and herons stand on one leg they can’t be injured by ground lightning.”  Later, Linus tells Sally that birds “have muscles in their feet which automatically contract when they fall asleep (which is how they sleep on a limb without falling off).  He then says the same principle applies with Snoopy’s ears.  Is this true?

In July 1963, there must have been an eclipse as the strip spends several days telling everyone how to safely watch it.

Linus’ blanket continues to occupy a lot of attention, with Lucy continually yelling at him about it.  His blanket hating grandma returns and even takes it away (she gives him a dollar bill which he tries to snuggle with).

Linus is full of ambition in these years.  He wants to be a rancher for several weeks in 1963.  Although, horror of horrors, he doesn’t make the honor roll in March of 1963.  But that doesn’t stop him.  And in a big surprise in 1964, he runs for school president (and has but one failing…and it’s not his blanket).

Schroeder continues to dismiss Lucy, this time even saying the chances are a googol to one (and then writing out how many zeros that is) of them getting married.  In July 1963 she complains that Beethoven never made it on any bubble gum cards.  Later when Lucy asks him why he doesn’t like her, Schroeder gives a very simple answer.  She replies, “I hate reasons.”

Rachel Carson returns in Feb 1964 with Lucy saying “we girls need our heroines.”  Of course Lucy also gets this quotable moment: “The crabby little girls of today are the crabby old women of tomorrow.”

Attacks on consumerism continue with a shoddy baseball about which Charlie says “this is what is called ‘planned obsolescence.'”

Speaking of baseball, there’s plenty of it.  I enjoyed the Sunday strip where Charlie using Snoopy to show how to break up a double play.  In 1964, Charlie suffers from Little Leaguer’s Elbow (and the team does great without him).  And when Lucy hurts her elbow (and refuses to call it Washerwoman’s elbow) she says she’ll sue Babe Ruth, Ty Cobb and Willard Mullin (Mullin was a sports cartoonist).

In August 1963, we see the first mention of Charlie Brown’s baseball hero Joe Shlabotnik (and the very distressing moment when Lucy won’t give let Charlie have his card).

I got a real kick out of Schulz returning to the McCovey joke from last year (in January!) saying “or why couldn’t McCovey have hit the ball even two feet higher?”

In 1963’s National Library week, Sally gets her library card this time and she is even more excited than Linus was.  She even has the line: “Happiness is having your own library card.”

Sally also addresses helicopter parents of 1963: “My mother is watching me out of the window.  Mothers feel secure when they see a child of theirs playing in a sandbox.  Sigh.  She’s secure and I’m bored to death.”

The little red-haired girl is obsessed over from time to time. Especially during Charlie’s lonely lunches.

Frieda has definitely dwindled by now–even if she never really did much.  She does abuse Snoopy about chasing rabbits but in one strip, we seem him playing with bunnies and four sleeping on his stomach on top of his doghouse.  This seems to set in motion Snoopy’s love of all other animals.

Later, there’s a really funny strip with Snoopy trying to fill his water bowl from a tap.  Then it rains on him.  The punchline “That’s one I’m going to have to think about for a while” is hilarious.

And…Snoopy goes to the hospital for a couple weeks! (nothing serious).  Charlie says he has a private room “he has a health insurance policy that pays forty dollars a day!”

In September of 1963, there’s a joke about ZIP Codes (Snoopy forgets his) and then shortly after a new character named 5 is introduced.  He explains, “My dad says we have so many numbers these days we’re all losing our identity.  He’s decided that everyone in our family should have a number instead of a name.”  His sisters 3 and 4 look like Peppermint Patty (who hasn’t arrived yet).  ZIP codes were introduced in 1963.

At Halloween in 1963 Linus slips about the Great Pumpkin and says “if he comes” (like in the TV show).  He’s doomed!

In February of 1964 a whole set of strips focuses on the existence of the humane society.

And in May of 1964 we get the classic bit from the movie when Charlie puts a coin in Lucy’s can and she sings “Boy what a sound.  How I love to hear that ol’ money plink!  That beautiful sound of cold hard cash!  Nickels! Nickels! Nickels!”

In June of 1964 there is a very touching Father’s Day strip.  (Although it wasn’t officially recognized until 1966 and signed into law as a official day by Nixon in 1972).

I really enjoyed the series of strips where they clean out Snoopy’s house and the dimensions (which we never see) are enormous!  There’s stairs, a pool table and all kinds of cool things.

For years now, Peanut has had strips where charters hold up signs–sometimes for Beethoven’s birthday, or national library week.  But in Sept 1964 it gets a bit more surreal with a bird holding a sign that has  ! on it.  Later another bird’s sign says ; and ?   A fight breaks out about it.  It’s very funny.

And in October 1964 Lucy pulls away the football despite given Charlie a signed document… “it was never notarized.”

And the year ends with something of cliffhanger.  Charlie has to do a report on Gulliver’s Travels over his holiday break, but he keeps putting it off… what will happen in 1965?

The foreword was written by Bill Melendez.  Melendez first met Schulz when they collaborated on an animated commercial for the Ford Falcon in 1960.  In 1963, they worked together on a documentary about Schulz using more animation.  Then in 1965 Coca Cola contacted him to see if Schulz would like to make a Christmas special.  They had 5 days to write the outline.  They used the kids from the Ford commercial as the voices. And they had six months to make the move.  It first aired on December 9, 1965.

Melendez raves about their work (rightfully) and then talks about the many other specials the made together–a Veterans’ Day one called What Have We Learned, Charlie Brown, and a show about cancer called Why Charlie Brown, Why?   In total they made fifty network specials and 4 feature films.  He talks about how great it was that they found Vince Guaraldi for the music and that they used real kids and no laugh track.  It’s hard to believe that special is so old!

Read Full Post »