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Archive for the ‘Music’ Category

[POSTPONED: December 10, 2021] KT Tunstall / New Reveille [rescheduled from March 27, 2020 and February 12, 2021]

I enjoyed watching the saga of KT Tunstall’s shows getting scheduled and postponed and reschedule and postponed again.  Not because I want her (or anyone to be unhappy), but because it was a good bellweather as to what was going on.  Unlike most artists, KT was really game to get out there.

Plus she had three shows in my area and it seemed like I saw her name all the time.

Well, things finally opened up and she was playing her shows.  Of the three, I was most likely to go to this one since it was closest.  And then a short time before the show, it was postponed as well.  But her other shows weren’t

But this time it wasn’t because of COVID or other health related issues, it was actually a boon for her (although not for SOPAC).

She was invited to sing at the 41st Annual John Lennon Tribute Concert at Symphony Space in New York City.  A good reason to postpone a show.

I see that in the new year, KT is on the West Coast, so I’m not sure when she’ll be back for SOPAC, but I’m sure her local fans will be waiting.

New Reveille is an Americana/bluegrass band from North Carolina.  They’ve got banjo, fiddle and a ton of attitude.  While they are definitely in the country vein, I think the bluegrass and the rockingness (they cover The Killers live) makes them a potentially fun live band.  For the three shows in the area, she has three different opening acts.  This one might be the most fun.

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[DID NOT ATTEND: December 10 & 11, 2021] Ween

When I was in college, Ween was a new novelty band singing silly songs about Daisies.  I enjoyed them and explored their back catalog a bit.  Then I forgot about them.

In the intervening years they apparently turned into a jam band favorite, with devoted fans and three hour concerts.

In 2015 I saw Gene Ween open for Modest Mouse (I think Ween was on hiatus at the time).  I was surprised by Gene’s set because it was goofy but well done.

I put Ween on my “bands to see” list, but I put them in the least urgent category.

I thought about seeing them at the Met Philly, but it seemed too fancy or something.  And the more I thought about it, the more I decided I just couldn’t bring myself to go to a Ween show.  I have (unfairly, perhaps) made their audience into a bunch of people I don’t want to be near for two hours.

So I won’t take them off my list of bands to see, but I feel like circumstances will need to be perfect for me to go.

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[DID NOT ATTEND: December 9 & 10, 2021] Strand of Oaks / Pat Finnerty

In 2015, Timothy Showalter played his first Strand of Oaks Winter Classic at Boot and Saddle.

Every year since then he has played two to four shows around Christmas time to a small but rabid fan base.  Obviously he didn’t pay one in 2020.  And now Boot & Saddle is closed

I have been to three of these fun winter events.

When he announced December shows at Johnny Brenda’s, it just didn’t occur to me that these would be Winter Classic shows.  I’m not sure why it would have made a difference, but had I realized, I would have gotten a ticket before they sold out.  Even S said, you love those, I can’t believe you didn’t go.

When I’m looking for it now I see that it was clearly stated that this was a Winter Classic, but I guess I was looking in the wrong places. (more…)

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[DID NOT ATTEND: December 8 & 9, 2021] Stars / Shamir [was Lloyd Cole]

Back in the early 2000s Stars was one of my favorite bands.  They write clever, thoughtful pop with gorgeous harmonies from Torquil Campbell and Amy Millan.

Stars doesn’t come around all that often and I really wanted to see this tour.  When I heard that Lloyd Cole was opening, my mind was blown.  I didn’t Lloyd Cole was till making music–that’s pretty cool.

These shows were at Le Poisson Rouge which I learned last time I Went there, is a super duper pain in the ass for me to get to.  And these shows were midweek.  I just don’t know how I would have managed it.  So when they announced that they were going to play World Cafe in Philly, well that made everything all better.

It also transpired that Lloyd Cole had to cancel at the last minute.  He was replaced by Shamir, another artist I would love to see live.  But it just hasn’t happened yet.

So Stars, please don’t be gone for too long, I’d love to see you.  (Especially since your set was 24 songs!)

 

 

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[DID NOT ATTEND: December 7 & 8, 2021] 100 gecs / Tony Velour

My son played us “Stupid Horse” a while ago and I thought it was crazy–funny, catchy, irritating–a perfectly weird pop song.  When they announced a tour, I asked him if he wanted to go and he laughed and said no.

I looked up a concert review to see what their show was like and people said they played their entire catalog, which was like 30 minutes.  And that was it.

Crazy.

I wasn’t going to go either, but the idea of the show makes me smile.  (Turns out they played for 50 minutes at this show).

Tony Velour is a rapper I’ve never heard of.  Apparently he has partnered with the gecs for something or other.

