Feeds:
Posts
Comments

Archive for the ‘Kishi Bashi’ Category

[ATTENDED: May 6, 2025] Oshima Brothers

This was our first time going to Archer Music Hall or it’s smaller companion The Arrow.  It’s a great set up with the two venue attached and yet somehow totally independent.  Our show was a quiet folkie show and downstairs were The Melvins and Napalm Death and we couldn’t hear any of it.

I had never heard of the Oshima Brothers.  Actually, that’s not true, they played Guster’s On the Ocean Festival (which we didn’t go to), but I hadn’t head them at all.

The brothers came out and there was a joke about one of them (Sean) looking like Nick Jonas (he does).  So they are Japanese-Italian folk-pop siblings from the coast of Maine.  Sean and Jamie play keys, bass, drums, looping, dance moves, and magic.

They had a great stage presence–lots of smiling and crowd interactions.  And their musical prowess was impressive–the amount of things they could play with looping.

Their songs were gentle and sweet but kind of forgettable.  The kind of songs that work well and are enjoyable live, but when you listen to them later, they’re just sort of okay. (more…)

Read Full Post »

[DID NOT ATTEND: November 15, 2024] Tokyo Police Club / Born Ruffians

I had wanted to see Tokyo Police Club when they came around back in 2021, but their show was the same night as a show I was taking my son to.  So this show, part of their final tour, I grabbed a ticket for immediately.

And then Destroy Boys announced a show for the same night–and I knew my son and daughter would want to go to it.  As I said three years ago:

I was pretty psyched to see them, but it turned out that this show was scheduled for the same night as a Starset show that I would be taking my son to.  Sometimes schedules just don’t align nicely.

So I’ll never get to see Tokyo Police Club.

I do hope I get to see Born Ruffians though.  I’ve liked them for a pretty long time and could have seen them two years ago on a headlining tour, but I stayed home with my son to watch some anime instead.

I do hope it wasn’t their last tour as well.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2024 Brooklyn Bowl 2022 The Foundry 2019 Union Transfer
Violin Akai € Intro / Pathos, Pathos ∇ Marigolds Ø
Chiba Funk € Manchester F Delano Ø
Late Night Comic € Bright Whites Hey Big Star $
It All Began With a Burst It All Began With a Burst Say Yeah $
Can’t Let Go, Juno $ Wonder Woman, Wonder Me ∇ Carry on Phenomenon
Marigolds Ø Atticus, in the Desert Honeybody $
Colorful State € I Am the Antichrist to You Honeybody Remix $
solo improv Beat the Bright Out of Me ∇ Can’t Let Go, Juno $
I Am the Antichrist to You (solo) This Must Be the Place (Naive Melody) (Talking Heads cover) Theme From Jerome (Forgotten Words) Ø
Summer of ’42 (solo) Ø Q&A I Am the Antichrist to You (solo)
Violin Tsunami Ø Penny Rabbit and Summer Bear Ø This Must Be the Place (Naive Melody) (Talking Heads cover) (solo)
This Must Be the Place (Naive Melody) (Talking Heads cover) (solo) Marigolds Ø Violin/Banjo improv
Escape from Knossos € I’d Do Anything for Love (But I Won’t Do That) (Meat Loaf cover) Bright Whites
Icarus IV € The Ballad of Mr. Steak Q&A
Hahaha Pt. 2 ∠ Honeybody (began with studio arrangement which bled into performing in the style of the Mattsoro remix) $ Penny Rabbit and Summer Bear Ø
Lilliputian Chop € encore Angeline Ø
The Ballad of Mr. Steak Violin Tsunami Ø Violin Tsunami Ø
Philosophize in It! Chemicalize with It! Philosophize in It! Chemicalize with It! Ode to My Next Life $
Honeybody $ Philosophize in It! Chemicalize with It!
encore Atticus, in the Desert
Penny Rabbit and Summer Bear (acoustic, in crowd) Ø (I’ve Had) The Time of My Life (Bill Medley & Jennifer Warnes cover)
Manchester (acoustic, in crowd) The Ballad of Mr. Steak
Ooh La La (Rod Stewart cover) (acoustic, in crowd) It All Began With a Burst
encore
Annie, Heart Thief of the Sea (acoustic, in crowd) Ø
Manchester (acoustic, in crowd)
Summer of ’42 (acoustic, in crowd) Ø

 

 

 

2016 Union Transfer 2015 TLA (opening for Guster) 2014 New Brunswick (opening for Rod y Gab)
Stranger Things Theme [recordong] violin improv violin improv
Statues in a Gallery $ Atticus, in the Desert ∇     It All Began With a Burst ∇
Hey Big Star $ Bright Whites Bittersweet Genesis for Him AND Her ∠
m’lover $ Bittersweet Genesis for Him AND Her Atticus, in the Desert ∇ 
Atticus, in the Desert (featuring extended banjo percussion solo) ∇     The Ballad of Mr. Steak ∠ Bright Whites ∇
Bright Whites (with improv interlude featuring flute solo) Q&A ∠ Philosophize in It! Chemicalize with It! ∠
Carry on Phenomenon ∠ Philosophize in It! Chemicalize with It! Manchester ∇
Who’d You Kill $ Manchester
Can’t Let Go, Juno $
Say Yeah $
Ode to My Next Life $
I Am the Antichrist to You (solo)
The Ballad of Mr. Steak (featuring Mr. Steak)
Philosophize in It! Chemicalize with It!
It All Began With a Burst (with “Don’t vote for Trump” vocal loop)
encore
Honeybody $
Q&A
Manchester
€ Kantos (2024)
Ø Omoiyari (2019)
$ Sonderlust (2016)
∠ Lighght (2014)
∇ 151a (2012)

Read Full Post »

[ATTENDED: October 8, 2024] Sweet Loretta

Sweet Loretta is from England.  They’ve been around for a while but only recently released their first EP/album.  When I looked them up, the first song I heard featured Kishi Bashi.  How odd, I thought.  I liked the song–it reminds me of Kishi Bashi’s more dancey stuff.

We arrived a little later than I thought we would, so we were in the bathroom when the first song started.  Midway through the song we heard the beginning of the Star Wars theme song.  I’m not sure why, although a few songs later, guitarist/singer Fraser Blanchflower said it was singer/guitarist Quinn Humphreys’s birthday and the Star Wars bit was for him.  Very curious what happened there.

Fraser and Quinn were very funny frontmen.  I enjoyed their banter quite a lot.  Bassist James Stickland was quiet for the whole show and drummer James Clark was from time to time a maniac behind the kit, which was fun.  Quinn said that Kishi Bashi stipulated that they needed to have an album or EP out as a stipulation of touring with him.  Not sure if that’s true, but they played the entire EP (except the opening soundscape).

Musically, they were very retro in style and sound.  I felt like their songs could have been on a John Hughes movie soundtrack.   They have great harmonies with all three guys up front singing together at times in a wall of sound. (more…)

Read Full Post »

[ATTENDED: October 8, 2024] Kishi Bashi

This was our SIXTH (!) time seeing Kishi Bashi and it was so different from the last time!

The previous show was an anniversary show of his debut album.  This one was supporting his new album.

The previous show was at the tiny Foundry and this one was at the (relatively) huge Brooklyn Bowl.  And, K. came out with a fantastic outfit (stunning jacket and pants) and a kick ass keytar!

Tall Tall Trees was on banjo and keys, but his backing band was the guys from Sweet Loretta!  And they suited him perfectly.

K. busted out a violin of course, and stayed with some of the newer dancier songs for a while.

There was a couple in front of us who were pretty grossly all over each other (their elaborate dance routines took up way too much space).  But they were also huge fans and knew all the songs, so I couldn’t be too annoyed.

Although the first songs were new, he didn’t leave out the old stuff, jumping right into It All Began with a Burst (and he still builds the songs with a looping pedal).

I loved the way he mixed up the albums he played from, with a dancey and lovely Can’t Let Go Juno, followed by a beautiful (fantastic harmonies from Sweet Loretta) Marigolds.

After playing Colorful State from the new album, he did a fun beat boxing improv which he said he hoped someone recorded and might send it to him so he could develop it later (I did, but he didn’t acknowledge it).

The rest of the band stayed away as he did a fantastic solo rendition of I am the Antichrist to You.  K. has always had a great voice but it has gotten even better over the years.  Then he busted out an acoustic guitar for the lovely, gentle Summer of ’42.

The band returned for the appropriately large Violin Tsunami and then played the Talking Heads cover.