 

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SOUNDTRACK:  hiatus

[READ: December 5, 2021] “Ulysses and the Cyclops”

This year, S. ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar.  The 2021 Short Story Advent Calendar is a deluxe box set of individually bound short stories.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check this link where editor Alberto Manguel is providing daily commentary on each of the stories he selected for this year’s calendar.

Obviously Homer is a classic–the classic–poet.  But it seemed an odd choice to pick Homer (from B.C. days) when surely there was a more recent Greek writer who deserved some attention.

I’ve read The Odyssey at least three times.  However, I’ve never read it in verse form.   And I found this form to be very challenging.  I was certainly glad I knew the story already. (more…)

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[DID NOT ATTEND: December 4 & 5, 2021] Loudon Wainwright III / Deni Bonet

Loudon Wainwright III has been playing pretty and also pretty funny music for decades.  I discovered him about fifteen years ago and quickly became a fan of his work.

His newer material deals more with old age than his earlier stuff but it’s still enjoyable.  I’m sure he would play songs from throughout his career.

I’ve been aware of Loudon Wainwright playing the Sellersville Theatre for a long time (like two years).  I’ve wanted to see him for a while now, but Sellersville Theatre is a real hassle to get to.  When I saw that he was also playing in Red Bank, I thought that I might go to that show instead.  And that something came up and I never got there either.

I’m under the impression that he tours a lot (when he’s not acting) so I’m sure I’ll be able to see him again.  I hope so (maybe a little closer to me).

Deni Bonet is a pop/rock singer/songwriter and classically trained violinist who has recorded and performed with R.E.M., Sarah McLachlan, Cyndi Lauper, Scissor Sisters, and Warren Zevon among many others.

I’m not sure if she played in Red Bank as well, since there was no opening band listed.  But I’ll assume so.

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[DID NOT ATTEND: December 3, 2021] Cave In / Cleric

Back in 1998 I really like the Cave In album Until Your Heart Stops.  Then I pretty much forgot about them.

They came back on my radar when one of the band members died in a car accident a few years ago.  He sang lead (but was not the only lead vocalist) and I assumed that was the end of the band.

But they did not break up.  Indeed, they have a new album coming out next year.

I wasn’t planning on going to this show without looking into what they’ve done this century, and I never got around to that, so I didn’t go.

I didn’t know who Cleric was.  Their Wikipedia write up is interesting, but this could go in a direction I don’t like

Cleric is an American avant-garde metal band based out of Philadelphia, Pennsylvania, United States. The band is known for their experimental approach to grindcore, doom and avant-garde metal

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[DID NOT ATTEND: December 2, 2021] Surfbort / Smirk / Dog Date / Pure Adult

Here’s another great show from Underground Arts that I didn’t get to.

I had not heard of Surfbort until a few days ago.  They sound like an insanely fun band.  I mean, look at the picture of them.

They also seem to be all kinds of boundaries pushing.

Here’s what their blurb says about them

Channeling inspiration from the 80’s punk scene to produce rousing, explosive music, their feedback strafed, guitar-shredding music says no to a digital age full of intolerance; they radiate love and friendship. All are welcome in the SURFBORT FREAK FAMILY!

That’s right up my alley.  It’s a shame I found out about this show too late.

Smirk and Pure Adult were unknown to me.

Smirk is the solo project from Nick Vicario (who I don’t know).  The music is wiry, well-crafted punk with heaps of hooks.

Pure Adult has this as a write up

Pure Adult is pure experimental punk shit.

You will listen to this noisy goodness and you will love it.

(although, if you’re only looking for catchy bops, you might hate it)

That sounds pretty great to me.  And according to the videos below the longest set was 40 minutes.

Markit Aneight was there and recorded all four shows:

Pure Adult

Dog Date

Smirk

Surfbort

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[DID NOT ATTEND: December 2, 2021] Darlingside / Lullanas

S. and I love Darlingside and have seem them several times.  I have them on my list of bands to see wherever and whenever. But sometimes things get in the way.

I think seeing them at Ardmore Music Hall would be a treat.  The sound would be amazing.  But sometimes getting to Ardmore is a hassle.

Plus, it actually felt nice to stay home for a week.  So we blew off this show, safe in the knowledge that they’ll be back to entertain us in the not too distant future.

I’d never heard of Lullanas.  According to their label

Twin sisters Atisha and Nishita Lulla, aka LULLANAS, create songs wrapped in Americana warmth, folk eloquence, country storytelling, and unassuming pop ambition. Their debut EP, Before Everything Got Real, thrives on an inimitable and familial balance.

They sound like an excellent complement to Darlingside.

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