And  then things got crazy.  The band returned dressed in costumes including one of the crew dressed in golden wings like Icarus for Escape from Knossos/Icarus with some seriously heavy rocking from the Sweet Loretta guys (some killer guitar soloing) and some wicked use of the keytar.  The chaos settled into a big dancealong of Hahaha Pt. 2 a very unexpected (but welcomed) song choice!

Lilliputian Chop continued the dancey/funky vein and then we were joined by Mr Steak (how much I love how silly Kishi Bashi shows can get).  Mr. Steak danced to his song and we all danced along.

Kishi Bashi has not gotten to the point where he’s not going to play some of my favorite songs because he has so many songs.  But he didn’t leave out the fantastic Philosophize in It! Chemicalize with It! (complete with beatboxing and looping).

The set ended with a fun clapalong of Honeybody.  And yes everybody was in the best mood after that.

For the encore, K and  the band all moved to the center of the floor (we hung back away from the throngs.  They gathered round and stood on a chair and sang the sweetest Penny Rabbit and Summer Bear.  It was like a campfire in the dimly lit room.   It was followed by a more soaring Manchester.

Then they ended with a fun cover of Rod Stewart’s Ooh La La with the chorus I wish that I knew what I know nowwhen I was younger.  They continued to sing the song from the middle of the floor to backstage.

What a fun-filled night.  I’m only surprised more people don’t know about him.  We look forward to show number 7!

 

2024 Brooklyn Bowl 2022 The Foundry 2019 Union Transfer
Violin Akai € Intro / Pathos, Pathos ∇ Marigolds Ø
Chiba Funk € Manchester F Delano Ø
Late Night Comic € Bright Whites Hey Big Star $
It All Began With a Burst It All Began With a Burst Say Yeah $
Can’t Let Go, Juno $ Wonder Woman, Wonder Me ∇ Carry on Phenomenon
Marigolds Ø Atticus, in the Desert Honeybody $
Colorful State € I Am the Antichrist to You Honeybody Remix $
solo improv Beat the Bright Out of Me ∇ Can’t Let Go, Juno $
I Am the Antichrist to You (solo) This Must Be the Place (Naive Melody) (Talking Heads cover) Theme From Jerome (Forgotten Words) Ø
Summer of ’42 (solo) Ø Q&A I Am the Antichrist to You (solo)
Violin Tsunami Ø Penny Rabbit and Summer Bear Ø This Must Be the Place (Naive Melody) (Talking Heads cover) (solo)
This Must Be the Place (Naive Melody) (Talking Heads cover) (solo) Marigolds Ø Violin/Banjo improv
Escape from Knossos € I’d Do Anything for Love (But I Won’t Do That) (Meat Loaf cover) Bright Whites
Icarus IV € The Ballad of Mr. Steak Q&A
Hahaha Pt. 2 ∠ Honeybody (began with studio arrangement which bled into performing in the style of the Mattsoro remix) $ Penny Rabbit and Summer Bear Ø
Lilliputian Chop € encore Angeline Ø
The Ballad of Mr. Steak Violin Tsunami Ø Violin Tsunami Ø
Philosophize in It! Chemicalize with It! Philosophize in It! Chemicalize with It! Ode to My Next Life $
Honeybody $ Philosophize in It! Chemicalize with It!
encore Atticus, in the Desert
Penny Rabbit and Summer Bear (acoustic, in crowd) Ø (I’ve Had) The Time of My Life (Bill Medley & Jennifer Warnes cover)
Manchester (acoustic, in crowd) The Ballad of Mr. Steak
Ooh La La (Rod Stewart cover) (acoustic, in crowd) It All Began With a Burst
encore
Annie, Heart Thief of the Sea (acoustic, in crowd) Ø
Manchester (acoustic, in crowd)
Summer of ’42 (acoustic, in crowd) Ø

 

 

 

2016 Union Transfer 2015 TLA (opening for Guster) 2014 New Brunswick (opening for Rod y Gab)
Stranger Things Theme [recordong] violin improv violin improv
Statues in a Gallery $ Atticus, in the Desert ∇     It All Began With a Burst ∇
Hey Big Star $ Bright Whites Bittersweet Genesis for Him AND Her ∠
m’lover $ Bittersweet Genesis for Him AND Her Atticus, in the Desert ∇ 
Atticus, in the Desert (featuring extended banjo percussion solo) ∇     The Ballad of Mr. Steak ∠ Bright Whites ∇
Bright Whites (with improv interlude featuring flute solo) Q&A ∠ Philosophize in It! Chemicalize with It! ∠
Carry on Phenomenon ∠ Philosophize in It! Chemicalize with It! Manchester ∇
Who’d You Kill $ Manchester
Can’t Let Go, Juno $
Say Yeah $
Ode to My Next Life $
I Am the Antichrist to You (solo)
The Ballad of Mr. Steak (featuring Mr. Steak)
Philosophize in It! Chemicalize with It!
It All Began With a Burst (with “Don’t vote for Trump” vocal loop)
encore
Honeybody $
Q&A
Manchester
€ Kantos (2024)
Ø Omoiyari (2019)
$ Sonderlust (2016)
∠ Lighght (2014)
∇ 151a (2012)

Read Full Post »

[POSTPONED: April 16, 2020] Kishi Bashi / Tall Tall Trees

indexWe saw Kishi Bashi back in November and it was one of the best concerts I have ever been too.  The spectacle was amazing. We were in exactly the right place to help him crowd surf and he played the encore in the middle of the audience.  It was also his birthday.

When I saw that he was playing again and at White Eagle Hall, I wasn’t sure if seeing him again so soon after the other show would somehow diminish the previous show.  But it was worth the risk.

Now with the delay, even more time will have past which makes the show even more appealing.

Tall Tall Trees is the banjo player is Kishi Bashi’s band.  He’s a fantastic player, using his banjo as a percussive as well as a stringed instrument.  I like his albums (although not quite as much as I want to).  I imagined he’d be terrific live.

Read Full Post »

SOUNDTRACK: JESCA HOOP-Tiny Desk Concert #965 (April 3, 2020).

I really liked the Tiny Desk Concert that features Sam Beam and Jesca Hoop.  So much so that I bought the CD and it made me want to see both of them live.

Jesca Hoop last appeared at the Tiny Desk as a duet with Sam Beam (Iron & Wine) in the spring of 2016. They sang songs from their collaborative record Love Letters For Fire.

This time it is just Jesca and I have realized that I liked her more as an accompanist rather than a lead singer.  Actually, that’s not exactly right.  Her voice is lovely.  I just find the songs a little meandering.

This time around, Jesca Hoop came to the Tiny Desk with just her guitars, her lovely voice, and brilliant poetic songs. She has a magical way with words, and she opened her set with “Pegasi,” a beautiful song about the wild ride that is love, from her 2017 album Memories Are Now.

“Pegasi” is nice to watch her play the fairly complex guitar melodies–she uses all of the neck.  The utterly amazing thing about “Pegasi” though comes at the end of the song when she sings an amazing note (high and long) that represents a dying star.

She wanted to sing it today so it could live on Tiny Desk.

The two songs that follow are from her latest album, Stonechild, the album that captured my heart in 2019, and the reason I reached out to invite her to perform at my desk.

“All Time Low” is a song, she says, for the “existential underdog.”  She switches guitars (to an electric) and once again, most of the melody takes place on the high notes of the guitar.  Her melodies are fascinating.  And the lyrics are interesting too:

“Michael on the outside, always looking in
A dog in the fight but his dog never wins
If he works that much harder, his ship might come in
He gives it the old heave-ho.”

After the song, she says, I’m going to tune my guitar, but I’m not going to talk so it doesn’t take as long. If you were at my show, I’d be talking the whole time and it would take a long time.

And for her final tune, she plays “Shoulder Charge.” It’s a song that features a word that Jesca stumbled upon online: “sonder,” which you won’t find in the dictionary. She tells the NPR crowd “sonder” is the realization “that every person that you come across is living a life as rich and complex as your own.” And that realization takes you out of the center of things, something that is at the heart of “Shoulder Charge” and quite a potent moment in this deeply reflective and personal Tiny Desk concert.

This word, sonder, came to my attention back in 2016 when Kishi Bashi first discovered it and named his album Sonderlust for it.

The song is like the others, slow and quite with a pretty melody that doesn’t really go anywhere.

I found that after three listens, I started to enjoy the songs more, so maybe she just writes songs that you need to hear a few times to really appreciate.

[READ: March 2020] Ducks, Newburyport

I heard about this book because the folks on the David Foster Wallace newsgroup were discussing it.  I knew nothing about it but when I read someone describe the book like this:

1 Woman’s internal monologue.  8 Sentences. 1040 pages

I was instantly intrigued.

Then my friend Daryl said that he was really enjoying it, so I knew I had to check it out.

That one line  is technically (almost) accurate but not really accurate.

The story (well, 95% of it) is told through one woman’s stream of consciousness interior monologue.  She is a mother living in Ohio.  She has four children and she is overwhelmed by them.  Actually she is overwhelmed by a lot and she can’t stop thinking about these things.

She used to teach at a small college but felt that the job was terrible and that she was not cut out for it.  So now she bakes at home and sells her goods locally.  She specializes in tarte tatin.  This is why she spends so much time with her thoughts–she works alone at home.  Her husband travels for work.  Whether she is actually making money for the family is a valid but moot question.

So for most of the book not much happens, exactly.  We just see her mind as she thinks of all the things going on around her.  I assume she’s reading the internet (news items come and go in a flash).  She is quite funny in her assessment of the world (how much she hates trump).  While I was reading this and more and more stupid things happened in the real world, I couldn’t help but imagine her reaction to them).  She’s not a total liberal (she didn’t trust Hillary), but she is no conservative either (having lived in Massachusetts and New York).  In fact, she feels she does not fit in locally at all. (more…)

Read Full Post »

SOUNDTRACK: KISHI BASHI-“All I Want for Christmas is You” (2019).

The 2018 JNR Holiday Party, Vol. 2 compilation also featured a Christmas song by Kishi Bashi.

It begins with him muttering.  “It’s Christmas.  It’s never Christmas when you’re recording Christmas songs.”

What follows is the remarkably conventional song I’ve heard Kishi Bashi record.  Aside form the obviously hugely conventional nature of one of Christmas’ biggest songs, the style of his singing along with the backing vocals and the general feel makes me surprised this version isn’t played more.

Thor Harris who appeared on yesterday’s bizarre Christmas song, makes an appearance here (although I don’t know what he does).  The gorgeous backing vocals come from OHMME (just like yesterday as well).

K. sings this in his lower register–giving him a very croony sounds (one that is rather unlike his normal singing voice).  The only real nod to it being Kishi Bashi is a the cool violin solo (so much better than a sax solo!).

I would listen to this version over any other, hands down.

[READ: December 17, 2019] “The Science Fair Protest”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This was another confusing story that seemed like it might have been based on something … except the whole premise is crazy.

Even the beginning is hard to parse: “When the new gangsters got elected and took control, atoms could no longer be said to be the smallest form of matter.”  What?

This begat the Science Fair Protest, an ongoing violent disruption.  The narrator says he is no science teacher, but his neighbor, Ram, was an eighth grade biology teacher.  Ram said that the gangsters insisted that instead of him having lab hours once a week, he was to take the students to a field to play a game called Stick & Ball.  You have a stick and, not a ball, but a big rock.  You throw the rock in the air and hit it with the stick as hard as you can. (more…)

Read Full Post »

SOUNDTRACK: THOR HARRIS, DUMB NUMBERS-“Carol of the Tubular Bells” (2019).

I really like Joyful Noise Records.  They release some really beautiful music as well as some really out there stuff.  They are the home of Kishi Bashi and Ohmme as well as a number of other terrific bands. But they also release lots of noisy chaotic bands (call it joyful noise perhaps).

For 2018 they released JNR Holiday Party, Vol. 2 and eclectic bunch of holiday songs.

This song was recorded by Thor Harris & Dumb Numbers with David Yow, Ohmme, and CJ Boyd.

Thor Harris is, well, his Wikpedia page says he is “an artist, sculptor, musician, painter, carpenter and handyman.”  Musically he is a composer and percussionist who plays every instrument in the universe (on his last album he was credited with marimba, flute, vibraphone, voice, organ, duduk, tubular bells, gongs ,etc.”

Dumb Numbers is the project Adam Harding whose musical style has been described as doom, sludge, and “swooning feedback pop.”  He has worked with all kinds of people including David Yow, singer of The Jesus Lizard.

That’s the background for this nearly three minutes of bizarreness.

The song starts with a toy piano playing Carol of the Bells.  Soon enough, OHMME sing beautifully the actual song, including the ding dong ding dong.  Meanwhile the counterpoint vocals (normally “Hark how the bells, Sweet silver bells…”) features David You singing “Don’t go insane, don’t go insane” to that melody.

That’s all that Yow sings, over and over for nearly 3 minutes.  And he clearly starts to go a little insane.  His vice fades to a whisper, turns into a rant, and sometimes even gets back on track to the timing.  Meanwhile OHMME sounds really beautiful.

Around 2 minutes in, Yow seems to have lost it entirely, mumbling incoherently until he screams “look out mama, there’s a….”

OHMME stop singing and then the melody of “Carol of the Bells” suddenly morphs into Mike Oldfields’ “Tubular Bells” and the song takes on a whole new tone.

As the song fades Yow screams “Faaaaaaaaalllllllll on your knees.”

This is the song you play when you want everyone to leave your Christmas party.

You can watch Yow sing over the backing track here.

[READ: December 16, 2019] “Show Me Your Dantes”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story was delightfully surreal.  I am very intrigued that it is an excerpt from an upcoming novel which is the second of a trilogy about  character named Prin.  Initially I thought Prin was a woman, because, why not.  But that was quickly settled, when it was obvious Prin was a forty-year old man.

The excerpt starts with Prin being interviewed by a Charlie Tracker.  Charlie asks him what he knows about this job and Prin says that if he got the job he would be working with Charlie but would be working for Hugh, Charlie’s son.

The story seemed to be pretty normal–a man getting interviewed–until Charlie says he is impressed that the Prin wore new shoes to the job interview, “most of the professors I’ve met over the years show up in shoes they stole from hobo camps.”  Since I didn’t know when this story was set I didn’t know how literal that was meant to be. (Apparently not at all).

As the interview gets going Charlie offers to let Prin see “the finest private collection of Dante manuscripts and Dante memorabilia in the United States.”   Charlie is a little disappointed that Prin wasn’t more excited about that but Prin says he’d be more excited if he knew what this position was all about.

Charlie gives a lengthy and affecting explanation of how he got into Dante (it had to do with the Vietnam war and a very disturbing scene).  We also learn about Charlie’s business background and how he succeeded after the war. (more…)

Read Full Post »

[ATTENDED: November 4, 2019] Kishi Bashi

This is now the fourth time we’ve seen Kishi Bashi.  The first time was magical–he was solo doing his amazing looping and violin playing.  The second time he opened for Guster and even played with them, which was thrilling.  The third time was at Union Transfer with a small band.  The sound was bigger and really fun.  And K crowd surfed.

This was the fourth time and his band was even bigger.  He had stage decor (what looked like grass and a giant crane in the background).  And his latest album is full of all kinds of instrumentation beyond the violin.  K. played guitar and keys as well as violin.

It also happened to be K’s birthday!  He had posted a few days earlier that it was his birthday at our show.  I contemplated bringing him something, but that seemed silly.

The band came out on stage with frequent collaborator Mike Savino (known as Tall Tall Trees) on bass, Ryan Oslance on drums, Dave Kirslis from Cicada Rhythm on guitar and the most wonderfully dressed musician on flute.  It took me a few songs before I learned that Pip the Pansy was the stunning flautist who kept her flute in a quiver on her back.  She was so much fun to watch and made incredible music.

Then K. came out.  K. always looks nice in a jacket with a bow tie.

He then proceeded to play “Marigolds” from the new album.  I listened to the new album a lot and really like it.  But somehow, I didn’t recognize this song until almost half way through it.  I don’t know if its because the band made it sound so much bigger or that I was so overwhelmed by everything happening, but I actually thought it was a new song until the chorus came back around.  (more…)

Read Full Post »

[ATTENDED: November 4, 2019] Cicada Rhythm 

The last time we saw Kishi Bashi at Union Transfer, his opening act was Twain.  We hated Twain.  Probably more in retrospect now that we’ve joked about him so often.  But Kishi Bashi talked about how much he loved Twain.  So we were a little concerned about who might be opening for this tour.

The band proved to be a duo called Cicada Rhythm.

They were a delightful couple, recently married.  Andrea DeMarcus plays upright bass (she is Julliard-trained) and and Dave Kirslis plays guitar (electric and acoustic).

They were sweet and adorable and very very sincere. (more…)

Read Full Post »

Older Posts »